Showing 12194 items
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Gippsland Art Gallery
Work on Paper, Unknown Artist, Temple Impression, Undated
Donated by Mr & Mrs J. Wilson, 1980Ink on embossed papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Temple of Jupiter Panhellenius, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, SADANOBU, Hasegawa, Temple Entrance at Toganoo in the Rain (Toganoo monzen uchû), from the series Famous Places in the Capital (Miyako meisho no uchi), 1870-71
Edo PeriodWoodblock printkyoto -
Latrobe Regional Gallery
Print, HIROSHIGE, Utagawa, Askusa Temple, c. 1854
Edo PeriodColoured woodblock printtemple, askusa -
Latrobe Regional Gallery
Print, HIROSHIGE II, Morning Mist at Zojo Temple from the series '36 Views of the Eastern Capital', 1861
Edo PeriodColoured woodblock printzojo temple -
Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Invitation, Dedication of Southern Cross Temple 1980
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Document, Specifications for New Temple and South
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Invitation, Dedication of the Southern Cross Temple 1980
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Invitation, Dedication of Temple 1980
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Masonic Temple, Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Masonic Temple, Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Building of the Masonic Temple Maldon
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Grand Officers at dedication of Temple
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Photograph, Grand Officers at opening of Masonic Temple
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Freemasons Victoria - Southern Cross Lodge No. 24 (Maldon)
Document, Dedication of the Masonic Temple - 27 February 1987, 27 February 1987
Booklet of ten pages outlining a brief history of the Mackenzie Lodge, followed by the order of proceedingsmackenzie -
Horsham Regional Art Gallery
Painting, Norman HOFMAIER, In the depths of the temple, 1989
Mack Jost Bequest, 2001oil on board -
Eltham District Historical Society Inc
Photograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: burnt remains of Asakusa Kannon Temple, 1923
The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Stawell Historical Society Inc
Photograph, Mr J (George) Popp's General Store Newington Road Stawell with Mr Joachim (George) Popp in the front with the family
J. Popp's General Store Newington Road with Joachim (George) Popp in front with family.stawell building -
Geoffrey Kaye Museum of Anaesthetic History
Homeopathic Kit
The Sydney Homeopathic Dispensary was established in July 1858. At a time when medicine was become more scientific and evidence based, homeopathy relied on the Galenic tradition to treat patients.Wooden box with two drawers secured by a brass pin inside top lid, containing a variety of homeopathic substances. Some of the cork tops are missing, others are broken but sealed. Some of the cork tops have the abbreviated name of the contents on them.Printed in gold leaf on the inside of the lid: JOHN BELL. / HOMEOPATHIC CHEMIST. / GEORGE STREET / SYDNEY.homeopathy, galen, homeopathic, galenic -
Old Colonists' Association of Ballarat Inc.
Photograph - Photograph - Black and White, Lisa Gervasoni, The George Hotel, Ballarat, 23/03/2017
Black and white photograph of the George Hotel in Lydiard Street, taken from the balcony of the Old Colonists' Hall.george hotel, ballarat old colonists' club, old colonists' hall, balcony -
Whitehorse Historical Society Inc.
Pamphlet, St John's Anglican Church, Blackburn, 16/09/1951 12:00:00 AM
Pamphlet for parishioners of St John's Anglican Church, Blackburn aPamphlet for parishioners of St John's Anglican Church, Blackburn about Temple Day services.Pamphlet for parishioners of St John's Anglican Church, Blackburn ast johns anglican church, blackburn, wicking, walter benjamin, cornell, e, harvey, e