Showing 314 items
matching textile machines
-
Australian Lace Guild - Victorian Branch
Textile - Brussels applique lace, Late 19th Century
... motifs appliqued onto machine made net Textile Brussels applique ...Fine lace used as a costume trimmingEdging of Bobbin lace motifs appliqued onto machine made net -
Australian Lace Guild - Victorian Branch
Textile - Brussels applique lace, Late 19th Century
... motifs appliqued onto machine made net. Textile Brussels applique ...Fine lace used as costume trimmingEdging of Bobbin lace motifs appliqued onto machine made net. -
Australian Lace Guild - Victorian Branch
Textile - Brussels applique lace, Early 20th Century
... appliqued onto machine made net. Textile Brussels applique lace ...Fashion accessoryScarf / Tie of bobbin lace motifs appliqued onto machine made net. -
Australian Lace Guild - Victorian Branch
Textile - Tape lace, Late 19th or early 20th Century
Fashion accessory. Collar of Machine made tapes with needle made filling stitches. -
Australian Lace Guild - Victorian Branch
Textile - Machine mixed lace, Late 19th or early 20th Century
... with Chemical lace motifs on the points. Textile Machine mixed lace ...Fashion accessory.A collar of machine made lace imitating Carrickmacross. Machine muslin applique motifs on the body of the collar with Chemical lace motifs on the points. -
Australian Lace Guild - Victorian Branch
Textile - Tape lace, Late 19th or early 20th Century
Home made or hobby laceHandkerchief Machine made tape with needle made filling stitches -
Australian Lace Guild - Victorian Branch
Textile - Tape lace, Lat 19th or early 20th Century
Fashion accessoryTape lace collar. Machine made tapes with needle made filling stitches. -
Australian Lace Guild - Victorian Branch
Textile - Machine made lace: Chemical lace, Early 20th Century
... with standing neck edge. Textile Machine made lace: Chemical lace ...Chemical lace. The design was machine embroidered onto a base fabric which was then chemically dissolved away.Collar with standing neck edge. -
Australian Lace Guild - Victorian Branch
Textile - Machine made lace: Embroidered net
... Machine embroidered net scarf Textile Machine made lace ...Machine embroidered net scarf -
Australian Lace Guild - Victorian Branch
Textile - Carrickmacross, 19th Century
Flouncing - costume trimmingCarrickmacross flounce - muslin applique on machine made net. Handmade including some embroidered net fillings and some guipure sections. The inclusion of embroidered flowers is rather unusual. -
Australian Lace Guild - Victorian Branch
Textile - Tape lace, 19th Century
Fashion accessory. Home made or hobby lace. Belonged to Mrs Calder Oliver (donor's mother)Tape lace dress front. Machine made tapes with needle made fillings -
Australian Lace Guild - Victorian Branch
Textile - Machine made lace, Second half 19th Century
... machine made net using machine chain stitch. Textile Machine made ...Machine made muslin applique Fichu. Muslin appliqued onto machine made net using machine chain stitch. -
Australian Lace Guild - Victorian Branch
Textile - Machine made lace : Torchon, Early 20th Century
... - costume trimming Textile Machine made lace : Torchon ...Machine made lace imitating Torchon bobbin lace. Insertion - costume trimming -
Australian Lace Guild - Victorian Branch
Textile - Machine made lace: Torchon, Early 20th Century
... . Costume trimming Textile Machine made lace: Torchon ...Machine made lace imitating Torchon bobbin lace. Insertion. Costume trimming -
Australian Lace Guild - Victorian Branch
Textile - Tambour
... possibly be handmade but is more likely to be machine made. Textile ...Flouncing - costume trim.Embroidered net. Flounce of machine made net with floral design worked in chain stitch. Could possibly be handmade but is more likely to be machine made. -
Australian Lace Guild - Victorian Branch
Textile - Machine Knitted lace
... Machine knitted lace shawl Textile Machine Knitted lace ...Machine knitted lace shawl -
Hymettus Cottage & Garden
Textile - curtain, Parlour window Valance
This example of a late 1920s valance retained in the front parlour at Hymettus is a part of the period decoration and still fills its purpose of over a century ago in concealing the curtain rails. of the room. Although the house was built 1900 -1901 the room was redecorated in the late 1920s.A rare surviving example of a silk patterned and machine embroidered valance in situ since the 1920s.valance, window, parlour, hymettus, ballarat -
Australian Lace Guild - Victorian Branch
Textile - Bonnet veil with Agentan lace motifs, Argentan motifs - mid 18th century. Bonnet veil mid 19th century
... appliqued onto machine-made cotton net. Textile Bonnet veil ...Fashion Item. Bonnet veils were very fashionable during the 19th century. At this time old lace was highly valued - in this case old Argentan needle lace motifs (mid 18th century) have been reclaimed and appliqued onto machine made cotton net to form this 19th century bonnet veil. Probably home-made.Mid 18th century Argentan needle lace motifs appliqued onto machine-made cotton net.lace veil, bonnet veil. -
National Wool Museum
Machine - Scouring Bowl, J Dyson & Sons Pty Ltd, c.1890
Scouring is the process that removes wool wax and other unwanted products from wool. Wool is washed in a hot detergent solution. It moves through a series of scouring bowls and is then rinsed and dried. Careful handling and washing preserves the strength and softness of wool. If the wool contains lots of seeds and other vegetable matter, it must be cabonized. This means it is treated with a solution of sulpheric acid and then baked at high temperature to remove impurities. The disused scouring water left-over from this process was often let drain into rivers and watercourses causing pollution. Many of Geelong's wool scours along the Barwon River were closed due to environmental damage. The race system on this bowl is not the original it has been modified with a variation of the harrow system. Used at E.P. Robinson South Geelong from c.1890-1970.Scouring bowl.J. Dyson & Sons Pty Ltd, Geelongsouring bowl, j dyson & sons, geelong, wool processing, e. p. robinson, textile industry, factory, mill -
National Wool Museum
Machine - Noble Comb, Prince Smith & Sons, Burlington Shed, Keighley, 1915
Combing removes the short or broken fibres and draws out the long fibres into even strands suitable for spinning. The process is necessary to produce long and soft strands needed for worsted yarn. These machines remove the short fibres and blend the remaining long fibres together to form the top. The short fibres that are removed, known as the noil, are used in the woollen system. The long fibres are drawn together, ready for spinning. To retain as many of the valuable long fibres as possible, a skilled operator always needed to be on duty in the factory to precisely set the machine. A Nobel Comb separates short (Noils) fibres while also blending long (Tops) fibres together. The long fibres are used for worsted materials while the short fibres are used for woollen fabrics. Woollen materials are soft, bulky and fuzzy, such as a picnic blanket; whereas worsted materials are fine, smooth and crisp, such as a suit jacket. The Valley Worsted Mills in Geelong, now the Little Creatures Brewery, ran 12 noble combs up until 1981. Gold plaque on display with machine until 2018 read: G.H. Mitchell & Son, Adelaide have celebrated 125 Years of involvement with the Australian Wool Processing Industry by contributing the funds necessary to restore The Carding Machine, Noble Comb & The Gill Box.Noble Comb with plates - 'Prince Smith & Sons, Burlington Shed, Keishley' (One plate located on each gear box). 'Prince Smith & Sons, Burlington Shed, Keishley' (One plate located on each gear box).wool manufacturing, noble comb, textile industry, geelong, little creatures brewery, valley worsted mills, fibres, wool, factory -
National Wool Museum
Machine - French Comb, Schlumberger & Cie, 1964
... set the machine. Machine has been completely rebuilt and set ...Combing removes the short or broken fibres and draws out the long fibres into even strands suitable for spinning. The process is necessary to produce long and soft strands needed for worsted yarn. These machines remove the short fibres and blend the remaining long fibres together to form the top. The short fibres that are removed, known as the noil, are used in the woollen system. The long fibres are drawn together, ready for spinning. To retain as many of the valuable long fibres as possible, a skilled operator always needed to be on duty in the factory to precisely set the machine. Machine has been completely rebuilt and set up by Nick Sokolov of Comb Research and Development with the help of Bruce Hill and others. NSC Schlumberger Comb PB25L machine No 3953, year of manufacture 1964. A rectilinear version of the Noble Comb, this machine separated long and short fibres. Donated to the National Wool Museum by Port Phillip Wool Processing Pty Ltd in 1993.French comb machine. 1962 Shlumberger and Co, France Model PB 251 NO. 3953.french comb, wool processing, textile industry, factory, machine, comb, restoration, fibres -
National Wool Museum
Machine - Gill Box, Deutscher Spinnereimaschinenbau Ingolstadt, 1963
This machine uses a series of combs attached to bars that move with increasing speed away from a starting point. This draws-out and aligns the wool fibres to produce a gilled top. The gilling process is also used in other positions along the worsted production line. A gill box draws and combs the fibres prior to spinning. Gold plaque on display with machine until 2018 read: G.H. Mitchell & Son, Adelaide have celebrated 125 Years of involvement with the Australian Wool Processing Industry by contributing the funds necessary to restore The Carding Machine, Noble Comb & The Gill Box.Gill box. Green painted steel.Deutscher / Spinnereimaschinenbau / Ingolstadt / 1963deutscher spinnereimaschinenbau ingolstadt, gilling, gill box, textile industry, wool processing, factory, machine, mills, spinning, fibre, comb -
National Wool Museum
Machine - Cap Spinner, 1925
... . weaving knitting cap spinning cap spinner machine textile industry ...This cap spinner squeezes the thread under the stationary cap and winds them onto the bobbin. Spinning transforms tops into yarns. The tops are pulled out into fine strands known as rovings. They are then twisted to bind the thread together to give the yarn greater strength. The yarns are wound into differently shaped tools. They are then sent off for weaving and knitting.Cap spinning machine.weaving, knitting, cap spinning, cap spinner, machine, textile industry, factory -
National Wool Museum
Machine - Loom, George Hattersley and Sons Ltd, 1920 - 1935
Weaving is the interlacing of two yarns, one at right angles to the other. Yarns that run the length of the fabric are called the warp. Yarns that run across the fabric are called the weft. Most woven fabrics are produced on a loom. The warp yarns are raised to form an opening - the shed. The weft carrier, usually the shuttle, shoots through the shed. Then the warp yarns change position up and down. Finally, the weft is pushed tight against the previous yarns, gradually building up the fabric. Hattersley dobby loom. In working order, black painted cast iron.weaving, george hattersley and sons ltd, weaving machinery, loom, wool processing, textile industry -
National Wool Museum
Machine - Teasel Gig, c1890
When the fabric is removed from the loom it is often stiff, rough and uneven. There are a number of finishing processes, both mechanical and chemical that give wool fabrics their special look and feel. The fabric is often scoured again to remove oils and dirt picked up during manufacture. It is then pressed. For a soft and fluffy surface, the fabric is brushed. For a smooth surface, it is shorn. For centuries, machines similar to this teasle gig were used to finish fabrics. It uses the prickly flower head off the teasle plant (Dispsacus Fullonum) to do the delicate work to raise the surface, or nap, the woollen cloth. At least 1,500 teasle heads are needed for one gig. The teasel is a thistle like plant whose dried heads are used on the teasel gig. They are fixed to frames around the drum, or gig. The gig turns in the opposite direction to the flow of the cloth until the nap is raised. Also spelled as Teazel Gig.Large metal machine with wooden rollers and teasel covered drum.textile finishing, raising, raising machinery, teasel gig, fabric, wool processing, plants, thistle, drum -
National Wool Museum
Machine - Sock Knitting Machine, G Stibbe and Co, c.1928
... Knitting Machine Manufacturing Textiles Socks Machines Circular ...Knitted fabric is made with a single yarn or sets of yarns moving in only one direction. Whether done by hand or by machine, the process is the same. The knitting needle loops the yarn through itself to make a chain of stitches. These chains, or rows, are connected to produce the knitted cloth. There are two types of commercial knitting machine. A flat-bed has its needles, one for each loop, arranged in a straight line to produce a flat fabric. A circular machine has its needles arranged on a rotating circle. The cloth forms as a tube which can be made into seamless clothing. Dellruss Pty Ltd original owner Llyold Henry Coburg. Mock ribber fitted post World War 2. In use from c.1928 until 1978.Stibbe Maxim circular sock knitting machine.sock knitting machine, manufacturing, textiles, socks, machines, circular, clothing, industry, wool -
National Wool Museum
Machine - Sock Knitting Machine
... . Sock Knitting Machine Textile Industry Wool Fashion Clothing ...Knitted fabric is made with a single yarn or sets of yarns moving in only one direction. Whether done by hand or by machine, the process is the same. The knitting needle loops the yarn through itself to make a chain of stitches. These chains, or rows, are connected to produce the knitted cloth. There are two types of commercial knitting machine. A flat-bed has its needles, one for each loop, arranged in a straight line to produce a flat fabric. A circular machine has its needles arranged on a rotating circle. The cloth forms as a tube which can be made into seamless clothing. Griswold bench-type sock knitting machine hand operated by turning the handle.sock knitting machine, textile industry, wool, fashion, clothing -
Bendigo Military Museum
Textile - BLANKET, WOOL, WAGGA, Unknown
Derych Victor Lawes VX22625 enlisted 30 May 1940, age 25 years 3 mths. Embarked 14 Sept 1940 for Middle East. Rose through the ranks to S/Sgt Weapons Instructor Palestine. Disembarked Aust 29.4.1942. From 19.1.1945 Acting WO1 at HQ Small Arms School Bonegilla. Discharged 18 Dec 1945. Blanket - wool, machine stitched patches of brown toned wool blankets. Yellow numbers have been stitched by hand (no reason given for the numbers.)White label - handwritten in biro on white tape ""D. LAWES 473092"on one corner. Yellow wool handstitched numbers in various positions on the blanket. "8926, 10830, 10752, 107, 6". craft, blanket, wagga blanket, d lawes -
National Wool Museum
Machine - Knitting Machine, Coppo, 1960s
The knitting machine is a recently designed instrument, especially when it is compared with its ancient counterpart, the loom. It enables the creation of many metres of fabric very quickly. A knitting machine is composed of a series of needles which mimic the process of manual knitting. The mechanism engages numerous mechanical elements simultaneously and enables the creation of many metres of fabric very quickly. In addition, a knitting machine can be setup to produce unique bolts of fabric. The density of the fabric may be modified and a knitting machine can produce double-faced effects. A doubled-faced effect creates colour combinations through the introduction of an additional colour to the knitting pattern. This knitting machine is a Coppo brand. It contains over five hundred needles and was produced in the 1960s. It is a representation of the best available in the world at that time. Originating from Italy, it was designed for commercial use. Through both precision and capacity, Italian artisans were seen to be the best in the world of textiles and knitwear. Through emigration, globalisation and the regularly available quantities of wool, Australia came to compete on this stage. The owner of this particular machine migrated from Italy in 1959. When she did, she brought with her a Dubied knitting machine. She later replaced it with this Coppo. When in Australia the owner began work as a piece worker, knitting jumpers and worked for some of the iconic names in the Australian knitting trade including ES Poratt and Alpin Manufacturing. The owner’s role progressed from a piece worker to a wool garment designer and she won many Wool Industry Awards in the 1970s and 1980s. Her high quality of work using and her individual custom designs were spoken about by many of her customers and she had a very large private clientele. She designed and knitted fully fashioned tailored jumpers for people for around 30 years.Knitting table sits on a stand with wide metal legs. Legs contain lettering 'COPPO torino'. Legs are connected via three thin metal poles as well as a metal band and the bed of knitting table at top. The connecting metal band has the lettering 'SUPER - COPTAL' attached. The Knitting table itself contains two beds and a bench at the rear. Attached to the bench is a thin metal structure for the elevation of yarn. It has four crane esk structures above on this metal structure. The bench is covered in a pale grey laminate in the imitation of wood. Attached to the knitting bed is a sliding contraptions containing two handles at the front followed by a complex semi-circle sliding mechanism used to move the knitting mechanism front and back.Left Stand. Lettering: Coppo Torino Right Stand. Lettering: Coppo Torino Centre Stand. Lettering SUPER - COPTALcoppo, knitting machine, design, italy, wool, business, migrants -
Bendigo Historical Society Inc.
Textile - Tray cloth
... with a 3.5cm machine hemmed border. Textile Tray cloth ...A cream coloured square silk tray cloth with a 3.5cm machine hemmed border.favaloro, silk tray cloth