This oil painting is in a handmade, carved frame, dates back to the period of the old Warrnambool Museum and Art Gallery. The two-masted, sail-and-steam-powered ship has the sails and bow shape of a tall clipper ship plus the extra power of steam. It dates to the transition between the clipper ships with their billowing sails and the steam-powered ships, which happened in the late 19th to early 20th century. The flag flown from the stern is that of the British Merchant Navy that traded around the world to transport cargo, and later passengers, from one destination to another. The painting was originally catalogued as the "S.S. Warrnambool" although it has a different design. It was also attributed to the ship portrait painter, the renowned C.K.M. - Charles Keith Miller - but differs from his style. Further research is being carried out at this time. In 1966, between the closure of the old Warrnambool Museum and Art Gallery and the distribution of the painting to Flagstaff Hill, this painting was repaired by David Heysen, son of the German-born artist Hans Heysen OBE. David was born in Hahndorf (called Ambleside for a short period of time), South Australia, married Lyly Refshauge from Melbourne, and they raised a family on their property in Kalangadoo, near Penola, in South Australia.The painting's frame is an example of handmade carving and joinery created in the late 19th century. The artist has depicted the image of a historical sail-and-steam ship of the type in which cargo was traded across the world, including to and from Australia. Vessels such as this also brought migrants to Australia.Painting, oil on board, in hand carved wooden frame with floral and geometric pattern, inner border painted gold. Image of a two-masted sail and steam ship, sails raised, black funnel emitting smoke. Hull is black with white horizontal stripe and white trim around sides of deck. Three lifeboats are visible. Bow is ‘clipper shape’ with what appears to be a figurehead. A red ensign flag flies at the stern and a blue and red flag is attached to the mainmast. The frame has been assembled using Mortice and Tenon joints, one of which is exposed on the back, lower right corner. Chandelier chain has been attached for hanging. There is no visible signature, date or title on the front of the painting. The back board has empty holes spaced around the edge and is held in place by staples. The visible surface has remnants of adhesive from two rectangular attachment s. There are two small white stickers attached, one with a hand written inscription. There are pencil and pen inscriptions. The painting is protected by cardboard with inscriptions in marking pen.On back board, written in the style used by the Warrnambool Museum and Art Gallery: - On white sticker, in pen “A-P31/1-74” - Pencil “A27/1883 / Artist CKM 1883 / Title SS Warrnambool / oil on board” Written in pen by the repairer - “Repaired & re-drilled – cleaned etc. / David Heysen 11/66” Written by Flagstaff Hill’s Cataloguer - Pencil “3031” On cardboard wrapper, in marking pen: - “S.S. Warrnambool / by / C.K.M. 1883” - “A-P/31/1-74” - “3031”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, s s warrnambool, charles keith miller, charles miller, steam and sail ship, british merchant navy, slipper shaped bow, 19th century sea trade, warrnambool museum and art gallery, old warrnambool art gallery, hand carved picture frame, mortice and tennon picture frame, migrants, c.k.m.

Six walking canes shaped from natural timber. 7543a Light coloured wood with top carved in shape of a snake head. 7543b Light brown wood with T shape carved top. 7543c Dark brown branch with bark intact. Natural branch at 30 degrees cropped at top. 7543d Thin dark brown bamboo like straight walking stick. Ornate carved knob at top. 7543e Light brown straight walking stick of three pieces of wood spliced together. Curved top spliced in place. Lacquered and polished. Metal band attached below hand grip (1.5 cm wide.) 7543f Rough natural branch with natural handle at 30 degrees angle.walking sticks, wooden objects, natural wood

Objects. Clothes brush is oval in shape, with a polished wooden base, and black bristles. Shaped to a rounded point at each end. Bristles 2.5 cm long. Nine rows of bristles. Make-up brush bears Chinese writing on the handle, 23.5 cm long with 6.5 cm long white hairs forming the brush. Hairs are held in an ebony cup shape fitting, attached to the handle. An ebony top-knot completed with a red silk ribbon loop finishes the top of the handle.Hair comb: Tortoise shell, with three 7 cm long teeth, which unfortunately are broken from the fan-shaped decorative top. The fan-shaped top of the comb, has an art-deco type flowing floral design-1920's.Chinese lettering - six characters.costume accessories, female, clothes brush, make-up brush, hair comb.

The Australian White Ibis is commonly known by the colloquial names "bin chicken" and "tip turkey" in Australian culture. These nicknames have arisen based on the presence of this bird at garbage locations where it is often seen rummaging through the waste. The Yindjibarndi people of the central and western Pilbara call this species mardungurra. This bird is located throughout the wetlands of eastern, northern and south-western Australia. Initially, it was not seen in urban areas, however, the species has been able to adapt and reduce fear of humans due to the lure of food found in human garbage. They commonly feed on terrestrial and aquatic invertebrates alongside human scraps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australian White Ibis has white and cream plumage on its body and a black neck, head, bill and legs/feet. The bill on this particular species has a distinctive long shape which is down-curved. It is a fairly large variety of the Ibis species. This specimen has been stylised in a standing position and is positioned on a wooden platform. 5 C. / White Ibis / See catalogue / Page 32 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ibis, bin chicken, white ibis, australian birds, australian white ibis

Souvenir collected by a member of BCOF in Japan during Post WW2. items in collection of "RICHARD WILLIAM McGILVERY", RAAF. REFER CAT NO. 7287P FOR HIS SERVICE DETAILS, PHOTOS AND AWARDS.Silver one piece metal match box holder. Shape is a hollow box, open at the top where match box will be inserted sitting on a pedestal. Pedestal is open at the bottom. Engraved on the box is a plant branch and two snaking lines like "S" on the wide side and on the thinner side a flower head. One of the flowers is in red.bcof, souvenirs

Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record.RAASC officer's metal collar badge. The badge is bi-metal construction using silver and gold coloured metals. The silver metal background features a Queen's Crown and a seven-pointed star. Gold coloured metal is circular in shape with a royal cypher in the middle. Blue and red enameling in the centre. On the back are two loop fittings.Stamped on gold coloured metal: ' ROYAL AUSTRALIAN ARMY SERVICE CORPS'. Printed in gold on blue enamel garter: 'MONI SOIT QUI MAL Y PENSE'. Stamped on back: 'STOKES, MELB'.badge, uniform, royal australian army service corps, kevin john herdman

Cyril Hayward came with his wife Joyce to Warrnambool from England in 1955. For 30 years he and his wife were dominant figures in the performing arts organizations in Warrnambool. Cyril Hayward was a leading figure in the Warrnambool Theatre Company as an actor, stage manager, electrician, technician and the person who did any other job that needed to be done. He was a Life Member of the Theatre Company and President of the Warrnambool branch of the Victorian Arts Council, organizer of the weekly talking newspaper for the visually impaired, a tutor for the local Adult Literacy Scheme, a founding member of the Warrnambool Probus Club and was on the building committee for the development and building of the Performing Arts Centre in Warrnambool. The Warrnambool City Council gives Citizenship Awards annually.This is a significant item because it was an award received by Cyril Hayward, a prominent person in the Warrnambool Arts scene for 30 years.This is a bronze-coloured medallion presented to Cyril Hayward as a citizenship award in 1982. It is circular in shape with the crest of the City of Warrnambool on one side and a laurel wreath with inscriptions on the other. It has a ring at the top for hanging the item. It is in a black leather box lined with red velvet and white silk and includes a small metal stand to display the medallion. Medallion – City of Warrnambool, Dieu et Mon Droit, By These We Flourish Citizenship Award, Cyril Hayward, 1982, Stokes Melb. Box – Stokes(A/Asia) Limited, Melbourne, Australia, estd. 1856 cyril hayward, warrnambool city council

This hospital / medical instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme. The kit may have been used by the doctor when on home visits.Historical: Shows the development of scientific medical equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.Red cardboard box with slide out tray holding 10cc syringe and 9 needles and stillett. The syringe has a glass cylinder with measurements marked and a plunger attached to a steel rod with 2 rings for the fingers on the side and 1 ring at the end. It is held in the box by two cardboard flaps. The steel needles vary in shape and size. On the syringe lines and numbers up to 10 cc Top of box in hand writing using pencil: Aspiration Syringe 10 ml and H/0/ and 41/6medical equipment. hospital equipment. mt beauty. tawonga. syringe. needles.

This hack saw would have been used to cut metal. The blades were interchangeable according to the requirements of the job. The item could have been used on a farm or in industry. This item is retained as a good example of a tool commonly used in past times.This is a hack saw. It has a metal frame in a D shape with a metal blade on the straight side affixed with screws. The blade is finely serrated. Attached to the metal frame is a wooden handle. This hack saw also has an extra blade attached to the fixed blade with a piece of wire flex. The metal is somewhat rusty and the wooden handle is worn. vintage hand tools

Smaller badge could be tie-pin and larger badge lapel pinSilver plated badge in the shape of the Clarendon presbyterian Ladies College crest; blue scrolls at base of shield have silver lettering; motto inscribed on shiled along with open book and star; burning lamp on top of shield. Two badges identical in detail but different sizes; pin fastening fixed diagonally across back;clarendon-presbyterian-ladies-college, badge

Item used by Navigators or Pilots of small aircraft. Belonged to Maxwell Lennox MATHESON 418447 RAAF. Refer Cat No1959 for his service history.NAVIGATIONAL Computer Mark III.D, metal - bakelite, construction rectangular box shape, top lid hinges open. Top lid has a circular adjustment. Inside has another circular adjustment. Centre is a graph in red which winds by a dial on side. Inside top lid hand written in black are items of Navigation."NAVIGATIONAL Computer MKIID REF No 68/180 ICAN CALIBRATION"electrical technology, appliances & accessories, navigational

Councilor John Pollock Spiers was elected to council in 1878 until 1880,1880 until 1892,1893 until 1902,1904 until 1910 and 1915 until 1918.He served two terms as President,1889-90 and 1899-1900.Councilor Spiers was a resident of Learmonth.Part of original collection of photos showing all councilors for 1883-84. This photo of Councilor John Pollock Spiers is in sepia tones and oval in shape,set in a "light tan"mount with gold edging around the cut out.Surounding the photo is a fine line and decorative features which link it to the next photo. It is on the right side second from bottom of the circle of photos showing all councilors for 1883-84. PRESENTED by the PRESIDENT J.DALGLIESH ESQ. to the BALLAARAT SHIRE COUNCIL 1883-84.ballarat shire council, john pollock spiers 1883 84

In 1912 Mr. R.L.Medwell was a valuable member of the Learmonth ANA Branch No 75.He also served on the Ballarat Shire Council and was elected in 1910 serving until 1919 and was Shire President in 1917-18. This photo is a section of original collection of photos which depict members of the 1912 Learmonth ANA Branch No 75.Black and white photo of Mr. R.L.Medwell,oval in shape and set in a brown woodgrain look mount.It is in the second row and third from the right.Decorative features painted in white are to the left of frame and his name is inscribed in white at the base of photo,It is part of a collection of photos showing all 1912 members of Learmonth ANA Branch No 75.LEARMONTH ANA BRANCH NO 75. PRESENTED TO C.MEDWELL EQ. BY HIS FELLOW MEMBERS AS A MARK OF ESTEEM & APPRECIATION OF VALUABLE SERVICES RENDERED TO THE BRANCH AS SECRETARY. LEARMONTH 1912.medwell r l 1912, ballarat shire councilor 1910 1919, learmonth ana branch no 75

Press metal hand-operated press base with 2 round pressing surfaces and large curved lever. Stamp is marked with "Warrnambool Harbour Board" and depicts graphic of lighthouse, boat and sun. In working condition. Has separate wooden base of rectangular shape and tall wooden box lid with key and 2 key holes.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, press, warrnambool harbour board

This historic bronze nail dates back to 1790s to 1890s. Nails such as this one were used for ship building, as deck fasteners and many other uses. This nail was made at a time when the shanks of nails were usually machine cut but the heads were hand formed by blacksmiths. The nail was recovered from a shipwreck along the coast of Victoria in around 1968 and is part of the John Chance Collection. The nail is significant historically as an example of hardware used when building wooden ships in the early to mid-19th century. The nail is historically significant as an example of the work and trade of blacksmith. The nail is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Nail; bronze, deck nail. Rounded rectangular head, rectangular shank cross-section, tip flattened to a rounded wedge shape. The surface is pitted and rough and has blue-grey, green and orange concretion and degradation on the nail's surface. Recovered from an unspecified shipwreck along the coast of Victoria. Part of the John Chance Collection. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, fastener, nail, square nail, machine cut mail, blacksmith, historic nail, bronze nail, hand forged, coastal shipwreck, victorian shipwreck

This brass cow bell was recovered from the wreck of the sailing ship ‘Loch Ard’ at Mutton Bird Island, near Port Campbell, Victoria, from late 1960s to early 1970s. Cow bells were listed as part of the cargo on board the Loch Ard. This bell is now part of the John Chance collection. Flagstaff Hill Maritime Village’s divers also recovered similar bells from the Loch Ard wreck in 1973. One of them was found in a sandy hole in the centre of the wreck site. All of the recovered cow bells are without their hangers. A bell of this size could have been used by horse or cattle teams. Cow bells were a common Colonial item. They were hung around the necks of grazing domestic cows and goats, bullock and horse teams, even camel teams so that they could be found again. Sheep and cattle drovers used them as a warning for night time disturbances such as wild animals. The maker of the cow bell, James Barwell, was a bell founder established in Birmingham, England, from 1784. In 1842 he acquired Fiddian’s firm of ‘Steam and Water’, keeping its name and stamping it on some of his products. According to his advertisement in the Exhibitors guide for the Church Congress of 1887, he made bells and fittings for churches and schools. He also made bells for cloches and chimes, and made tuned musical handbells. He repaired and reproduced bells, and he had a team of experienced ringers to “inspect towers and report upon the tone and condition of bells and fittings.” In 1903 he became incorporated as a Limited Company, ‘engineers’ and plumbers’ brasswork, and bell founders.’ In 1914 he advertised as ‘Cock and Bell Founders’, specialising in plumbing and engineering fittings, church bells, and “every description of hanging and hand bells.” Some of Barwell’s products were stamped with his maker’s mark (his initials J. B. either side of a cross entwined with a ‘B’ in an oval of oak leaves (for Birmingham)). James Barwell bells were no longer made after 1920. James Barwell was among makers who exported bells to the Australian colony from the 1860s. Early Australian iron animal bells were also made from the 1860s by blacksmiths such as Anthony Morgan from 1861, August Menneke from 1867, and Samuel Jones from 1868. Few brass bells were produced here in those times. This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Cow bell; heavy brass, flat top, pyramid shape, rectangular head, shoulders flare out to rectangular mouth. The head has two same-sized tooled holes for adding the hanging yoke. Inscription on top and one side. Encrustations are on the metal in places. The hanger and clapper are missing. Made by James Barwell of Birmingham.Stamped on the head "BARWELL / - - - / - - -- ING" [Perhaps BARWELL - - - BIRMING. Could size be in centre? 3 3/4 IN?] Stamped on side [motif] (undecipherable) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, mutton bird island, glenample, eva carmichael, tom pearce, james barwell, cow bell, horse bell, bell founder, bell smith, vintage bell, birmingham bell foundry, farmer, shepherd, drover, stock bell

Receipt from Frank G. Jones, Surgeon Dentist, L.D.S., Vic., B.D.Sc., Melb. Univ., 268 Hargreaves St., Bendigo. Date line ends 193-. Receipt and butt printed in dark blue. Frank G. Jones printed in a decorated nameplate on the left edge. At the bottom of the receipt is a box with a wheel shape with no rim.business, printers, cambridge press, cambridge press collection, frank g jones, cambridge press, melbourne university

Bendigo Central Bottle Club Newsletter - James Lerk Collection. ''Merry Xmas'' Edition (1974?). Includes article on 'Goldfield Oil Bottles' with drawing and brief descriptions of 18 pre-1860 bottles showing variety of shapes of these bottles. Short article on the Chinese and the lack of bottles in their camp areas - also information on opium pipes.

This feeder was used by the parents of Gerard Anderson to feed him Lactogen in 1922. Correspondence on file from donor.Clear glass feeding bottle. Bottle is curved, somewhat resembling the shape of a banana, with a bottle neck at either end. A flat depression on the underside allows the object to lie on a flat surface. The back of the bottle is marked in ounces, and the front is marked in tablespoons. Embossed on the front is a picture of a beehive on a stand with the words: 'EVER SWEET/SANITARY FEEDER'.'EVER SWEET/SANITARY FEEDER'infant care, infant feeding

Clothing. Fine cream silk in a circular shape, 13.5 cms in diameter. Surrounding the silk is a 1.5 cm wide border of silk, four petalled flowers, as in 11414.26 and 11414.30. Then a band of lacework, 8 cms deep is extremely fine silk lace. A lacy looped edging, in one fine silk thread edges the handkerchief.costume accessories, female, silk handkerchief

Black and white photo of Heather Reeves (nee Pain). First Easter Fair march in 1955. The staff was made by Doug Pain (Heather's Father) out of a billiard cue, and an old silver bed head top with an amethyst on top in the shape of a thistle. Heather was the Pipe Major of the Bendigo Ladies Pipe Band. See 11400.966.photograph, person, heather reeves (nee pain)

Clothing. Light blue satin woman's panties with straight legs - no gussett. Legs trimmed with 3cm coffee coloured lace. One cm turn over hem at waist with 15 cm opening with placket on LHS. Shaping darts on either side of centre front. Two darts on either side of centre back. No fastenings.costume, female underwear, woman's light blue satin panties

Clothing. Cardboard shape, covered in gathered satin ribbon, and edged with 1.5 cm floral patterned lace.Two silk organza flowers, with six tiny pearls at their centre, trim the lower edges of the horse shoe. One on either side. These have been glued in place, and cover a metal staple, which secures the ribbon in place.''Good Luck'' to you both, love Carol and Maurie. (written on paper and attached to the back with a pin).costume accessories, female, satin ribbon and lace wedding horse shoe

1. Fork: Fiddle pattern eagle in shield shape; R in circle; 2 in circle; ? in circle; ? in diamond (on back) ? silver (on shaft). 2. Knife: Firth's stainless blade (diamond). Made in Australia - plastic handle. 3. Spoon: WP in diamond over heart; B in lozenge; RD in diamond (on back) - fiddle pattern.cutlery

The embroidered initials may be those of Caterina Lamaro or Caterina Lopez who married Favaloro brothers - hence the change of initials to CF. refer 11408.112a and 112bAn ivory coloured large linen bedspread with an 11cm deep crochet lace scalloped trim and a 9cm wide crochet lace band insert 7cm from bottom edge which expands into a triangular shape 32cms deep in the two corners. The embroidered initials CF are centered above the lace insert and are adorned with floral embroidery.favaloro, crochet lace, embroidery

Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue enamel on metal membership medallion produced by the Kew Cricket Club for the year 1922-23 and which belonged to Francis Horace Rigg (1882-1946). The medallion in shield shape is enameled in shades of blue with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1922-1923kew cricket club, membership medallions

Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue enamel on metal membership medallion produced by the Kew Cricket Club for the year 1923-24 and which belonged to Francis Horace Rigg (1882-1946). The medallion in shield shape is enameled in shades of blue with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1923-1924kew cricket club, membership medallions

Shoesmiths, or farriers, served in light horse and artillery units particularly and were engaged in shoeing horses and other general blacksmithing tasks.Rare example of a uniform from the Edwardian period and specific to the trade of shoeing horses.Black woollen patrol collar tunic with white edge piping and white epaulets with twin black piping stripe; eight gilt Edward VII buttons in front and two smaller similar buttons securing epaulets; white frogging on cuffs; gold bullion shoesmith's trade qualification in the shape of a horseshoe on upper right sleeve.shoesmith, uniform

A small rectangular Windsor patterned clear glass container for a dressing table, possibly used for hairpins in the 1930's or 40's. It has 4 angled pieces that protrude from each bottom corner. Three rows of hexagonal shapes are part of the pattern on all sides. There are chips and cracks. It may have had a lid.Hexagonal cuts to the pattern on all sides of the container.glassware, domestic object

Sterile field wound dressing as issued to Australian military forces in the latter part of the 20th century.Sterile wound dressing in sealed, rectangular, olive drab fabric pouch, containing a pad with confroming badage. Small triangular shape cut from face side left to aide tearing open. Manufacturing details are printed in black text on the front and directions for use on the back. Irregular shaped black-brown stain on back.Front text - all capitalised: (Arrow symbol) To open tear here Sterile field wound dressings (Compressed for field use) (Three-pronged symbol) 6510-66-108-410 CAPO 7870026AC Multigate reorder: 30-338 Radiation sterilized (American spelling) in Sydney Australia Mulitgate (stylised logo) (symbol of Commonwealth star, a kangaroo and the southern cross) Multigate medical products pty ltd (Text printed sideways) D O M 10/07/1997 (Symbol of B in a circle) 270701 Back text - all capitalised (Printed in a rectangle outline) Directions for use 1. Retain outer bag 2. Remove dressing frm inner bag 3. Grasp bandage & pull pad open 4. Place face of pad onto wound 5. Place outer bag on the other face of pad & bandage 6. Tie or pin bandage * Do not handle wound or pad*wound dressing, medical, heraldry, personal equipment