Fire Support Bases Vietnam is a meticulous documentation of the construction, location and role of fire supprt bases during the Vietnam War.viietnam war, 1961 - 1975 - arttillery operations, military bases - vietnam - history - 20th century, 1961-1975 - participation, australian, fire su, fire support base, australian fire support base, phuoc tuy province, 1 rar, bien hoa, nui dat, battle of long tan, battle of suoi chau pha, the battle of coral and balmoral, battle of xa binh ba, battle of long binh

Black and white postcard - Valentine's M.5855 - Real photo series

Memorial - Commonwealth at Stawell 1903stawell

Entrance to Apex Arboretumstawell

Black & white photograph

Black & white photographreeves store, gas lamps, diamond creek

nillumbik cemetery, diamond creek

Black & white photographnillumbik, chute street, post office, diamond creek

Photograph of a copy of a murry View No. 5 all 4 corners trimmed

Photographic copy of a B/W/ photo of a group of people marching watched by a crowd.

The first sculpture awarded the Shire of Eltham 'Art in Public Places' Award/Commission. The Judges were Inge King, Jenny Zimmer and Daryl Jackson. The work deals with the juxtaposition of suburban and rural surroundings. This scupture is a typical example of the artist's oevre of the period. This sculptre is site specific and refers to the nature of the environment. The colour - bushfire red / sienna - alludes to the history of fire in the urban/rural fringe and the title, as well as the sculpture's shapes, forms and material refer to the natural and local elements. Judges report noted: "The most vital and expressive work for the site...with a great sense of dynamic movement and vibrant colour. Its' abstract forms will enliven the surroundings and the urban and natural environment. This work is the most appropriate for the site and expressive of the dynamics of an evolving community in which artistic discourse and debate has always thrived." The work has acquired the status of a major landmark from the National Trust. The Breeze is an abstract work made out of welded steel and painted in enamel in bush fire red / sienna. It comprises a series of flat, cut-out shapes, interlocking at different angles, giving the impression of being hinged together rather than fixed. The work references nature and the built environment. Its geometric shapes suggest man-made structures within industry and suburban life, while rural areas can be identified by the organic flame-like shapes fanned by the wind. The circular cut-out in the eye mimics the sun, symbolising the intense heat of the Australian climate, while the colour red alludes to the history of bushfire within the urban and rural fringe. N/Apublic art, ginger, red, sienna, elements, steel, abstract, breeze, fire, sculpture

'Surveyor of Suburban Environs' was one of the acquisitions from the 1991 Eltham Art Awards (now known as the Nillumbik Prize - and formally the Nillumbik Art Awards). This was the first piece acquired from this award which was suitable for a public space. Nillumbik is referred to as the "Green Wedge" and the sculpture "Surveyor of Suburban Environs" suggests a watchful observer of the surrounding landscape. The sculpture's central motif represents an eye held up on a pedestal by a tail. Its form has been likened to the Eye of Horus, an ancient Egyptian symbol of protection, royal power and good health personified in the goddess Wadjet or 'green one'. This likeness would suggest that the observer or surveyor has a divine status and spiritual connection to its environment. Polished stainless steel sculpture comprising an eye reminiscent of ancient egyptian hieroglyphics, which is held up with a tappered and jaggered tail like pedestal. Concrete base. N/Apublic art, fries, spiritual, eye, stainless steel, goddess, surveyor, sculpture, environment

Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the first of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Five picture and six woven balustrades each made out of welded steel / organic wrought iron and coated with wax. Imagery (flora - plants, landscapes and fauna - animals, birds, reptiles, insects) are all based on the local environment. There is also a relevant aboriginal presence amongst each of the panels. Each panel represents the different areas that make up the Shire. 'Water' for Warrandyte, 'Kangaroos' for Christmas Hills, 'Cockatoos and 'Valley Creek Flats' for Hurstbridge, 'Wombats', 'Bluetongues' and 'Possums' for St. Andrews/Kinglake, 'Orchids' for Panton Hill, 'Cows' and 'Grapevines' for the Kangaroo Gound Hill landmark. N/Apublic art, nillumbik, fauna, flora, wrought iron, balustrade, halpern, laurence, kangaroo, eltham town square, spirit, warrandyte, christmas hills, kangaroo ground, hurstbridge, kinglake, panton hill, water, valley creek flats, cockatoos

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square. This is the second of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Square floor mosaic. Black and white chequered border. Multicoloured coiled snake intercepted with six multicoloured peaks. Made up of small mosaic tiles and hand painted. Hand painted artist signature bottom right hand side. 'Deborah D. Halpern '01'eltham, halpern, mosaic, snake, square, laurence, painted, tiles, spirit, nillumbik

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the third of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik.Realistic depiction of 'chocolate lilies' in wrought iron (three flowers in bloom, four large buds and six small buds). Chocolate lilies are indigenous to Nillumbik.N/A

Soldiers’ Memorial World War 1 with wreaths at base. The "Girl's Remembrance League" worked to raise money for the memorial to be built. Cost was 643.0.0 pounds. The memorial was unveiled on Saturday 10th Nov. 1923, by Archdeacon T.P. Bennett, (a respected pardre and old Stawell boy). Photo was copied from original donated by Mrs. L Matthew's whose mother Mrs. A. V. Cornish was a member of the Girls Remembrance League. Memorial was partly built by Robson & Grey, when partnership dissolved Mr. G.M. Robson completed the work. The Borough Council donated the land for the memorial.Black & white photograph of a World War 1. memorial. The fallen soldier statue is on a tiered granite base with flowers and wreaths around the base and steps of the memorial. There are two black & white photos one an enlargement. stawell ww1

Colour Photo Soldiers’ Memorial with Grampians in Background. The photograph was taken on Anzac Day in 1988. The three Australian flags were flying to commemorate the day. Colour Photograph of Soldiers WW1 Memorial with Grampians in the background. Photo has 3 Australian Flags flying, Australian Army, The National Flag and the State Flag. Also, the globe to the left next to a give way sign, with a fountain between the flags and a Caltex sign on the right.Stawell 1988 Anzac Day Australia.stawell ww1 ww2

Soldiers’ WW1 Memorial Stawell. The photograph was taken in 1999.Two black & white photos of the Soldiers WW1 Memorial taken in c.1999. Of the two photos one is larger than the other. The photo shows the memorial surrounded on three sides by garden beds with a flagpole behind the memorial. Two cars can be seen parked by the memorial with houses in the background.stawell ww1 ww2

Close up of Soldiers’ Memorial inscription. 1999.Black & white detailed photo of the inscriptions on the memorial. Australian Commonwealth Military Forces emblem above the wording "Erected by - The Stawell Girls' Remembrance League to the Honor of the living and the everlasting Glory of the dead who fought in the Great War 1914-1919. - "Lest We Forget." stawell ww1 ww2

World War 2 Soldiers’ Memorial 1999. "In remembrance WW2 and Korean War, Malaysia, Borneo, Vietnam". The unveiling ceremony of the memorial was held on Sunday Nov 4th, 1956, by Lieutenant Edmond Herring. KCMG. DSO. MC. EO. The ceremony was dedicated "To the men of Stawell and District who paid the supreme sacrifice in World War 2 and Korean War. Two black & white photos taken in 1999 of World War 2 memorial. One photo an enlargement of the other. The memorial includes a list of all these who served in World War 2 and sits in a garden bed. At the top of the list is a world globe showing Australia surrounded by Asia, at the base Remembrance is prominently written around the base. stawell ww2

Soldiers’ Memorial and WW2 memorial. This photo shows the memorials in the surrounding landscape at the time, c.1999. Black & White photo showing both Memorials, WW1 and WW2. The Soldier's Memorial in the photo is behind the Remembrance Memorial. In the photo three flagpole stand behind the memorials. There is a Caltex sign in the background and cars surround the memorials. stawell ww1 ww2

Soldiers’ WW1 Memorial taken in 2000. The two-story building on right in background is Stawell Branch RSL, formally Mt. Salina/Oban. The building was built by Mr. Simmons. Photos of the Stawell War memorials are also found in book "Memorials of Stawell" p. 26 on Mitchell Shelves in Research room.Coloured photograph of the WW1 soldier's memorial taken in c 2000. The memorial has garden beds on 2 sides with roses behind the memorial. stawell ww1 memorial

Side view of Soldiers’ Memorial World War 1 with wreaths at base and Chapman Bakery in background. Black & white photo of Soldiers Memorial World War 1. This photo is a side view of the memorial showing Chapman bakers shop in the backgrounds, looking south with the black range on right side of photo.stawell ww1

Soldiers’ Memorial World showing weighbridge and two storey Stawell Coffee Palace formerly Castlemaine Hotel in background c1923 - 1924.Black & white photo of Soldiers Memorial World War 1 with the weighbridge behind the memorial and Stawell Coffee Palace in the background c1923 -1924. There is also a Telegraph pole behind the statue. An enlargement of the photo is also in the file.Stawell Soldier Memorial with Coffee Palace in background.stawell ww1

Soldiers’ Memorial Street scene with Coffee Palace formerly Castlemaine Hotel. Two people in a horse drawn wagon are driving away from the corner on the right hand side while a man dressed in a suit is walking toward the corner. A telegraph pole is behind the memorial and a decorate pole sits on the corner.Small sepia Street scene showing Soldiers Memorial, Coffee Palace building in the background. The Soldier's Memorial is surround by a timber fence with an ornate pole possible a flagpole in front of 2 timber seats. The weigh bridge can be seen behind the memorial and Infront of the Stawell Coffee Palace. Two people in a horse drawn and cart are driving away from the corner on the right hand side while a man dressed in a suit is walking toward the corner.Coffee Palace Stawellstawell ww1