MARCHING THROUGH THREE CENTURIES, CITY OF BENDIGO BRASS BAND. 90 pages with photos and illustrations. Signed by R. McCaskill, author, in front cover. Number 40/60 copies.R. McCaskill Jnr.bendigo, history, bendigo brass band, bendigo, music, bands, bendigo brass band, r. mccaskill.

Coloured photograph of military band playing at the Cenotaph. On the back a sticker: Royal Australian Air Force, Crown Copyright, not to be reproduced without authority, CPE G222. 22-03-92.military, airforce, raaf radar

Phonograph record, black shellac, no cover. Burgundy Regal label. Side A: Till the Boys Come Home March. Side B: Heroes All March. The Silvester Stars Band.Reference No. G 7157

Document. Program for the Official Opening of the Ted Thompson Building dated 26 July 1983. Four pages. Blue card. Bendigo Symphonic Youth Band provided the Musical Interlude.program, music, bendigo symphonic youth band

Document. Brown concert flyer advertising Eaglehawk Band and Fire Brigade's, ''Open-air Concert'', March 17, 1905. Sports Ground Eaglehawk. Mr A.J.Hamilton included in program.performing arts, elocution, concert

Small rectangular cardboard ticket. red strip with gold lettering B.U.C.C. and a blue cotton band on the front. Life member's ticket with space for owner's details on the back. There are two tickets.clubs, cricket, bendigo united cricket club

This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A black and white head and shoulders image of John Callaghan in summer army uniform. He is wearing an open necked cotton shirt and a turned down slouch hat with a khaki band.world war 2, uniforms, clothing and dress, portraits, armed forces, soldiers, hats, callaghan, john, cossum, jeff, george evans collection

Every Anzac Day a commemoration service is held at the war memorial in Sunbury where veterans and townspeople pay their respects to soldiers who fought in various wars.A black and white photograph of people at an Anzac Day rememberance service in Sunbury. Four soldiers are standing around the memorial. A brass band is playing while the assembled crowd is standing in silence.anzac day, memorials, commemoration ceremonies, shire of bulla, sunbury war memorial, george evans collection

From the Chapman family photograph albumPhotograph on Card. Ruth Henderson same background an plant. Standing hand in pocket wearing woven hat with band. Long skirt open buttoned jacket, white blouse, bowtie.(G)

From the collection of Betty McPheeBlack bakelite pen of two parts, barrel and lid. Barrel has gold nib attached and clear ink gauge. Lid has metal clip and two metal bandsdomestic items, writing equipment

Items from Mitcham RSL CollectionSwagger Stick length 70cm (27.5 inch) with 1.10cm Britannia Metal end with embossed badge: Australian Commonwealth Military Forces and 1.10cm Britannia Metal band at other end.Australian Commonwealth Forcemilitary history, army

20.2 is another print of samePhotograph of men, both seated & standing, with musical instruments, against weatherboard wall, mounted, sepia, probably a band. Sepia photo, mounted on card, brown, ruled, decorative borderUnder photo: "Hugen & Co / Photo". On back of photo: "Edna"

2 pairs of black plastic headphones with black coiled cord and faux leather ear cups and band padding. one pair of white headphones with black headband and coiled cord.

Black and white photo of the Kurtz Family - Stringybark Band. Date on the back is Sep. 1981. The three men are playing accordion, violin and flute. The two women are playing the guitar and harmonica.photo, group, mixed group, peter ellis collection, kurtz family, stringybark band

Black and white photo of thirteen men and boys of the Bairnsdale Band. They are standing in front of a paling fence with trees behind it. They have a bass drum, a smaller drum and various wind instruments.photo, group, bandsmen, peter ellis collection, bairnsdale band

Colour photograph. Blue, white and yellow marquee. Hargreaves Mall. Emu Creek Bush Band. Crier. Back of photo reads: Hargreaves Mall- Bendigo with town crier Tom.entertainment, music, emu creek bush band

Black and white photograph. Slight yellowing to some edges. Emu Creek Bush Band. In memory of the pioneers of Emu Creek sign. People dancing on right. Emu Creek hall.entertainment, music, emu creek bush band

Colour photograph. Emu Creek bush band. Banjo. Guitar. John Williiams. Accordion. Recorder. Marg Hogan. Peter Ellis Accordion. Back of photos reads: Emu Creek.entertainment, music, emu creek bush band

Colour photograph. Older woman seated playing violin. Back of photo reads: Mrs Corry - Emu Creek. Emu Creek Band. Hostel (?)Lovely memories Corry Xentertainment, music, musicians

Colour photograph. Emu Creek Bush Band on stage. Accordion. Recorder. Guitar. Violin. Keyboard. Back of photo reads: Emu Creek Arthur Williams 80th Mandurang Hall.entertainment, music, emu creek bush band

Documents. Sixty one letters and certificates of appreciation for the Emu Creek Bush Band following perfromances at a varity of venues and schools across Victoria, New South Wales and South Australia.

This hat belonged to Mrs Moyra Rasmussen, who lived at 389 St Kilda Street, Brighton for over 50 years with her husband Rae Rasmussen, a bank manager with the State Bank of Victoria. The Mooney sisters, Nell and Ida, were situated beside the Regent Theatre in Collins Street, Melbourne and were well respected milliners and dressmakers. The hat's style is typical of the 1960s. Woven turquoise silk taffeta turban style ladies hat with half bow, circa 1960s. White mesh interior with teal grosgrain binding, thin black elastic band.Label, woven black on white: MISSES MOONEY / OF MELBOURNEhat, turban, rae rasmussen, brighton, misses mooney, millinery, melbourne designers, moyra rasmussen

Unlined taupe silk cloak with two wide horizontal bands of black satin and lozenge-shaped black cord detailing. Black satin tie collar with black tassels at ends.1920s, cloak, art deco

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this dress as a vintage item.Light brown floor-length silk evening dress featuring a band of black and bronze beading around neckling. Circular beaded buckles at either side of waist. Zip at back.Label, pale blue on cream "Exclusively Yours / Hartnell REGD / MELBOURNE" Label, black on pale grey: "Exclusive Finest / IMPORTED FABRIC".di reidie, vintage clothing, melbourne designers, hartnell of melbourne, ralph samuel

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red wide ribbed pleated skirt with a plain yoke, navy blue band at bottom edge and elasticated waistband. A purple x is located inside to mark centre back of skirt.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

as used on horses to pull a variety of heavy equipment Ca 1900as manufactured and sold by Holden and FrostShaped to fit on horses back with two straps that fit around horses belly Two metal rings for reins two brackets for strapping and a metal buckle on end of belly bandPatent etched on saddle surfacecart / van tree, equine