Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Five men sit in front of the group, upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 12 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2490 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardFrazer & Vallance Photographers Melbournemental asylum, beechworth

This photograph was captured in approximately 1900 and depicts the on site nurses homes. During the 1880s, these detached cottages were constructed and provided accommodation for the staff (in this case, the nurses) who lived within the hospital walls. Within the image are weatherboard buildings, a number of nurses and water tanks. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like these. Images like these depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on card"Early nurses quarters, Beechworth Mental Hospital, now May Day Hills Hospital."may day hills hospital, nurses quarters, beechworth, mayday hills, asylum

This photograph is a copy of that captured in approximately 1900 and depicts the on site nurses homes. During the 1880s, these detached cottages were constructed and provided accommodation for the staff (in this case, the nurses) who lived within the hospital walls. Within the image are weatherboard buildings, a number of nurses and water tanks. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like these. Images like these depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardmayday hills, nurse, weatherboard, watertank, mayday hills hospital, asylum, mental health, kew, ararat, mental hospital, beechworth, gold town

The photograph was submitted to the Indigo Shire Photo Competition by Kathy Adamo in the 1980s. The photo depicts two old gas lamps outside the Court House in Beechworth. The Court House was built in 1856 after Beechworth became known as the legal headquarters in northeast Victoria. The Court House has held a number of trials over the years including many high-profile cases such as the Ned Kelly Trials.Black and white rectangular photo printed on paper mounted on black card.Reverse: TO Indigo Shire Council Photo Comp / Title 'Lit By A Bygone Era' / 05. BMM 8832 / Gas Lamps Outside Courthouse Beechworth / From / Kathy Adamo / RMB 4057 / Wangaratta / 21 6742 / Contents / Nikon F301 28-105 / Exposure Unknown / Most Historicalned kelly, 1956, beechworth, beechworth court house, indigo shire, indigo shire photo competition, kathy adamo, 1980s, gas lamps, lit by a bygone era

Taken circa 1870, depicting twenty-eight staff members divided by gender standing in front of the Beechworth mental asylum. Constructed between 1864 and 1867 to the designs by the Public Works Department (PWD) is the Beechworth Lunatic Asylum that was renamed Mayday Hills. The decommissioned asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The asylum was predominately inhabited by long-stay patients but there was active out-patients. The asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the asylum active works was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The asylum closed in 1995 and was sold to La Trobe University before being closed and sold again in 2011 to a private owner. This photograph is historically significant as it provides insight into the importance of Beechworth mental asylum as the asylum demonstrates the changing approaches to the treatment of mental illness in Victoria from confinement to treatment and rehabilitation. Sepia rectangular photograph printed on matte photographic paper mounted on card Reverse: 1997.2489/ Beechworthbeechworth, mental asylum, beechworth mental asylum, mental asylum administration building, mayday hills, mayday hills mental asylum, beechworth lunatic asylum

Taken about 1880, this photograph depicts nine people and a horse-drawn carriage in front of the Administration building of Beechworth Mental Asylum. Constructed between 1864 and 1867 to the designs by the Public Works Department (PWD) is the Beechworth Lunatic Asylum which was renamed Mayday Hills Mental Asylum. The decommissioned asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The asylum was predominately inhabited by long-stay patients but there were active out-patients. The asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the asylum, active work was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The asylum closed in 1995 and was sold to La Trobe University before being closed and sold again in 2011 to a private owner. This photograph is historically significant as it shows one of the main buildings of the Beechworth Mental Asylum that was pivotal in changing the approaches to treating the mentally ill.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 1997.2458/ Front view/ Beechworth/ about 1880/ Lunatic Asylum/ administration building, mayday hills, beechworth, beechworth lunatic asylum, beechworth mental asylum, horse drawn carriage, mayday hills mental hospital, beechworth lunatic asylum administration building, psychiatric hospitals

Taken in 1880, the photograph depicts a group of eleven young men and women with a dog. They are having a picnic outdoors in what is thought to be Beechworth Forest. A number of the people in the photograph are holding bunches of wild flowers.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 1997.270 / A02703 /entertainment album, picnic, beechworth, 1800s, dog, flowers, leisure, outdoors, forest

The photograph depicts eleven vignettes relating to the murders of Captain Lee Weller, Charles Burgess and Arthur Preston by Frank Butler (born Richard Ashe, alias Frank Harwood). Some historians consider Butler to be Australia's first serial killer. Butler submitted written advertisements to the classified columns of the Sydney Morning Herald newspaper looking for people to join him in prospecting for gold. Butler took his victims into the Blue Mountains in New South Wales and told fabricated stories of gold mines worth thousands of pounds. He then made his victims dig their own graves under the guise that they were digging for gold. He would then shoot them, take their valuables, and bury them.Sepia rectangular photograph printed on matte photographic paper mounted on card.Obverse: 1897 / Butler's inseparable Friend / Cap ' Lee Weller / The Victim Burgess / A OT Preston / Frank Harwood / alias / Butler / J. Mulhall & Son / discoverers of Burgess grave / Butlers supposed Wife / Frisco / Examining Burgess corpse at Black Range near Parkes NSW / The Swanhda / His Prospecting Tools / Burgs Waggonette used for Prospecting sold Butler / (?) / The Butler Tragedies Reverse: BMMA03308 / Removal story of the / 1997.3119 / Butler murders near / Parkes NSW 1897 / 84 - 35 - 1 / Enterprise Photo Company, / 26 Elizabeth Street, / SYDNEY. /entertainment album, captain lee weller, charles burgess, arthur preston, frank harwood, frank butler, crime, blue mountains, new south wales, murder, tragedy, gold, gold mine, sydney morning herald, swanhilda, richard ashe

The photograph depicts a large group of young men and women dressed in formal attire. They were part of the Beechworth Methodist Church's Youth Group.The photograph provides insight into one of the first religious institutions in Beechworth. The Methodist Church is historically significant as it was the first permanent church built on the Ovens goldfield in 1857. A Sunday School group for local youth was established in 1869, emphasising the importance of children's religious education during the nineteenth century. Thus, the photograph reflects the importance of Methodism in Beechworth - and, more broadly, Victoria - at this time.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 3714 / Beechworth Meth / 97.2332 / Endeavour / Beechworth Methodist / Endeavour Group /entertainment album, entertainment, church, religion, beechworth, methodist church, youth group, leisure, recreation

The photograph depicts a large group of young men and women dressed in formal attire. They were part of the Beechworth Methodist Church's Youth Group.The photograph provides insight into one of the first religious institutions in Beechworth. The Methodist Church is historically significant as it was the first permanent church built on the Ovens goldfield in 1857. A Sunday School group for local youth was established in 1869, emphasising the importance of children's religious education during the nineteenth century. Thus, the photograph reflects the importance of Methodism in Beechworth - and, more broadly, Victoria - at this time.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 3716 / 97.2339 / Beechworth / Meth Endeavour / Beechworth Methodist Church / Endeavour Group / A03289 /entertainment, entertainment album, church, beechworth, religion, recreation, leisure, youth group, methodist church

The carte de visite features a photograph of Charles Sherwood Stratton (professionally known as General Tom Thumb) and his wife, Lavinia Warren Stratton. The image was taken in Paris, France in 1864. Charles Sherwood Stratton and Lavinia Warren Stratton were American performers who traveled with the Barnum & Bailey Circus, founded by Phineas Taylor (P. T.) Barnum in 1871. They each participated in various acts including singing, dancing, miming, and celebrity impersonations. Both Charles and Lavinia gained international fame for their successful careers and small physical stature. The duo performed in Australia in August 1870. They were joined by their touring party as part of the Barnum & Bailey Circus "Round the World" tour. The "Australian Tom Thumb", real name John David Armstrong, made his "audaciously competitive" stage debut alongside the popular Stratton couple when the circus performed at the Prahran Popular Entertainments in Melbourne. Charles, Lavinia, P. T. Barnum and the circus inspired the musical drama film, "The Greatest Showman" (2017).The carte de visite is historically significant due to Charles Sherwood Stratton's status as an internationally renowned performer. In a general sense, it also provides insight into the arts in Victoria during the late nineteenth century, illustrating the type of entertainment that was enjoyed by the public during this time. The record's historical significance is further enhanced by its medium as a "carte de visite"; a specific photographic method popularised in the nineteenth century. The record has a valid interpretive capacity for those interested in history and museum studies. It develops our understanding of the sensationalised "human curiosities" exhibition genre that was championed by the West during the late nineteenth and early twentieth centuries. Considering the record's historic context, it is a useful resource for discussing the ethics of representing live human beings for entertainment in a public exhibition context.Sepia rectangular photograph printed on matte photographic paper mounted on card.Obverse: General Tom Thumb and Wife, / in the identical costumes worn before Emperor Louis / Napoleon and the Empress Eugenie, at the Palace of / the Tuilleries, Nov. 29, 1864 / Reverse: 3707 / Compliments of / Charles SStratton. / Lavinia Warren Stratton. / Published by / E. & H. T. Anthony & Co. / CA / 591 Broadway New York. / MANUFACTURERS / of the best / PHOTOGRAPHIC ALBUMS / A02539 /entertainment, entertainment album, circus, general tom thumb, australian tom thumb, charles stratton, lavinia stratton, performance, arts, carnival, p. t. barnum, melbourne, prahran, john david armstrong, film

Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier kneeling beside a grave in a cemetery. He is dressed in an Australian military uniform. The cemetery pictured is the Arnos Vale Cemetery in Bristol, United Kingdom. There are multiple crosses marking graves in this photograph, all marked in memory of different soldiers who fought with the Australian Imperial Force (AIF) during World War I. It is believed that the soldier who is kneeling was also part of the Australian Imperial Force. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Another signifier of the Australian Imperial Force uniform are the three inverted chevron stripes positioned on the lower part of the left sleeve, near the wrist. These are called Good Conduct Stripes and were worn by Warrant Officers and NCOs. This patch consisted of a single chevron stripe for each year of military service meeting certain requirements of good conduct. Additionally, the man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Furthermore, the grave that this unidentified soldier is kneeling next to is the resting place of Private John James (J. J.) Simpson. He was born in Stanley, Victoria in 1883. He enlisted in the Australian Imperial Force in Melbourne, Victoria on 12 July, 1915, with the service number 4909. John James Simpson was then posted to the 60th Company Depot at Seymour for military recruit training. John James Simpson was reported wounded in action in France on 19 July, 1916. He was admitted to 13th General Hospital, France with gunshot wounds to his legs. From Boulogne, France, he traveled to the United Kingdom aboard the Hospital Ship 'St. Denis' for medical care. Upon arrival, he was admitted to 2nd Southern General Hospital, Bristol, England on 27 July, 1916. John James Simpson passed away from his wounds on 1 August, 1916. He was 33 years old.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper mounted on card.Obverse: A.I.F. / AUSTRALIA / 441, PTE.T. / T (?) / 26B (?) / 6.1.17 / (?) / LANGTON RD. / ST. ANNES PK. / BRISTOL / A.I.F. / AUSTRALIA. / 708, GNR B.L.CRAWFORD. / FR / 5 D.A.C. / 13.2.17 / A.I.F. / AUSTRALIA. / 4481, P (?) D.MORRIS. / (?) / 31.12.(?) / A.I.F. / AUSTRALIA. / 4909, PTE J.J.SIMPSON. / 608(?) / 1.8.16 / Winchester / LANGTON RD. / ST. ANNES PK / BRISTOL / Reverse: 2641 /military album, military, war, world war i, wwi, australian imperial force, aif, j. j. simpson, uniform, cemetery

D. Robb was a member of the band.HistoricalSmall cardboard card with cord tie and insert window with a picture of a waratah. Best wishes. An Australian wish. The boys of the Phillip Is. Band, To Mr & Mrs Robb+ Family Xmas 1930philip island band, d.h.robb, greeting card

James John Thomson was the first secretary of the Snowy River Shipping Company. The Snowy River Shipping Company was formed by Mr Henry James in 1880 with Captain McNeil as master. This photograph was taken off a one inch daguerrotype which was the first publicly available photographic process, widely used during the 1840s and 1850s.James John Johnston was a prominent citizen of Orbost in the late 19th / early 20th century.A black / white photograph of a man - an octagonal shape on a white buff card.on front above portrait - "One Inch" and a hand-drawn ruler. on front below portrait - in capitals and underlined "Mr J.J. THOMPSON"johnston-j.j. snowy-river-shipping-company

The invitation was sent to volunteers to attend a morning Tea in appreciation of their assistance in their work at Cheese World Museum. In 2013, the Warrnambool Cheese and Butter Factory had been operating for 125 years. The associated Cheese World museum has an historical display of the factory, families involved, artefacts and photos which depict the factory’s history.Silver card in the shape of a cream can with logo on front, opening at the top.Cream of the Country above Warrnambool Cheese and Butter Estd 1888. For over 125 years on front cover. Rosemary on inside. warrnambool cheese and butter factory, 125 years warrnambool cheese and butter factory, cheeseworld museum, cheese world museum

Elvie Coleston was the granddaughter of the pioneer settler Josiah Coleston whose first wife was Sarah. Her florist shop would have been operating in Raglan Parade about the middle of the 20th century. This label is of some interest as belonging to a 20th century business woman in WarrnamboolWhite rectangular label with green text and lines adhered to grey cardFROM Elvie Coleston FLORIST 267 Raglan Parade, Warrnambool Telephone 2981florist, elvie coleston, josiah coleston, warrnambool

This label comes from the wine and spirits store of Harry Lynch and dates from about the 1940s. A wine and spirits store was established in Fairy Street, Warrnambool (116-118 today) by Giffen Russell in 1878. The business was still known as Giffen Russell and Co in the 1930s when Harry Lynch took over and was later known as Lynch’s store. Harry Lynch died in 1953. After Kelvin Matthew Lynch became the proprietor the K.M. Lynch Food and Liquor store operated under that name until its closure in the second decade of the 21st century. This label is of minor significance and is retained as a memento of Lynch’s Wine and Spirit Store which operated in Fairy Street Warrnambool for over 80 years.A piece of white paper with red and black printing pasted on to a piece of card.Old Judge Pure Australian Wine Rich Port bottled by H.L. Lynchh.l.lynch,, wine & spirits store, history of warrnambool

Shillinglaw Cottage was relocated in 1963 from its former site a few hundred metres up Main Road to make may for new shire offices built in 1964. It was situated near the Eltham Railway Trestle Bridge on a site that was developed into the Eltham Common. The new Eltham Town Park was constucted opposite on the other side of what was to become Panther Place. In 1993/94 the new Eltham Library was constructed on the Eltham Common. This picture, though out of focus still gives a reasonable impression of the cottage at the time.35 mm colour positive transparency Mount - Kodak Kodachrome Cardeltham common, shillinglaw cottage

The old weatherboard building, possibly dating from the 1860s, comprised a dwelling with a shop in the front room opening off a timber verandah deck which directly fronted the Main Road footpath. At the rear was a brick building of much later date which was for many years used for the bakery. The buildings were demolished in 1979 for construction of flats.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Jul 1974bakery, eltham, main road, york street

The old weatherboard building, possibly dating from the 1860s, comprised a dwelling with a shop in the front room opening off a timber verandah deck which directly fronted the Main Road footpath. At the rear was a brick building of much later date which was for many years used for the bakery. The buildings were demolished in 1979 for construction of flats.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Jul 1974bakery, eltham, main road, york street

The old weatherboard building, possibly dating from the 1860s, comprised a dwelling with a shop in the front room opening off a timber verandah deck which directly fronted the Main Road footpath. At the rear was a brick building of much later date which was for many years used for the bakery. The buildings were demolished in 1979 for construction of flats.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Jul 1974bakery, eltham, main road, york street

35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Jul 1974christmas hills

35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Jul 1974st andrews primary school, st andrews

Colour positive photograph taken c. Oct. 1974 of an original black and white print35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1974bus services, hurstbridge, kinglake, motor vehicles, omnibus

Colour positive photograph taken c. Oct. 1974 of an original black and white print35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1974class photo, kangaroo ground school

Colour positive photograph taken c. Nov. 1974 of an original black and white print Indian Motor Bike, Dodge Car owned by Wraights of Kangaroo Ground (Nillumbik Historical Society)35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Nov 1974kangaroo ground, motor picnic, motor vehicles, motorcycles, nillumbik historical society, picnic, vic registration 22115, wraight family

Colour positive photograph taken c. Nov. 1974 of an original black and white print Indian Motor Bike owned by D. Wraight of Kangaroo Ground (Nillumbik Historical Society)35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Nov 1974d. wraight, indian scout, motorcycles, nillumbik historical society, vic registration 22506, kangaroo ground

Colour positive photograph taken c. Nov. 1974 of an original black and white print (Nillumbik Historical Society)35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Nov 1974fish, kangaroo ground, kangaroo ground hotel, nillumbik historical society

Colour positive photograph taken c. Nov. 1974 of an original black and white print (Nillumbik Historical Society)35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Nov 1974d. wraight, indian scout, kangaroo ground, motorcycles, nillumbik historical society, side-car, vic registration 22506

Colour positive photograph taken c. Dec. 1974 of an illustration (in a book?) dated June 1971 held by Nillumbik Historical Society. The illustration is of an English Transition Revolver, the same type of gun used by the Bushranger Burke to shoot and kill Henry Hurst in 186635 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Dec 1974burke, bushranger burke, english transition revolver, henry hurst, nillumbik historical society, pistol