This uniform was worn by student nurses at the Hillcrest Psychiatric Hospital in Adelaide in the early 1970s. In 1964, Northfield Mental Hospital was renamed Hillcrest Hospital. .1) Mid pink waisted and darted uniform with a front pocket (with H H embroidered) on left breast and side pockets on skirt. Buttoned up the front, with three buttons on top and a placket with four hidden buttons on skirt. There is a hook and eye at the waist and a separate belt with two buttons and buttonholes. There is a collar and cuffed short sleeves, a back yoke and a center inverted pleat. .2) A lined (double layer) woollen royal blue cape with collar and neck tie and a hook and eye clasp.Embroidered on top pocket - H Hnursing, hillcrest hospital, student nurse uniform, nurse cape, costume, textiles, cape, uniform, hillcrest psychiatric hospital

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. However, this bottle is rare, in that the base has been embossed then over-embossed with the same text, letters overlapping. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is a rare find, in that the base has been over-embossed with the same lettering, letters overlapping one another. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, over embossed, brown glass, handmade, rare. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has sealing tape remnants around top. Mould seam around shoulder. Body tapers inwards to push-up base. Top edge of lip has application faults. There is also a rectangular indent in the upper edge of lip. Base is embossed and over embossed, with the letters overlapping each other. Embossed on base "6 TO THE GALLON", then over-embossed with the same "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable, over embossed, rare

This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck and shoulder. Low shoulder mould seam. Body is matt and tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark. Uneven base. Bubble on top of lip. Sediment on inside surfaces. White rubbing line and scratches on outside. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base

This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Rough applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck. Low shoulder mould seam. Body is matt, tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark, visible through glass. Marks on heel, glass thickness varies. Uneven base. Bubble in glass. Sediment on inside surfaces. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base

Clothing. Navy blue bri-nylon swimming togs, commonly known as ''budgie smugglers''. White drawstring through casing at hipline. Red dart shaped Speedo logo appliqued above right legline. Double panel of fabric at centre front. Belonged to the donor, Richard Lethlean, late 1950's 1960's, while in his late teens and whilst a member of the Hilda Swimming Club. Hilda pool was located in Townsend Street, where the YWCA is presently situated.costume, male, speedo swimming togs

Sepia photograph mounted on fawn board. Vertical board building and skillion. Two gable roof - open end under one gable. Large double doors (painted) under other gable. Small doors and windows with lift up shutters along side. Vehicles, wheels and 8 men in front of building. Small painted weatherboard building to L. Sign on front of building. Inscriptions: in image - 'Watkin Walker? & Treacy General Smith and Agricultural Implement Maker'.buildings, commercial

Black and white copy of photo taken by Batchelder. Colonial Bank of Australasia. 2 storey rendered building, with parapet and orbs. 1st floor 3 rectangular windows, ground floor 2 arched windows and central arched doorway. 6 adult males on footpath at front. Single storey shop with verandah at left. Batchelder photographic cart at left front , at right, laneway with gas lamp above. At far right, double storey building. In image ' Manufacturing/Goldsmiths' On back in pencil '41'Batchelderbuildings, bank, colonial bank of australia

Four page, double sided copy of chapter titled 'The Enclaves' from 'Bendigo, The German Story'. Reference to the Heinz, Schroeder and Helm 'long tunnel' at Diamond Hill, described as the finest example of its kind on Bendigo. The 'German Arches' in the tunnel were constructed by miners who bought their skills and experience from the Harz Mountains. Other prominent Germans were Friedrich Adolph Hermann Schilling, Louis August Samuels and Ruschmeyer's, who owned the Town and Country Hotel, Diamond Hill.

State Rivers and Water Supply Commission of Victoria. Brochure titled 'Central Plant Workshops'. Double-sided, three pages on each. Information about the workshops (CPW for short) and the setting up of the Bendigo site from 1946. There is a map of the layout of the site, and information given under the following headings - Central Plant Workshops, Work of the CPW, Meter Wheels, Pump Station Equipment, Steel Fabrication, Precast Concrete, and the Area and its Equipment. The brochure is dated June, 1968.state infrastructure, water supply, coliban system, state rivers and water supply commission of victoria. coliban system. central plant workshops.

Document. Greeting Cards. Small white card with gold border 3mm from the edges. Inside is a border of green holly with red berries and gold drawing ling each holly spray. Inside is a double brown border with 2 brown cats sitting in front of an open fire watching a gold kettle boiling. The fire has birght red flames. Underneath the picture is a large bunch of holly and under that is printed in gold: Warm Wishes. An insert is held with fine white cord.personal effects, greeting cards, malone collection, malone collection, greeting cards

Clothing. Very fine cream net, embroidered around outer edges, in a semi-abstract, floral design - 4 cm deep, and finished at the top with a small 3 mm diameter ''spot''. Overall the embroidered design is 5 cm deep. A second layer, ruched at the centre back neckline, folds down over the lower layer, giving a double embroidered effect. The top layer is embroidered in a '' flowing floral design '' design at the top edge. The shawl is shaped to a peak at the centre front.costume, female, cream shoulder shawl

A 175cm diameter circulet of cotton roses and leaves. Cream cotton roses and green leaves. Veil attached over a 21cm wide section of circlet. The fine silk fabric with embroidered 'swirl'pattern is the same as matching bodice and skirt. All edges are trimmed with a double row of finely embroidered lace, stitched together to form a 4.5cm wide edging. Roses are attached at 10cm intervals. Veil dips to a V shape at centre back. PART OF WEDDING OUTFIT 11400.780; 781costume, female, wedding veil

Object. eight ribbed parasol. Black silk satin, and black cotton lace in a floral design. Eight peaks around the perimeter of the umbrella, attached to the double layer of fabric in the main body of the umbrella-an outer layer of silk, satin, and an inner layer of cotton. This lining is hand stitched. Frame, including handle of lacquered wood. Handle is graciously curved and carved like a feather. Top is finished with lace and a decorative satin ribbon-(5cms wide) bow with five loops, and nine cm tails.costume accessories, female, victorian black silk and lace umbrella

Magazine. Norman Penrose collection: (1) A cutting of the Two New Towers to St Mary's Cathedral, Sydney. The top picture is a photograph by H. Cazneaux and the lower one is a pencil drawing by F. Britton. The cutting is mounted on cardboard. (2) Magazine cutting of a city lane way with a two story and a three story building on each side. Two bicycles leaning on the walls. The buildings are stone. One has a double chimney pot. There are also hanging baskets and window boxes with red flowers.St Mary's. Decorated Stylesdrawing, pencil, norman penrose collection, st. mary's cathedral, sydney, h cazneaux, f britton

White net veil is gathered to a net rose on the head to a plastic comb. it is of two lengths: one short length not decorated and a double thickness full length which is decorated on the upper layer with 3.5 cm net roses attached through the net to a clear sequin. Short length is 66 cm. Long length is 1 metre 90 cm. See also items NA4579 -Wedding dress NA5076 - Garter NA5077 - Good luck Charm NA5078 - Bible NA5090 - Stocking costume, female ceremonial

Colour print of three tramcars (one Melbourne, single trucker. double decker) and a 4-6-0 steam locomotive with a tender on the back lawn of a house at 818 Armstrong St Ballarat with a hand written under "Alwyn Marshall - I made these when I was a teenagers - Back Lawn 818 Armstrong St:. Has been glued to the inside of a green card Christmas card. The collection has a small number of Alywn's photographs in the collection, see Fares Please! March 1989 for an obituary.See abovetrams, tramways, models, armstrong st, enthusiasts

Letter used to provide information on leave entitlements and payment of retiring gratuity changes to the SEC staff in 1967. Signed by the SEC Secretary and SEC logo on top. Has R. Hall's name on top.Printed letter on foolscap paper - double sided - to SEC Staff from the SEC Secretary advising staff of changes to the SEC "Wages Employees Regulations and Information" to Long Service Leave Regulations, leave entitlement, termination of employment, retiring gratuity regulations and service grant regulations. Letter dated 7 April 1967, with effect from 21st Oct. 1966. Signed by F.P.Chipperfield. Has "R.F. G. Hall" in ink on top right hand corner. Has SEC logo on top of letter.Has "R.F. G. Hall" in ink on top right hand corner.trams, tramways, sec, employees, employment forms, leave conditions

Cloth tape bound, stapled document, 104 pages double side with blue card covers, titled "Proceedings of the Seventh Conference of the Australasian Tramway Museums, Auckland, NZ, April 1 - 5, 1984." Page 5 has contents: North American Scene Establishment of MOTAT New Zealand Scene Reminiscences Woodwork, Restoration and Research - painting, varnishing and removal of application, protecting and maintaining finishes Using the Media to Museum's advantage Safety Operational Procedures COTMA in Review. Has word "SPARE" on top right hand corner of front cover.trams, tramways, cotma, conferences, motat, restoration

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Bendigo Birney No. 30 in High St Bendigo at the end of the double track line en route to Golden Square. Wal's album notes date the photo as June 1949. In the background is the Victorian Government Tourist Bureau and an advertising sign for "Alba Motor Spirit" Has the number "2004X" written in white ink on the negative. Printed on Ilford paper. On rear in pencil "468"trams, tramways, bendigo, birney, high st, tram 30

BHS CollectionDouble sided commemorative round gold medallion: - One side commemorates the re-opening in 1986 of the Central Deborah Gold Mine with image of Central Deborah Mine & Poppet Head. - Reverse side commemorates The Bendigo Talking Tram Tour with four images of Bendigo icons including Pall Mall Fountain, the Post Office, Talking Tram & Cathedral - Medallion is set into a cardboard cut-out with printed paper descriptions for each side of the medal. - Medallion is designed by Maiden Gully Medallions. memorabilia, central deborah, medallion

A Wilson 'T3000' metal tennis racquet, with double shaft; metal shaft bridge; white plastic shaft casing featuring 'W' logo and silver whipping. Model name printed on adhesive label fitted to shaft bridge. Handle wrapped with brown perforated leather. Net anchored to metal wire wrapped around head frame. White plastic butt cap with label featuring manufacturer's 'W' logo. Materials: Metal, Plastic, Adhesive tape, Nylon, Adhesive label, Leather, Stringtennis

A Wilson 'T4000' metal tennis racquet, with double shaft; metal shaft bridge; black plastic shaft casing featuring 'W' logo and silver whipping. Model name printed on adhesive label fitted to shaft bridge. Handle wrapped with brown perforated leather. Net anchored to metal wire wrapped around head frame. Black plastic domed butt cap imprinted with manufacturer name. Materials: Metal, Plastic, Adhesive tape, Nylon, Adhesive label, Leather, Stringtennis

A Wilson 'T2000' metal tennis racquet, with double shaft; white plastic shaft casing featuring 'W' logo and silver whipping. Handle wrapped with non-original maroon 'Profile'-branded grip tape and red grip seal tape. Net anchored to metal wire wrapped around head frame. White plastic butt cap with adhesive label featuring manufacturer's 'W' logo in black. Materials: Metal, Plastic, Adhesive tape, Nylon, Adhesive labeltennis

A Seamco Ken Rosewall-endorsed metal tennis racquet, with double shaft, metal shaft bridge, plastic throat bridge; black plastic shaft casing embossed with 'ACRO'; and a handle wrapped in brown leather. Black plastic butt cap with adhesive label featuring manufacturer's 'S' logo and name. Manufacturer name on label on throat bridge (reverse). Endorser name on troat bridge (obverse). Materials: Metal, Plastic, Adhesive label, Leather, Adhesive tape, Nylontennis

A Seamless (Seamco) Ken Rosewall-endorsed metal tennis racquet, with double shaft, metal shaft bridge, grey plastic throat bridge; black plastic shaft casing embossed with 'ACRO'; and a handle wrapped in brown leather. Black plastic butt cap with adhesive label featuring black 'S' logo. Manufacturer name on label on throat bridge (both sides). Endorser name on sides of shaft. Materials: Metal, Plastic, Adhesive label, Leather, Adhesive tape, Nylontennis

A Seamless (Seamco) Ken Rosewall-endorsed metal tennis racquet, with double shaft, metal shaft bridge, grey plastic throat bridge; black plastic shaft casing embossed with 'ACRO'; and a handle wrapped in tan perforated leather. Black plastic butt cap with adhesive label featuring black 'S' logo. Manufacturer name on label on throat bridge (both sides). Endorser name on sides of shaft. Materials: Metal, Plastic, Adhesive label, Leather, Adhesive tape, Nylontennis

A Seamless (Seamco) Ken Rosewall-endorsed metal tennis racquet, with no net; a double shaft, metal & plastic shaft bridge, grey plastic throat bridge; black plastic shaft casing embossed with 'ACRO'; and a handle wrapped in brown leather. Black plastic butt cap with adhesive label featuring black 'S' logo. Manufacturer name on label on throat bridge (both sides). Endorser name on sides of shaft. Materials: Metal, Plastic, Adhesive label, Leather, Adhesive tapetennis