Post Office on corner of Thompson Avenue and The Esplanade. Brick above concrete building with two brick chimneys. Iron roofing, fenced verandah. Group of 12 people, males suited, with collars and ties, ladies all in long skirts, jackets and hats.Post Office with group of people standing and seated in front of buildingP.O.Cowes (written on back of photograph)local history, photographs, post office, cowes, black & white photograph, ann brown collection, bruce bennett

Part of a collection from Jessie Smith. Mechanics Hall later destroyed by fire 9th March 1933 Rebuilt and became the Kindergarten. Being used by the Genealogy Society at present (2017)The Mechanics Hall - (Shire Hall, Library and RSL rooms) - Chapel Street, Cowes. Road in front over crest. Trees behind right middle.local history, photographs, buildings, historic, chapel street, cowes, phillip island, black & white photograph, historic buildings, jessie smith collection, stan mcfee

From Jessie Smith's collection. Original Warley Hospital opened in 1923.First Warley Hospital. White fret work verandah head and large white crosses verandah railings. Steps down to ground level centre right.The Hospital, Cowes, Phillip Island. Valentine Series M4909local history, photographs, historic, hospital, cowes phillip island, sepia photograph, public buildings, cowes., jessie smith collection, stan mcfee

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Historical Society by the Shire of Phillip IslandPhotograph looking north along Thompson Avenue from Chapel Street. HMAS Australia shown in the distant between Cowes and Sandy Point. Part of Cowes Garage also depicted.local history, photography, photographs, film maritime technology, boats, thompson avenue - hmas australia - cowes garage, black & white photograph, cowes, thompson avenue, shipping, hmas australia, cowes garage, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Historical Society by the Shire of Phillip IslandClose Photograph of HMAS Australia in Western Port taken from off the starboard bow.local history, photography, photographs, maritime technology, boats, shipping, - western port - hmas australia, black & white photograph, hmas australia, john jenner, bryant west

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975HMAS Australia in Western Port, viewed from Main Street, Cowes. (note tree guards around infant cypresses).local history, military history, navy, naval vessels, cowes, phillip island, black & white postcard, hmas australia, western port, cypresses

The console was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926. In the same style as the other oak sideboard, we can assume it was made by the same maker, H.F. Fischer around the same time.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. manse, dining suit, sideboard, arts and crafts, english, h.f. fischer

The photograph on the front of the postcard depicts a game of billiards being played in the Billiard Room of the Mission to Seafarers Melbourne. The Flinders Street extension building opened for use in 1917 after relocating from Australia Wharf. The billiard pool was likely made by the Alcock company.The scene on the postcard shows the typical use of the Billiard Room at the Mission to Seafarers Melbourne as well as what is presumably the original layout of the room and gives an insight into men's fashion of the time.Sepia toned postcard with photograph of a man in shirt sleeves taking a shot on the billiard table with a second man standing to the left and rear wearing a hat and watching the shot. There are two seated men to the right of the photograph. The man on the left is wearing a suit including hat, the man on the right is wearing a cap and sitting with his arms crossed. There are three pendant lights above the billiard table and bench seating in front of the window.Printed on the bottom of the front of the postcard: "IN THE BILLIARD ROOM. SEAMEN'S MISSION. MELBOURNE, VICTORIA. REAL PHOTO SERIES M.826" Printer's logo on rear of postcard: "VALENTINES/REAL PHOTO SERIES POSTCARD" Printed sideways on left hand rear of postcard: "Published by the Valentine & Sons Publishing Co. Ltd/Melbourne, Sydney & Brisbane" Printed in right hand corner rear of postcard: "BRANCHES/SYDNEY/LONDON/DUNDEE/DUBLIN/CAPETOWN/MONTREAL/TORONTO" postcard, windows, floorboards, valentine-and-sons-publishing-co-ltd, billiard room, pool table, billiard table, billiard cue, seamen's mission, mission to seafarers, melbourne, flinders street, bench seat, pendant lighting, bentwood chairs, coat rack, valentines postcards, real series postcards, real photo series, m.826, vienna chairs

The scene on the postcard depicts the Spanish courtyard (or Cloisters) as a space within the Mission to Seafarers Melbourne. The view to the courtyard is from the Celia Little Room. The Spanish mission design was inspired by a need to make the 1917 Mission complex at Flinders st extension distinctive and easily found. (ref Church and Sailor journal) This scene shows the way in which the courtyard leads into the Chapel and that it is a large space for varied uses.Sepia toned scene on front of postcard depicting "The Cloisters" or Spanish Courtyard at Mission to Seafarers Melbourne. There is ivy growing up the pillar to the right of the scene, tall plants in the garden bed in the corner of the courtyard and pots with plants placed between the archways to the rear of the photograph.Label on front of postcard: "No. 9 THE CLOISTERS, MISSIONS TO SEAMEN, MELBOURNE, VIC." Reverse of postcard: "POST CARD/A Real Photograph Produced in Australia" There is also a divided line down the centre of the reverse for writing a message.plants, cloisters, ivy, pillars, archways, seamen's mission, mission to seamen, mission to seafarers, st peter chapel, spanish courtyard, melbourne, flinders street, valentine's postcards, real photo series

Alan Partington was born in Greensborough in 1908 and attended Greensborough Primary School. He worked on the family farm before becoming a policeman in 1933. He served with the police for 31 years. He writes about the activities of the Whatmough and Partington families in the Greensborough district. Reprinted from "Greensborough Primary School 2062, 1878-1980". Article written in 1980.6 p. typescriptpartington family, whatmough family, alan partington

These wooden butter pats were used to shape butter into bricks; making butter ready for sale and use. The excess moisture would be squeezed out of the butter; which was then transferred to a wooden board. The butter maker would hold one of these pats in each hand and work the butter into shape. These wooden pats are thin; light and easy to hold. The inside face is serrated to grip the butter and squeeze out any further water. It was also used to make patterns on the finished butter. An original pair of butter pats. Given to a Greensborough local in 1975, but used by the previous owner and her mother.Wooden butter pats with handle. One side is ribbed, the other smooth.butter pats, butter making, nancy fowkes

Frame - Golden timber/mottled. Inner frame - Gold embossed. Mount - brown flecked cardboard. Painting (on glass?) Male - High button jacket (black). White shirt. Black tie. Short beard. Full head hair. Grey background. Facing right.Front: W.T. Pile. Esq. 1880-86-87william thomas pile, mayor of portland, 1880s

Copy of Commonwealth War Graves Commission information regarding the burial place of Private James William Poulter (died 1918, buried at Prospect Hill Cemetery; Gouy; Aisne; France) and copy of a letter from his mother giving details of her knowledge of the burial.Information about the Poulter family, Greensborough pioneers.2 pages. Copy of Commonwealth War Graves Commission information regarding the burial place of Private James William Poulter and copy of a letter from his mother.james william poulter, poulter, greensborough, war graves

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph of house with wide verandah, water tank (on left), behind light-coloured pole and wire fence with metal and wire gate. Donated by Ms. Mary Robinson, acting on behalf of Mrs. W.G. Hutchinson "Tellong", Blackwood River Drive, Balingup, W.A. 6253Front: (no inscriptions) Back: Homestead side view

Scalloped edged white maid's apron, bib attached. Checked fine lawn. Cotton backing on edge.

Scalloped edged white maid's apron, bib attached. Checked fine lawn. Cotton backing on edge.

Scalloped-edge maids apron (white) with attached bib. Patterned (striped) fine lawn with white cotton binding with machine eyelet embroidery.

Scalloped edged maid's apron, white with attached bib. Checked patterned fine lawn with white cotton binding with machine eyelet embroidery.

Displayed at History House.Hand-made fabric doll made from brown velvet (head, torso, arms and feet) and yellow velvet (legs and lower torso-overalls). Glass eyes, brown. Painted eye-brows, eyelashes (black), and lips, nostrils (red and white). Appears to be human hair sewn into head. Body stuffed with wadding, head with a firmer material that crunches.toy, doll, childhood

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing a stone building with awning at front and ball-shaped finials. Notices pinned to front wall of building and telegraph poles to left of building. Pair of narrow windows set high at front of building and on end wall at right. Street lamp to left of building.Front: (no inscriptions) Back: (no inscriptions)