Showing 4147 items
matching female.
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Bendigo Historical Society Inc.
Postcard - LYDIA CHANCELLOR COLLECTION: OILETTE
Raphael Tuck & Sons 'Oilettte' Connoisseur postcard 2747. Tuck's Post Card. Carte Postale. Postkarte. The 'Crayon' series. Four ladies are enjoying tea in a formal room. There are pictures on the walls and a lamp and clock on a mantelpiece. On a stand or auto tray are teapots and cups and saucers. Art Publishers to the King and Queen. The post card is addressed to Miss L. Pethard, Fir St. Golden Square. The one penny (1d.) Victorian stamp dated 3/11/?.postcard, lydia chancellor collection, collection, female, entertaining, entertainment, costume, fashion, clothing, recreation, tucks post card -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM TULLE AND BRUSSELLS LACE BOLERO
Clothing. The lower section of this garment has been removed, making an accurate assessment impossible. A beautiful panel of lace from the neckline, dipping to a Vshape at the centre back, has a swirled and leaf design. This design extends over the shoulders and bustline, with a peaked finish below the bust. Bows and spots decorate the below elbow sleeves, and are finished at the lower edge with a panel of lace 8 cm deep at the seam, extending to 15 cms deep at the outer side. Brussells lace is a bobbin lace added to the background fabric. forming the design.costume, female, cream tulle and brussells lace bolero -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: PHOTOGRAPH IN WOODEN FRAME, 1906 - 1920
Studio portrait of young lady in graduation gown in a wooden frame. Frame is made of wood and is of an irregular shape with decorative carvings surrounding the portrait. Decorative carvings were possibly painted gilt which has since largely worn away. Portrait is covered in glass. Portrait is of a young lady wearing a white dress with a graduation gown over it. She has a mortarboard with a tassel on her head with a large bow at the back and she is holding a scroll in her right hand. She has a locket around her neck and a brooch suspending a cross at her neck. Bracelets are on both wrists. The words Bartlett Bros Bendigo are printed on the bottom of the matte surrounding the photograph. Subject is probably either Mary or Kathleen Foster.Bartlett Bros Bendigophotograph, portrait, female -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: PHOTOGRAPHS, 1900-1920
Black and white photograph mounted on cream card with embossed border. Subject is a young lady dressed in a white dress with a black graduation robe with three stripes on the sleeves. On her head is mortarboard with tassel hanging on the left. She is standing with one hand resting on a table and in the other she is holding a book with the word Longfellow on the cover. She has a brooch in the shape of a bar with a cameo suspended from it at her neck.photograph, portrait, female -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, 1880- 1890's
Clothing. White linen camisole with peplum 8.5 cm deep. Round lace yoke at the front, with a panel for a ribbon insertion. Some evidence exists on the right front, that once there was a pink ribbon - possibly silk, but now there are only a few threads left. The insertion panel continues around the back neck edge. Two panels of three .5 cm tucks run from the neckline to the waist of the centre back. Front opening, with two 1 cm pearl buttons still evident, and a cotton tape and casing at the waistline. ON each side of front opening, a group of five pintucks, 7 cm long run from the waistline toward the bustline.All items belonged to Margaret Ann McLean.costume, female, white linen camisole. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLOUSE, Late 1870's - 1880's
Clothing. A concealed full length back opening reveals five tiny covered buttons, 7 mm in diameter and five hand-stitched button holes. This opening is bordered by two groups of five very fine pin tucks with a 3 cm spacing between the two groups. The blouse is made from very fine Swiss lawn cotton fabric, and is very soft to the feel. The front has a broad panel thirty cm wide of exquisite pintucks, crochet, lace and embroidery. The embroidery is white on white, and features flowers and leaves in a curved pattern. A crochet panel below the high neckline is 4 cm x 10 cms and is peaked at the lower edge. This is bordered by 1.5 cm wide cotton lace, and horizontal pintucks. Two panels, one on either side of three pintucks, 1.5 cm panel of lace, and then the central panel of embroidery, pintucks, lace, and crochet. Five pintucks, 1.5 cm panel of lace and five more pintucks run the length of the short sleeves. Sleeves are puffed, and gathered at the shoulder, and at the 1.5 cm deep cuff, which is also pintucked. A 1.5 cm deep 'stand-up' collar, spoke-stitched to the garment, as are the sleeves and shoulder seams. Front hemline is curved. Back hemline is straight.costume, female, a full length back opening blouse -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, Late 1870-80's
Clothing. Fine white linen fabric. A .8 cm 'tuck' edged at top and bottom with a spoke-stitched border, marks the waistline. Below the waistline is a peplum, split at the centre front with 8 cm deep peaks. These peaks are repeated at the centre back. The peplum tapers to 7 cm deep at side seams. The camisole is trimmed at the top edge with a 4 cm deep band of cotton lace. The top edge of the linen fabric has a double row (off set) of cotton embroidered 'spots' 2 mm in diameter, and three rows of drawn thread work - one cm in width, 3.5 cm wide lace form the shoulder straps. The back opening fastens with six tiny 7cm pearl buttons, and hand-stitched button holes. The lower button fastens with a loop at the waistline 1880-90's. A 'fan' of pintucks, arched from 4 cm long at the ends, to 6 cm long at the centre, fans the midriff at the centre front, above the waistline - 28 tucks in total.costume, female, camisole. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CAMISOLE, 1880-90's
Clothing. Wide scooped neckline, edged with 1.5 cm deep cotton lace. The centre back opening is fastened with six tiny pearl shell buttons .8 cm in diameter- top button is fastened with a loop. 1.5 cm deep cotton lace trims the neckline and armholes. A .5 cm cotton braid trims the lower edge. Nine floral embroideries and pulled thread work 2.5 cm x 2.5 cm are spaced around the rounded front neckline. Below these embroideries on the left side breast, are embroidered the wearers initials-(M) MB. The owners initials are embroidered on the left front in a decorative manner, to compliment the floral embroidery. A lace ribbon, one cm wide at the waistline passes through 1.4 cm eyelets 2 cm apart. Between each set of eyelets, are groups of 4 cm long fine pintucks - 13 groups of two eyelets and 14 groups of pintucks.costume, female, wide scooped neckline camisole -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM LINEN BODICE, 1880 -90's
Clothing. Very fine, cream linen bodice, with two vertical lace inserts either side of front opening, and three angled inserts from each side seam to the vertical insert. All inserts 2 cms wide. Short cap type sleeves are edged with the same lace, and band of this lace also outlines the wide square neckline. An insert between these bands has a fine, ribbon threaded through, which would act as a draw string. There is a 2.5 cm x 3 cm tab of linen at the centre back, but, no markings are evident. Three .9 cm pearl buttons, with three corresponding machine stitched button holes fasten the front. A cotton tape drawstring, and elastic are encased at the waistline giving the lower edge a peplum effect.costume, female, cream linen bodice -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: INFANTS NIGHTDRESS OR CHRISTENING GOWN, Late 1800's early 1900's
Clothing. High lace-edged round neckline - lace 1.3 cm deep. Long sleeves-gathered at the shoulder, and edged at the wrist with a 4.5 cm deep, gathered broderie anglais, featuring a shamrock, and flower design. The bodice has a centre front panel of lace. 9 cm wide at the neckline, tapering to 4 cm wide at the high waistline. This panel is edged with a 4 cm wide scalloped edge at the broiderie anglais trim. Three rows of pintucks, give a finish to the filigree braid, and the gathered broiderie frill. The long skirt is gathered at the lower bodice, and is 70 cms long. The lower 20.5 cms at the hemline has alternate bands of three pintucks, a 4 cm panel of flowers and cutwork broiderie, three pintucks, 4 cm panel panel of broiderie, three pintucks and a 4 cms deep machine stitched hem. Bodice has a back opening, with only one 1 cm diameter covered button evident, a cotton tape passes through a casing, and ties at the back waistline.costume, female, infants nightdress. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LADIES VICTORIAN ERA KNICKERS WITH DROP SEAT, 1870's
Clothing. White fine linen fabric, trimmed at lower leg with a 2 cms wide cotton , brooierie insertion and a 12 cm wide frill of textured (?) fine linen or cotton lawn broiderie. The front waistband dips to a central 8 cm deep peak. Waistband at side seams, is 4.5 cm deep and back waistband is 10 cm deep at side seams, and the 11 cm deep at centre back. Two 1.4 cm covered buttons close the back waistband. The knickers have a gathered opening panel, called at the time a ''drop-seat'' or ''access hatch'' at the centre back. This panel has a 5 cm deep waistband, fastened at either side by a covered button, and a third button at the centre. These buttons are sewn to the back waistband, and the button holes are sewn, correspondingly on the gathered back. A drawstring tape is also threaded through the back waistband. A 6 cm wide gussett sewn from the crotch extends 23 cms long.Printed in fine black ink on back opening; D.S.R.F. No 11.costume, female underwear, victorian era knickers -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LACE BED CAP, Late 1800's early 1900's
Clothing. Bed cap. Fine cotton lace crown edged by a 1.5 cm band of insertion lace, which is threaded with a mauve silk ribbon 1 cm wide. This in turn edged with a 6 cm deep frill of cotton lace, featuring flower and leaf design, and has a scalloped edge. The mauve silk ribbon insertion is finished with a bow, to adjust the size of the cap to fit the head.costume, female, lace bed cap -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BRODERIE COLLAR, 1880-early 1900's
Clothing. Cotton fabric featuring floral embroidery and cut work in the Broderie Anglais tradition. A cotton drawstring, twisted and finished with two 5 cm long tassels, gathers the collar at the neckline, to fit the wearer. It is encased in a .7 cm neckband, into which the collar is gathered.costume, female, broderie collar -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: FOUR LACE COLLARS, Late 1800's
Clothing. Four Collars a. Stand-up lace collar with a shallow scallop at the lower neck edge-6 cm -7 cm deep. Three ''stand-up'' flower motifs and other flat floral motifs form the lace. Five boned and wired casings keep the collar erect. At the centre lower edge fine, cotton fabric is gathered tightly and forms a 10 cm long, fan shaped drop or jabot which in turn has a shield shaped crochet drop 12.5 cm deep with corded and cut-work elements. The stand-up collar is lined with fine cotton net, and fastens at the back with three metal hooks, but no loops are evident. b. Very fine creamy silk (?) stand-up collar. 4.5 cm deep, with a 32 cm deep jabot front. The same lace as the collar, edges the Vshaped front jabot. In the centre of this jabot is a stylized maltese cross, which also features at the front of the collar. No fastenings are visible at the neckline. c.This item is of the same design as 14.b, but is slightly larger.Cream cotton or silk, the collar is 6 cms deep at the centre front, and features a Maltese Cross shape at the centre front of the collar, and the jabot front. Ten floral motifs are spaced around the collar, and the same lace outlines the edges of the jabot front. No fastenings are evident. d. Collar. 8.5 cm deep at the centre back, shaped to 6.5 cm deep at the centre front. Jabot 2 cm wide at top, 10.5 cm wide at lower edge, then shaped to a point at the very lower edge. Floral elements and eyelets form the design. Centre back has six eyelets at each edge-perhaps laced to fasten. Two 5.5 cm long x .3 cm wide bones are encased on the front of collar, to support it in the front.costume, female, lace collar and jabot front -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: COLLAR AND DETACHED SLEEVES, Late 1800's
Clothing. Ladies' collar. Net fabric, entirely sewn into 'pin-tucks' .5 cm deep in the high stand-up collar, and increasing to 7.5 cm at the lower edge of the jabot front. Opening at the back, the jabot is fastened by nine metal hooks, and hand-stitched loops. Collar has a tightly gathered double frill of the tulle fabric, at neck and is held up right by five 'covered' 'bones'. The lower edge of the front and back is edged with a 1.5 cm wide silk fabric frill. Centre lower edge of back has two 59 cm long silk ribbon ties. This ribbon is also attached to the lower edge of the jabot 58 cm and 60 cm long - presumably for the wearer to tie firmly in place. Neckline seam is re-inforced and neatened by an organdie type fabric, hand-stitched in place. Two fine elastic loops (now perished) one 52 cm, one 58 cm would once have helped to hold the jabot in place, with the arms passing through the loops, to keep the jabot in place. Detached sleeves. Net fabric, entirely sewn into .5 cm tucks. Reaching from the wrist to above the elbow. A double net frill edges the wrists, where a 6.5 cm opening, fastens with metal hooks and hand-stitched loops. A cotton tape, .5 cm wide neatens and re-infrces this seam, and a row of chain stitch, in silk thread embellishes the outer side of the seam. Upper edge of the sleeve has a fine binding of silk ribbon.costume, female, cream tucked net collar and jabot -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LADIES GREEN SILK BEADED DRAWSTRING BAG, 1880
Clothing. Five sided green, silk, beaded bag. Lined with green linen gauze like fabric. Ten .8 cm brass loops sewn to the top of the bag.Has a drawstring of green cotton thread. Two peaked flaps, 7.5 cm deep, fall from below the drawstring over the top of the bag. Flaps and the main body of the bag have exquisite tiny glass beads - white, and clear-(reflecting the green of the fabric) in an absolutely exquisite floral design. These beads are the tiniest beads imaginable. The underside of the flaps is lined with the linen gauze, and an overlay of silk. This silk is badly worn and disintegrating.costume, female, ladies green silk beaded bag -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: PINK SILK DRAWSTRING BAG, Late 1880's
Clothing. Pink silk satin drawstring bag, with a sheer pink organza overlay. A 1 cm wide silk ''drawstring'' passes through eight 1.3 cm diameter plastic rings, sewn inside the bag, 4.5 cm from the top, creating a 4.5 cm frill when closed. The top edge of this frill, is decorated with cm long glass beads and tiny round glass beads. The lower edge of the bag is gathered in tightly, and a silk tassell, decorated at the head, with tiny red, dark and light blue, and white beads. The tassell falls from a thread covered cone shape, 2.3 cm long, and decorated with yellow, red, blue and white beads. The inside of the bag is lined with silk organza.costume accessories, female, pink silk drawstring bag -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: NAVY BLUE VELVET EMBROIDERED BAG WITH BRASS FRAME, Late 1800-early 1900's
Clothing. Navy blue velvet, on a brass frame, with a 34 cm long brass chain. A ''push-button'' 1.2 cm diameter, fastens the bag. A decorative, oval brass loop is attached to the centre of the frame. The velvet fabric is tightly gathered onto the frame. One side panel of the bag is exquisitely embroidered in a ''corded'' floral design, in pink, blue and greens. The bag is lined with a smokey blue watermark silk, with a flat pocket on one side. The bag contains a smokey blue pouch 7.5 cm square, holding a bevelled edge mirror on one side, and a pouch on the other, a blue nylon comb, two metal hair pins and a 5.5 cm long hat pin. with a pearl bead at one end.costume accessories, female, navy blue velvet embroidered bag -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLACK HAND BAG WITH SILVER INITIALS MAB
Clothing. Owners initials prominent on outside. Rectangular in shape, fine grained black leather. The leather forms an external shape, white inside a smaller watermark, black silk pouch has a silver frame and clasp to hold the required items. This is lined with a dark cream watermark silk, and has an outer section with side pocket, containing a mirror, and a smaller inner section divided into purse-like compartments. Each swection has a silver frame and clasp. A small piece of light card -red on one side, and possibly glued as a label on the otherside is the same shape as the handbag, and has printed in capital letters ''NOTE THE POINTS''. This may or may not relate to the bag. The outer leather section is slightly tapered-wider at the bottom, forming slight peaks. The top reflects these peaks, with a 3 cm wide band of leather, shaped wider at the top. 23 cm long at top, 21 cm long at lower edge. Silver metal, upper-case lettering:M-A-B, indicate the owners initials. .7 cm high, 7cm long. Two 1 cm wide, 28 cm long handles complete this stylish bag. Mirror has bevelled edges, and is backed with the same fabric, as the bag lining.costume accessories, female, black handbag with silver initials m-a-b -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLACK BEADED CAP, 1910-20
Clothing. A wire frame shape, with a black canvas lining, and covered on the outside with black velvet. The shape is ''head-hugging'' with scalloped extensions towards the ears. Beading in a floral design covers the shape - these are tiny round black glass beads and black bugle beads. These glass beads reflect the light against the black velvet.costume accessories, female, black velvet beaded cap -
Bendigo Historical Society Inc.
Accessory - MAGGIE BARBER COLLECTION: CLOTHES BRUSH, MAKE-UP BRUSH, HAIR COMB, 1920's
Objects. Clothes brush is oval in shape, with a polished wooden base, and black bristles. Shaped to a rounded point at each end. Bristles 2.5 cm long. Nine rows of bristles. Make-up brush bears Chinese writing on the handle, 23.5 cm long with 6.5 cm long white hairs forming the brush. Hairs are held in an ebony cup shape fitting, attached to the handle. An ebony top-knot completed with a red silk ribbon loop finishes the top of the handle.Hair comb: Tortoise shell, with three 7 cm long teeth, which unfortunately are broken from the fan-shaped decorative top. The fan-shaped top of the comb, has an art-deco type flowing floral design-1920's.Chinese lettering - six characters.costume accessories, female, clothes brush, make-up brush, hair comb. -
Bendigo Historical Society Inc.
Accessory - MAGGIE BARBER COLLECTION: LADIES WALKING CANE, 1920's
Object. Finely tapered wooden cane- .7 cm diameter at base and .9 cm at base of metal handle. The rounded top, forming a handle is metal and while some numbers are visible,I do not think that there is a hallmark to indicate silver No 935 and some indistinguishable letters. The metal extends around the handle and 10.5 cm down the cane. A 2.5 cm wide ''bracelet'' of a different metal encircles the cane, over the top of the darker metal. The cane has a covering of black paint, which is showing wear and tear. The cane has a 2.7 cm metal tip-possibly brass. This is engraved with two fine metal rings.On base of longer metal 935….costume accessories, female, ladies walking cane -
Bendigo Historical Society Inc.
Accessory - MAGGIE BARBER COLLECTION: LADIES WALKING CANE - TWO EXTRA HANDLES, 1920's
Object. (a) A circular metal disk, slightly convex with six tiny crosses spaced around the outer rim. Shaped like a funnel at the rear, the handle extends into a 16 cm stem which would fit over the walking cane. Eight raised circles decorate the stem, giving a .8 cm decorative ridge. Four circles impressed below the lower edge. A hallmark is impressed below these circles, xo.... with remainder unreadable. (b) Circular rounded top, decorated with concentric small circles, raised slightly, and each centred with a tiny blue gemstone. A larger Royal Blue, circular raised gem stone is at the centre. This knob is 6 cm in diameter.costume accessories, female, ladies walking cane -
Bendigo Historical Society Inc.
Accessory - MAGGIE BARBER COLLECTION: LADIES UMBRELLA, Early 1900's
Object. Wooden frame and handle, metal mechanism and spokes, line fabric covering. Wooden handle is 4 cms in diameter and 9 cm long. An eyelet through the handle may once have a carrying loop. The handle has a polished wood finish, and is decorated with painted leaves. The top peak of the umbrella is also polished wood, 3.5 cm long, 2 cm in diameter. The fabric is linen, and has a Japanese ''Cherry blossom'' type print. The outer edge has a 6 cm deep border in a tan coloured linen.costume accessories, female, ladies umbrella -
Bendigo Historical Society Inc.
Ephemera - MAGGIE BARBER COLLECTION: CIRCULAR CANE FAN, 1920-30's
Object. Circular in shape and 22 cms in diameter. The fan has a bamboo handle 26.5 cms long. Long strands of woven cane have been machine stitched into a circular shape, with the outside round in green dyed cane. (twenty rows of woven can make up the fan). A Floral design, 15 cm long is painted on one side of the fan-leaves, petals and centre of flower in green, red, yellow. Markings as above.costume accessories, female, circular cane fan -
Bendigo Historical Society Inc.
Domestic Object - MAGGIE BARBER COLLECTION: PALM-FROND DIAMOND SHAPED FAN, 1920's
Object. Woven palm - frond handle and 'spine'. Strips of palm-frond have then been split from the fronds, and woven in a 'basket' effect, with slightly wider - 1 cm, at the base of the fan shape, tapering to .5 cm at the top. Lower section at the centre. A second 5 cm straight shape section steps up to a top peak, 4 cm high. Some pattern is visible, in a darker colour.costume accessories, female, palm -frond diamond shaped fan -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CIRCULAR BROCADE AND BEADED EVENING BAG, Late 1800's
Clothing. Circular, on a gold metal frame, with a gold (badly tarnished) brass chain handle. A small beaded brass clasp closes the bag. Three small .5 cm pearls sit on top of the clasp, one in the centre of the beaded clasp, and two other groups of three pearls on top of the frame, with tiny white, pink and green beads - possibly silk brocade, has an all-over floral design in cream, pink, and dull green, on a cream background. The bag is lined with cream satin and has a small internal side pocket. A fine gold piping outlines the circular shape of each side, separating the side and centre gussett.costume accessories, female, circular brocad and beaded evening bag -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: STRAW ''PILL-BOX'' HAT WITH FEATHER AND BERRY TRIM, Early 1900's
Clothing. Oval in shape, 4 cms deep at the back, and slightly flattened to 2 cms deep at the front. Deep brown straw on the outside, with a slight sheen, deep blue straw on the inside with a glossy finish. A fine elastic is attached at each side, to hold the hat in place. A band of stiffening lines the inside of the back, to hold the shape. Attached to the front of the hat is a 51 cm long, deep brown ostrich feather. A cluster of seven deep red (one loose) glass bead 'berries' and a scrunch of dark red velvet, hold the feather in place. The feather passes over the top of the pill box and extends an extended 30 cms over the back edge, in a sweeping, gracious curve.costume accessories, female, straw pill box hat with feather -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LADIES FULL LENGTH BLACK SKIRT-DAMAGED, Late 1900's
Clothing. This garment has been severely damaged - the waistband has been removed, and a 45 cm diameter circle has been cut from the polished cotton lining. There is also fabric damage adjacent to the internal side pocket seam, velvet binding at hem, stiffened linen lines the inside at the hemline - 20 cm deep, and a narrow binding of black velvet encircles the lower hemline. While the waistband has been partly removed, the original two metal hooks, and three metal eyes are still in place. This garment is severely damaged, but it does still give insight into the inner construction of the garment. Ten ''gores'' or sections make up the circle of this skirt.costume, female, full length black skirt -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLACK SKIRT/TULLE/ VELVET UNDER-SKIRT OR PETTICOAT, 1890's
Clothing. This petticoat is multi-layered with one layer of taffeta at the hemline, with black velvet, the top edge of which is scalloped-55 cms deep, and finished at the top edge - the scalloped edge, with a cotton braid 2mm deep. Two layers of tulle, over the taffeta, are gathered into a 1 cm wide waistband, which fastens with a metal hook, but no loop is visible. A 23 cm long plackett has a metal press-stud closure. Two cotton tape loops - 10.5 cm long are attached inside the waistband.costume, female underwear, black silk/ tulle/ velvet petticoat