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Bendigo Military Museum
literary work - POEM
Rhyming poem written by LT. John Bartlett PERRY VX 25088 2nd Light Anti Aircraft regiment. Subject is his daily task of censoring his soldiers letters. 4 pages of lined paper containing a hand written Poe o 15 paragraphs each with 6 lines. Writing in pen black ink. Stapled together with a small sewing pin. Poem signed at end with “Copyright VX 25088 J.B. PERRY”poem, censoring -
Yendon History Group
Certificate for school bank, The State Savings Bank School Bank Certificate, 1963 (estimated); Assumed to be printed in the same year the certificate was presented
Certificate in a glass fronted wooden frame acknowledges that 100% of Yendon School students were bank depositors. Frame of light coloured timber, 20mm wide.Dated 3rd June 1963. Signed "Mall", General Managercertificate, yendon state school, yendon public school, yendon, state savings bank of victoria, school bank -
Bendigo Military Museum
Certificate - SHIRE CERTIFICATE, FRAMED, 24.10.1942
Clement Herbert Lawrence Ingleby No V65375 enlisted on 28.3.1941 age 28 years. He was discharged on 18.12.1946 with rank of Sgt in 3 Mil Dist A/CS Office Vic.A Call To Arms to C H L INGLEBY, 24th October 1942 from Shire of Bet Bet, enlisting in the AIF for Active Service 24th October 1942. Gold wooden frame, cardboard backing, glass front. Coloured certificate with white border.Signed: “Shire President & Shire Secretary of Bet Bet Shire”documents - certificates, civic mementoes, ingleby -
Upper Yarra Museum
Green Gables Letter Box, Unknown
This item was used in the office of Green Gables, Guest House, Warburton, to hold post cards, that were sold to the guests. The Kent Family owned and operated the House from 1949 -1957, this item was kept by the family until 2013.It was then donated to the Upper Yarra Museum.Wooden hardwood, Letter holder, back 28 cm high,13 cm wide.7 cms. deep. 2 compartments inner compartment 20cm. high. Front is 9 cms. with inscription.Stenstil sign in gold with black outline. This is on the lower front panel green gables, warburton, -
Kiewa Valley Historical Society
Document - Shire of Bright Proclamation
Dated the 2nd July 1989. Proclamation for a 'sister' relationship of co-operation between the two communities. In 1989, shires and cities in Australia including the Alpine Shire were keen to develop partnerships between the communities to establish closer ties for exchange eg. the youth. A2 plastic sheet with two parts. On the left green title and logo written in English. On the right orange title and logo and written in German.Signed by Councillor Brian Goss and similarly his German counterpart. shire of bright proclamation -
Warrnambool and District Historical Society Inc.
Document, Warrnambool Tramways-William Bell, C 1881
In 1858 a tramway was constructed to move goods between Warrnambool township and jetty on Lady Bay which was over a mile away The terminus was established on the southern side of Merri Street. and the track went around the edge of Lake Pertobe reserve. Large stores were also built near where the present railway station is situated to hold produce and carriages.This document is is a surety between John McDermit a saddler of Liebig Street Warrnambool along with Henry Phillips hay and corn dealer of Liebig Street Warrnambool, acting as surety in the amount of fifty pounds to William Bell a contractor to perform horse work for the Warrnambool tramways. for a period of one year, 1881-1882. This contract has a strong historical link to one of Warrnambool's earliest infrastructure projects . It contains the names of local people and provides an insight into the links between people and the types of work they undertook Pale blue lined paper with red lined outline.Hand written in black pen with names and some other words underlined in red. Two signatures on bottom right with red seal beside each. Witness signature below on left hand side. Of the four pages of the document , only the first page is used.Signed John McDermid, Henry Phillips. 1st October 1881.warrnambool,, warrnambool history, warrnambool tramways, william bell contract,, john mcdermid, henry phillips -
RMIT Design Archives
Design drawings, Ian Wong, designer, Sheet of sketches for RMIT University's ceremonial mace
RMIT University's first ceremonial mace was commissioned by Professor David Beanland, Vice-Chancellor, Royal Melbourne Institute of Technology in 1992, and designed by Ian Wong, a lecturer in Industrial Design. It was the result of a collaborative effort, with staff from industrial design, gold & silversmithing, sculpture, engineering, applied physics, and optical technology working on its production. Materials used include carbon fibre, optical fibres, computer chips, honeycomb aluminium, gold, titanium and crystal. This design drawing shows how the University's distinctive pixel log (that conveys a sense of being at the forefront of technology) was incorporated into the design of the top element of the mace. Michelle Novacco, 2017Sketches of designs for RMIT ceremonial maceSigned bottom right corner, 'IAN WONG / iw / 1992 'ceremonial mace, industrial design -
Robin Boyd Foundation
Book, Geoffrey Blainey, A Short History of the World, 2000
Hardcover w/ Dust JacketSigned by Author - "To Patricia and John, with warm regards, Geoffrey Blainey"world history, walsh st library -
Surrey Hills Historical Society Collection
Book, Garnie's Second Innings; the history of the Mont Albert Cricket Club 1930-2008, 2009
This is a club history of the Mont Albert Cricket Club. It is an extension of the author's first book: Garnie's Army. It includes a bibliography.This is a club history of the Mont Albert Cricket Club. It is an extension of the author's first book: Garnie's Army. It includes a bibliography.Title page: signed by the author "Greg McKie September 2013"mont albert cricket club, cricket, mont albert boys' club, garnie's army, (dr) (mr) greg mckie, sports and recreations, surrey hills golf club, north balwyn club, howard road methodist cricket teams -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Untitled', by Ludwig Hirshfeld-Mack, 1959
Ludwig HIRSCHFELD-MACK (1893-1965) Born 11 July 1893, Frankfurt am Main, Germany In 1940 Hirschfeld-Mack was deported to Australia from England as an enemy alien in the Dunera. He was interned at Hay and Orange, New South Wales, and at Tatura, Victoria. There he made a number of woodcuts that illustrated life under detention. Released in 1942 through the sponsorship of (Sir) James Darling, headmaster of Geelong Church of England Grammar School, Hirschfeld-Mack was appointed its art master. He promoted his pupils' self-knowledge, introduced them to avant-garde painting techniques, and encouraged wood-carving, weaving, musical instrument-making, leatherwork and other crafts. (http://adb.anu.edu.au/biography/hirschfeld-mack-ludwig-10510, accessed 29 June 2016) He died on 7 January 1965 at Allambie Heights, Sydney Framed abstract paintingSigned in pencil lower left hand side 'L.H.Mack 1959'art, artists, mack, hirschfeld-mack, ludwig hirschfeld-mack, ludwig hirshfeld-mack, printmaking, monoprint, bauhaus -
Federation University Art Collection
Work on paper, 'Sun and Moon Nature' by Kees Hos, 1964
Kees HOS In 1956 Kees and his wife Tina made a new life with their two children in the arts community of New Zealand. In Australia Kees established the art school at Gippsland College of Advanced Education in 1971 with a radical multidisciplinary approach to art education. He generously delivered encouragement and opportunities to many people including lecturers, visiting artists and students. His small team literally built an art school from zero. Temporary accommodation in an old factory and service station in Morwell moved to three student-built studios on the Gippsland Campus. His highest recognition was 1997 when the names of Kees and Albertine Hos were added to the Wall of Honour in the Garden of the Righteous at Yad Vasheem in Jerusalem along with many others who put their lives on the line against the biggest killing machine the world had known. The ‘hiding-place’ in Kees and Tina’s home was discovered but Tina managed to rescue a baby as her own while the Jewish parents were transported to Auschwitz and Dachau. Kees was on the run using his printmaking skills to forge passports but was eventually captured and jailed, the war’s end saving his life. Gippsland Director's Collection, Acquired 1973.Signed and dated lower right in pencil "Kees Hos '64"artist, artwork, kees hos, gippsland campus, gippsland director's collection, printmaking, wall of honour in the garden of the righteous -
Federation University Art Collection
Artwork - Printmaking, Wes Walters, 'Nude/Back' by Wes Walters, 1981
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching showing the back view of a nude.11/60 Nude/Back Signed 'Wes Walters 81'wes walters, printmaking, available, nude, lifedrawing, available -
The Dunmoochin Foundation
Drawing, The Woman you Sleep with (Head of Adriane), No Date
Portrait in felt pen of a female head. Signed (L.r) 'Drew' and (L.l) 'For Cliff/ The woman you sleep with'.andrew southall, drawing, female head, adriane, clifton pugh -
Tatura Irrigation & Wartime Camps Museum
Photograph, Daryl Walker, Guide Hall Tatura, 1987
Guide Hall, Albert Street, Tatura, was opened in ???? Meetings of brownies and guides are held every week. Mrs Grace (Captain) Tucker was largely responsible for building the hall.Black and white photograph of Guide Hall, Taturaon back: Guide Hall Tatura 1987. on sign in front of hall.guide hall tatura, brownies tatura, guides tatura, mrs grace tucker -
Tatura Irrigation & Wartime Camps Museum
Woodcut, 1940(Approx.)
Made by Internee at Camp 3 TaturaPlywood, painted cut-out of girl dressed in blue skirt cream sleeves green apron brown spotted headscarf and tan shoes.Has three brown spotted toadstools on spotted green background at base.Girl's arm is encircling the neck and chest of a deer which has spots on its rump.Crayon markings on back.CHR WELMANN YOUGOSLAV| 1941| 5 (and Sterling pound sign)camp 3, plywood, deer, girl, lockwood, wood cut, tatura, internees, handcrafts, woodcarving -
Bendigo Art Gallery
Painting, Alexander Colquhoun, Divided Attention, 1887
Signed, l.r., red oil, "A Colquhoun". ("A" & "C" in monogram). Not dated. -
Bendigo Art Gallery
Painting, Julie Crouan, Christmas Fare, 1887
Signed and dated, l.r., black oil "J. Crouan/1887" -
Bendigo Art Gallery
Painting, Eugene Guillon, Summer, 1887
Signed and dated, l.r., red oil, "EUGENE A. GUILLON. 1887". -
Bendigo Art Gallery
Painting, George Goodwin Kilburne, Forgiven, Circa 1888
Signed, l.l., red oil, "G G Kilburne". Not dated. -
Bendigo Art Gallery
Painting, Lucy Walker, Cactus and Jar, 1884
Signed and dated, l.r., brown oil, "L. Walker 1884". -
Bendigo Art Gallery
Painting, Albert Chevallier Tayler, Gentlemen, "the Queen", 1894
Signed and dated, l.r., brown oil, "A CHEVALIER TAYLER. 94". -
Bendigo Art Gallery
Painting, Thomas Benjamin Kennington, Homeless, 1890
Signed and dated, l.r., brown oil "T.B. Kennington. 1890" -
Bendigo Art Gallery
Painting, Carl Hoff, The Golden Wedding, 1883
Signed and dated, l.r.,brown oil, "Carl Hoff/83". -
Bendigo Art Gallery
Painting, Nicholas Habbe, Britannia Rules the Waves, 1876
Signed and dated, l.l., red oil "N.F. HABBE. 1876". -
Bendigo Art Gallery
Painting, Friedrich Ortlieb, The Postilion, circa 1888
Signed, l.l., red oil, "F. Ortlieb/Munchen" Not dated -
Bendigo Art Gallery
Painting, Julie Crouan, Chrysantheme, 1887
Signed and dated, l.r., red oil, "J. Crouan/1887" -
Bendigo Art Gallery
Photograph - Work on paper, Harold CAZNEAUX, Untitled (Architectural study of a wrought iron gate), c. 1930
Inscription verso "dr S". Cazneaux image but not signed by artist.photograph, silver gelatin, australian photographer, australian artist, lae iron work, gate, iron gate, garden gate, architecture -
Westbourne Grammar Heritage Collection
Card - Christmas Card from M.M. Molland
This card was sent to a student of the school in the 1950s. It was donated to the heritage collection along with another personal letter from Principal Molland, sent to the student when she was away from school, ill with measles. The card demonstrates the personal attention that students received from Mabel Molland and has historic significance and interpretive capacity in understanding the kind of leader and educator that Mabel Molland was. Small card with printed front, featuring a yellow circle in the centre with areas of red at the top and bottom. The image in the yellow circle consists of two birds on a lower tree branch and a further bird on an upper thin branch surrounded by blue flowers. Predominant colours are yellow, red, green and blue.Inside the card there is a message to a student. The message is signed M.M. Molland. -
Nillumbik Shire Council
Painting: Rick AMOR (b.1948, Melb. AUS), Rick Amor, Out to Sea, 1993
Rick Amor was a good friend of three times Archibald Prize winner Clifton Pugh, living and working at Pugh's artist colony Dunmoochin, (Cottles Bridge) during the 1980-1990s. Amor made frequent outdoor painting trips with Pugh. His studies of Williamstown and areas around the port fuelled a period of sustained painting in his studio at Dunmoochin. Amor is an artist of national significance who had lived locally in Dunmoochin (Cottles Bridge) during the time of this work's making. This painting was exhibited/entered into the 1993 Shire of Eltham Art Awards. The work is representative of Amor's style and interest in seascapes as subject matter. Oil on linen, seascape painting. A solitary and motionless male figure in an overcoat stands at the edge of a dock/jetty with his hands in his pockets looking out to sea with his back towards the viewer. A motorised boat is moored close by and a white house with a blue roof can be seen in the distance. The figure is engulfed by the landscape and a resounding sense of desolation. A storm is brewing; the mood forecast by dark, heavy and thick ominous clouds, alternately darkening with the approach of night, a polluted haze and rough seas. In red paint, lower right, signed 'RICK AMOR '93'amor, seascape, painting, personal, boat, dramatic, atmospheric, ekphrasis 2015, dunmoochin -
Latrobe Regional Gallery
Work on paper, MESARIC, Francis, The lark ascending, 1993
Coloured pencil, graphite, air brushed drawing ink on paperSigned and dated lower right corner "F MESARIC '93"