Used at Tarndwarncoort by Wendy Dennis and family. Small blue Lambs coat made in Australia, Yellow and white coats made in Australia by ?Goblin? Company in Australia about 35 years ago with rheem material polypropylene. Both Green coats are large sizes (Korean Made) Current Coats used now by Tarndwarncoort are made in China from Nylon material. These coats were decorated by year 12 students at Colac High School for Fashions on the field (no sign of this is visible on the coats. The coats come along with several articles written by Wendy Dennis about her methods of producing coloured wool and growing sheep. A series of photographs are also provided which add to the provenance and significance of the items. Used by the Dennis Family at Tarndwarncoort. Prominent woll growing pastoralist and settler family at the historic Tarndwarncoort homestead. These types of coats are used to protect fine grade and high quality wool while still on the sheep's back. These coats were made in Australia, and while these types of coats are still used, they are now made in China and Korea. 5 small sized lamb coats. shaped to fit a sheep with leg straps or holes in the rear, and joins, shashes and ties at the front. Light Green Dark Green White Yellow Grey letter from Wndy dennis of Tarndwarncoort Article titled 'Breeding Coloured Sheep and using Coloured wool' by Mrs. W. S. Dennis. Article Titled 'Coloured Sheep and Wool: Exploring Their Beauty and Function' by Mrs. W. S. Dennis. Article Describing the Tarndwarncoort property and its history. A4 Black and white photograph of Tarndwarncoort sheep wearing coats such as the ones in this collection

Articles in the annual report include: opening two field offices in Riverina and North Coast, C.L.D. Mears awarded in awarded Companion of Order of Australia, Technical Aids for the Disabled provided switchboard simulators for vocational training programs, review of Lighthouse and Community Cottages is required, Roselands Nursing Home cared for 104 residents, installation of computerised book and circulation system, the workshop area began trading as Mitchell Manufacturing, and the creation of a biennial Royal Blind Society National Sculpture award sponsored by James Hardie and the Visual Arts Board. Please note: page 21 is not scanned. Titled 'Extra curricular involvement of staff' the Braille on the reverse side impacted upon the visibility of the text.1 volume of text and imagesroyal blind society of new south wales, corporation records

The Bendigo School of Mines was opened in 1873 following the first report of the Technological Commission in 1869 which recommended the establishment of schools of design and science to meet the scientific and technical needs of the mining industry on the local gold fields. Initially mining, chemistry, geology, metallurgy and art were taught while a separate school of design was established in c. 1870 but incorporated into the School of Mines around 1883 when it was renamed as the School of Mines and Industry. In 1904 The Mechanics Institute was liquidated and its assets and buildings acquired by the School of Mines. Around 1907 a Junior Technical School commenced to operate at the School of Mines and Industry but ceased operating in 1961 with that function being transferred to the White Hills and Kangaroo Flat Technical Schools.Obverse; Ornate relief design made up of a coat of arms with mining icons in each quarter flanked by flags on either side. Per varios usus artem experientia fecit written in scroll underneath. Translation: Practice has brought skill through different exercises. (Manilius) Reverse; Outer wheel Bendigo School of Mines and Industries. Inner; 1873 /Jubilee /1923Obverse; Per varios usus artem experientia fecit Reverse; Outer wheel Bendigo School of Mines and Industries. Inner; 1873 /Jubilee /1923city of greater bendigo education, bendigo school of mines

During the Victorian goldrushes of the 1850s thousands of Chinese migrants arrived to seek their fortunes. At that time many came to the lucrative gold fields of Northeast Victoria. After the Gold rush, many Chinese migrants returned home. However, a number settled in the area as merchants, hawkers and market gardeners in surrounding towns including Wodonga, the Ovens, King, Buffalo River and Kiewa Valleys. They also rented lands and established themselves in the hops and tobacco farming industries. Items of Chinese origin made their way into many households. Importation of Chinese mass produced items such as this lantern continued well into the 20th century and were common domestic items across Australia before households were connected to electricity.This item is representation of kerosene / paraffin lamps used throughout Australia to provide lighting inside and outdoors prior to the widespread availability of electricity.A small hurricane lamp with a rounded tank and small carry handle attached to the top. A larger handle is also attached at the top of the frame. It has a lever to open the glass tank. It has a metal base which is filled with kerosene. It has a screw knob to open the kerosene receptacle. The metal hood also has vents. The Chinese characters around the base translate to "Shanghai Guanghuaheng".Around base : Chinese characters. On top : "Made in China KWANG HWA"kerosene lamp, domestic appliances, chinese artefacts

The First Australian Exhibition of Women's Work was held at the Exhibition Building, Melbourne, from 23 October to 30 November 1907. It was opened by Lady Northcote (the wife of Australia’s Governor General) and Pattie Deakin (wife of the Prime Minister), who also ran a model creche during the exhibition. The five week exhibition showcased the work of women musicians, artists and craftswomen with over 16,000 exhibits in all fields of artistic endeavour. It was attended by approximately 250,000 people. Exhibits were divided into Classes, including Fine Arts; Applied Arts; Photography; Plain Needlework; Cookery, Preserves and Laundry Work; Horticulture; and Medical and Nursing. This item was owned by Mrs. Mary Burrowes, aunt of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small ruby glass and crystal jug which was produced as a souvenir of the Australian Exhibition of Women's Work held at the Exhibition Building in Melbourne in 1907. It has been inscribed in gold coloured paint. "Mary Women's Exhibition 1907"vase, glassware, decorative items

RAEME Corps was first established in 1942 when the Ordnance Corps and the Service Corps were combined. This uniform was donated by a RAEME member who served during the Vietnam War. The Corps began sending advisers to Vietnam in 1964 and this foreshadowed a massive build- up of RAEME personnel and equipment which peaked in 1971. The first direct RAEME support was provided in early 1965 as part of 1 Aust Logistic Support Coy (1 ALSC). Prior to 1971 the RAEME elements of 1 Australian Logistic Support Group built up to a stage where there were two field workshops. The withdrawal of all Australian forces was completed in 1972 and RAEME reverted to its peacetime role.This uniform was worn by a member of the Wodonga community who served with RAEME during the Vietnam War. RAEME Corps members are also represented at the Army Logistic Training Centre at Bandiana.Australian Military uniform - this uniform was issued during Australia's involvement in the Vietnam war. It was worn by a member of RAEME (The Royal Australian Engineers), Damien Hunt who is a resident of Wodonga.On shoulder badge: "ROYAL AUSTRALIAN ELECTRICAL / & MECHANICAL ENGINEERS"raeme, military uniforms, australian army

A commemorative magazine published by R.S.S.I.L.A. for Anzac Day 1919. It contains black and white photos from World War 1. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A record of a publication made to commemorate World War 1.A publication to commemorate ANZAC Day in 1919, a colour printed cover with a wrap around tissue protective cover.world war one, souvenir

A photo of a group of soldiers by a military vehicle, the group is assumed to include Private J.B. McLean as it has his name on the reverse. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A photo of a group of soldiers in World War 1.Black and white photo of 25 soldiers in front of a military vehicle, mounted on brown cardboard.On the back 'J.B. McLean / 16 Bleazby St / Bentleigh SE14' in blue penworld war one, soldiers, souvenir, truck, uniforms

A booklet of songs for the troops in World War 1. Including 'Till the stew in the dixie grows cold', 'The beloved MP', and 'Two brown biscuits'. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of publications made for the troops in World War 1 or made of material that came from soldiers.Booklet of songs for soldiers in World War 1.Handwritten in black ink on corner 'J.B.M McLean A Coy. Seymour'world war one, songs

Photos of the Legacy Garden of Appreciation at the Shrine of Remembrance from various angles and three plaques that explain the garden and flowers. It is called the Garden of Appreciation 'marking the generosity of Victorians in supporting Legacy in its work of assisting widow sand children of deceased veterans'. The 'Widow and Children' statue was commission by Legacy and installed in 1998. The Garden is in a cruciform shape and is on the eastern side of the Shrine Reserve near Birdwood Avenue. It was formerly called the Garden of Memory from 1980-1986 according to Monument Australia website. One plaque explains 'the garden features the Flanders Fields poppies, the seeds which came from Villers-Bretonneux, France'. Photos were in a scrapbook of photos spanning 1983 to 1991.A record the Legacy garden at the Shrine before the statue was installed.Colour photo x of the Legacy Garden of Appreciation at the Shrine of Remembrance.Printed on reverse '

Photos of the Legacy Garden of Appreciation at the Shrine of Remembrance from various angles and a plaque that explains the garden and flowers. It is called the Garden of Appreciation 'marking the generosity of Victorians in supporting Legacy in its work of assisting widow sand children of deceased veterans'. The 'Widow and Children' statue was commission by Legacy and installed in 1998 (so these photos are before 1998). The Garden is in a cruciform shape and is on the eastern side of the Shrine Reserve near Birdwood Avenue. It was formerly called the Garden of Memory from 1980-1986 according to Monument Australia website. One plaque explains 'the garden features the Flanders Fields poppies, the seeds which came from Villers-Bretonneux, France'. Photos were in a scrapbook of photos spanning 1983 to 1991. A record the Legacy garden at the Shrine before the statue was installed.Colour photo x 3 of the Legacy Garden of Appreciation at the Shrine of Remembrance.Printed on reverse '

Correspondence dated 24 February 1970 - 6 March 1970 concerning an invitation to a Dinner Dance at Government House on 7th April 1970 in honour of The Prince of Wales and The Princess Anne, hosted by Miss Frances Anne Delacombe. The Governor, via his Private Secretary Lt.Col W.H.A. Becke, asked Melbourne Legacy to nominate two male and two female members between the ages of 18 and 25 who had achieved something in the scholastic, sporting or community service fields. They also had to like dancing and be able to mix. The Junior Legatees selected were Mary W. Lahore, Jacqueline Isles, Ralph E. Norton, and Peter Smith, all of whom were University students.Illustrates Melbourne Legacy's relevance in the wider community at the highest levels.Quarto and foolscap typed sheets x 3 on letterhead stamped 'Copy Only'. Originally black type on white paper, now fading to brown on cream.Handwritten salutation and signature on 01286.1 and 01286.4.junior legatee, royal visit

British born artist John Wolseley relocated to Australia in 1976, where he travelled extensively through the outback mainly recording the natural history of remote north Australia in large, minutely detailed paintings. Since 2009, he has travelled to Darwin annually to continue his exploration of the Top End, visiting Arnhem Land and Daly River to work with Indigenous artists to research and capture the detail and essence of particular landscapes. His works reflect how landscape can be thought of as fields of energy in which plant forms move or dance with rhythmic life. After The Fire - Leaf Surge represents the vibrant regrowth of new foliage emerging from a landscape recently ravaged by fire.

Leslie DUMBRELL (14 October 1941 - ) Born Melbourne, Victoria Leslie Dumbrell was a pioneer of geometric abstraction in Australia. After completing a Diploma of Art (Painting) at the Royal Melbourne Institute of Technology (RMIT) in Melbourne in 1962, Leslie Dumbrell adopted the international style of colour field and hard-edged abstraction. She taught alongside Peter Booth, James Doolin and Alun Leech-Jones at RMIT and Prahran College of Advanced Education. In 1966 Dumbrell was appointed to the Prahran College of Advanced Education teacing with Alan Leach-Jones and Jim Doolin. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Geometric AbstractionA large painted canvas with precise, brightly coloured lines on a black background. Dumbrell uses colour and line to create optical effects which often convey the illusion of movement.art, artwork, dumbrell, hard-edged abstraction, colour field, leslie dumbrell

Black and white photograph - Football Team, 1964."Attached to photograph" Back Row- L to R: Malcolm Pearson, Gary Morgan, Stephen Cross. 2nd Row- L to R: Leslie Reed, Philip Bates, Jeffrey Ratten, David Kimberley, Norman Pearson, Harry Parker, Neville Barnes. 3rd Row- L to R: Dale Ryan, Greg Arnott, Paul Smith, Neil Rattray, David Barton, Jeffrey Fielding. Front Row- L to R: ?, ?, Gary Chappel, Gary Ladiges, ?, Stephen Foster, Wayne Walton.

Digitised video (1.97GB). Duration: 46 minutes. Recorded August, 2019 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Helen Doxford Harris is a professional genealogist and historian of more than thirty years standing. Her interest in history was first developed when she commenced researching her family history. She has written many texts on various subjects relating to Victoria Police, the Indigenous and women’s fields of study. Helen is also current Secretary of Box Hill Historical Society. In this presentation, Helen presents a great talk on Women in Politics, highlighting the difficulty in achieving equality in representation on the political stage.

David Aloysius Patrick McKenzie-McHarg, L.I.B, O.B.E was born on 20th June 1918 in Albury, NSW to Hugh Patrick McKenzie-McHarg and Laura May (Dunne) McKenzie-McHarg. McKenzie-McHarg served on the Council of the United Shire of Beechworth for more than a decade during the 1960s-70s, including seven years as president. He was renowned as a public speaker and played a significant role in the community. In recognition for his outstanding achievements and services rendered to the Beechworth community he was awarded an Order of the British Empire (OBE) in 1976. David McKenzie-McHarg died on 6th June 1992 and is buried in Beechworth Cemetery. David McKenzie-McHarg’s wife, Marjorie Jean McKenzie McHarg, was well known to the Beechworth community as a brilliant pianist and played at all the balls and house parties. Apparently, she could play without sheet-music and would only have to hear a tune once to play it to near perfection. Together, they were a formidable asset to the Beechworth community over many years The British honours system has various orders, usually relating to the monarchy, military and colonial officials. An OBE (or order of the British Empire) is given for an outstanding achievement or service to the community. This will have had a long-term, significant impact and stand out as an example to others. This Order was established by George V in 1917 in response to recognising the thousands of men and women who served in a variety of non-combatant roles during the First world war who didn’t otherwise receive any formal recognition but were certainly worthy of acknowledgement. Recommendations for appointments to this Order were originally made on the nomination of the United Kingdom, however this soon became available to Commonwealth countries as well. However, Australia officially ceased to recommend the Order of the British Empire in 1989 with the establishment of the Order of Australia. Silver badge suspended from red ribbon with pearl-grey edges. The badge is in the form of a cross patonce (having the arms growing broader and floriated toward the end), the obverse of which bears the same field as the star pictures George V and Queen Mary. The reverse bears George V's Royal and Imperial Cypher. Both are within a ring bearing the motto of the Order: FOR GOD AND THE EMPIRE. The presentation case in which the medal is housed is of a black outer boarder edge leatherette finishing, block letters in gold OBE. The inside has a cream velvet base with a silk padded liner to the roof with the full set of Royal Mint Crest Mark. Obverse: FOR GOD AND THE EMPIRE / burke museum, obe, obe medal, beechworth, david mckenzie-mcharg, british honours system, george v, beechworth community, order of australia., order of the british empire, marjorie jean mckenzie mcharg

Copy of framed photograph of World War 2 Australian Army serviceman Lieutenant Edgar Burton Chapman, service number VX43645, who served in the 2/10th Field Company, Royal Australian Engineers. The 2/10th FC was attached to the 8th Division. Chapman later transferred to the 2/12 FC which was in Singapore when the Japanese invaded. Chapman was captured and spent 3 1/2 years as a Prisoner of War in Changi Prison. Chapman was born in Dromana, Victoria, on 21st March, 1914 and lived in Frankston and attended Frankston High School. He trained as a Civil Engineer and commenced work with the British Phosphate Commission in Nauru.

The Kelly family lived at 'Norwood', 103 Wills St. Bendigo. Whole family buried together in Bendigo Cemetery. Michael Peter Kelly bd. 23.9.1929 MON H4. Margaret Jane Kelly wife of Michael Kelly died 25.8.1912. bd. 28.8.1912. Daughter Rita bd. 21.1.1898 Son Roy (Robert Dennis) Kelly died 22.9.1943 bd. 23.9.1943. Daughter Doris May Kelly bd. 19.1.1967 Daughter Madge Annie Kelly bd. 6.6.1963. No records found of a marriage for Roy, Doris or Madge. Michael P. Kelly was born in Galway, Ireland and died in 1929 aged 76. He had been in Victoria for 59 years. For 50 years he had been closely associated with Bendigo mining companies, and was a leading investor. He joined the Bendigo Stock Exchange in 1880, had been chairman of the exchange multiple times. Director of the Farmers & Citizens' Trustee Co. and of the Sandhurst Building Society. Refs: Obituary The Argus 24.9.1943. The Argus 23.9.1943 (obit. of Roy Kelly). National Archives WW1 enlistment records Robert Dennis Kelly Reg. No. 10874. TROVE Bendigonian 29.7.1915. Bendigo Advertiser 27 August 1912. Bendigo Advertiser 21.1.1898 and 22.5.1900. Bendigo Cemetery records.Photograph - black and white. Portrait of a man sitting on a chair, long bushy beard, receding hairline, wearing a watch chain, looks like a rectangle locket and a medallion both hanging from the chain. Wearing a ring on his left little finger. Written on the back of the photo, 'Michael Kelly, 103 Wills Street, Bendigo. Sharebroker'. See the book (in BHS Library) - Fighting for empire : an Irish doctor's adventures through imperial campaigns and two World Wars : the life and times of Thomas Bernard Kelly (1870-1949) - for family information and the life of Michael Kelly's younger brother. See Research field for further information on Michael Kelly.John Lay, Eaglehawkbusiness, stockbroker, kelly & allsop, photograph. michael kelly. sharebrokers - bendigo. stockbrokers - bendigo. sandhurst building society. farmers and citizens' trustee company. mining - bendigo. bendigo stock exchange.

Poster of central Deborah Gold Mine, Bendigo Victoria showing in black and white poppet head. Advertising: Bendigo goldmine open for inspection daily 10am - 5 pm guided tours by appointment phone 438070 or 436401. The Central Deborah gold mine, the last to close on the Bendigo field, was purchased early in 1970m by the Bendigo City Council for restoration and preservation as a typical Bendigo gold mine equipped with machinery , most of which was made in Bendigo. The Central Deborah Company was formed in 1939 to deepen an existing shaft sunk in 1912. Underground operations ceased in 1954. from 1942 to 1954 29,460 ounces of gold was won from 63,962 tons of ore.mine, gold, central deborah gold mine

Copy of a newspaper article titled Colonial Bendigo on display. Date written at the top of the page Dec 1 - 1984. Article mentions an exhibition organised by the Bendigo Art Gallery of the early photographers on the gold field. Wet plate photography was used. Other mediums were also used such as engraving, artists drawings, lithography, water colours and diorama. Artists mentioned are George Rowe, S T Gill, Alex Fox, Nicholas Caire, Wet Plate Photography, Thomas Ham, Edwin Stocqueler and Ludwig Becker. There is also a photo by Nicholas Caire, taken 1875. showing the excavation of quartz reef and mine buildings near Iron bark Hill.bendigo, history, long gully history group, the long gully history group - community focus - colonial bendigo on display, bendigo art gallery, george rowe, s t gill, alex fox, nicholas caire, wet plate photography, thomas ham, edwin stocqueler, the advertiser, ludwig becker, burke and wills expedition, mine buildings near ironbark hill, victoria hill

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The daguerreotype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Three quarter length seated studio portrait of Elizabeth Margaret (Milligan) Gaunt, taken using the daguerreotype photographic process, and encased in a standard daguerreotype frame made of tooled leather, velvet and gilt metal. Margaret Gaunt is dressed in a pale silk dress, typical of the 1860s, with a buttoned bodice and wide sleeves. She appears to be holding a book in her right hand. The sitter was the half sister of Mary Ann Lawrence (1821-81), the wife of Francis Henty of 'Merino Downs' and 'Field Place', Kew. She married Charles Gaunt (1842-1916) at St John's Church of England, Launceston in 1868. Following her marriage, she was to have 11 children.henty family, eliza margaret milligan, eliza margaret gaunt, launceston - 19th century, mary ann lawrence, mary ann henty, francis henty