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Victorian Railway History Library
Booklet, St. George Historical Society, The Kogarah to Sans Souci tramway, 1967?
An illustrated description of the the Kogarah to Sans Souci tramwayIll, maps, p.21.non-fictionAn illustrated description of the the Kogarah to Sans Souci tramwaytramways - sydney, tramways - st george district -
Victorian Railway History Library
Booklet, St. George Historical Society, Thomas Saywells tramway 1887-1914 : Rockdale to Lady Robinsons Beach, 196-?
An illustrated description of theThomas Saywells tramway 1887-1914 : Rockdale to Lady Robinsons BeachIll, maps, p.20.non-fictionAn illustrated description of theThomas Saywells tramway 1887-1914 : Rockdale to Lady Robinsons Beachtramways - sydney, tramways - st george district -
Victorian Railway History Library
Booklet, St. George Historical Society, The Arncliffe to Bexley steam tramway, 196-?
An illustrated description of the Arncliffe to Bexley steam tramwayIll, maps, p.18.non-fictionAn illustrated description of the Arncliffe to Bexley steam tramwaytramways - sydney, tramways - st george district -
Victorian Railway History Library
Book, Allerton, David, Focus On Steam, 1973
A daybreak to Daybreak pictorial portrayal of latter day steam operations on the N.S.W.G.R.ill, p.56.non-fictionA daybreak to Daybreak pictorial portrayal of latter day steam operations on the N.S.W.G.R.steam locomotives - nsw – pictorial, railroad operations - new south wales - history -
Victorian Railway History Library
Book, Selems, Ron, Trackside
A pictorial history of steam and diesel locomotives in New South Wales.ill, p.128.non-fiction A pictorial history of steam and diesel locomotives in New South Wales.locomotives - new south wales - history, railroad operations - new south wales - history -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.3 wood, 1926c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft with plastic coating to resemble hickory (damaged), wooden head and leather grip.Brass plate on base of head: "Don Walker Heidelberg Golf Club Hand Made 3".heidelberg golf club, golf clubs, woods, golf professionals, don walker -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.4 wood, 1926c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft, wooden head and leather grip.Brass plate on base of head: "Don Walker Heidelberg Golf Club Hand Made 4"heidelberg golf club, golf clubs, woods, golf professionals, don walker -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.2 wood, 1926c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft, wooden head and leather grip.Brass plate on base of head: "2"heidelberg golf club, golf clubs, woods, golf professionals, don walker -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.5 iron, 1925c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft and head, leather grip.Inscription on head: "Don Walker. Rustless. Hand forged in Scotland. 5 iron". The hand symbol is that of the Gorge Nicoll Company of Leven, Fyfe, Scotland.heidelberg golf club, golf clubs, golf professionals, don walker, irons (golf) -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.7 iron, 1925c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft and head, leather grip.Inscription on head: "Don Walker. Rustless. Hand forged in Scotland. Mashie Niblick. No. 7 iron" The hand symbol is that of the Gorge Nicoll Company of Leven, Fyfe, Scotland.heidelberg golf club, golf clubs, golf professionals, don walker, irons (golf) -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.8 iron, 1925c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft and head, leather grip.Inscription on head: "Don Walker. Stainless. Hand forged. Designed by PGA Australia. Registered number 14052"heidelberg golf club, golf clubs, golf professionals, don walker, irons (golf) -
Heidelberg Golf Club
Leisure object - Golf club, George Nicoll Company, Don Walker No.9 iron, 1925c
Don Walker was club professional at Heidelberg Golf Club 1936-1941. He died on active service in World War 2. The Don Walker Memorial Trophy is named in his honour.One of a full set of Don Walker golf clubs held at HGC.Metal shaft and head, rubber grip.Inscription on head: "Don Walker. Stainless. No.9"heidelberg golf club, golf clubs, golf professionals, don walker, irons (golf) -
Merri-bek City Council
Artist book, George Matoulas et al, Europa to Oceania, 2016
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Merri-bek City Council
Woven rug, George Matoulas, The Nuclear Family, 2017-18
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Merri-bek City Council
Work on paper - Collograph on Chine colle, George Matoulas, Map of Australia, 2009
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Merri-bek City Council
Woven rug, George Matoulas, Bomb, 2017-18
Donated by the artist -
National Vietnam Veterans Museum (NVVM)
Book, Mansford, George, The Mad Galahs. (Copy 1)
The Mad Galahs weaves historical fact into a stirring tale of Australian Infantrymen at war.fictionThe Mad Galahs weaves historical fact into a stirring tale of Australian Infantrymen at war.vietnam war, 1961-1975 - fiction, infantrymen -
Darebin Art Collection
Photograph - George Mifsud, George Mifsud, Larundel No. 41 [Social Work Building School], 2005
"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize." -
Darebin Art Collection
Photograph - George Mifsud, George Mifsud, Larundel No. 13 [Seat Under Trees], 2005
"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize." -
Darebin Art Collection
Photograph - George Mifsud, George Mifsud, Larundel No. 16 [Hibiscus], 2005
"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize." -
Darebin Art Collection
Photograph - George Mifsud, George Mifsud, Larundel No. 54 [Sign], 2005
"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize." -
Darebin Art Collection
Photograph - George Mifsud, George Mifsud, Larundel No. 23 [Building], 2005
"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize." -
Darebin Art Collection
Photograph - George Mifsud, George Mifsud, Larundel No. 45 [Door], 2005
"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize." -
Darebin Art Collection
Photograph - George Mifsud, George Mifsud, Larundel No. 77 [Handmade Brick], 2005
"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize." -
Darebin Art Collection
Photograph - George Mifsud, George Mifsud, Larundel No. 24 [Unnumbered Building], 2005
"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize." -
Darebin Art Collection
Photograph - George Mifsud, George Mifsud, Larundel No. 71 [Boarded-up Windows], 2005
"At the age of 20, I brought my first film camera, a solid, heavy and much loved Minolta XGM. Photographing mostly in black and white, I’ve been taking portraits, capturing landscapes and documenting people’s lives and rituals ever since. And now, more than 35 years later, I’m still excited to be on this journey with photography – alas, no longer with that Minolta. What attracts me to photography is the medium’s ability to show us the ordinary in an extraordinary way. My work has been acquired by the City of Darebin and the State Library of Victoria. I have been long and short listed for several major prizes, including the Moran Photography Award, the Head on Award and the National Photographic Portrait Prize." -
National Vietnam Veterans Museum (NVVM)
Book, Smith, George E, P.O.W.: Two Years With the Vietcong
When Special Forces Sergeant Geoge E. Smith went to Vietnam in early 1963, he thought it was to save the "democratic" Diem regime from the Chinese Communists. Set down in a sugar plantation owned by Diem's sister-in-law Madame Nhu, he grew frustrated and synical. then guerrilla regulars overran his camp in a perfectly executed night attack. He was a prisoner of the Vietcong.When Special Forces Sergeant Geoge E. Smith went to Vietnam in early 1963, he thought it was to save the "democratic" Diem regime from the Chinese Communists. Set down in a sugar plantation owned by Diem's sister-in-law Madame Nhu, he grew frustrated and synical. then guerrilla regulars overran his camp in a perfectly executed night attack. He was a prisoner of the Vietcong. 1961-1975 - personal narratives, american, vietnam war, 1961-1975 - prisoners and prisons, vietcong, american special forces, sgt george e. smith, chinese communist, diem regime, madame nhu -
Mission to Seafarers Victoria
Painting, George Frederick Gregory (1821-1887), P&O S.S. Bangalore, 1867 - 1886
This ship was number 1 of 2 ships named Bangalore and run by P & O. This ship has listed the same tonnage as that on the inscription on the frame of this work. The ship was subsequently sold in 1886 sold to Hajee Cassum Joosub and used for passengers on pilgrimage into Jeddah. Another view of the history of the Bangalore is that to be found at the Maritime Museums of Sydney listing of another painting of the Bangalore which provides a somewhat different history. It is possible that the story of Bangalore 1 and Bangalore 2 have become conflated further research is needed to verify. see Links field. SS BANGALORE was built in 1867 by William Denny of Dumbarton. Owned by P&O, SS BANGALORE operated from Bombay and Galle to Melbourne and Sydney from 1872 to 1886 as a passenger and mail ship. In 1891 BANGALORE was sold to Wilh. Wilhelmsen, Norway and renamed SS CORINGA.Marine art, Maritime artP&O S.S. Bangalore by George Frederick Gregory (1821-1887)Thinly painted image on board featuring centrally a moored, at anchor, 19th C dual masted steamship with black funnel and flying at the stern a red ensign. To either side are conventional rigged clippers or sailing ships. Near the bow of the steamship there seems to be a tug or paddle steamer face on. In the foreground is a small rowing boat with boatman and two passengers, a male and a female. The painting on board is mounted in a large polished or varnished cedarwood frame with edge carving and a decorative pitted slip which holds in place a thin piece of glazing. Backing paper and seal has all been removed except for hanging wire. Central at front lower edge of frame is a small chipped wood plaque with inscription.Painted in black on plaque and coloured black: "P & O S.S. "BANGALORE" / 2342 tons Built 1867"s.s. bangalore, marine painting, sailing ships, 1867, william denny, artwork-paintings, peninsular and oriental steam navigation company, steamship, p&o, sandridge, port melbourne, hobson's bay, charles dickson gregory, centenary maritime exhibition, george frederick gregory (1821-1887), ss bangalore -
Federation University Historical Collection
Book, Edward Edgar Pescott, The Native Flowers of Victoria, 1914
Green hardcover book Edith B. Flockart from her father Christmas 1930edward edgar pescott, a j ewart, botany, the native flowers of victoria, wildflowers, flora, plants, herbert dickins, biodiversity -
Ballarat Heritage Services
Photograph - Photograph - Colour, Marriage of Jack Gervasoni and Mary LaFranchi
John (Jack) Gervasoni was the grandson of Luigi Paolo Gervasoni of Yandoit Hills (Originally San Gallo, Bergamo, Lombardy, Italy). His father and mother, George Gervasoni and Annie (Pedretti) Gervasoni, lived for many years at 31 Albert Street, Daylesford. Jack and Mary (LaFranchi) Gervasoni then lived in the same house until their death. Mary Elizabeth LaFranchi was born in 1906 at Mount Prospect, the daughter of Alfred Andrew LaFranchi and Mary Blain. Mary La Franchi married John Gervasoni in 1927.Black and white photograph of a bride and groom. Mary LaFranchi of Blampied and Jack Gervasoni, son of George August Gervasoni of Daylesford. jack gervasoni, mary gervasoni, mary lafranchi, swiss/italian, mary la franchi