Showing 3597 items
matching jacket or bodice
-
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1890
This 1890s photograph shows the early uniform worn by Melbourne District Nursing Society (MDNS) Trained nurses, (known as 'Nurse', in those days), when visiting patients to administer nursing care.The Nurse is speaking with a patient who is sitting in his back garden. It shows the style of clothing and the rear of a weatherboard house of that era. In Melbourne in 1885 it was recognized that skilled nursing was needed in the inner city to care for the sick poor in their own homes. On the 17th of February a meeting was held with prominent Melbourne citizens, five gentlemen and fourteen ladies. ‘Dr. Caffyn and Rev. Charles Strong explained the objects and scope of District nursing Societies that had been formed in other towns’ in UK. On that day the Melbourne District Nursing Society (MDNS) was founded, the first District Nursing Society in Australia. Subsequent meetings were held to form a Committee and to draw up a Code of Rules of the Society. It was decided only nurses who had attended a Nurses Training School and were fully qualified would be employed by the Society, and that the nurses would keep a daily journal of their work. After interviewing several candidates, the first Trained Nurse (Nurse), Mrs. Ferguson, was employed with a salary of £100 per annum and commenced work on the 1st of May 1885. She was employed for three months initially, but this was soon extended, “on the understanding she will make arrangements to live in the more immediate vicinity of her district”. A Doctor was consulted before any person was seen. In rotation, a member of the Superintendence Sub-Committee supervised the Nurse’s visits and could assist to alleviate some of the poor social conditions they found. Though only Trained nurses were employed, the term ’Nurse’ was used in those days. Lady Janet Clarke, a philanthropist, was one of the first two Vice-presidents and President from 1888 until 1908 (except when overseas); she was a driving force in the Society. She held the first fund raiser for the Society at her home ‘Cliveden’ and went on to help organize many functions where she, along with Committee members, manned the stalls to raise funds. She also took her turn to accompany the Nurse, and was noted for her kindness and benevolence. Over the years the Committee, which was made up of 80% ladies, worked tirelessly for the Society; many Auxiliaries were formed. A second Trained nurse, Mrs. Joanna Cannon, was employed in late 1885, with a trial period of six months which was extended. She and Mrs Ferguson were the stalwarts of the Society in the early years, Nurse Cannon remaining with the Society for four years and Nurse Ferguson for five years, though both had a short break due to the heaviness of the work. Nurse’s salaries were reduced to account for the cost of uniforms, and again in later years when establishments were rented by the Society and the nurses could now live in the Nurses Home. The two Nurses worked in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bags containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel. They supplied equipment on loan, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing blankets and clean bed linen, and nightdresses and clothes as necessary. From its inception the Society was at the forefront of health care and liaised with Doctors. They provided high quality nursing care to a range of people, often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. They educated their patients, and their Carers, in the curing and prevention of disease; teaching the importance of hygiene, cleanliness, ventilation and good nutrition. They taught them, by verbal instruction and demonstration, how to make poultices, to make and apply bandages, apply medical appliances such as splints; and the Nurses supplied milk, beef tea and cooked soup when needed. As the work increased a third Nurse was employed but this was arduous work, particularly in the heat of summer and many Nurses only remained with the Society for several months. Black and white photograph of a Melbourne District Nursing Society (MDNS) Trained nurse (Nurse) wearing a white apron over her grey full length uniform, and wearing a white cap. She is standing and looking down at a man dressed in a white shirt and dark jacket and pants. He is sitting outside the rear of a weatherboard house, the boards of the house are applied vertically. A wooden ladder leans against another wooden building.melbourne district nursing society, mdns uniforms, rdns, royal district nursing service, mdns -
Bendigo Military Museum
Uniform - UNIFORM, ARMY, Post 1950
Items of uniform issued to Francis William (Dinky) Dean BEM, VX93960 2nd AIF and 3742 A.R.A 1943 - 1975. Refer Cat No 124.2 for his full service history. The ribbons denote service in WW2, Korea, Malaya and Vietnam during his service. Since retirement he would have received approx 4 more awards.Uniform, Service dress. .1) Shirt polyester .2) Trousers .3) waist belt .4) neck tie kahki .5) Jacket and waist belt, comprises 2 x collar badges, 3 x rows of service ribbons, 1 x Unit citation, shoulder lanyard, ICB, 3 x Sgt’s stripes on arms .6) Shoe black .7) Shoe black .8) slouch hatcostume - headwear, uniforms - army, footwear -
Melbourne Tram Museum
Uniform - Coat Button/s, Stokes and Sons, K.G. Luke Australasia, 1970s?
Set of five nickel silver MMTB Coat buttons. Three of the buttons (approx. 22mm dia) are made by Stokes and Sons Melbourne and the two (approx. 25mm dia) are made by K. G. Luke Australasia. The badge backing piece is brass. It is fitted with a lug for sewing onto a jacket and have name of manufacturer stamped on rear part. The Stokes and Sons badges are two small holes in the rear, while the Luke's badges do not.trams, tramways, melbourne tramways, uniforms, buttons, mmtb -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Fujitsu, Sei
Sia Fujitsu, the son of Jiroguma Fujitsu was born on 27 May 1926 in Yamaguchi-Ken, Japan. His trade is listed as Employee of Culture and his religion is Buddhist. He was captured at Tawao, North Borneo on 27th January, 1942 and was interned in Loveday South Australia until he was repatriated to Japan on 21st February, 1946. Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.SiaPhotocopy of a pencil and ink Portrait of a Japanese youth Short black hair, dark eyes and pink lips. He is wearing a jacket that appears to be too large for him and white collar and beige coloured tie. There is light blue shading around is head and shoulders. Japanese lettering in black ink on the left of the picture translates to his name "Sia FUJITSU". Signed in black ink by artist Kurt Winkler, Loveday, 1942.Kurt Winkler LOVDAY 1942 -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: BLACK CROCHETED JACKET, 1940-50's
Fine patterned black syntheticed? Thread jacket. Long sleeves have been hemmed back with a generous seven cm hem. This maybe to form a turn-back cuff if required. High fold-back collar fastens with two narrow velvet ribbons. No fastenings at centre front opening. Extended sleeves in one piece with the front and back. Collar, front, and ;lower edges finished in a curved, shell shaped pattern.costume, female, black crocheted jacket -
Bendigo Historical Society Inc.
Book - 150 YEARS OF THE BENDIGO AGRICULTURAL SHOW SOCIETY 1859-2009
198 page hard cover book. 'Ploughing through 150 years of the Bendigo Agricultural Show Society 1859 - 2009' Author Debra Reade with assistance from Joyce Beaumont, Mollie O'Sullivan and Edna Westhead. Published 2009 Printed by Richard Cambridge Printers, Bendigo Illustrated with many B & W photos of people and places Dust jacket illustrated with two B&W and Colour photos. Donated by James LerkDebra Reade -
Bendigo Historical Society Inc.
Photograph - ELMA WINSLADE WELLS COLLECTION: PHOTO OF MR. SNOWDON
A small black and white photograph of Mr. Snowdon partner of (first name unreadable) Rotherham. A relative of Elma Winslade Wells. Mr. Snowdon is wearing a white shirt with a bow tie, jacket and overcoat. He has dark hair combed back with curls, he also has a beard. On the back the logo of J. W. Clarke, artist and photographer, 7 Angel Hill opposite Abbey Gate Bury St. Edmunds.person, individual, mr. snowdon -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: HAND KNITTED BABY'S DRESS, 1950's
Hand knitted, lacey patterned baby's dress, with short, raglan sleeves, and round neck.Skirt has a lacey, fan shaped pattern of six rows (repeated), and gives a scalloped effect at the hemline. Yoke is knitted in stocking stitch, and has a 1 cm nylon ribbon passing through eyelets just above the change to the pattern. Four 1 cm diameter plastic pearl buttons fasten the back yoke.Matches jacket 11400.659.costume, children's, hand knitted baby's dress -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK 'BY GRAVEL AND GUM' BY NANCY KEESING
BOOK: ALEC H CHISHOLM COLLECTION. 170 page hardback book with dust jacket. 'By Gravel and Gum' by Nancy Keesing, the story of a pioneer family in N.S.W. in the mid 1800s. Illustrated by Roderick Shaw. Published by MacMillan & Co. Ltd. Melbourne in 1963. Printed by Griffin Press, Adelaide. '2176 KEE' catalogue number on spine. Handwritten in ink on flyleaf 'For Alec Chisholm with thanks and good wishes, Nancy Keesing, 1963.'Nancy Keesingbooks, novels, australian history, alec h chisholm collection, nancy keesing, roderick shaw, pioneers -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK 'GATHERED MOSS' BY CHARLES FENNER
BOOK: ALEC H CHISHOLM COLLECTION. 'Gathered Moss' by Charles Fenner. A 183 page hardback book with dust jacket. Essays and articles on various subjects, mainly nature, with 12 drawings. Published by Georgian House, Melbourne in 1946. Printed by Hassel Press, Adelaide. '2204 FEN' catalogue number on spine. Handwritten in ink on flyleaf. 'To the Hon Alec Chisholm with warm personal regards, Charles Fenner June 12, 1946'Charles Fennerbooks, collections, short stories, alec h chisholm collection, charles fenner, nature. -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''THIS VITAL FLESH'' BY WILLIAM BAYLEBRIDGE
Book. ALEC H CHISHOLM COLLECTION. 263 page hardcover book, with dust jacket, of collected works of William Baylebridge (Memorial Edition) Volume 1. Published by Angus and Robertson, Sydney in 1961 and printed by Halstead Press, Sydney. Catalogue sticker '2101 BAY' on spine. Handwritten in ink on flyleaf 'This copy for Alec H. Chisholm who was one of Baylebridge's few personal friends, P. R. Stephenson Sydney 1961'William Baylebridgebooks, collections, poetry, alec h chisholm collection, william baylebridge, poetry -
Bendigo Historical Society Inc.
Photograph - EARLY PHOTOGRAPH OF A LARGE MIXED GROUP OF PEOPLE, c. 1900
Black and White photograph of large group of men, women & children, 36 in total dressed in formal attire standing, seated or reclining with bowling balls in foreground. Possibly Eaglehawk Bowling Club, Photo mounted on Card under glass & framed with brown wooden frame moulded to resemble wood logs, markings on photo read 'A. Levy & Co', 'Man in foreground in striped jacket has emblem on breast pocket EBC'A.G.Levy Photographer Eaglehawkperson, group, mixed group, eaglehawk, eaglehawk bowling club, bowling, a.g. levy, a levy -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: PHOTOGRAPH
Coloured photograph of an elderly lady standing on the steps of a building. She is wearing a light grey skirt, green top, grey/black speckled jacket and black shoes. She is also wearing a long necklace and brooches and is holding a handkerchief in her right hand. The building is brick at the lower edge and rendered above the bricks. There is a brown gate behind her. Written on the back: Eileen. 'Home Sweet Home' - At St. Kilda.photo, individual, female, foster & wilson collection, photograph -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: PHOTOGRAPH
Coloured photograph of two ladies taken in a house. Both are sitting on a couch, one is holding a little brown dog on her lap. She is wearing a purple and aqua dress with a brooch at the neck, a short necklace, gold bracelet and a pearl hair clip. The other lady is wearing a mauve & multi coloured dress, mauve jacket and a wide brimmed mauve hat. On the table in front of them is a large, round glass/crystal vase.photo, group, 2 ladies, foster & wilson collection, photograph -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: LADIES DRESS - BODICE AND SKIRT, 1909
Waist length dark green cotton bodice. Fabric has alternating stripes of pulled thread pattern and wider stripes of small dot pattern. Front opening with deep V to waist with lined lace insert extending from throat to waist. LHS of bodice fastened to lace insert with five press studs. Stand up collar of lined black lace (%cm) fastened with two hook and eyes. The bodice is made from five pieces. The two front sections have three knife pleats facing out and falling from the shoulder. The pleats are stitched down for twenty cms from the shoulders. On either side of the front opening is decorative embroidered black lace that extends across the shoulders to the back of the collar. There are two side panels from under the arm. The back section has three box pleats falling from the collars and tapering to the waist. The hem of the bodice is fastened with black cotton tape. Leg of mutton sleeves are trimmed with black embroidered brais at elbow and wrist. Lower sleeves have pintucks from elbow to wrist. The sleeves are lined with black cotton fabric. The back of the bodice is lined with black cotton fabric almost to the hem. A three cm piece of white and blue cotton tape is attached across the lower back with cotton ties at either end. The underarm panels are lined with brown cotton fabric and green satin inserted sections. The front has a separate lining with front opening and shaped with darts. Fastened with six buttons and buttonholes. Two shoulder pads on each side- one white piece under the shoulder and a green satin piece under the gathered section of each sleeve. Dark green full length skirt. Cotton fabric with alternating stripes of pulled thread pattern and wider stripe of small dot pattern. Skirt is made of three sections. Centre front panel widens slightly to hemline. Side panels continue around to join at centre back. Darts at both hips to shape sides. Panels widen to hemline. Inverted pleats at either side of back opening create fullness. Back opening(30cm) has insert of black satin joined to LHS of opening to enlarge the opening. Insert attached to waist band with two press studs. Two other press studs attach skirt to RHS of insert. Brown cotton waistband hand stitched to skirt. Ties attached to waistband at back opening- one cotton tape, one satin ribbon. Front centre panel has a piece of black satin stitched as lining from eighteen cm below waist (57cm deep). Stitched across and attached to side seams. Lower edge trimmed with black lace. Second piece of satin lining stitched to centre seam and stitched around the hip to partway across back.(Looks like a nylon petticoat cut in two pieces and stitched inside skirt as a lining). Hemline has fifteen cm piece of cotton lining attached and lower edge of hem has fringed cotton binding attached.. Side seams of front panel have decorative trim of embroidered braid extending seventy-six cms from waist. Braid then turned ninety degrees and continued in a horizontal zig zag line around to centre back seam (both sides) twenty cms above hem. Hand and machine stitched.costume, female, ladies dress- bodice. -
Nhill & District Historical Society Inc.
Clothing - 1980 of Wedding dress of Debbie Jarred, Cassandra Gowns, 8 March 1980
Debra Jarred only daughter of Rex and Joan Jarred, of Broughton, married John Barber second son of Basil and Val Barber of Nhill, on 8 March 1980, at the Uniting Church, Broughton.Nhill family wedding; representing style of wedding dresses in 1980Wedding dress made by Cassandra Gowns; shoe string strap daisy lace bodice, with stand up collar of daisy lace and pleated skirt, elegantly covered with a cuffed long sleeve blouse, over skirt & belt of chiffon, flowing graceful soft train, finishing with a head-dress decorated in daisies attached to a long fine silk net veil.(2007.01.1) - Bouquet of white silk roses & ribbon(2007.01.2); white high heal lattice toe shoes with delicate ankle strap (2007.01.3), Blue lace garter & assorted crocheted bells, horse-shoe, and slippers, of satin ribbon (2007.01.4)daisy lace trim on cuffs and necklinewedding dress, 1980, broughton, debra jarred, debbie jarred, john barber, uniting church, rex & joan jarred, basil & val barber], nhill -
Nhill & District Historical Society Inc.
Clothing - 1949 Wedding dress handmade and worn by Marjorie Schneider, 2 March 1949
This wedding dress was made & worn by Marjorie Gertrude Schneider, elder daughter of Mr & Mrs A. A. Schneider, of Lorquon, married Harold Francis Rohde, youngest son of Mr & Mrs J. B. Rohde, of Gerang, at St. Paul's Lutheran Church, Woorak, March 2nd, 1949.The dress was handmade by the bride, Marjorie Schneider.A charming frock of ivory cloque, inset with a yoke of beige lace with scalloped edges, cut on very flattering lines. The bodice, fitting perfectly to the waist and the back having a row of buttons, was ornamented as the shoulder with a diamante clip which had adorned her mother's wedding gown. The full skirt was draped softly from the waist, & extended into a long train at the back. The halo of orange blossom, which held the veil in place, set off to perfection the exquisite bride. She carried a shower bouquet of creamy white tiger lilies, gardenias, dahlias, gladioli and rose buds, & added to this was several horseshoes given by friends.schneider, rohde, woorak, st paul's lutheran church, gerang, lorquon, wedding -
Hume City Civic Collection
Dress, navy floral print, 1940s
Belonged to Kathleen Marjorie Dunn (nee McKenzie)Day dress in fine silky fabric. It has a blue, white and green floral pattern on a navy ground. The skirt is gathered to the waist in two places in front and has two darts at the back. The sleeves are short, set in, gathered at the shoulder and end in inverted V shapes. The bodice is shaped with two sets of gathers in front and two darts at the back. The square neck dips to a shallow point in front, fastens with six self-covered shanks behind and is edged with cream net frill (probably discoloured white). There is a side vent wiht four press studs on the left at waist level. The hem is hand sewn.Nonecostume, george evans collection -
Kew Historical Society Inc
Clothing - Girl's dress, 1858
This dress belonged to Alice Frances Henty (1852-1932) the youngest daughter of Francis Henty (1815-89) and his wife Mary Ann Henty [nee Lawrence] (1821-81). It is recorded that Alice wore the dress at the age of six. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Girl's two-tone, one-piece cotton voile dress from the 1850s has a high round neck and short sleeves has a lace insert on the front of the bodice and matching lace at the rear. The layered skirt is bordered with lace. Measurements (mm): Girth - Neck 609.6, Chest 635, Waist 558.8, Cuff 203.2, Hem circumference 2108.2. Vertical - Front neck to hem 685.8, Front waist to hem 508, Back neck to hem 723.9, Back waist to hem 534.4, Sleeve length 63.5. Horizontal - Neck to sleeve head 38.1, Cross back 304.8, Underarm to underarm 406.4.fashion -- 1850s, children's clothing, alice frances henty -
Bendigo Historical Society Inc.
Clothing - SKIRT (WEDDING DRESS), 1896
Cream coloured silk wedding dress with train. Three flat panels at front and side, lined with polished cotton. Centre tightly gathered panel at centre back lined with stiffened cotton.Other panels lined with stiffened cotton above hemline of skirt. Double layer lace insert inside lower edge to hemline. Back opening with four hook and eye fasteners. Deep pocket on side seam at hip on RHS. Three back panels extended below hemline of skirt to form squared edge train. Two hanging tapes inside waist band. Skirt hand and machine stitched. Matching bodice 11400.314.Label stitched inside skirt waistband - ''F.Davey & Co Dress & Mantle makers, View Point, Sandhurst.costume, female, wedding dress skirt -
Bendigo Historical Society Inc.
Clothing - MCGOWAN COLLECTION: INFANT'S CHRISTENING GOWN, Late 19th Century
Clothing ,white cotton christening gown. Low round neckline with casing and cotton tape ties. Bodice at front and back.Casing at waist with cotton tape ties to back. Back opening 31 cm. Long sleeves trimmed with 3 cm broderie lace and vertical pintucks. Front of christening gown has inverted V section from waist to hem of broderie lace (9 cm at waist to 51 cm at hem). Centre panel edged with 3 cm lace from neckline to hem. Hem at back and sides has 4 cm border of broderie lace below three tucks. Old box 524.costume, children's, christening long gown -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S GOWN, 1890-1910
Clothing. Infant's white cotton gown with long sleeves. Round neck with casing for cotton tape ties. 2cm lace trim around neck. Back opening (18cm). Gathered at back from neckline. Front has pintucks from neckline to broiderie lace band at waist (15cm X 2.8cm). Gathered below band. Cotton fabric ties (66cm) attached to either side of waist band.Centre front of bodice has vertical lace insert (10cm X 2.8cm) from neck to waist. Ties and sleeves trimmed with 1cm lace. French seams. Machine stitched. Old box 230.costume, children's, infant's gown -
Churchill Island Heritage Farm
Textile - Lace Fichu, C 1860
Fichu is a term used replacing the kerchief or neckerchief and comes from the French. It was worn over the shoulders to preserve modesty for low necklines or to conceal the bodice hooks or laces used for closing. This hand-made Maltese lace fichu is exquisitely worked in silk. Judging by the photos provided it is quite large and would possible used to cover evening décolletage. It appears to be around 30cm in width and about 70cm in length and being silk would be quite warm for the lady wearing it and indicate social status and wealth. Maltese lace became very popular after being displayed at the Great Exhibition in London in 1851. It began as a needle lace but Lady Hamilton Chichester imported lace makers from Genoa in the mid 1800s and converted the needle lace patterns to be worked on bobbins which made it quicker. The lace is worked on long thin lace pillows and usually includes the 8 pointed Maltese Cross in the pattern, it is made in narrow widths which are sewn together to make bigger pieces such as in this fichu. Another feature of Maltese lace is the “wheat ears” or in this case petals made of plaits or tallies. There is so much work in this piece as all of the flowers are worked so close together that they appear to be solid fabricThe Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess womenBobbin silk Maltese silk bobbin lace 6 petal tallies. Lace fichupackaged with note "Fichu Maltese Lace c 1865"janet amess lace collection, lace, churchill island, janet, amess, bobbin, maltese, silk, embroidery -
Federation University Historical Collection
Book, Sovereign City: A Ballarat Tapestry, 1974
Hard covered book of 80 pages with a yellow dust jacket. Many sketches including Armstrong Street, Lydiard Street, Montrose Cottage Eureka Street, Lauderdale, Ballarat Railway Station. Bailey's Mansion, Former Ballarat Gaol, Ballarat Town Hall, Camp Street Police Station. Ballarat East Post Office, Ballarat Synagogue, Lal Lal blast furnace, Sovereign Hill, Mount Buninyong, Dana Street Primary School. non-fictionballarat, buildings, architecture, edward heffernan -
Flagstaff Hill Maritime Museum and Village
Uniform
Uniform jacket, Black Pipe Band Doublet with gold braid trim and 6 silver buttons closure - Scottish thistle design on buttons. One button on each Epaulette. Black nylon / silk blend full lining, Padded shoulders, Pocket under left side front skirts, 2 inch standup collar. Buttons missing from Cuffs and Skirting Flaps. Made by David Lack Pty Ltd, uniform specialist Melbourne. Label "David Lack Pty Ltd, uniform specialist Melbourne."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, uniform, pipe band doublet, scottish thistle, david lack pty ltd -
Bendigo Military Museum
Book - BOOK, RED CROSS, Harper Collins Publishers, The Power of Humanity, Post 2014
Book, hard cover with dust jacket. Black with title on red background on front. Title in white on spine: Red Cross - 100 Years Helping People 1914-2014 on back cover. 317 cut edge pages, illustrated with black & white & coloured photographs covering The History of The Australian Red Cross from Birth to 2014 including The Great War, Peace & War, Challenges & Crises, One Red Cross 2000-2014.books - medical, books-biography, essential services - red cross, military history -
Bendigo Military Museum
Book - BOOKS, 1) & .2) Paul Hasluck et al, Australia in the War of 1939 -1945. Series 4 Civil, 1970
Mid green buckram covers with light green dust jackets, several with plastic. Titles on front & spines. Illustrated with black & white photos & drawings. .1) Vol I The Government and the People 1939-1941,644 pages .2) Vol II The Government and the People 1942 -1945, 771 pages .3) Vol IV War Economy 1942 -1945, 817 pages .4) Vol V The role of Science and Industry, 738 pagesbooks - history, politics -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1980s
This is a photo of one of the trestle bridges on the Heatherlie Quarry train line. It is located near the current site of "the Pines" campground.Photo is of a derelict trestle bridge over a shallow creek, taken on an angle. There are many sleepers missing and the bridge is surrounded by thick bush and trees. There is bracken in the foreground. A woman wearing a blouse made of material with a white background with a colourful pattern, blue jeans, a white "golf shade" and a red jumper ot jacket tied around her waist is walking on the near side of the bridge. Two men and two women are standing at the opposite end.structures, bridges, quarrying, heatherlie -
Warrnambool and District Historical Society Inc.
Book, Tip Lewis & his lamp, 1925
This book was awarded by the Grasmere Presbyterian Sabbath School to Stuart Jenkins for his essay on the Apostle Paul. The teacher was H. Giles. The Giles family lived on the Allansford Road in the early 20th century. There were several Jenkins families in the Warrnambool district and some were early settlers in the Wangoom/Grasmere area. Some Jenkins families were associated with hotels in Purnim and Woodford and the properties Grasmere Station, Roseneath, Dyffen, Vrowen and Fala Park. St. Andrew’s Presbyterian Church at Grasmere was built in 1898 (the second church on the site). This is a hard cover book of 252 pages. The cover is brown with a multi-coloured illustration of a man and two children on the front cover and black lettering and border ornamentation on the spine and front cover. The dust jacket has a yellow background and the same illustration as on the front cover. The dust cover is partly torn away. There is a full page colour plate at the beginning of the text and a page of advertisements for books by the same publisher at the end of the text. The inscription is handwritten in black ink. ‘Grasmere Presbyterian Sabbath School ‘Essay’ Missionary Journeys of the Apostle Paul. First Prize Awarded to Stuart Jenkins from his teacher, H. Giles’. stuart jenkins, grasmere, history of warrnambool, grasmere presbyterian church -
Whitehorse Historical Society Inc.
Clothing - Army uniform, c1942
From Mitcham RSLKhaki jacket long sleeves with 4 pockets two above the waist 2 below. All have domed oxidised metal buttons. Rising sun badge on each epaulet. Campaign badges on left hand side. Two cloth badges on each shoulder. Inside on right hand side Regimental No name Q136 : made in Australia 1942 size 14. 5th/6th Battalion Royal Victoria Regiment. 2nd/3rd Battalion.uniforms, army