BHS CollectionHandwritten note and carbon copy on North Hustlers. Note reads: 18/6/71 For North Hustlers Hill. Please alter if possible for 4th Edition, Historical Guide. Quote: 'North Hustlers, originally known as New Hustlers. Shaft 450 feet deep. No gold production. Worked 1940 - 1942.document, gold, north hustlers, north hustlers, note on north hustlers, 4th edition historical guide, new hustlers

Western Aranda artist, Gerhard Inkamala. Born in 1917, Gerhard was the nephew of Albert Namatjira and grew up being inspired by his artwork and the surrounding landscapes. He became a skilled artist and during the 1940s was one of the founders of the famous Hermannsburg School of Art. In the 1950s Gerhard and his brother Adolf were included in a group exhibition in Alice Springs at the home of Rex Battarbee who was the Warrnambool-born art teacher of Albert Namatjira. He died in 1977.A landscape scene showing the Australian outback. Trees and shrubs in the foreground with rocky hills in the background. The foreground is an ochre/orange colour and the hills and rocks in the background are a blue/grey colour. The sky is clear and blue. Signed bottom right. The work is mounted on cream mountboard and framed in a white timber frame under glass.'Gerhard Inkamala' signed bottom right hand side of the painting.

This cook book has been published by the Friends of Flagstaff Hill Maritime Village Inc. This group do volunteer work at Flagstaff Hill, publicize the activities and historical collection at the Village and raise funds to carry out improvements and new installations. Flagstaff Hill Maritime Village was established in 1975, initially as a private venture sponsored by a group of businessmen in Warrnambool but it was later taken over by the Warrnambool City Council. It operates as an historical park and a tourist venture every day of the year except Christmas Day and has a night Sound and Light Show called ‘Shipwrecked’. The historical collection at the Village features many important shipwreck relics from the area, with the most important being the ‘Loch Ard’ ceramic peacock. The cook book is a tribute to the local women of the past and there are many recipes collected from the ‘Grannies’ of yesteryear. The tea rooms at Flagstaff Hill Maritime Village are called ‘Stella Maris’ (Latin for ‘Star of the Sea’) and call to mind both the maritime heritage of the area and the name of the Australian Catholic Missions to Seamen which still operates. This book is of interest as a product of Flagstaff Hill Maritime Village. It has been edited by John Lindsay who was one of the founders of Flagstaff Hill in 1975 and is today a Life Member and Helen Sheedy who has also been connected with the administration of the Village in the past. The book also features art works from many artists from Warrnambool and district. This is a soft cover book of 100 pages. The cover has a white background with a colour sketch of the Flagstaff Hill Maritime Village Stella Maris Tea Rooms on the front cover and a colour photograph of a Flagstaff Hill panorama on the back cover. The book contains an introduction, some information related to food, cooking and diet, recipes from the past and present, some local historical material and some information on the artists whose work is featured in the book. Many colour sketches and photographs are scattered throughout the text. The book is bound with plastic spiral rings and the front is covered with a sheet of clear plastic. stella maris tea rooms, warrnambool, flagstaff hill maritime village, history of warrnambool

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.23 / ‘Waterfall scene on the Coliban River, near Elphinstone’ / Albumen silver photograph mounted on boardOn reverse: ‘The scene this illustration presents is but one of the many that exist along the course of this shallow River, which, like its parent the Campaspe, abounds with rocky and romantic scenery. The fall of the River at this place is over one hundred feet, but is broken by a long course of rocks to the lower bed; the actual fall as seen is about forty feet. The Coliban, though only a branch of the Campaspe, derives its name from the fact that its course runs through the Coliban Park. Gold is found in considerable quantities along the banks and in the stream, but at the present time these diggings are worked only by Chinamen.’nicholas caire (1837-1918), australia - landscape photography

``Newspaper clipping from "The Mail", 12-12-95, P 13. Fauna and flora study Environmental assets will be identified and protected under a biological study being conducted by Maroondah Council. A consulting team has started work on: locating sites of biological significence in the city, surveying flora and fauna, identifying management issues relating to the sites surveyed, producing maps of the sites, and so on. `

Newspaper Clipping from "The Post", 16-6-93. P 3 "Konnichiwa Ringwood"!Beginning in Term 3, Norwood Secondary College will conduct classes in Japanese language and culture for Year 7-12 combined classes focusing on business and tourism. The classes will be taken by Tracey Maile who worked for a year in Japan where she found the language not as difficult as she imagined.

royal australian regiment, australian armed forces, phuoc tuy province

SEPIA PHOTOGRAPH OF PORT PHILLIP COMPANY'S WORKS.THE PORT PHILIP COMPANY'S WORK'S. HANDWRITTEN NOTES: PERIOD 1884 OR 5. TAKEN FROM CAMP PARADE: NOERTH WEST END NOTE SAND ALLOWED TO RUN INTO CREEK NORTH SHAFT, 2ND BATTERY HOUSE, SOUTH SHAFT. BEAUCHAMP PHOTO, 104 STURT STREET, BALLARATlocal history, mining, port phillip mine

Information about early mining in Victoria's first gold field. Cover photographs: Front cover - Fossickers working below the water-wheen driven stamper battery located on the south side of the Yarra River upstream of the Warrandyte Bridge. Back cover - The Old Post Office, Warrandyte, in 1906, now the premises of the Warrandyte Historical Society Museum and Archive, 111 Yarra Street.Acknowledgements: Several members of the Warrandyte Historical Society were involved in the development of this publication. It was developed and written by Diane Baird; Murray Houghton and Ted Rotherham provided specialist historical details and further references; Jo Laurence and Shirley Rotherham collected and identified photographs; Brian Laurence prepared images for electronic format; and Richard Morton edited and formatted the text. The Society gratefully acknowledges the dedicated work of all its members who collect, preserve and share Warrandyte's history. In particular, the research by the late Bruce Bence and the dedicated work of the late Jo Laurence have been an invaluable contribution to the history of Warrandyte.

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads. beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

Shirt - green colour cotton fabric with long sleeves, shoulder epaulettes, two front pockets with button down flap, plastic buttons. Cotton manufacturers label, green colour below collar with black print information. Black print on inside collar. Army work dress shirt commonly called "Greens".Green cotton label information - black ink print "YAKKA PTY LTD/ VICTORIA 1970/ 6 / 8405-66-011-9883/15 1/2 x 33/ ARMY NO./ NAME". Inside collar - black ink print stamp. "S.58/15 1/2 - 33" uniform, army, workwear

From the inscription at the back, it appears this item was once a betting board that belonged, presumably, to a bookmaker. No other information is available at this time. This board is of some interest as an example of an item recycled for use in a household. This is a rectangular-shaped wooden tray overlaid with decoupage work. It has two metal handles attached with two metal screws. The body of the tray has eleven pasted- on labels, some with early agricultural, business and marine scenes and one in the centre, a decorative piece with the words, ‘Prosperity, Unity, Peace’. There is handwriting on the back of the tray.Prosperity, Unity, Peace Tray made from old betting board, owned and used over 50 years ago by the date. E.P. Torney of Warrnambool, Victoria. Made in the month of August 1952. Gwen R.Torney e.p. torney, history of warrnambool

Book prize given to John Tanner (1887), Christmas 1885. First prize for Latin in the Upper Fifth form. Maroon calf-bound book with gold plate work on spine and borders of cover. Ballarat College school crest and motto inscribed on front cover. Six compartments on spine decorated with gold patterns; title inscribed in second compartment. Volume number inscribed in third compartment Marbled leaf edges and end papers. Book plate: Ballarat College crest and motto / Latin / Upper fifth form / First prize / Awarded to / John Tanner / Christmas 1885john-tanner, 1887, 1885, ballarat-college, book-prize,

Book prize given to John Tanner (1887), Christmas 1885. First prize for French in the Upper Fifth form.Maroon calf-bound book with gold plate work on spine and borders of cover. Ballarat College school crest and motto inscribed on front cover. Six compartments on spine decorated with gold patterns; title inscribed in second compartment. Volume number inscribed in third compartment Marbled leaf edges and end papersBook plate: Ballarat College crest and motto / French / Upper fifth form / First prize / Awarded to / J Tanner / Christmas 1885john-tanner, 1887, 1885, ballarat-college, book-prize,

Book prize given to John Tanner (1887), Christmas 1885. First prize for Mathematics in the Upper Fifth form. Maroon calf-bound book with gold plate work on spine and borders of cover. Ballarat College school crest and motto inscribed on front cover. Six compartments on spine decorated with gold patterns; title inscribed in second compartment. Volume number inscribed in third compartment Marbled leaf edges and end papers Book plate inside front cover: Ballarat College crest and motto / Mathematics / Upper fifth Form / First prize / Awarded to / John Tanner / Christmas 1885john-tanner, 1887, 1885, ballarat-college, book-prize,

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down. This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.Two copies of a 56 pp magazine with a black and white card cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1963". The cost is noted as 5/-. It contains historical articles, photographs and examples of children's work.2251.2 : inside is "Jean" handwritten in pen.education magazine-the-gap omeo

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down.This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.A 52 pp magazine with a lime and white coloured cardboard cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1967". The cost is noted as 50 cents. It contains historical articles, photographs and examples of children's work.education magazine-the-gap omeo

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down.This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.A 60 pp magazine with a dark brown and white coloured cardboard cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1969". The cost is noted as $1. It contains historical articles, photographs and examples of children's work.education magazine-the-gap omeo

Jan Edwards is the grandaughter of Perceval Richards, and daughter of architect Geoffrey Richards. Of the drawings Jan said mainwarring would come up to the eisel and draw in the paper, suggesting lines, emphasis, and giving educational advice by drawing on the side of the paper. Geoffrey Mainwarring taught art at the Ballarat School of Mines, and had served as an Australian War Artist.Twenty-two life drawings in pencil and charcoal drawn by Jan Edwards, with suggestions, modelling and drawing ratios drawn onto, and around the work, by tutor Geoffrey Mainwaring. One drawing, a head study, is totally by Geoffrey Mainwaring, but is not signed. (.23) is a head study produced in a few minutes Geoff Mainwaring during a class.education, janice edwards, jan edwards, life drawing, geoff mainwaring, geoffrey mainwaring, alumni, unframed

Black and white photo ' The Sculptor at Work on her Gift to the Children of Melbourne' - The Fairies' Tree in the Fitzroy Gardens Melbourne , Sculptor Miss Ola Cohn, A.R.C.A. (London ) Photographed by The Argus -Melbourne // rear of postcard shows a message from Miss Ola Cohn / card was published by the Rose Stereograph Co. Armadale , Victoria.photograph, person, female, the fairies' tree in the fitzroy gardens melbourne , sculptor miss ola cohn a.r.c.a london , the argus -melbourne / published by the rose stereograph co. armadale , victoria.

Newspaper cutting titled New Playground for Long Gully. Eaglehawk Times Nov 99 written at the top of the article. The playground was a community project at the New chum Reserve in the Sparrowhawk, Estate. Mentioned is the organisers, who gave funds for the works and the young people who worked on it. Also mentioned is some early problems they had.bendigo, history, long gully history group, the long gully history group - new playground for long gully, eaglehawk times nov 99, eaglehawk secondary college, new chum reserve, long gully community house, central victorian group training (cvgt), city of greater bendigo, the department of human services, the rotary club of bendigo/sandhurst, lt lukes, russell roberts

Copy of photograph of mine site with dwellings to right top, mine buildings, 'whim?' drays, horse and work men. Large brick chimney on right. B+W photo. On back 'Gold Mines Bendigo 1861','Probably, looking NW up New Chum Hill, which was then known as Sth Victoria Hill'.place, mining site, sth victoria hill ?, see also 131.01

Black and white photograph : 2 female workers in front of long rows of cotton reeels, which are probably spinning, worked by pistons underneath. Physical description: loose black and white photo. Inscriptions / markings: Herald Sun photograph. Supplied by Feature Service Herald & Weekly Times. Melbourne. Bradford Spinning Mill.Herald & Weekly Timesorganization, business, bradford mills, copyright not for reproduction. herald sun photograph supplied by feature service, the herald & weekly times, melbourne, australia.