Showing 5662 items
matching 1957-06
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University of Melbourne, Burnley Campus Archives
Document, Annual fruit tree pruning demonstration, 1957
Invitations by Minister of Agriculture, programme on reverse. Scannedfruit trees, pruning demonstration -
University of Melbourne, Burnley Campus Archives
Document, Plant pathology advisory notes, 1957
Set of pamphlets from Biology Branch, Dept. of Agriculture, Burnley. Refer to paper catalogueplant pathology, biology branch -
University of Melbourne, Burnley Campus Archives
Document, Proposed re-organization of field staff, 1957
Table of staffingfield staff, burnley -
University of Melbourne, Burnley Campus Archives
Document, Weekly record of student's practical work, c. 1957
Record card for W. Smith. Scannedw. smith, students, practice -
University of Melbourne, Burnley Campus Archives
Document, Awaiting development, 1957
Notes on various proposals at Burnleydevelopment, burnley -
University of Melbourne, Burnley Campus Archives
Document, Staff Meetings, 1957
Notes re staff meetings and conferencesstaff -
University of Melbourne, Burnley Campus Archives
Document, List of text and reference books specified in syllabus, 1957
Memo from Agricultural Education Division, Dept. of Agriculture re text books in Librarysyllabus, memorandum, agricultural education division, department of agriculture -
Robin Boyd Foundation
Slide, Commercial, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. New Orleans, Louisiana, USANew Orleans Balconies / RB / A (All Handwritten)mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Commercial, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. St Peter Street, New Orleans, Louisiana, USASt. Peter Street / RB / C (All Handwritten)mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Commercial, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Council room in the Capitol Building - Williamsburg, Virginia, USA. (Capitol Building in Williamsburg, Virginia. Location of both Houses of the Virginia General Assembley from 1705 to 1780. The building was rebuilt twice, after a fire in 1747, and 1832.). (Architects: Perry, Shaw and Hepburn.)Council Room, The Capitol / RB / E (All Handwritten)mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. The Cornstalk Fence Mansion, New Orleans, Louisiana, USA, 1859. (Architect: Henry Howard.)Date / 04819 / Subject / B (Handwritten) / Encircled 17 (Handwritten)mit bemis professorship, mit, robin boyd, slide -
Forests Commission Retired Personnel Association (FCRPA)
Wooden Model Fire Tower, Tom Coish, Model of Reef Hills fire tower, (5 km south of Benalla), 1957
Victoria once had well over one hundred fire lookouts and firetowers. Fire lookouts, or observation posts, were often just a clearing on a hill or a vantage point, whereas firetowers were definite structures. There are at least three categories of firetowers… (1) tree perches, (2) four-legged towers made of either wood or steel, as well as (3) hilltop cabins and observatories. Many were established by the Forests Commission Victoria (FCV) in the 1920s, but the network was expanded rapidly in response to recommendations of the Stretton Royal Commission after the 1939 Black Friday bushfires. The wooden towers were often built by bush craftsmen like legendary FCV overseer Clem Heather from Orbost. But advances in aerial reconnaissance and radio technology led to the gradual reduction in the number of fixed towers. FFMV now operates 72 firetowers. The CFA, Melbourne Water, Hancock Victorian Plantations (HVP) also operate some, the Army has one at Puckapunyal overlooking the live-firing range. Only two remaining fire towers of this design remain in Victoria (Mt Little Dick and Big Tower in the Mullungdung State Forest). Mt Nowa Nowa and Stringers Knob burnt down in the 2019/20 bushfiresLarge model of an Reef Hills fire tower. Presumably used for instructional purposes. Traditional FCV four legged design with three landings and closed cabin.bushfire -
Creswick Campus Historical Collection - University of Melbourne
Document, 1942-1957
Student reportsDocument -
Creswick Campus Historical Collection - University of Melbourne
Document, 1957
Reports on students from the VSFDocuments -
MYLI My Community Library
Photograph - Pakenham Consolidated School Grade 6 Class Photo, 1957
Back Row L to R: Robert Tulloch, Kevin Lewis, Ron Lamb, Peter Johnson, Ian Reid, Paul Braemar, ?? Paul Manestar ? 2nd back row L to R: ? Terry, Rodney Shallard, Duncan Beard, Terry Norris, Ray Murphy, Mrs Joyce Hosking, Richard Shelton, ?? Keith Crofts 2nd row from front L to R: Joy Beard, Joy Higgins, Kath Mauger, Lynette Giles , Mareka Slot, Sue Kinsella, Carol Waterhouse, Beth Schilling, Lyn Tuena, Roslyn Smith, Maree Vale Front row L to R: Marion Butcher,?, Glenys Tuena, Pam Huntingford, Sue Scott, Pat Stone, ?, Helen Stephens -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1957
Black and white photograph of Tambo Shire Councellors Charlie Hooper and Jack Palmer who co-compared the Football Club Ball held at the Mechanics Hall Lakes Entrance Victoriabusinesses -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Table Tennis Game, 1956-1957
Note by T.H. Kneen March 1991, "Student recreation: 2 x table tennis tables were located in upstairs Landscape Design room, this was before the building of the recreation room and canteen, established with funds provided by the Ladies' Committee."Black and white photograph. Singles table tennis game and chess game in Landscape Design room upstairs in Administration Building. 2 students watching. L-R: Alan Werner, ?, Brian Edwards, Marjorie Hall, Jocelyn Care.table tennis, landscape design room, alan werner, brian edwards, marjorie hall, jocelyn care, students, recreation, recreation room, canteen, ladies' committee, administration building, chess, main building, interior administration building, interior main building -
Stawell Historical Society Inc
Medal - Medallion, 1957
Bronze Circular Disk Stawell Town Council Sealstawell -
National Wool Museum
Hardback Book, Man Made Fibres, 1957
Dark blue hardback book with gold letteringMan made fibres. R W Moncrieff -
Slovenian Association Melbourne
Cimerman family photo with Stella, Matija and Marija Cimerman, and (Stanka) Stella, photo taken October 1957
Cimerman family on the way to AustraliaSailing to AustraliaBlack and white photo -
Koorie Heritage Trust
Booklet, Bennett, Mary M, Human rights for Australian Aborigines : how can they learn without a teacher?, 1957
63 p. : ill., map ; 21 cm.right to education -- australia. | discrimination in education -- australia. | aboriginal australians -- treatment. | civil rights -- australia. -
Koorie Heritage Trust
Booklet, Baker, George, The role of Australites in Aboriginal customs, 1957
Australites formerly called obsidianites have been found in considerable numbers over vast areas of the southern portion of Australia. Many of them were treasured by certain aboriginal tribes as medicine-stones, death-pointers, punishment stones, hunting stones, sacred stones; magic stones; amulets etc.P.26; map; illus.; figs. references; 24 cm.Australites formerly called obsidianites have been found in considerable numbers over vast areas of the southern portion of Australia. Many of them were treasured by certain aboriginal tribes as medicine-stones, death-pointers, punishment stones, hunting stones, sacred stones; magic stones; amulets etc. australites-victoria-aboriginal useage, aborigines-magic-australites -
National Wool Museum
Archive - Advertisement, Australian Wool Bureau, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement "Brighten up your bedroom with Wool"A Timely Home Decorator's Hint from the Australian Wool Bureau/Brighten up your bedroom with Wool/There is no substitute for WOOLwool, blanket, blanket fever, advertisement, australian wool bureau, australian women's weekly -
National Wool Museum
Archive - Advertisement, Australian Wool Bureau, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement "Wool Blankets"Wool Blankets/Your best buy for warmth...for beauty...for wear/There is no substitute for WOOLwool, blankets, blanket fever, advertisement, australian wool bureau, australian women's weekly -
National Wool Museum
Archive - Advertisement, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement "They're as lovely as ever" (mother and bride to be) Castlemaine blankets"My trousseau blankets were Castlemaine, too, and they're still as lovely as ever"/Castlemaine Pure Virgin Wool Blankets/Australia's finest since 1875wool, blankets, blanket fever, advertisement, castlemaine, australian women's weekly -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Laconia Pure Lamb's Wool Blankets (mother and baby in bed)Laconia Pure Lamb's Wool Blankets/Make Goodnight a Certainty/*There's nothing in the World like WOOLblankets, blanket fever, wool, laconia, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Crown of the glory box (ladies with blankets, lambs in bridal party)Crown of the glory box…./colour-bright….comfort-right….Onkaparinga/Choose Onkaparinga, the pure wool blankets you'll love and cherish for a lifetimeblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb)Pure Wool cuddly and warm/Buy Well…Buy Wool/Onkaparinga new pastel multi-check blanketsblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
Whitehorse Historical Society Inc.
Pamphlet, Sunrise Estate, 1957
Advertising brochure for Sunrise Estate, Mitcham.Advertising brochure for Sunrise Estate, Mitcham. Includes train timetables and list of local factories and schools.Advertising brochure for Sunrise Estate, Mitcham. land subdivision, sunrise estate, mitcham, garden avenue, sunshine avenue, creek road, aylmer avenue, aroona avenue, glide, farrell & co. -
Whitehorse Historical Society Inc.
Book, A Tale of Box Hill, 1957
Day of the forest. A historyDay of the forest. A historyDay of the forest. A historybox hill, history