A proposal letter written by Mark Strizic for a grant from the Commonwealth Art Advisory Board to fund a series of art books. Strizic proposes a series of books illustrated by Strizic's own photography, under the series title Expressions. Strizic seeks a grant of $4900 from the board for the publication of two books, one of furniture maker Schulim Krimper, another on John Perceval's Cherubs. Budgets for these books are included, proposing to use the profit from sales to fund subsequent books, including one on the Centre 5 group of sculptors and one with Australian poets with graphics by artist Stan Ostoja-Kotkowski.Typewritten, carbon copy, foolscap, 4 pagesRobin Boyd pencil noterobin boyd, meriel wilmot-wright, myer foundation, mark strizic, schulim krimper, brian lewis, margaret garlick, inge king, clifford last, lenton parr, teisutis zikaras, julius kane, centre 5, time riders, john perceval, vincas jomantas, stan ostoja kotkowski, judith wright, roland robinson, kenneth slessor, max harris, claude wischik, commonwealth art advisory board, andrew grimwade, national gallery of victoria, joseph brown, brian stonier

Collingwood Technical School trained apprentices in many trades. This photograph depicts a trainee engaged in cutting the screw thread on saddle traversing screw of 5 inch centre lathe.This is a high quality professional photograph taken circa 1940. In 1938-1940, CTS was part of the Unemployed Youth Training scheme. This photograph is a visual record of this scheme.Black and white photograph mounted on brown card. Caption pasted on back of photograph.Caption: Collingwood Technical School. / Unemployed Youth Training Scheme 1938-1940. / Trainee engaged in cutting the screw thread / on saddle traversing screw of 5 inch centre lathe. collingwood technical school, cts, unemplyed youth training scheme, apprentices, students, lathes, nmit,

Photograph of Geelong No 5 (fitted with zebra stripes) with the destination of City at the corner of Moorabool and Ryie Sts with a Pengelly built tram in the background, along with the Bank of New South Wales building. The tram has a "Pay as you enter" sign. Destination Eaglehawk gives a date of 1955 for the painting of the Zebra stripes. Photographer unknown.Yields information about SECV Geelong 5 in 1955.Copy negative on a heavy substrate.tramcars, tramways, geelong, tram 5, moorabool st, ryrie st.

Set of five colour photographs by Ron Hood in early Sept. 1971 at the intersection of Sturt and Lydiard Streets. 1 - tram 30 (Mt Pleasant) and No. 35 at the stop. 2 - tram 35 (Lydiard St Nth) turning from Sturt into Lydiard St. The Tram has an electric cooking roof advert 3 - tram 40 (Sebastopol) turning from Lydiard St Nth into Sturt St. 4 - tram 41 (Lydiard St Nth) arriving at the stop. In the background are Craigs Hotel, HBA and the National Mutual life buildings, along with Allan Bros, Berry Anderson and the Town Hall. 5 - tram 42, Gardens Via Sturt St West waiting at the south side stop in Sturt St. Shows the tram stop. In the background is the Commonwealth Bank, and the Mechanics Institute.Yields information about tram operations at Sturt and Lydiard St corner.Set of 5 Colour slides in plain white cardboard mounts.In ink "Ballarat in early Sept. 1971" and slide numbers 3, 4, 5, 6 and 20tramways, trams, tram 41, tram 40, tram 30, tram 35, sturt st, lydiard st, tram 42

The Beach Comber was an entertainment place on the beach at Vung TAA. It was outside Australia lines, but Aussie haunted the place anyway. The Americans sold cold beer in aluminium cans, the Aussie were still using steel cans.Token is round and brass colours has the same wording on both sides.Around the edges “BEACH COMBERS VUNG TAU “ The centre 5 c in black ink 5474 is handwritten vietnam war, vung tau, beach combers

photograph of ladies auxiliary taken in front of concertina doors in meeting room of Ely St fire station. BACK L - R Karen Bell, Jan Baytala, Tracey Collier, Aileen Sanders, Dorothy Wise, Gayle Humphries, Lorraine Grenfell, Dianne Mills. FRONT L-R Tess Haynes, Elaine Graham, Pat Prendegast, Sue Read, Joan Rosser, Beryl Nolan, Jean Brown.black and white group photograph of ladies auxillary No.5 - centreladies auxillary, auxillary, ely street, karen bell, jan baytala, tracey collier, aileen sanders, dorothy wise, gayle humphries, lorraine grenfell, dianne mills, tess haynes, elaine graham, pat prendegast, sue read, joan rosser, beryl nolan, jean brown.

From collection of Betty McPheeWhite doyley. Linen centre, 5 cm square, decorated with white feather stitch. Crochet of square design to make up diamond shaped doyleyhandcrafts, crocheting or crochet work, manchester, table linen

Collingwood Technical School trained apprentices in many trades. In the late 1930s, CTS was involved in ttraining schemes for youth and adults.This photograph depicts two men learning to operate a lathe. This is a high quality professional photograph taken circa 1940. In 1938-1940, CTS was part of the Unemployed Adult Training scheme. This photograph is a visual record of this scheme.1 black and white photograph mounted on brown card. Photograph depicts trainees working with a 5" centre lathe.Photograph has a hand written caption on the back: 'Collingwood Technical School./ Unemployed Adults Training Scheme, 1938-1940./ Trainees planing the cast iron bed of a/ 5" centre lathe. 'collingwood technical school, cts, apprentices, students, unemplyed adult training scheme, lathes, machinery, machine parts, nmit

5/6 RVR plaque with the unit badge in the centre, "5/6" fixed on the top left corner, and the unit patch fixed on the top right corner. All the badges are fixed onto the dark wood

Dyed green linen and cotton yarn attached to cardboard tagInscribed in blue ink, top centre: '1% Chlorantine/ Yellow 2GLL'; centre centre: '.5% Chlorantine/ Blue 3GLL'; bottom centre: '.06% Chlorantine/ Red 6BLL'dye, linen, cotton, ink, cardboard

Dyed green linen and cotton yarn attached to cardboard tagInscribed in blue ink, top centre: '1% Chlorantine/ Yellow 2GLL'; centre centre: '.5% Chlorantine/ Blue 3GLL'; bottom centre: '.06% Chlorantine/ Red 6BLL'dye, linen, cotton, ink, cardboard

Colour photographWritten on back of photo: "New Eastland-Town Centre 17/5/95"

Colour photographWritten on back of photo: "New Eastland-Town Centre 17/5/95"

Sepia photo on grey mount of timber building with large brick chimney stack to right. (peter roh's bone and flock mill. Tray loaded with sacks to right. 6 donkeys figures in centre 5 females to the left. Small terrier dog in centre. On front T.R. corner 'MP116'. Peter Roh's fertilizer factory\Rohs' Rd Bendigo/c1880organization, business, peter roh's fertilizer factory, prev acc. no. 'mp166'

Black and white photo of Surrey Hills Primary School pupils of Grade 5 in 1935 taken outside the school building against a brick wall. There are 54 students, 25 girls and 29 boys. None are identified.On the rear in pen: Top LH corner - "SH History Nook / From McCracken family" + centre - "grade 5 1935".surrey hills primary school, schools, education, primary education, children, mccracken family

Port of Portland Authority archivesFront: (no inscriptions) Back: 8737/ Delete two side/ figures leaving/ the central man only/ Deep edit(?) (blue pen, upper centre) SULLIVANS' STUDIOS/ 84 PERCY STREET/ PORTLAND (purple ink stamp, centre) S'S' (blue pen, centre) 5" Deep/ 120 Scr... (orange pencil, lower centre) COMM. S.L. PATTERSON (blue pen, lower centre) .... Patterson (orange pencil, lower left)port of portland archives

.6) Australian Catholic University Ballarat Campus (Aquinas) is set in the historic gardens of Carn Brea, formerly the property of Cornish miner Cyrus Retallack. The property includes a two-storey mansion, which he built as his family home in 1881. Carn Brea, a castle in Cornwall, was built in the 1500s. After the Queen's Church of England Girls' Grammar School acquired the property in 1919, the mansion was renamed Manifold House. Manifold House now accommodates administrative facilities of the campus and staff offices. (http://www.acu.edu.au/about_acu/campuses/ballarat/history_of_ballarat_campus, accesses 21 August 2014)Nine black and white images by Geoff Biddington. .1) Burke and Wills Monument, corner Sturt Street and Lydiard Street, with the MLS Building and Allan Brothers in the background. .2) Former Ballarat Post Office (later Federation University Post Office Gallery) .3) Tram in Sturt Street .4) Geelong ? shopping centre .5) Geelong Waterworks and Sewerage Trust .6) Carn Brae / Retallacks / Queen's / Australian Catholic University, 1200 Mair Street .7) Former Ballarat Post OFfice, Lydiard Street .8) Perseus Statue, Camp Street (removed for conservation in 2008) .9 McDonald Printer, 48 Lydiard Stgeoff biddington, ballarat, ballarat post office, geelong waterworks, perseus, mcdonald, acu, carn brae, australian catholic university ballarat, burk and wills monument, mlc building ballarat, allan brothers ballarat, lydiard street, sturt street

Progress report, City of Nunawading Theatre Arts Centre, 10/5/1984. It includes : impact of regulations, acoustic considerations, revue of user needs, structural review, electrical and sound systems, service requirements, car parking and access, description of facilities, revised estimates, timing, cost adjustment, funding.Progress report, City of Nunawading Theatre Arts Centre,nunawading arts and entertainment centre, nunawading theatre arts centre

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. The decoration on this garment was embroidered by hand by a skilled worker at the Kathryn Knitwear factory. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Wool has been renowned for its excellent properties for thousands of years, by people from all over the world. Not only good for thick winter woollens, it can help keep you cool in summer, as well as being durable and resistant to water, fire, ultraviolet light, stains and odour. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Red cardigan embroidered with decorative tuck stitches and floral motifs on front panel, crochet around collar in blue, white and green. Closes at centre front with 5 plastic buttons[Label at back neck with blue lettering woven into label] KATHRYN REGD ALL WOOL / 20 /CREATED BY ROBERT BLAKEchildren's knitwear, knitwear, children's clothing, clothing, cardigan, manufacturing, fashion textile production, machine knitting, embroidery, hand embroidery, floral embroidery, floral motif, tuck stitch

The photo shows three Bendigo California Combination single truck cars at Charing Cross, looking southwest with the Alexandria Fountain in the centre. Trams 5 and 14 are in the view along with another behind them. The Bendigo electric tram system commenced operations in 1903 and given the appearance of the roadways and tram tracks, the photo was taken soon after opening. In the view are the View Point Hotel, signs for Moran Cato, Coperative Distribution, W J Jackson Tailor, The Age and several horse-drawn cabs. Card was printed in Germany.Yields information about Charing Cross and Bendigo's trams in 1903.Postcard - colour divided back, used as a letter.Card to a Mother from her son Alex.tramways, trams, bendigo, charing cross, alexandra fountain, view point, tram 5

Items in collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details..1) Badge pressed brass, shape is of an old style Artillery piece on large wheels, rear has two lugs on. .2) Badge, metals crown at top, centre has 5 stars in silver, outside is oval shape with lettering, scroll under, rear has two pins. .3) Badge silver colour metal, crown at top, oval shape, raised lettering, scroll under with same, pin on rear..2) "Royal Australian Army Pay Corps, Integrity" .3) Royal Australian Army Nursing Corps, Pro Humanitate"badges, artillery, nursing, pay

Dance card to a Bush Ball to be held in aid of the Maldon Hospital Hostel project on Saturday Oct 16th 7.30pm till late at the Maldon Community Centre. Tickets $7.50 and $5 for the unwaged.clubs, social, bush dances

Clothing, cream coloured silk child's pants. Part of a two piece suit (see 11401.7Jacket ).Fully lined with white cotton fabric. Buttons attached at waist for braces. 4 X 1.6 cm evenly spaced across the front. 2 X 1.6 cm at centre back on either side of centre seam.5 cm opening 3 cm above the crotch. Separate piece of fabric stitched inside opening as a covering flap. Old box 524.costume, children's, pants.

.1 MOURNING BROOCH, METAL, OVAL SHAPED WITH RAISED FLOWER WITH FIVE LEAVES ON CENTRE PIECE, 5 SMALL DOTS PROTRUDING ON EACH EDGE. EACH END OF THIS AREA IS A PLAIN STRIP WITH MARKINGS. EACH END OF OVAL HAS A FAN SHAPE WITH 5 SMALL DOTS PROTRUDING AT ENDS. CLASP ON BACK WITH OVAL AREA AND PLASTIC PIECE .2 METAL BUTTON WITH CROWN ON FRONT -" COMMONWEALTH PEACE OFFICER" - AROUND EDGE. WOULD HAVE BEEN USED 1902 -1952 ON A CAP OR VEST WITH LOOP AT BACK FOR FIXINGmourning brooch, brooch, commonwealth peace officer

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower and foliage details of plant with brown stem, green foliage, pale green buds and white (star-shaped) flowers. Eight drawings including one pink and green seed pod, one flower detail (side view, bell-shaped), one cutting with foliage and flowers, one stem detail with leaves or buds, one flower detail (above view, star-shaped), one flower bud (side view) and one dark green and one green-brown leaf details. The work is mounted in a double matt (grey on white) in framed under glass in a gold and green-grey frame.Front: CEW/71 (signature, lower left in image) (orange pencil) Leucopogon woodsii (lower centre) (pencil) 12/5/71 (lower left, erased) 42 (lower right, erased) Back: 9 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings