Set of two manuals for MAN buses: .1 - MAN Maintenance recommendations 1985 - 25 A4 pages, landscape stapled in the top left hand corner - issued 7/1985. Photocopied from a MAN book. .2 - Chart of MAN recommended fuels and lubricants - 2 A4 sheets, stapled in the top left hand corner.Has "MAN" in ink on top edge.trams, tramways, buses, maintenance, man, manual

.1 - Manual - 116 pages centred stapled - titled "MAN Buses - Driver's Handbook". Has a table of contents, item reference list and electric circuit diagrams. Covers the operation, equipment, driving, cold weather operation, maintenance, lubrication, fuels, general car and maintenance. .2 - newspaper clipping from The Age ""Gearbox flaw cripples bus fleet", dated 26/3/1987, by Tony Harrington, Transport Reporter reporting on the withdrawal of 20 buses from North Fitzroy - replacement parts no longer being manufactured. Also has a loose note about the radiator capacity.trams, tramways, buses, maintenance, man, manual, gears

Photographic portrait of a manfullarton, man

Photographic portrait of a man in uniform.fullarton, man

Photographic portrait of a man in uniform.fullarton, man, uniform, rockhampton

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man

Photographic portrait of a man in uniform.fullarton, man, uniform, h. moser, creswick, daylesford

From the bequest of the late K. Lewinski, a German Ort boy from Berlin, refugee in England 1938 - June 1940. Interned and transported to Australia 1940, interned in camp 2. Released in January 1942 to 8th employment co at Tocumwal.Wooden sculpture featuring a man wearing a peaked cap, pushing a wooden wheel barrow filled with round logs, fixed to a wooden rectangular base. 2 pieces.K. Lewinski 1998 Timber: man - kwila, barrow - blackwood, firewood - teak kurt lewinski, wood sculptures, ort boy, internment camp 2, 8th employment co

A man uses a long fixed cane to ascend steps to a church.1 B/W photograph of man ascending church stepsMobility - historical Negative number: 8/70103royal blind society of new south wales, white cane day, orientation and mobility

An unnamed man, wearing a crochet shawl and knitted cap, sits in a chair with his head low to the pillow in front of him.2 b/w photographs of unknown manassociation for the blind, elanora home (brighton)

An older man uses a Hoover (long) cane to descend a wooden stairway.B/W photograph of man using white cane on wooden stairway3/68049 Mobility - historicalroyal blind society of nsw, white cane day

An elderly man walks with a white cane along the path outside the RBS offices in Enfield, followed by an O&M instructor.B/W photograph of man using a white cane90002 FF/3royal blind society of nsw, white cane day

A man was Tasered by armed police on a Melbourne tram after he allegedly threatened to kill passengers on board.Has a photo inside tram of armed policeNewspaper clipping from the Age titled: "Man with knife Tasered on tram"route 48, tramways, trams, police, king street, collins street

A bearded man walks on a grassy area next to the RBS building in Enfield, having just walked past a couple holding hands.2 B/W photographs of man using white caneFile: Skills Training - O&M 88-7 A white cane provides blind people with early warning of obstacles. S-129, bottom picture of page 3 Gordon Tibbles, PR Officer RBSroyal blind society of new south wales, white cane day, orientation and mobility

Rehabilitation covers learning how to undertake various tasks with assistive devices. In this image, a seated man presses buttons, guided by the hands of a female rehabilitation instructor. Some buttons are labelled with Braille markers.1 black and white photograph of man and womanrehabilitation, royal victorian institute for the blind

A man uses a white cane crossing a street at night in Newcastle. His cane reflects the photographer's flash and is illuminated against the dark night.Black and white photograph of a man using a white cane at nightOrientation and mobility at night - Newcastle Please return to RBSwhite cane day, royal blind society of new south wales

Time-Life Books insert of typical Man-of-War style boats/shipsColoured print of a typical Man-of-War by Time-Life Books- un-named boatRefer Notes section for detailstypical man-of-war drawing

Professional portrait of unknown man wearing a pin striped suit, white shirt and tie. 1 B/W portrait of man in pin stripe suit, white shirt and tie26 2917 C.3association for the blind, elanora home (brighton)

Found among the Wieland memorabilia but unknown young man.Small black and white photograph of young man on glass made in London but name mostly rubbed off.Very badly rubbed London address and name of studio.

Black and white photograph of a man wearing a suit and hat, and a young boy of approximately ten years of age, standing side by side, outdoors, and each holding a white cane.1 black and white photograph of man and boy holding canesroyal victorian institute for the blind, orientation and mobility

An ultrasonic torch sends out a high frequency beam that bounces off items in it's path and sends back signals to an ear piece worn by the user. A change in sound indicates the nearness of an object, and it was (at the time) thought to be a possible replacement for white canes in the future. In this image, a man descends steps at the William Street building of RBS, using the torch to guide him.B/W photograph of man using torch6/68049 Ultrasonic torch being used at the Royal Blind Society.royal blind society of new south wales, orientation and mobility

In this image a man sits and places tiles carefully on to a board, after applying adhesive. He wears floral apron, to protect his clothing, and a pot of Selley's Tile Bond (with an ice cream stick in it), rests on the board. Most likely taken during a crafting program held at a centre.1 black and white photograph of man sticking tiles to a boardrecreation, crafting

An older man sits on the floor, his back resting against the wall where nearby a mural of koalas and a gum tree have been painted. On his right leg he holds a young possibly Aboriginal girl who smiles as she plays with a teddy bear and watches as he holds up other items. A blonde curly haired boy stands as he watches the man, whilst an older child sits as he plays with a rattle. There are 5 photos in this sequence, which takes place at an unknown location.5 B/W photographs of an older man who holds a young girl in his lapassociation for the blind, elanora home (brighton)

Two photos of the statue at the Shrine of a man and a donkey. It was erected in commemoration of the valour and compassion of the Australian solider by the Red Cross Society. These photos were taken at the same time as views of the Legacy Garden and the plaques at the base of trees at the Shrine of Remembrance. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of a statue at the Shrine.Colour photo x 2 of the 'Man with the Donkey' statue at the Shrine of Remembrance.Printed on reverse 'shrine of remembrance, statue

cast statuette, donkey with wounded soldier and attendantSilent Soldiers Man With Donkeystatuette, wounded, soldier, donkey, simpson

Male handles Clarke & Smith talking book cartridges, placing one cartridge on a bookcase filled with numbered cartridges, whilst holding another two in his other hand. To the side of him is a cane basket that contains black mailing cases with silver reinforced corners and strapping. These cases were used to send the cartridges out to talking book clients. Behind the man is another bookshelf, with the two bottom shelves containing mailing cases, the next two Clarke & Smith cartridges and possibly Clarke & Smith tapetes and tapete mailing pouches on the top shelf. A metal fan hits on top of the bookcase.Digital image of man with audio book cartridgestalking books, library, royal victorian institute for the blind

This is a biography of the life and times of Sir Stanley Savige. Growing up, the army, civilian life and Legacy. It was written by WB Russell who was commissioned by Legacy to compile to book.A story of a man, not born to privilege or wealth, who rose to the rank of Lieutenant General in the Australian Army and established a charity organisation, MELBOURNE LEGACY. Legacy gives to the community, help for those families of deceased service personnel in times of need. Paper dust cover depicting Sir Stanley Savige travelling in an open vehicle. Cover, colour red, rectangular shape. Title: There Goes A Man, printed in white. Author: W.B.Russell, printed in Black. The Biography of Sir Stanley G. Savige, printed in white. The Spine is as above, Longmans printed in white at the bottom of The Spine. The back, the word Longmans and Longmans logo. Pages, white colour and black type. Maps and Photos.The Spine,title, There Goes A Man. The Biography of Sir Stanley Savige. W.B. Russell. Longmans. All of the above printed in black.biography, stan savige, savige book

A bearded man uses a white cane and sonic guide to help him navigate around the streets of Strathfield. The sonic guide consists of a pair of heavy black spectacles with three sensors built into the bridge of the glasses. The glasses are attached by a cable to a control box which is designed to be clipped onto the wearer's belt or clothing. The control box has two switches and a volume setting, and assists the user in determining objects in their path and their distance to them.2 B/W photographs of man using sonic guide and white cane"5156-220" and '5156-224" on back of photographsroyal blind society of nsw, white cane, orientation and mobility

Dark blue hardback book with gold letteringMan made fibres. R W Moncrieff

An image taken of a man holding a rifle whilst two other men, one wearing a Canada Rifle Club blazer, look on. In the 1960's, the RVIB approached engineer George Glover to produce equipment to allow blind people to shoot, based upon that made available at St Dunstan's Hospital in the UK. The rifle range opened in February 1966 at the rear of St Kilda Road with 30 members, and soon became involved in matches with sighted rifle clubs in the area. The club had many successful years, competing against teams from Canada and New Zealand in 1968, and had the support of ICIANZ which provided them with free munitions as well as teams to compete against. In 1977, George Glover passed away and some of the skills required for maintenance of the equipment was lost, however the club continued until the late 1980's/early 1990s.1 Black and White image of man at shooting galleryrvib rifle club, royal victorian institute for the blind