Showing 90 items
matching ‘ripponlea’
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St Kilda Historical Society
Photograph, St Kilda Rifle Club in the gardens of Ripponlea, 1914, c. 1914
Ripponlea (home of Ben Nathan 1914). The club began in 1903 and disbanded early World War 2 when members had to hand in theirrifles for use in the war.Original mounted photograph, fair condition. black and white photograph "Group of the St Kilda Rifle Club taken in the garden of "Ripponlea", the home of Ben Nathan in 1914. The club began in 1903 and disbanded early in World War II as members had to hand in their rifles for use in the war. " -
Australian Commando Association - Victoria
Photograph, Unknown, 2 COMMANDO COMPANY Ripponlea pay parade July 1958, 1958
Unit members in the photo: Back row: Peter Herd, Mick Stewart, Ian Bunston, Russ Bradley, Bob West, Peter Reid, Norm 'Doc' Willoughby, Brian Hinneburg, Claude Gillard, _______ , Kevin Hatfield, Ian Hicks, Mack Hinds, John Woodruff. 4th row: Geoff Smith, Phil 'Juni0r' Meakins, Phillip Roff, George Wing, 'Bluey' De Clerk, Bob 'Canada' Johnston, Jim Walsh, Mike Hicks, Ern Jeffries, Carl 'Dutchy' Hulsbergen, Leigh Power, __________ , Norm 'Mick' Kennedy, Ray Bunyard, Jack Murray. 3rd row: Jeff Tomlinson, ______ , Vince Nehill, Jim Stephens, Bert Boatwright, Bill Leach, Bob Reid, Peter 'Padre' Bowden, ______ , Frank Read, Peter Higgins, Bill Salmon, John Hutchinson, Gus Kongas, Tony Poole. 2nd row: Roman Stuczynski, Stan Polan, Allan Moore, Don Bergman, Col 'Ali' Barbour, Peter Askew, Ron Smith, OC Major John Hutcheson, Adj Capt John Pritchard, Lt John O'Rourke, Ron Scott, George 'Taffy' Drakopoulos, Ted Malone, Ray Sanders, Kevin Collins, Barry Creighton. 1st row: Tom Massey, Mick Thurlough, Glen Watterson, Joe Frazer, Warren Hutchings, Max Coulson, Graham Gould?, Maurice 'Elvis' Priestly, _______ , 'Bluey' Darlington, 'Bluey' _____ , _____________ , 'Tich' McIntyre, Jim Trainor. Proovided by Jim Trainor.One of a very few photos only of (almost) the complete personnel of 2 Cdo Coy in its early years. B & W group photo unframed, 5 rows tiered, 73 men in winter battledress at the 2 Commando Company depot at Ripponlea, Melbourne in 1958. A separate document names most of the men. Described by Jim Trainor as Ripponlea pay parade July 1958. 2 commando company - 1958 - pay parade - ripponlea depot - unit personnel -
Glen Eira Historical Society
Album - Album page, Ripponlea, Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 92 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - views of entrance and left front of mansion.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 245 Dec 1972 [under top left photo] / Neg 246 Dec 1972 [under bottom left photo] / Neg 247 Dec 1972 [under bottom right photo] / 92 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, lombardic, romanesque, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque style, rippon lea, entrances -
Glen Eira Historical Society
Album - Album page, "Ripponlea", Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 94 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - stables, lookout and neighbouring cottages.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 256 Dec 1972 STABLES [under top left photo] / Neg 248 Dec 1972 LOOKOUT [under top right photo] / Neg 254 Dec 1972 / COTTAGES WILLOW STREET [under bottom left photo] / Neg 259 Dec 1972 STABLES [under bottom right photo] / 94 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, guilfoyle, adam anderson, ripponlea, victorian, sir frederick sargood, architects, bricks, polychrome bricks, taylor and fitts, stables, lookouts, cottages, outbuildings, rippon lea -
St Kilda Historical Society
Photograph, Bailey Troeth, Lion Statue on Porch, Quat Quattra, Ripponlea, 2009
Quat Quatta, Ropponlea, Lion statue on porchblack and white photograph, mounted, original, good conditionOn Back: The reason why I chose to take this photo is because Ripponlea has an historical background and this building is very old. I put the photo in black a nd white to symbolise this. As you can see in the photo there is a lion that shows royalty and that we are a strong community. Also, the plants in the photo are well cared for which shows our communities respone for nature. By Bailey Troeth -
Glen Eira Historical Society
Album - Album page, Ripponlea, 192 Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards -
Glen Eira Historical Society
Album - Album page, Ripponlea, Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 93 of Photograph Album with four photographs (two landscape and two portrait) of Ripponlea - lake and gardens.Handwritten: Neg 239 Dec 1973 LAKE [under top left photo] / Neg 242 Dec 1973 FERN HOUSE [under top right photo] / Neg 243 Dec 1972 FERN HOUSE [under bottom left photo] / Neg 241 Dec 1972 LAKE [under bottom right photo] / 93 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, gardens, ferns, bridges, walking trails -
Glen Eira Historical Society
Album - Album page, Ripponlea, 192 Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style -
Clunes Museum
Photograph, RM' GEEHAN 57 ELM GROVE RIPPONLEA
BLACK & WHITE PHOTOGRAPH OF SOLDIER IN FULL UNIFORM STANDING OUTSIDE TENTSON RESERVE SIDE OF PHOTO 491 FRITHlocal history, photography, photographs, w.w.1 -
Whitehorse Historical Society Inc.
Photograph - A.I.E.F. 1916 Recruitment poster, 1916
Cardboard poster with recruiting photo of a crown with A F A flanked by two union flags. Flags with a map of Australia with soldiers in front.A.I.F.1916 Australia will be there underneath. R McGeehan-photographer The Central Studio Elm Grove Ripponlea MelbA.I.E.F. 1916 Australia will be therephotography, photographs / slides / film -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, N. R. McGeehan photographer, Tatura Coursing Club 1933, 1933
The first coursing club in Tatura was organised in 1886. Then in 1919 the Tatura Plumpton Coursing Club was inaugurated. This original was held by I. Fitzgerald.Black and white photograph of committee and stewards of Tatura Coursing Club 1933. Photograph on cardboard. Decorative border.on back: I. Fitzgerald 82 Ross Street Tatura. N. R. McGeehan, photograph, 150 Hotham Street Ripponlea S2tatura coursing club -
Ringwood and District Historical Society
Sewing Sample, Hill, Jessie, Mrs, Bound folder of Ripponlea State School student's 1935 sewing samples - Jessie Lemprier, later Mrs.Hill, Ringwood district resident, c. 1935
Mrs Jessie Hill trained in 1935 and donated her book of hand stitched samples to the Historical Society in 1989.Book A3 size with thick brown paper cover. The book has eight pages of thick caramel coloured paper with sewing samples attached. Bound with yellow cord. +Additional Keywords: Hill, Jessie, Mrs -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Photograph, L Horse School of Instruction. Camp Maribyrnong 8.2.18, 1918
A posed sepia photo of the staff (?) at the School of Instruction taken at Maribyrnong in 1918. The photo shows 49 soldiers of various ranks. Photo mounted on heavy card.The title is superimposed on the photo. B M Graham 'The Central Studio' 57 Elm Grove Ripponlea Melbourne. On back: "Mrs Hallett 8 Anne Cr Nth Brighton"photo, light horse maribyrnong -
The Beechworth Burke Museum
Postcard
Taken on an unknown date, depicted is a full-length portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white postcard printed on card.Reverse: BMM 2640 / POST CARD / KODAK / 5 CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / AUSTRAL / KODAK / R. McGEEHAN, PHOTO, 57 ELM GROVE RIPPONLEA, / EXTRA COPIES & ENLARGEMENTS OBTAINABLE. /military album, military, war, world war i, wwi, australian imperial force, aif, rising sun, uniform, portrait -
St Kilda Historical Society
Photograph, Georgia Dimitroulis, 2009
Colour photograph, mountedI enjoy my school being in Ripponlea because lots of people are caring. Ripponlea has very pretty houses too. Ripponlea also has really green parks which are really good to play in. Ripponlea is a great community to be in because nobody gets left out. By Georgia Dimitroulisbusinesses, glen eira road, ripponlea, ripponlea state school -
St Kilda Historical Society
Photograph, George Vasko, 2009
Colour photograph, mountedThe special things about Ripponlea is that it is really different to Tasmania because there are a lot more people here because it's very popular. Also there are older buildings in Ripponlea. The best thing about Ripponlea is that it is a new experience for me. By George Vaskoripponlea, glen eira road, ripponlea shops, 2009, ripponlea state school -
St Kilda Historical Society
Photograph, Tian Steuart
Photograph taken in 2009Colour photograph, mountedI took this photo because I think it represents Ripponlea. The photo shows all of the different things Ripponlea has to offer like beautiful parks with native plants and seating where you can see fascinating views. The station is a great part of Ripponlea because the station is old, interesting and it's good to travel from because it is never busy and it's always very clean. By Tian Steuartripponlea, ripponlea station, ripponlea state school -
Glen Eira Historical Society
F. T. Sargood
Photograph of F.T. Sargood of Ripponleasargood, f t, rippon lea -
Glen Eira Historical Society
Article - Anderson, Adam
Photocopy of a letter of reference for Adam Anderson, Head Gardener at Ripponlea by Julia Sargood Photocopy of 8 page pamphlet ‘Portrait of a Gardener: Adam Anderson” by Richard Heathcote includes photographs and diagrams dated circa 1996 Photocopy of article from “Weekend” dated 21/09/1996 About Adam Anderson at Ripponlea includes photographs of him and his descendant Malcolm Anderson Photocopy of article from “Port Phillip/Caulfield Leader” date 23/09/1996 concerning Adam Anderson his descendant Malcolm Anderson and the exhibition at Ripponlea about Adam Anderson which ran from 30/8/1996 to 30/11/1996anderson adam, sargood frederick sir, sargood julia, mansions, ripponlea, gardeners -
St Kilda Historical Society
Photograph, Donald McDonald, Rippon Lea, 1872
Two story polychorm mansion, victorian rennaisance, arched nische blacony and arched entryway, windows framed by arches, without double bay front rooms, garden setting with gravel drive and three little girls in formal dress. Built in 1868 for Sir Frederick Sargood, polychromatic romanesque style, architect Joseph Reed and Barnes, Photograph taken 1872. Ripponn Lea estate now in the National Trust of Australiablack and white photograph, unmounted, copy, good conditionRipponlea Photo 1872 -
National Wool Museum
Stencil
"RIPPONLEA /J.E.H" "COMBING"wool sales, export wool, wool transportation, wool brokering, export - wool, wool - transportation -
Glen Eira Historical Society
Article - Whybrew, Edward
Five items in this file. An unsigned photocopied letter from the National Trust of Australia/Victoria mentioning an article written by Edward Whybrew. An article written by Edward Whybrew, who was the letter author’s grandfather, describing the life of a coachman. Edward Whybrew was head coachman at Ripponlea for sixteen years. Undated, unsigned, unacknowledged research note. A photocopy of article from Weekend, probably in The Age, dated 21/09/1996 about Edward Whybrew and his time at Ripponlea. Includes photograph of him and his descendant Neville Drummond. Photocopy of page from National Trust brochure Solid Joys and Lasting Treasure Families and Gardens, Ripponlea Estate dated circa 1998, concerning Edward Whybrew. Includes photograph of him and coach and horses.whybrew edward john jonas, sargood frederick sir., sargood lady, ripponlea, elsternwick, octavius street, ripponlea, carriages and coaches, hanson cabs, coachmen, horses, mansions, anderson adam, anderson malcolm, drummond neville -
St Kilda Historical Society
Photograph, Annabel Ellis, 2009
Colour photograph, mountedThis photo shows that not many people want to leave Ripponlea because look at the station, it's almost empty. You can see lots of nature so it's eco-friendly. By Annabel Ellisripponlea, businesses, ripponlea station, ripponlea state school -
Glen Eira Historical Society
Letter - Glen Eira Road, 138, Ripponlea
A copy of a two page valuation of 138 Glen Eira Road, Ripponlea (sic), Elsternwick, dated 25/08/1965. The valuation provides brief information about the size and location of the land, a general description of the factory present on the land and the final valuation.glen eira road, ripponlea, elsternwick, tullis r c, acacia street -
Glen Eira Historical Society
Article - Anderson, Adam
An unsigned photocopied letter from the National Trust of Australia (Victoria) outlining Adam Andersons time as Head Gardener at Ripponlea A handwritten tribute to Adam Anderson Head Gardener at Ripponlea by L. Keith Lindsay Photocopied handwritten conditions of agreement between Adam Anderson and Frederick Sargood Photocopy of the first issue of The Garden Gazette dated July 1902 about Ripponlea gardensanderson adam, sargood frederick, sargood julia, nathan b mr, lindsay keith l, mansions, willow street, ripponlea, allison road, elsternwick, gardeners, gardening, landscape planning, horticulture, mansions, garden plants -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Group of Staff and Students, 1917-1918
One of several photographs submitted by Miss Isobel McLennan (see B91.73). Black and white photograph. 2 copies. (a) A postcard. Group of female students standing and male students seated on the ground. Staff standing behind the female students. Principal, Mr. McLennan standing on the right. Taken whilst on an excursion to Ripponlea.On reverse, "Students Dec 1917." (b) On reverse, "School of Primary Agric & Hortic staff and students c.1918 Staff includes George Russ, Hudson (Stockman), Richmond, Miss Grassick. school of primary agriculture and horticulture, staff, students, george russ, hudson, stockman, richmond, miss grassick, isobel mclennan, principal, mclennan, ripponlea, excursion -
St Kilda Historical Society
Photograph, Ethan Lawrence, 2009
Photograph taken in 2009Colour photograph, mountedI took this picture on the bridge at Ripponlea train station. It shows what the station is like. Two platforms (City, Sandringham) Palm trees that are old and were established with the English people came and settled over Australia. By Ethan Lawrenceripponlea, glen eira road, railway, ripponlea station, ripponlea state school -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Photograph/Postcard, R McGeehan, Light Horse at Lake Burrumbeet, 1914
A sepia toned photograph of a light horse regiment watering its horses at Lake Burrumbeet Victoria in 1914Watering Horses L H Camp Burrumbeet 1914light horse, lake burrumbeet -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, N. R. McGeehan photographer, Tatura Coursing Club 1933, 1933
Original photograph of Committee and stewards of Tatura Coursing Club 1933. There has been a Coursing Club in Tatura since early 1900's.Original photograph of members of Tatura Coursing Club 1933.on back: Committee and stewards Tatura Coursing Club 1933 -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, N. R. McGeehan photographer, Plumpton Tatura Coursing Club 1933, 1933
Original photograph of crowd at opening of Plumpton Tatura Coursing Club 1930.Original photograph of members of crowd of men, women and children at opening of Plumpton Coursing Club at Tatura 1933. Copy L0601on back: Opening of the Plumpton Tatura 1933. Shire of Rodney