Catalogue of Exhibition, Bendigo Art gallery, 2011- Exhibition catalogue, Bendigo Art gallery - Cover photograph of part of exhibitionThe Australian Aesthetic Wedding Dress 1822 to 2011 Dewey No. 392. 540994bendigo art gallery, australian wedding gowns

Boyd argues that there is little that is truly avant-garde or revolutionary in architecture. Boyd defintes 'antiarchitecture' as architecture which rejects aestheticism, an approach explored by constructivists, Archigram and Venturi. Boyd indicates that he suspects that architecture can never fully escape aestheticism.Original manuscript of the article published in The Architectural Forum, Vol. 129, No. 4, November 1968, pp. 84-86.Typewritten (c copy), quarto, 6 pagesAnnotation on p2radicalism, venturi, archigram, reyner banham, buckminster fuller, new brutalists, constructivism, john m johansen, paul rudolph, charles moore, japanese metabolism, george nelson, aestheticism, robin boyd, manuscript

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.Textured floral frieze showing the influence of the Aesthetic Movement in the colour and flattened representation of the flowers. The design features prominent sunflowers and chrysanthemums set against a textured background. 1880s.P. F11 (f)heritage interiors, wallpapers, 19th century design, borders, 1880s, aesthetic movement

Colour photograph of unique eucalyptus tree, eucalyptus globulus ssp pseudoglobulus eucalyptus cypella carpic. A rare localised distribution with aesthetic significance Mallacoota Victoria. Also a second colour photograph of same tree trees, topography, towns

Demolition of Buffalo House, Union Street and Little Gold Street, Brunswick. Buffalo House was erected in about 1942 as the joint premises of two companies engaged in the manufacturing of cardboard boxes and associated products, children's activiyy books etc. The Heritage Council of Victoria deemed the building to be of historic and aesthetic significance.

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.A wallpaper frieze from the 1870s that exemplifies the Aesthetic Movement's design principles. The design is possibly based on one by Walter Crane around 1875. It features soft colours and flat, formalised botanical motifs, including butterflies and flowers. Friezes like this were common decorative elements in the later Victorian period. P. F72 (f)heritage interiors, wallpapers, 19th century design, aesthetic movement, 1870s, wallpaper borders

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.c.1900 Wallpaper frieze made by Janeway & Carpender, USA. It has 19th century characteristics, but gold tinsel and graded colour indicate turn of the century printing techniques. This particular design showcases a lush row of yellow and pink roses against a vibrant blue background, typical of the turn-of-the-century aesthetic.P-F21 (j)heritage interiors, wallpapers, 20th century interior design, floral frieze

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.Wallpaper border printed on embossed paper, circa 1880. Background gilded and embossed to achieve a raised textured appearance. Features a detailed floral and acanthus leaf motifs with a geometric border. This kind of design was popular during the Aesthetic and Victorian design movements. The gilded finish was common to high-end interior decoration of the 1880s. P. B. 16 (f)heritage interiors, wallpapers, 19th century design, borders, 1880s, aesthetic movement

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.c.1880 Asymmetrical dado design showing Japanese influence featuring stylised floral motifs including chrysanthemums and geometric borders in the "Aesthetic" style. This style was part of the 19th-century artistic movement that incorporated nature-inspired elements in structured, layered compositions. A strong Japanese/Chinoiserie influence was a hallmark of the era's decorative arts. P.D9 (f)heritage interiors, wallpapers, 19th century interior design, dado borders, aesthetic movement

Discusses how Australian cities can be improved economically, environmentally and aesthetically; stresses good planning, accessibility, affordability. Refers to a chapter by Boyd.Typewritten (c copy) some edits, quarto, 26 pagesaustralian cities, planning, accessibility, affordability, ownership, free contract, developers, robin boyd, manuscript

This pamphlet outlines a proposed concept plan for the lower Plenty River, Greensborough to Heidelberg. The plan would focus on preserving and enhancing the aesthetic, recreational and conservation potential of the waterway.2 p., illus., tri-fold pamphlet. 2 copiesplenty river, melbourne water corporation, board of works

Vintage rolling pins can be made of various materials, including aged wood or glass, and are often prized for their aesthetic and historical charm. These are sometimes used for decoration, while others are still used for their original purpose in baking. A small wooden hand turned rolling pin with only one short handle to hold it for rolling pastry or dough. Wooden rolling pins are available in various sizes and styles to suit different baking needs. cooking equipment, rolling pins, bread making, pastry

Vintage rolling pins today can be made of various materials, including aged wood or glass, and are often prized for their aesthetic and historical charm. These are sometimes used for decoration, while others are still used for their original purpose in baking. A wooden hand turned rolling pin with a shaped smaller handle at each end to hold it for rolling pastry or dough. Wooden rolling pins are available in various sizes and styles to suit different baking needs. cooking equipment, rolling pins, bread making, pastry

Streetscape featuring the demolition of Buffalo House, Union Street and Little Gold Street, Brunswick. The demolition company's portable offices are at the front. The Buffalo House signage (on yellow background) is just visible. Date stamped at time of printing 20 Oct 2012. Buffalo House was erected in about 1942 as the joint premises of two companies engaged in the manufacturing of cardboard boxes and associated products, children's activity books etc. The Heritage Council of Victoria deemed the building to be of historic and aesthetic significance.

Large black and white photograph mounted on heavy cardboard showing a very large conifer being replanted by a number of people. The original photograph is held at the Melbourne Herbarium and the information provided by them is that, "This photograph was taken after William Guilfoyle became Director of the Royal Botanic Gardens, succeeding Baron von Mueller. Many of the collection of conifers were moved from straight lines to give a more aesthetic appearance, as Guilfoyle was trained in the tradition of the 18th Century English landscape design."conifers, melbourne herbarium, william guilfoyle, director, royal botanic gardens, ferdinand von mueller, trees, landscape design, botanic gardens, replanting trees

Discusses the new brutalism, as a revival of the rebellious spirit of early modern architecture, in the context of Reyner Banham's book "The New Brutalism", with the subtitle ethic and aesthetic. Boyd discusses the arguments of Banham and the new brutalism in the context of the subtitle. It concludes with a code to characterise the modern movement.Original manuscript of an article published in Architectural Review Vol 142, No 845, July 1967. pp. 9–11 and reprinted as ‘El triste fin del Nuevo Brutalismo’ in 'Cuadernos Summa Nueva Vision' (Buenos Aires), No’s 24/25, May 1969, pp. 51-53.Two copies. One typewritten (c/copy) pencil edits Second typewritten (p/copy). Both quarto, 14 pagesle corbusier, reyner banham, smithson, peter and alison smithson, modernism, brutalism, robin boyd, manuscript

The Eliza Ramsden, with its intact clipper bow, is one of Victoria's most aesthetically spectacular shipwreck sites, and thus has both recreational and educational significance. It is archaeologically significant as relics of cultural significance, including a small ship's bell, have been found on the site.Struck Corsair Rock and later sank in South Channel, Port Philip on 24 July 1875. Now a popular diving site. Large Anchor ex Eliza Rambden which was wrecked on Corsair Rock Point Nepean 24/071875 Made of Cast Ironeliza ramsden, shipwrecks, port phillip, anchors

The drinking fountain is located in Catani Gardens, St Kilda. It was a gift to the City of St Kilda by Sali Cleve, a prominent local resident. It has aesthetic significance as a rare example of the Beaux-Arts style and is the only known public piece in bronze by noted architectural designer and artist Charles Adam Irwin. colour photograph, unmounted, good conditionThis Drinking Fountain is a Gift to the Public From Sali.Cleve.Esq. April, 1911st kilda, catani gardens, sali cleve, sali cleave drinking fountain, ca irwin, charles adam irwin, plaques

"This project has extra meaning for me. It’s intended to create a positive effect on the local community” Ballarat-born artist, Justine McAllister's artwork was commissioned to bring a colourful facelift to the Little Bridge Street Bus Exchange precinct from December 2020-December 2021. The artwork installation is part of the extended City of Ballarat early works beautification program, designed to bring a fresh, bold and vibrant aesthetic to the location. painted work onto bus shelter

Contains an article 'Machine Aesthetic' by Reyner Banham (pp 224-228). It also contains a book review by Raymond McGrath (pp 269-270) on Early Melbourne Architecture: 1840 to 1888, Edited by Maie Casey, Joan Lindsay, DA Casey, John Freeman, Tom Freeman, and Alan Henderson. Oxford Press, 1953.architecture, walsh st library

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain and decorative hearth tiles in the fireplace of the drawing room at Villa Alba. The decorative tiles depict pink clematis flowers, buds and foliage. The tiles were produced by Mintons Ltd.fireplaces, villa alba - drawing room, mintons, mintons - tiles

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles in the fireplace of the drawing room at Villa Alba. The gold, white and blue decorative tiles depict abstract flowers within a quatrefoil design. The tiles were produced by Mintons Ltd. In the Minton's Ltd Tile Catalogue, this tile is listed as No. 1427 G. Sin. Tiles. / End Tile. It can be viewed in the flipbook viewer of the original catalogue published by The Minton Archive on page 44/206.fireplaces, villa alba - drawing room, mintons, mintons - tiles

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the fireplace in the dining room at Villa Alba. The original 1880s black marble mantel surround is inset with plain and decorative tiles produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain and decorative hearth tiles in the fireplace of the dining room at Villa Alba. The decorative tiles placed on the left and right of the centrally-placed tile panel depict pink and yellow flowers, set within plain maroon and teal blue rectangular tiles. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain and decorative hearth tiles in the fireplace of the dining room at Villa Alba. The centrally-placed decorative tiles depict a surround of pink and yellow flowers with a corner decoration, once assembled, that features cobalt blue fern leaves, chrysanthemums and foliage, , set within plain maroon and teal blue rectangular tiles. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain hearth tiles in the fireplace of the dining room at Villa Alba. The square majolica plain tiles, positioned under where the original cast iron grill sat, are in shades of brown, green and blue. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the left side of the fireplace in the dining room at Villa Alba. The figurative tiles depict young girls surrounded by blossoms. These two figurative tiles are surrounded by rectangular plain majolica tiles in shades of maroon, blues and green. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the right side of the fireplace in the dining room at Villa Alba. The figurative tiles depict young girls surrounded by blossoms. These two figurative tiles are surrounded by rectangular plain majolica tiles in shades of maroon, blues and green. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the rear panel of the fireplace in the dining room at Villa Alba. The central decorative tiles depict pears and pomegranates. Above and below this central pair are abstract floral tiles in shades of olive green, blue and white. These six decorative tiles are surrounded by rectangular plain majolica tiles in shades of maroon and teal blue. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room