This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. This landmark exhibition gave women artists and craft workers an opportunity to display their works to a broad audience and gain recognition for the variety and high standard of the works in both traditional and non-traditional fields for women. The embroidery and applique design is based on an original design for a similar object made by British Arts and Crafts Architect and Designer, M.H. Baillie-Scott, which was published in The Studio magazine in the early 1900s,This three-panel draught screen was made by Hilda Leviny in the Arts and Crafts style and entered into the First Exhibition of Women's Work, at the Exhibition Buildings, Melbourne in 1907.Arts and Crafts style three-panel draught screen made from timber(American Oak), linen panels, silk embroidery threads, beaten copper decoration and varnish. The embroidered panels, made by Hilda Leviny, are mounted within the timer framework, depicting a design of birds and trees in the Arts and Crafts style. Pattern Reg. No. 3227.2 and 2503. With copper decoration.hilda leviny, buda, castlemaine, domestic furniture, handcrafts, needlework, art nouveau, 1907, exhibition of women's work, royal exhibition building, woodwork, draught sceen, arts and crafts movement, embroidery and applique

Purchased by Sue Barnett on Ebay This book traces the development of the movement from its origins, including key architects who introduced the theories and idioms of the British Arts and Crafts movement and transported them to Australia.This book traces the development of the movement from its origins, including key architects who introduced the theories and idioms of the British Arts and Crafts movement and transported them to Australia. 267p index. illus. biblogarts and crafts movement, architectural drawing, architecture - 20th century

This sideboard was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. The stamps in the drawer indicate the furniture was manufactured by H.F Fischer (Heinrich Friedrich Fischer). His store is mentioned in many advertisings as manufacturer and seller of furniture and was located at the 322 City Road address between 1909 and 1912 and is listed in the Sands & McDougall's in 1910. From 1913 his address changed to 308-310 City Road. The ‘European labour only’ stamp was a legal requirement in Victoria where it was set out in the Factories and Shops Act of 1896. Its purpose was to distinguish between furniture made in Victoria by Chinese workers and that made by Europeans, meaning Australians of European origin. To distinguish them, the European stamp was square or rectangular, the Chinese stamp was trianguler.It is not known when they were purchased or gifted and by whom. The facture is of quality, as indicated by the tenon and mortise joints of the drawers. The Wellers photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden Oakwood Arts and Crafts sideboard 2 rectangular Stamps in purple ink in the drawer: " Manufactured by / H.F. Fischer/ 322 City Road / European Labour Only"manse, heritage listed, sideboard, arts and crafts, english, h.f. fischer, european labour, heinrish friedrich fischer, cabinetmaker

Coloured photo of Crafts People admiring a Panel of Bicentenary Leadlight Mural for Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Coloured photo of Crafts People working on Bicentenary Leadlight Mural in Foyer of Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Coloured photo of Crafts People discussing Plans for Bicentenary Leadlight Mural in Foyer of Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Coloured photo of Crafts People admiring erection of First Panel of Bicentenary Leadlight Mural in Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted, athey, glenda, walder, nola, wright, david, curlis, sean, kane, karen, treeby, george, riddell, bev, stone, graham, chase, dorothy

Coloured photo of Mayor Valda Arrowsmith & Crafts People at Opening Ceremony of Bicentenary Leadlight Mural at Nunawading Arts & Entertainment Centre.nunawading arts centre, arrowsmith, valda, walder, nola, curlis, sean, trooby, george, stone, graham, tavcar, zvezdana, adley, glenda, wright, david, kane, karen, riddell, bev, chase, dorothy, cacialla, jan., bicentenary leadlight mural, ted

Crafts People putting their ideas onto Paper for Bicentenary Leadlight Mural for Foyer of Nunawading Arts & Entertainment Centre. Coloured photo.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Bendigo Performance of the ''Craft and Beyond'' - Stapled catalogue of items in the ''Craft and Beyond'' exhibition of 30th July - 6th August 1983. (Arts Bendigo in conjunction with the Crafts Council of Victoria). Convenor; Helen Harrison.Includes thanks to various organizations involved. 211 items listed by name of artist and includes sale price where relevant.

Collections from the Museum of Victoria which show their holdings of arts and crafts by Victorian Aboriginal people. Includes tools, weapons, baskets, paintings and photos.b&w photographs, b&w illustrationssocial life and customs, material culture, catalogues, victorian history

Newspaper photo of Jason Begg and Vivienne Charlton being instructed by Arts-craft teacher Glenda Murdoch, and physical education teacher, on the painting of clay models.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, glenda murdoch, jason begg, vivienne charlton