A critique of the adaption of American culture in Australian popular culture, where only the worst or silliest things from the US are adopted. Boyd suggests the colonial, unambitious and rigid brand of masculinity that characterises the "Aussie myth" hinders the development of an imaginative and creative social climate that manifests in a superficial appropriation of American culture. Boyd is not critical of US culture itself, in fact he has a great appreciation of US culture. He suggests that the Australian brand of Americanisation is only a superficial commercial exploitation of the American dream. It concludes with Boyd rallying for the development of a unique Australian originality with increasing connections to Asia.Typewritten, pencil edits (pages 22a and 22b added after page 22), quarto, 24 pagesamericanisation, american culture, australian culture, masculinity, cultural myths, australian values, social attitudes, ussr, asia, california, sidney nolan, alan moorehead, patrick white, donald horne, john anderson, robin boyd, manuscript

Discusses 'Domus' (an Italian architecture and design magazine) as visually exciting and trend starter; compares recent international opinions on Australian architecture and culture (Charles Eames on Sydney Opera House, J. M. Richards on Australian architecture as primitive and vulgar). Boyd indicates international opinions of Australian architecture as important because many Australian buildings are being designed by overseas architects; argues for greater promotion of Australian architecture and architects.Typewritten (c copy), quarto, 5 pagesLast page: no image attached but this inscription "caption to illustration"; appears that Boyd wanted image of St James Building, AMP Tower and Shell House by Skidmore, Owings & Merrill attached.domus, sydney opera house, charles eames, jm richards, australian culture, globalisation, robin boyd, manuscript

This book celebrates Australian 'creative genius' by describing some of the inventions originating in Australia.A good source book of Australian inventions.224 pages, colour and black and white illustrations. Hard cover.inventions, australian culture, australian artists

Phillip George was inspired by his trip to the Middle East and the Cronulla riots in 2005 when Lebanese Australians where targeted on a beach in Sydney. The full series consists of 30 surfboards which are all adorned with intricate Islamic vegetal and geometric designs. The range was called Inshallah, or God willing and was made by George in the hope of bridging the cultural divides between Australian Muslims and other Australians.Fibreglass and carbon fire surfboards with digital decals x 3. The Inshallah surfboard series employ designs from famous mosques, showcasing the vegetal and geometric patterns of traditional Islamic design.phillip george, islamic design, australian culture, australian art, surfboard

247 p. black and white illustrations, dustjacketnon-fictionaustralian culture, australia literary collections

Banner with Australian flag design plus word "Australia", printed in red, white and blueBanner with Australian flag design plus word "Australia", printed in red, white and blueaustralian culture, flags

The Bulletin: a 1973 magazine with articles and stories regarding politics, history and cartoons relative to Australia and abroad.Magazine in black and white print, illus. (some col.)comics, australian culture, world history, australia politics and government

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover, no dust jacket. Rebound copy from the State Library of Victoria.Catalogue card slipped between pages. Catalogue number 203794. Inside front cover, pasted "NOTICE TO BORROWERS" from the State Lending Library of Victoria. Due date stamp page insideaustralian architecture, australian society, australian culture, home, suburbs, robin boyd, walsh st library

Handwritten draft for a speech, date uncertain. Considers the question of Australian identity: whether it exists, what can be done to foster it in the arts, design and culture as a whole. Boyd argues that the only route to a distinctive Australian identity is to develop and foster new ideas rather than taking cultural cues Britain or America.Handwritten, quarto, 3 pagessydney opera house, australian identity, australian culture, robin boyd, manuscript

A look at Melbourne within a two month span: before and after and opposing views. Discusses Melbourne's good and poor buildings, planning, arts, aesthetics etc. Melbourne does however maintain an image and individuality when compared with other cities.Original manuscript of an article published as ‘Melbourne: The symbol of Australia’s split personality’in "The Australian", 01.09.1964. Typewritten (c copy), pencil edits, quarto, 4 pagesmelbourne, urban character, city, architecture, buildings, australian image, australian culture, robin boyd, manuscript

Comparison of Canberra and Surfers Paradise as potential cultural capitals of Australia. Canberra represents one end of the spectrum of traditional architectural morals of sophistication and orderliness; Surfers Paradise represents the opposite end of the spectrum, that is extreme Pop, fun and flashiness.Original manuscript of an article published as ‘Trad modern, pop modern’ in "The Sunday Australian", 25.4.1971. Typewritten (p/copy), quarto, 9 pagesTop of page 1 handwritten where and when published, page numbers, minor correctionscanberra, surfers paradise, australian culture, morris lapidus, australian cities, robin boyd, manuscript

Boyd writes about the National Beverage (unspecified in the manuscript). This is page 3 of unknown number of pages, thus lacking context. Seems to be a satirical take on the Australian way of life.Handwritten, quarto, 1 page. Incomplete – page 3 onlyCrossed out paragraphs and editsaustralian culture, national beverage, robin boyd, manuscript

Robin Boyd wrote this when he was a Trustee of the National Gallery of Victoria. This article is a critical assessment of Australia's and Australians attitude to art and artists and culture.australian culture, arts, artists, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover with Dust JacketRBF Acquisition. 50th Anniversary Edition (no. 138 of 300)australian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover with Dust JacketRBF Acquisition. 50th Anniversary Edition (no. 300 of 300)australian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.SoftcoverRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.SoftcoverRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.SoftcoverRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

Hardcover with Dust JacketRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

Type C Photographinscribed 'Tracey Moffatt' (on the reverse)indigenous culture, social, beach, australian culture

Index, bib, plates, ill. p.108.non-fictionA story of Irish migration to Australia from the beginning of settlement to the recent present.irish - immigration, irish - australian culture

Large blue hard covered book with a blue glossy dust cover.non-fictionit is a massive historical reference book franchise that shows world history in a month-by-month, year-by- year format. The book covers major events in history, sport and culture. This is an Australasian edition and references H V McKay 8/04 and 5/26history, australian society, australian politics, australian labour, australian sport and culture

She was like the lizard that fell into the water and became a crocodile works with land through photographs that are cut, reassembled, and sutured into collaged forms. The seams have been left open; the ruptures are central to each work. Observing the sutured landscapes becomes a meditation on responsibility and on the uneasy coexistence of care, complicity, and inherited harm. The collages return the act of looking back onto the viewer, presenting their scars. To engage with them is to confront one’s position within ongoing colonial systems and to acknowledge the violences that remain embedded in the land and in the systems that have fractured its sovereignty. To look to the land is to feel the weight of what has been done to it and to those who belong to it, while recognising how it continues to nourish, restore, and strengthen. Looking demands attentiveness and accountability, insisting on the ethical and relational dimensions of vision itself. The images collaged throughout She was like the lizard that fell into the water and became a crocodile combine photographs taken by the artist on unceded Country in south-western Victoria over the past decade —across the lands of the Wauthaurong, Bunurong, Wadawurrung, and Gunditjmara —with archival material sourced from the State Library of Victoria of the same areas. The archival images, produced exclusively by white colonial settler photographers, documented and mapped the land, creating visual records that both precede and actively participate in the colonial inscription of place. By bringing these materials into dialogue, the work creates a confrontation between lived Indigenous presence and the extractive logic of the colonial archive.A series of ten photographic collages 2O.5 X 15CM EACHfirst nations art, aboriginal australian art, gunditjmara culture, djabwurrung culture, indigenous knowledge systems, indigenous sovereignty, cultural reclamation, cultural memory, storytelling, contemporary indigenous identity, aboriginal women, womanhood, motherhood, indigenous feminism, spirituality, first nations, photography

Ellen Moody, Permissions, for Longman Cheshire, writes regarding original artwork for 'The Australian Ugliness', requested (17.08.1980) by P. W. Ball who is writing a book titled 'Australian Culture and How To Avoid It'.

Booklet. ALEC H CHISHOLM COLLECTION. 48 page soft cover book of poems by Charles Harpur (Australia's First Great Poet) Edited with an introduction by Kenneth H Gifford (author of 'The Reluctant Lover etc) and Donald F Hall. Published in 1944 by Arura Writers, a publishing organisation founded for the purpose of forwarding Australian culture by publishing works by Australian writers past and present. Printed by J.C Stephens Pty Ltd, Melbourne. Catalogue sticker '2091 HAR' on front cover.Charles Harpurbooks, collections, poetry, alec h chisholm collection, charles harpur, kenneth h gifford, donal f hall, arura writers, poetry

Published posthumously in 1972, “The Great Great Australian Dream” was Robin Boyd’s satirical review of Australian culture at the end of the 1960s. Included, for example, were chapters on the peculiarities of the Australian accent, the prevalence of blowflies, and the unrealistic dreams of a fictional post-war architect Gordon Hope.Hardcover w/ Dust JacketWritten by Boyd, with printed inscription "It compensates for half-recognized inadequacies in the sunny, wideawake life."australian satire, national characteristics, humor, walsh st library