Sir Redmond Barry was a Trustee and first President of the Ballarat School of Mines, Australia's first school of mines. Minutes of the Ballarat School of Mines Council (10 Nov. 1870) state that a letter be sent to Sir Redmond Barry acknowledging with thanks the copy of his address and stating that the Council had determined upon ordering 100 copies at present but that the Council had postponed the printing of a larger number till the constitution and some other matters are prepared so as to be printed with that. It was moved by Downes and seconded by Henry Richards Caselli.Small booklet of the speech by Sir Redmond Barry at the opening of the Ballarat School of Mines.redmond barry, ballarat school of mines, anniversary, founders day

The library committee had already commissioned a portrait of Sir Redmond Barry when they purchased this bust of Barry along with that of Justice Fellows. The library still holds the receipt for this purchase of 24 pounds. The purchases were probably part of the program of outfitting the library interiors and may have been purchased for the niches, that were later covered with the portraits, ironically one of these was of Barry. Redmond Barry is an important figure in colonial Victorian history, responsible for the establishment of key cultural institutions as well as a Supreme Court Judge for nearly 30 years, presiding over both the Eureka trials and the trial of Ned Kelly.The bust of Redmond Barry is of some interest as part of the original furnishings of the library. It represents one of a number of bust portraits of Barry and is of some significance as it portrays Barry, an important figure in Victorian history. The bust is also of interest as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Redmond Barry. The bust itself is painted white. The pedestal has been painted for a red and black marble effect. Barry's name appears in gold lettering. The Bust is larger than life size. The head is finely detailed with Barry in contemporary clothing with a bow tie and his orders on his chest.Sir Redmond Barry

Barry Pope left Melbourne at the intentions of travelling around Australia, met a local girl in Beechworth and decided to stay. He worked firstly in logging operations at the mill in Stanley, had some bartending jobs at Beechworth hotels, then got a job as a kitchen-hand at the Mayday Hill Hospital. Taking up new opportunities to advance his career and earning potential, he trained as a prison officer, working for several months at Pentridge Prison and Fairlea Women's Prison in Melbourne. He then returned to Beechworth to work in the prison system. In his story Mr Pope discusses many aspects of prison life for both prisoners and prison officers, from the food and daily routine, attitudes to discipline and rehabilitation, industries and opportunities available to prisoners and how prisoners were viewed in society after their period in prison was finished. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Barry Pope's account of his career is historically and socially significant as it details practices within the prison industry in the Twentieth Century as well as the operations of regional hospitals. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Barry Pope /beechworth, 1960s, 1970s, 1980s, stanley mill, logging, hotel wentworth, oral history, hospital garden, mayday hill hospital, met hospital, social welfare department, loyola, lyolla, pentridge prison, fairlea women's prison, prison officer training, drug crimes, prison daily life, prison farm, prison wood workshop, prison industry, prison escapes, beechworth prison, prison suicides, prison violence, prisoner attitudes to crime, mental health, isolation cells, walking dog scheme, guide dogs, prison concerts, prison plays, george smee, prison food, prison officer accommodation

Original photograph donated to the Kew Historical Society by the City's Engineering Department before the amalgamation of Kew into the City of Boroondara in 1994.This 1955 photograph provides a fine snapshot of the work of local government engineering departments in the 1950s. They reveal they types of labour conducted, the techniques used and the equipment and machinery in the possession of the local government authority.Trees in Barry Street, Kew. Barry Street, Kew, looking south to the intersection of Stawell Street. Inscription [pencil] B1955. Stamped: "Please quote No. Gx2320 when ordering. Laurie Richards JW 1528"barry street (kew), gutters, nature strips, street trees

Sir Redmond Barry was a Trustee and first President of the Ballarat School of Mines, Australia's first school of mines. Minutes of the Ballarat School of Mines Council (10 nov. 1870) state that a letter be sent to Sir Redmond barry acknowledging with thanks the copy of his address and stating that the COuncil had determined upon ordering 100 copies at at present buyt that the Coucnil had postponed the printing of a larger number till the constitution and some other matters are prepared so as to be printed with that. It was moved by Downes and seconded by Henry Richards Caselli.Cream, soft covered booklet with the 23 page printed address on the opening of the Ballarat School of Mines as delivered by Sir Redmond Barry.Inside front covered written in ink by Barry: "To Edmund [Illegible] with Sir Redmond Barry's kind regards. January 2 1871. Handwritten corrections throughoutballarat school of mines, redmond barry, s m b, establishment, barry, legal, mason. firth & mccutcheon, robert stephenson, electricty, tangil mines

The original of this portrait is held by Melbourne University Art Collection. Redmond Barry was the first President of the Ballarat School of Mines. Until 2020 this was exhibited at the Ballarat School of Mines Administratin building, outside Founders Room. Artist George Folingsby died in 1891.Framed reproduction of a painting of edmond Barry by George Folingsby.His HOnour Sir Redmond Barry K.C.M.G., M.A., LL.D 1813-1880 Foundation Presidet of the S.M.B., 1870-1876 Trustee of the S.M.B., 1870-1880 Chancellor of the University of Melbourne, 1853-1880redmond barry, george folingsby, available

Sir Redmond Barry was the first trustee of the Ballarat School of Mines.Four photographs in digital format showing the Redmond Barry Statue outside the State Library of Victoria in Swanston Street, Melbourne.On base of sculpture " Erected by a grateful public to perpetuate the memory of invaluable services rendered to Victoria by Sir Redmond Barry Kt. Doctor of laws and a Judge of the Supreme Court Obiit MDCCCLXXX' [1880]redmond barry, state library of victoria

Barry WEMYSS Born Ballarat, Victoria Barry Wemyss majored in Ceramics and completed his Degree in 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown vessel with fish scale glaze.art, artwork, barry wemyss, ceramics

Barry WEMYSS Born Ballarat, Victoria Barry Wemyss majored in Ceramics and completed his Degree in 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Terracotta wheel thrown bottle. 'BW' stamped on base.art, artwork, barry wemyss, ceramics

Barry Plant Greensborough 3088 Real estate update 2019, market report 2019. Includes properties for sale or sold in the Greensborough area.12 pages. black text and colour images.real estate, greensborough houses

12 Barry Street Watsonia, 3 bedroom home. Auctioned 19/05/2018 for $740,000. Previous sale May 1995 for $100,000.Real estate advertising leaflet, 1 sheet, printed in colour.barry street watsonia

Barry Plant Greensborough 3088 Real estate update: Greensborough, St Helena and Briar Hill, April-June 2019. Includes properties for sale or sold in the Greensborough area.12 pages. black text and colour images.real estate, greensborough houses, briar hill, st helena

The GE12 Electric Kettle was designed by Barry Hudson for General Electric and in 1978 won the Australian Design and the Prince Philip Prize awards for Australian Design. The kettle was innovative in many ways; it was an early example of an all plastic electric kettle with a single-handed opening-spout. According to design historian Ian Wong ‘The use of an integral hinge for the spout opening mechanism utilised the unique live hinge property of polypropylene, now common but at the time a novel use and very efficient to manufacture.’ The kettle was available in Carpentaria Orange, Blaze Yellow and Lime Green with a contrasting base. Barry Hudson (1935-2008) studied Mechanical Engineering at the Melbourne Technical College (MTC). In the 1970s he was Research and Development Manager at General Electric, and he also worked with the industrial design practice Rosenfeldt, Gherardin and Associates. He established Barry Hudson Industrial Design in the 1980s and began a teaching career at the former MTC, now known as RMIT University. Ann Carew, 2020 1978 the Kettle won an Australian Design Award and the Prince Philip Prize for Australian Design.Orange and brown electric kettlekettle, industrial design, rmit university, domestic appliances

Text of speech given by Rev Barry Green at the 2016 Greensborough RSL Remembrance Day Service. The topic of the speech is "Mateship" and Greensborough locals Fred Starling, Walter Starling and Fred Godber. Also remembered is Joseph Evans, who saved a young girl from drowning. All men were Anzacs. [Mentions Ivy Partington]2 pages text of article, 1 photocopied page from "Fine Spirit and Pluck"anzacs, greensborough rsl, remembrance day 2016, starling family, joseph evans, herbert godber

Black and white portrait of Barry Farnsworth in his bed.1 b/w photograph of Barry Farnsworth association for the blind, elanora home (brighton), barry farnsworth

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 6 Barry Street, Kew by Margaret Picken.6 BARRY ST., KEW / MARGARET PICKEN '95 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 6 barry street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 19 Barry Street, Kew by Margaret Picken.19 BARRY ST., KEW / MARGARET PICKEN '88 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 19 barry street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 22 Barry Street, Kew by Margaret Picken.22 BARRY ST., KEW / MARGARET PICKEN '96/ WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 22 barry street - kew (vic)

Barry Farnsworth lying in a chapel, and possibly being christened into a faith.3 b/w photographs of Barry Farnsworth association for the blind, elanora home (brighton), barry farnsworth

Gertrude Kathleen Barry was a music teacher, performer, and director of many musical productions in Linton and district, playing and teaching both piano and violin. She was the youngest of five daughters of Linton policeman/Clerk of Courts Denis Barry and his wife Ellen (née Quirk). The Barry family lived in a house they called "Listowel", which was in Cumberland Street, almost opposite the Catholic Church. As a pupil of the Sisters of Mercy in Ballarat, Gertrude passed the Musical Society of Victoria pianoforte examination in 1900. She became a music teacher shortly afterwards, teaching both privately and assisting in the music programme at Linton State School. She is first listed as a music teacher in music examination results published in 1906, and it is understood that she ran a private music school with her sister Dora from around this time until about 1915. The "Misses Barry" frequently performed at local concerts and fundraising activities. Gertrude moved to Ballarat in 1925, and was still listed as a music teacher in electoral records in 1972. She died in 1976. The bracelet Gertrude is wearing in the photograph is thought to have been presented to her in 1917 by the congregation of St Peter's Catholic Church in Linton, in appreciation of her many services to the church.Black and white copy of original photograph of a seated lady looking down, and holding a violin and bow. She is wearing dark clothes with lace trim."Miss Barry"gertrude kathleen barry, musicians, music teachers

Barry Farnsworth in his room at Elanora with an unknown man. As there is a picture of a sports team (Geelong Cats) above his bed, possibly it is an ex-player or coach.1 coloured photograph of Barry Farnsworth association for the blind, elanora home (brighton), barry farnsworth

In 1984 Kevin Bartlett was crowned King of Moomba, and visited Barry Farnsworth at Elanora.1 b/w photograph of Barry Farnsworth with Kevin Bartlettassociation for the blind, elanora home (brighton), barry farnsworth, kevin bartlett

Barry Farnsworth near a stage, possibly during a presentation. The podium and stairs handrail are visible in this image, as well as an audience member in a wheelchair and the foot of a suited man in the front row.1 coloured photograph of Barry Farnsworth association for the blind, elanora home (brighton), barry farnsworth

Barry Farnsworth in his bed with an Australian cattle dog, a cockatiel and a friend. These scanned images taken from black and white photocopies of the slides held.3 slides of Barry Farnsworth with animals and a friendassociation for the blind, elanora home (brighton), barry farnsworth

The 150th celebrations of Eltham Primary School included the launch of this book to commemorate the event, titled "We Did Open a School in Little Eltham". The title is taken from a line in a letter from first head teacher David Clark who opened his first private school in a bark hut. This publication of some 262 pages far exceeds the standard of most school commemorative histories, both in content and presentation. The three joint writers are all parents of students at the school. Ian Anderson, Barry Carozzi and Tarja Fellowes have spent many months researching and writing. In the book they acknowledge the contribution of EDHS President Harry Gilham and of Peter Cuffley, great grandson of Eltham pioneer Thomas Sweeney, Many of the photographs were from the collection of EDHS. Cover includes the 3rd and 4th Class, with assistant teacher Catherine Clarke, c.1886Paperback; 1vISBN 0975179632 [written on flyleaf] Donated to the 2006 Committee by & from the School Councileltham state school, eltham, eltham primary school, social customs, schools, catherine clark

Gertrude Kathleen Barry was a music teacher, performer, and director of many musical productions in Linton and district, playing and teaching both piano and violin. She was the youngest of five daughters of Linton policeman/Clerk of Courts Denis Barry and his wife Ellen (née Quirk). The Barry family lived in a house they called "Listowel", which was in Cumberland Street, almost opposite the Catholic Church. As a pupil of the Sisters of Mercy in Ballarat, Gertrude passed the Musical Society of Victoria pianoforte examination in 1900. She became a music teacher shortly afterwards, teaching both privately and assisting in the music programme at Linton State School. She is first listed as a music teacher in music examination results published in 1906, and it is understood that she ran a private music school with her sister Dora from around this time until about 1915. Gertrude Barry moved to Ballarat in 1925, and was still listed as a music teacher in electoral records in 1972. She died in 1976. The bracelet Gertrude is wearing in the photograph is thought to have been presented to her in 1917 by the congregation of St Peter's Catholic Church in Linton, in appreciation of her many services to the church.Black and white portrait of a lady seated, playing a violin."Gertrude Miss Barry Linton"gertrude kathleen barry, musicians

Photograph accompanies an article entitled 'Barry Prior', responding to the recent article on 'Sunrise or Sunset'. Barry Walford Prior (06/01/1938 - 22/06/2013) was born in Carlton and was ordained at Hartwell Presbyterian Church in 1971.B&W head and shoulders."Barry Prior C&N 25/7/1984"prior, barry

This painting was created by Robert Dowling (1827-1886) in 1885. At this time Dowling was considered Australia's best portraitist. Dowling had been born in England, but migrated to Van Diemen's Land in the early 1830s with his parents. Dowling worked in both Tasmania and Victoria as an artist, before returning to England in 1857. He did not return to Australia until 1884 and received eighteen commissions for portraits. The Barry portrait was commissioned after Barry's death which explains some of the mistakes in the depiction of Barry's robes; the fur cuffs and collar are too large, and the cummerbund is sitting in the wrong place. Sir Redmond Barry is an important figure in Colonial Victorian History, responsible for the establishment and support of some of our finest cultural institutions (the University of Melbourne, the State Library of Victoria, the Supreme Court Library, and aspects of the Museum of Victoria's collection). This is in addition to his role as barrister defending aborigines in the 1840s and his position as a foundation judge of the Supreme Court of Victoria, a position he held for nearly 30 years, presiding over two of the most well known of colonial trials: the Eureka Trials in 1854 and the Kelly trial in 1880.The portrait of Sir Redmond Barry is significant because of the historical importance of Redmond Barry in colonial Victorian history. The painting is also of aesthetic significance as the work of the distinguished portraitist Robert Dowling. Portrait in oils of Sir Redmond Barry. Barry is depicted standing, dressed in red Judicial robes, his hand resting on a chair; behind is a table with books.Signed and dated 1886 (lower left) by Robert Dowling.redmond barry, portraits, judges, robert dowling