Showing 35 items
matching bird song
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Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: ADVERTISEMENTS
... bird song...Bird songs... advertisements manufacturing food bird song media business artwork Bird ...A box with an advertisement for ' Birds' custard power pasted on the front. It contains cuttings of the same advertisement taken from a magazine. On the back of these advertisements are some very interesting advertisements on a variety of products.Bird songsperson, individual, lydia chancellor, lydia chancellor, collection, advertisements, manufacturing, food, bird song, media, business, artwork -
Port Melbourne Historical & Preservation Society
Document - Items relating to the Gould League of Birds at Nott Street Primary School, Allen KEAST, 1982
... The book 'Australian Bird Songs includes a disc...Nott Street Primary library copy of 'Australian Birds Songs...The book 'Australian Bird Songs includes a disc ...The book 'Australian Bird Songs includes a disc with recordings of bird songs. All schools joining The Gould League received a banner & newsletter.Nott Street Primary library copy of 'Australian Birds Songs', a Gould League of Birds newsletter and small yellow banner.education - primary schools, nott street primary school, the gould league of birds -
Federation University Art Collection
Oil on masonite, 'Song Bird' by Beville Bunning
... 'Song Bird' by Beville Bunning... on masonite 'Song Bird' by Beville Bunning Painting of a bird ...This item is part of the Federation University Art Collection. The Art Collection features over 2 000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a bird with a red tail framed in aluminium. art, artwork, neville bunning, bird, available -
Flagstaff Hill Maritime Museum and Village
Book, Favourite Song Birds
... Favourite Song Birds Author: H G Adams Publisher... Warrnambool great-ocean-road Book Favourite Song Birds Favourite Song ...This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Favourite Song Birds Author: H G Adams Publisher: Groomsbridge & Sons Date: 1881Label on spine cover with typed text PAT 598.8 ADA Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker and stamp from Corangamite Regional Library Service Fly page has a stamp from Warrnambool Public Museumwarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, favourite song birds, h g adams -
Eltham District Historical Society Inc
Document - Series Listing, Fraser Faithfull et al, Series 45: Sounds from the Shire of Eltham - tape cassettes, 2000
... Series consists of: I) Bird Songs And Night Calls - tape... of Eltham - tape cassettes. A4 printout Series consists of: I) Bird ...Series consists of: I) Bird Songs And Night Calls - tape cassette of Sounds from the Shire of Eltham sound tapes (4 copies) recorded and copyright held by Duncan King-Smith. Liner notes included with each cassette. 2) Listening to the Landscape - Stories and Places - Collected from the Shire of Eltham, 1988. Tape cassettes and program guides (3 copies of each); recording, design and production by Duncan King-Smith.shire of eltham archives, series listing -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: REDVERS EDDY OBITUARY
... of his 'better known works is a record of bird sounds, calls... is a record of bird sounds, calls and songs'. Also attached alongside ...Newspaper clipping (Bendigo Advertiser, 5th August 1968) on backing cardboard, telling story of Redvers James Eddy, an expert of wildlife and minerals. Redvers lived near the Spring Gully Reservoir and taught chemistry at the School of Mines, Bendigo. One of his 'better known works is a record of bird sounds, calls and songs'. Also attached alongside the article are his death and funeral notice.person, bendigo, redvers james eddy -
Eltham District Historical Society Inc
Photograph, Slab hut, Warrandyte, Warrandyte Mystery Tour, 29 May 1994, 29/05/1994
... heard the same bird songs, the trills and bell-pealing, saw... heard the same bird songs, the trills and bell-pealing, saw ...[article by Bettina Woodburn in EDHS Newsletter No. 97, July 1994:] THE WARRANDYTE MYSTERY TOUR MAY 29TH 1994 - Members of the Eltham Historical Society met at the Old Post Office, now converted into the Warrandyte Historical Museum, for a picnic lunch on the sunny back verandah overlooking the shimmering Yarra River. Interesting photographs and artefacts filled various rooms outlining the history of this area, and told tales of Aboriginal and more recent neighbours of the Eltham Shire. The weather was calm, cloudy mostly with only occasional sunny patches, but it wasn't cold, although the autumnal leaf colours had changed to wintry brown. "All Aboard" and we set off in the Warrandyte Community Bus (with the School Bus sign displayed at the rear) to learn about local places of "Pride and Joy” from Bruce our guide and Tom the driver. Almost directly opposite we entered Whipstick Gully to explore the first of the district's hidden treasures - the Victory, one of the largest of the six or so major mines, past the old quarry now used for abseiling practice. By torchlight we entered the rocky hillside and saw the seams of quartz the miners had followed in their search for gold. Stamping batteries, and there was one in this gully, converted discarded rock into 'road metal'. Warrandyte is proud to be the first declared Goldfield in 1851, and one of the longest surviving, into the 1920s. A pleasant drive across the Bridge and along Bradley's Lane to Norman's Reserve brought us to see another Tunnel at Pound Bend through which the Yarra was diverted to allow about three miles of river-bed to be used for prospecting for alluvial gold. Still on this side of the river we visited the Old Slab Hut in Castles Road. This remnant of miners' housing is preserved because it had been incorporated into a weatherboard house, and saved from the bulldozers - a last minute reprieve, for preservation, by the National Trust. Devastating bush fires have destroyed other old cottages built of wattle and daub, with bark roofs and stone fire-places. The Cairn commemorating the disclosure of Gold Discovery at Warrandyte on June 30th 1851 beside Anderson's Creek Road was our next point of historical interest. We drove on to South Warrandyte and circled back to above the ford on Anderson's Creek to the entrance of the 4th Hill Mine. Again we crept along with our torches, careful of the low roof-rock, and side shafts. At a junction in a large cavity we were able to stand, look up a long air-vent which some 'cavers' climb down, and marvel at, and experience an aspect of a miner's life. Outside we heard the same bird songs, the trills and bell-pealing, saw the same straggly eucalypts, and a silver leafed wattle in flower, native grasses and ferns, and the neat present day houses, often of Warrandyte stone, perhaps veneered only. The day ended pleasantly, seeing more of the Yarra from Everard Drive, and the water rushing out of the Tunnel at Pound Bend, before returning to afternoon tea or coffee at the Museum. A great day for all concerned - many thanks to the Organisers.Colour photographslab hut, warrandyte, "warrandyte miner's cottage" -
Eltham District Historical Society Inc
Photograph, Pound Bend tunnel, Warrandyte, Warrandyte Mystery Tour, 29 May 1994, 29/05/1994
... heard the same bird songs, the trills and bell-pealing, saw... heard the same bird songs, the trills and bell-pealing, saw ...[article by Bettina Woodburn in EDHS Newsletter No. 97, July 1994:] THE WARRANDYTE MYSTERY TOUR MAY 29TH 1994 - Members of the Eltham Historical Society met at the Old Post Office, now converted into the Warrandyte Historical Museum, for a picnic lunch on the sunny back verandah overlooking the shimmering Yarra River. Interesting photographs and artefacts filled various rooms outlining the history of this area, and told tales of Aboriginal and more recent neighbours of the Eltham Shire. The weather was calm, cloudy mostly with only occasional sunny patches, but it wasn't cold, although the autumnal leaf colours had changed to wintry brown. "All Aboard" and we set off in the Warrandyte Community Bus (with the School Bus sign displayed at the rear) to learn about local places of "Pride and Joy” from Bruce our guide and Tom the driver. Almost directly opposite we entered Whipstick Gully to explore the first of the district's hidden treasures - the Victory, one of the largest of the six or so major mines, past the old quarry now used for abseiling practice. By torchlight we entered the rocky hillside and saw the seams of quartz the miners had followed in their search for gold. Stamping batteries, and there was one in this gully, converted discarded rock into 'road metal'. Warrandyte is proud to be the first declared Goldfield in 1851, and one of the longest surviving, into the 1920s. A pleasant drive across the Bridge and along Bradley's Lane to Norman's Reserve brought us to see another Tunnel at Pound Bend through which the Yarra was diverted to allow about three miles of river-bed to be used for prospecting for alluvial gold. Still on this side of the river we visited the Old Slab Hut in Castles Road. This remnant of miners' housing is preserved because it had been incorporated into a weatherboard house, and saved from the bulldozers - a last minute reprieve, for preservation, by the National Trust. Devastating bush fires have destroyed other old cottages built of wattle and daub, with bark roofs and stone fire-places. The Cairn commemorating the disclosure of Gold Discovery at Warrandyte on June 30th 1851 beside Anderson's Creek Road was our next point of historical interest. We drove on to South Warrandyte and circled back to above the ford on Anderson's Creek to the entrance of the 4th Hill Mine. Again we crept along with our torches, careful of the low roof-rock, and side shafts. At a junction in a large cavity we were able to stand, look up a long air-vent which some 'cavers' climb down, and marvel at, and experience an aspect of a miner's life. Outside we heard the same bird songs, the trills and bell-pealing, saw the same straggly eucalypts, and a silver leafed wattle in flower, native grasses and ferns, and the neat present day houses, often of Warrandyte stone, perhaps veneered only. The day ended pleasantly, seeing more of the Yarra from Everard Drive, and the water rushing out of the Tunnel at Pound Bend, before returning to afternoon tea or coffee at the Museum. A great day for all concerned - many thanks to the Organisers.Two colour photographswarrandyte, activities, pound bend -
The Beechworth Burke Museum
Animal specimen - Bluebird
... Eastern bluebirds are well-known song birds that live.... / Metal tag: 107 Eastern bluebirds are well-known song birds ...Eastern bluebirds are well-known song birds that live in eastern North America. They are sexually dimorphic, easily recognised by the male's bright royal blue upper plumage, chest of reddish brown and white abdomen. The females is duller in colour than the male, with greyer upperparts and blue tinges to her wings. These Bluebirds, the European variety, are the most common of the three Bluebird species. When not nesting, these birds fly in small flocks around the countryside. Bluebirds feed on small insects including moths, termites and mosquitoes. They also eat grasshoppers, crickets and caterpillars. The Bluebird can spot caterpillars and other insects in tall grass from a distance of over 45 meters. The Bluebird is commonly identified in numerous cultures as being symbolic as a harbinger of happiness. Often in Russian fairytales, the Bluebird is used as a symbol of hope. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female bluebird (likely Eastern) has a medium brown head and back, a rufous breast, and a cream belly. The bird has blue-tinged wing and tail feathers. The bill is short and has been stylized with the bill partly open to provide the illusion that the bird is making a call. This specimen stands upon a wooden mount and has an identification tag tied around its leg. The bird's plumage has faded since it was first preserved; females generally have duller colouring than their male counterparts but the colour of this particular specimen is paler than it would have been.Label: 122a. Blue-Bird / Catalogue Page 29. / Metal tag: 107taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, bluebird -
The Beechworth Burke Museum
Animal specimen - Grey Butcher Bird, Trustees of the Australian Museum, 1860-1880
Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair -
The Beechworth Burke Museum
Animal specimen - Red-Winged Blackbird, Trustees of the Australian Museum, 1860-1880
... . They are polygamous. In the north, the early arrival and tumbling song.... In the north, the early arrival and tumbling song of these birds ...The red-winged blackbird is native to North America. They live in a verity of places from southern Alaska at its northern most point, to the Yucatan peninsula in the south and covers the greater part of the continent reaching from the Pacific coast of California and Canada to the eastern seaboard. Populations that are most northerly migrate south after the mating season, but some of the populations in the central and western United States, Central America and the Gulf Coast are resident year-round. In the breeding season, Red-winged blackbirds are found in a range of fresh and saltwater environments, including in small trees and bushes along marshes and watercourses, in agricultural areas and dry meadows. During migration, they can be found in, pastures, prairies and cultivated fields. They are polygamous. In the north, the early arrival and tumbling song of these birds are welcome indications of spring's return. The Red-winged blackbirds are known for their scarlet and yellow shoulder patches on this specimen are rather dull and the feathers are not as glossy black as they are in other images. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This is one of the most common birds in North America and is the most boldly coloured one. The males are glossy-black with shoulder patches of scarlet and yellow which they are able to puff up or hide according to their level of confidence. Females look like a big, dark sparrow, being a subdued, streaky brown. This specimen has the colouring of the male Red-Winged Blackbird which helps to identify it as such.Swing-Tag: 137a. / Red-winged Starling / Catalogue page, 58 / Tag: A. 4429taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, north america, red-winged blackbird, red-winged starling, migratory, alaska, canada, saltwater -
The Beechworth Burke Museum
Animal specimen - Grey Shrike-Thrush, Trustees of the Australian Museum, 1860-1880
The Grey Shrike-thrush is considered to be one of the best songsters in Australia, with hundreds, if not thousands, of different songs. The song has been described as glorious, pleasing and melodious, with sweet, mellow, rich and liquid notes. Whilst pleasant to humans, the song are less harmonious for nest birds, often hunted by the grey shrike-thrush. It has a varied diet consisting of insects, spiders, small mammals, frogs and lizards, and birds' eggs and young. Grey Shrike-thrushes most of Australia (with the exception of arid areas) and southern New Guinea. This specimen has been mounted in an accurate fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Shrike-thrush specimen is a mostly grey coloured bird, with the plumage around the shoulders a little browner. The underside and neck is paler, off-white with a white ring around the eye. The eyes are made of glass which is a brown colour and replace the original which do not survive the taxidermy process. This specimen stands upon a wooden platform and has an identification tag tied around its leg.27a / Harmonious Shrike-Thrush / See Catalogue Page 12 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, thrush, grey shrike-thrush, harmonious thrush, colluricincla harmonica -
The Beechworth Burke Museum
Animal specimen - Superb Lyrebird, Trustees of the Australian Museum, 1860-1880
The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird -
The Beechworth Burke Museum
Animal specimen - Superb Lyrebird, Trustees of the Australian Museum, 1860-1880
The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird -
The Beechworth Burke Museum
Animal specimen - Superb Lyrebird, Trustees of the Australian Museum, 1860-1880
The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Superb Lyrebird is primarily grey/brown. It has shorter tail feathers than the male, which are dark and light brown, and vary in size. The bird's wings, chest and belly are a lighter grey/brown, and there are hints of yellow-white in the edges of the feathers and through the bird's chest. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.37a. / Lyrebird / See Catalogue, page [illegible] /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird -
Warrnambool and District Historical Society Inc.
Document - Sheet Music (2 copies), W H Glen & Co Pty Ltd, Music Sheet Ideal Town Song, 1928
Both copies - This sheet music was composed by A.J.Bates in 1928 as part of the Warrnambool celebrations when the city won the Ideal Town competition that year. This was the first Ideal Town award, a competition sponsored by the The Sun newspaper with the finalists decided by votes sent in by The Sun readers. Warrnambool won in the large town category. Warrnambool Council and local businesses used the award as a tourist promotion tool. An original link to Warrnambool through music.Both copies -Cream paper with black text and black and white illustrations along the top and left hand side in banners.Six pages. Inside the front cover are the words to the song while the musical score is on pages 3-5. back cover is blank.Written and composed by A.J. Bates. Printed by McCarron Bird & Co 479 Collins Street Melbourne.warrnambool the ideal town, sheet music -
Warrnambool and District Historical Society Inc.
Book, Our own birds of Australia
This book was written by Edward Vidler (1863-1942), a printer, publisher and author. Born in England, Vidler was in Geelong in the 1880s and produced there a commemorative volume on that city. He came to Warrnambool in the early years of the 20th century and was Secretary of the Warrnambool and District Progress League and the Warrnambool Chamber of Commerce and Industry. While in Warrnambool he produced an important 1907 publication, ‘Warrnambool Past and Present – Sixty Years of Progress’ and also organized the production of the Pioneer Honour Board featuring portraits of 204 Warrnambool and district pioneer men. After he left Warrnambool he lived in Melbourne where he edited magazines and published his own and other writings. He was a foundation member of the group that established the Maranoa Native Gardens in Balwyn and promoted Australian flora and fauna. This book is of great interest s it was written by Edward Vidler, a resident of Warrnambool in the early 1900s and an important and influential figure in our history. He left behind in Warrnambool two most important legacies – the Pioneer Honour Board and the book ‘Warrnambool Past and Present’, a history of Warrnambool that has proved invaluable to researchers today. No information has been found on the original owner of the book, William Ewers. This is a 1931 soft cover book of 96 pages. The cover has a grey-coloured background and a sepia-coloured photograph of two kookaburras on a tree branch on the front cover and an advertisement for a publication called ‘Songs of the Bush’ on the back cover. The book is dedicated to the Gould League of Bird Lovers. It has a Contents page, a Foreword, a Preface, pages on Australian birds and an Index. It has many black and white photographs of Australian birds. It is glued and bound with blue tape.Signature on front cover and inside first page: ‘Wm. D. Ewers’edward vidler, history of warrnambool, warrnambool pioneer honour board, 1907 warrnambool history book, ‘warrnambool past and present’. -
Warrnambool and District Historical Society Inc.
Book, Loch Ard Gorge, Early 20th century
This is a booklet containing an epic-style poem by Alice Goldstraw on the subject of the wreck of the ‘Loch Ard’. Alice Goldstraw (died 1967) was the daughter of George and Robina Goldstraw who were pioneer farmers in the Cudgee area. The Goldstraw families were prominent in the early history of Warrnambool and district, especially as timber millers. The ‘Loch Ard’ wreck (1878, Mutton Bird Island near Port Campbell) is Victoria’s most famous wreck – 51 lives lost with only two survivors. The story of the survivors, Eva Carmichael and Tom Pearce has legendary status in the stories of shipwrecks in Victoria and has been the subject of articles, songs, poems, plays, novels and films. This booklet is of great significance because it is a well-written poem by Alice Goldstraw, a member of a pioneer family in the Cudgee area. It is a notable early poem about the wreck of the ‘Loch Ard’ which has attracted much interest in the Warrnambool area and beyond. Flagstaff Hill Maritime Museum in Warrnambool specializes in promoting stories of this wreck and features many relics of the wreck in its collection – the Loch Ard Peacock, the Carmichael watch, the Tom Peace binoculars etc. The laser night show at this Museum currently features the story of the wreck. Original copies of this poem are now rare.This is a soft cover booklet of 20 pages containing a poem about the wreck of the ‘Loch Ard’. The cover is cream-coloured with the front cover having blue print and a sepia-coloured photograph of the Loch Ard Gorge. The booklet has a page of photographs connected to the ‘Loch Ard’ and an ornamental black border around each page of the stanzas. The front cover is somewhat blotched and stained. The booklet has been stapled but the staples have been removed.poetry, loch ard shipwreck, warrnambool authors, alice goldstraw, warrnambool history -
Kew Historical Society Inc
Collection, Helen Bushell Kite Collection, c. 1975 - 2017
Kites created by Helen Bushell, Kew resident for many years, and a pioneer of kite-flying world-wide. Kites are hand-made, mainly by Helen, and many were flown in local parks of Kew. Documents provide some background to the collection, and a set of photographs, which was used in an exhibition at Hawthorn Arts Centre, help to identify the kites and where they were flown. Individual items include: 2019.0047.01 - Make Mine Fly, Vol. 1 - book of instructions for making kites fly 2019.0047.02 - School Kites - book of 14 kite designs 2019.0047.03 - Helen Bushell Reaching for the sky (exhibition catalogue, 2017) 2019.0047.04 - Hansard (Victoria) Documents - statement by Natalie Hutchins, Minister for Local Government 2019.0047.06 - "Evolution" Trefoils - collection of advertisements for kites for sale 2019.0047.05 - Kite event badges on blue cotton sash (20 badges and name-tags) 2019.0047.07- Kite honours and B.A. Deakin plus Original Patents (Australian, British and U.S.) 2019.0047.08 - Helen Bushell, 1922- A Life in Kiting (28 panels mounted on board, showing photographs of Helen Bushell's kites, for exhibition in Hawthorn Arts Centre, 2017) 2019.0047.09 - 1986 Year of Peace Dove - paper pattern (15 copies + dowel rod) 2019.0047.010 - "Peace Dove" pattern August 1995 2019.0047.011 - Collection of drawings, patterns, poem, newsletters, etc. 2019.0047.012 - "Small birds" paper patterns 2019.0047.013 - Remake of old head "Fluted Sled" 2017 HB: nylon kite in heavy cotton bag 2019.0047.014 - Long yellow tail suitable for Rainbow Serpent 1992 2019.0047.015 - Long blue tail for Rainbow Serpent 1992 2019.0047.016 - Moth c. 1975 2019.0047.017 - Hand-held peace dove (used for Helen Bushell's memorial 2017) 2019.0047.018 - "Song for Bill" kite 2019.0047.019 - 7-point clown kite Kites and associated documents belonging to Helen Bushell have local significance for Kew, as many were flown in the area. They have artistic significance in their representation of Australian indigenous, Chinese, New Guinea and other cultural symbols. Among the documents are poems, books on kite-flying written by Helen Bushell, badges and cards from international conferences, and Australian, British and American patents for kite design. One kite shows an aerodynamically-designed keel which helped to improve safety for hang-gliders.Australian Kite Society, Helen Bushell collection of kite-related material, including kites, photographs, documents, badges, etc.australian kite society, helen bushell -
Victorian Aboriginal Corporation for Languages
Audio CD, Koorie Tiddas Youth Choir, Proud of who we are, 2013
Contents: 1. How it all began 2. How the birds got their colour 3. Iyawa 4. Proud of who we are 5. Survival 6. Koorie kidsCDkoorie tiddas youth choir, vacca, aboriginal culture, song, music, childrens choir -
Victorian Aboriginal Corporation for Languages
Book, Ngiyampaa wordworld 1 : thipingku yuwi, maka ngiya, names of birds &? other words, 1997
Language to English dictionary, with English - Language finder list, plus stories, songs and sentence examplesB&w photographs, word lists, mapsngiyampaa, pilaarrkiyalu, wongaibon, wangaaypuwan, grammar -
Coal Creek Community Park & Museum
Music Book, I'm Winging Home (Fox-trot) / Last Night I Dreamed You Kissed Me (Fox-trot)
... text. Headed Allan Edition, Song titles: "(Like a Bird that's... with black harp design enclosing text. Headed Allan Edition, Song ...Music book, white cover with black harp design enclosing text. Headed Allan Edition, Song titles: "(Like a Bird that's on the Wing) I'm Wingin' Home" (Fox-trot) & "Last Night I Dreamed You Kissed Me" (Fox-trot), for orchestra. Published by Allan & Co. MelbourneSep. 1928 -
Coal Creek Community Park & Museum
Music Sheets, Violin Music Sheets
6144.1 to 19 - A selection of 1st violin music sheets, all have been numbered by the previous owner; 19 sheets in total S1 - The Cute Little Things You Do S2 - In A Cafe On The Road To Calais S3 - Beautiful Love S4 - Toodle-oo So Long Goodbye S5 - Do You Believe in Love at Sight S6 - My World Begins and Ends With You S7 - Look Here Comes a Rainbow S8 - Lights Of Paris S9 - When You Hear This Song Remember Me S10 - All The World Will Smile Again After Tomorrow S11 - Underneath The Summer Moon S12 - Congorilla S13 - Rackety Ray S14 - Throw A Little Salt On The Blue Birds Tail S15 - Around You S16 - Gypsy Hearts S17 - Home Folks Violin___ 6G - I Don't Know Why 8G - When We Are Together -
Thompson's Foundry Band Inc. (Castlemaine)
Document - Sheet Music for Brass Band, Henry Round, An American Tour, C. 1930
This fantasia is a set of well known American tunes arranged by Henry Round (Dec.) of Wright and Round Music Publishers. It is believed that this piece dates to around 1930. The songs in this piece are: Hustle an Bustle of New York, The Star Spangled Banner, Yankee Doodle, Buffalo Girls, My Maryland, My Maryland, The Vacant Chair, Camptown Races, In Dixie's Land, My Old Kentucky Home, We Are Coming Father Abra'am, The Battle Cry of Freedom, The Mocking Bird and Old Glory's Marching on. Several of these songs were used in Black and White Minstrel shows and as such this piece will likely never be performed by our band in the future.17 parts for Brass Band including Soprano Cornet Solo Cornet Repian Cornet 2nd Cornet 3rd Cornet Solo Horn 1st Horn 2nd Horn Euphonium 1st Baritone 2nd Baritone 1st Trombone 2nd Trombone Bass Trombone Eb Bass Bb Bass Side Drum Bass Drum and Cymbal This fantasia is a set of well known American tunes arranged by Henry Round (Dec.) of Wright and Round Music Publishers. It is believed that this piece dates to around 1930. The songs in this piece are: Hustle an Bustle of New York, The Star Spangled Banner, Yankee Doodle, Buffalo Girls, My Maryland, My Maryland, The Vacant Chair, Camptown Races, In Dixie's Land, My Old Kentucky Home, We Are Coming Father Abra'am, The Battle Cry of Freedom, The Mocking Bird and Old Glory's Marching on. Several of these songs were used in Black and White Minstrel shows and as such this piece will likely never be performed by our band in the future.This fantasia is a set of well known American tunes arranged by Henry Round (Dec.) of Wright and Round Music Publishers. It is believed that this piece dates to around 1930. The songs in this piece are: Hustle an Bustle of New York, The Star Spangled Banner, Yankee Doodle, Buffalo Girls, My Maryland, My Maryland, The Vacant Chair, Camptown Races, In Dixie's Land, My Old Kentucky Home, We Are Coming Father Abra'am, The Battle Cry of Freedom, The Mocking Bird and Old Glory's Marching on. Several of these songs were used in Black and White Minstrel shows and as such this piece will likely never be performed by our band in the future. america, american, h round, wright and round, hustle an bustle of new york, new york, star spangled banner, yankee doodle, buffalo girls, my maryland, the vacant chair, camptown races, in dixies land, my old kentucky home, we are coming father abraam, the battle cry of freedom, the mocking bird, old glorys marching on, cg röder, leipzig, cornet, tenor horn, euphonium, trombone, baritone, bass, tuba, drums, fantasia, medley, minstrel, george frederick root, john hodges, stephen foster, dan emmett, sigmund romberg, john stafford smith, john william grout -
Melbourne Legacy
Domestic object, War Widows' Guild Apron, 2020
An apron made to celebrate 75 years of the War Widows Guild in 2020. The Kookaburra is the symbol of the Guild due to its laugh. From the War Widows' Guild of Australia website: 'the Guild badge would feature the kookaburra, an industrious and cheerful bird who mated for life, was fearless and aggressive in the defence of its young and the area of territory it regarded as its own. The bird also had a unique call, not a song but a laugh; a chortle of rollicking mirth (to bring the widows back to laughter). Also, the kookaburra is a typically and completely Australian symbol, one that could be worn proudly by every widow whatever her creed or ideals. The kookaburra was also the mascot of the 7th Division of the 2nd AIF, commanded by Mrs Vasey’s husband, Major-General Vasey. Mrs J M Vasey was the founder and president of the War Widows Guild. During the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After her husband Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild, established on 22 November 1945. The Victorian War Widows Guild closed in 2021. Some items, including this apron, were donated to the Legacy archive for preservation. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A celebration of the 75 years of work done by Jessie Vasey and the War Widows Guild.Dark navy cotton apron with a white stencilled Guild kookaburra logo and text saying 'Celebrating 75 years'.war widows guild, jessie vasey, wwg -
Melbourne Legacy
Clothing, War Widows' Guild Scarf, 2020
A scarf made for War Widows Guild. The Kookaburra is the symbol of the Guild. From the War Widows' Guild of Australia website: 'the Guild badge would feature the kookaburra, an industrious and cheerful bird who mated for life, was fearless and aggressive in the defence of its young and the area of territory it regarded as its own. The bird also had a unique call, not a song but a laugh; a chortle of rollicking mirth (to bring the widows back to laughter). Also, the kookaburra is a typically and completely Australian symbol, one that could be worn proudly by every widow whatever her creed or ideals. The kookaburra was also the mascot of the 7th Division of the 2nd AIF, commanded by Mrs Vasey’s husband, Major-General Vasey. Mrs J M Vasey was the founder and president of the War Widows Guild. During the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After her husband Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild, established on 22 November 1945. The Victorian War Widows Guild closed in 2021. Some items, including this scarf, were donated to the Legacy archive for preservation. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A memento of the War Widows Guild.Dark navy rectangular scarf with a white Guild kookaburra logo and text saying 'War Widows' Guild of Australia - Est 1945'.war widows guild, wwg -
Melbourne Legacy
Badge, War Widows' Guild Badge, 2020
A badge made for War Widows Guild members to wear to show they were members. The Kookaburra is the symbol of the Guild. From the War Widows' Guild of Australia website: 'the Guild badge would feature the kookaburra, an industrious and cheerful bird who mated for life, was fearless and aggressive in the defence of its young and the area of territory it regarded as its own. The bird also had a unique call, not a song but a laugh; a chortle of rollicking mirth (to bring the widows back to laughter). Also, the kookaburra is a typically and completely Australian symbol, one that could be worn proudly by every widow whatever her creed or ideals. The kookaburra was also the mascot of the 7th Division of the 2nd AIF, commanded by Mrs Vasey’s husband, Major-General Vasey. Mrs J M Vasey was the founder and president of the War Widows Guild. During the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After her husband Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild, established on 22 November 1945. The Victorian War Widows Guild closed in 2021. Some items, including this badge, were donated to the Legacy archive for preservation. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A identity badge of the War Widows Guild.Dark silver badge with a kookaburra logo and a butterfly clip.Engraved on reverse 'M2155' and stamped 'Property of War Widows' Guild'.war widows guild, wwg -
Mont De Lancey
Mixed media - Book and Record, Australian Bush Sounds - book, Australian Bush Sounds, 1968
... Bird songs by Carl and Lise Weismann in 1957 - 58. All were ...A book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.A slim square hardcover book with text by Allen Keast and a record of Australian Bush Sounds. The cover has a photograph of a Black Swan nesting in open wetlands. Inside the left front cover is a pocket with an EP record by Carl and Lise Weismann. The book has explanations of the sounds recorded as well as black and white photographs of the creatures featured. p.20.non-fictionA book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.animals, insects, mammals, australian birds, australian animals -
Mission to Seafarers Victoria
Poster - Poster, concert, Passing Clouds: An Afternoon with Kate Oliver, May 2019
Kate Oliver is the granddaughter of Padre Oliver, and daughter of Rodney Oliver and chose to launch a self published album of children's songs at the Mission on 26 May 2019. She has also provided us with additional information and images of Moira Oliver, her grandmother, a keen photographer.Rev Frank Oliver served at the Mission as senior Chaplain from 1930-1960. Rev Rodney Oliver, his son, served on the MTS board in the late 20th C./21st C. Kate Oliver is his daughter.Advertising poster for the event of launching a children's album which took place 26 May 2019.Hand written inscriptions top and lower edge in blue Texta pen:kate oliver, passing clouds, children, wellbeing, frank oliver, rodney oliver, events, concerts, hiring events, padre oliver, reverend frank leslie oliver, moira bird oliver, john rodney oliver, cultural events, padre frank leslie oliver, mindfullness, 2019 -
Mission to Seafarers Victoria
Album - CD, Kate Oliver, Passing Clouds: An Afternoon with Kate Oliver, 2018
Kate Oliver is the granddaughter of Padre Oliver, and daughter of Rodney Oliver and chose to launch a self published album of children's songs at the Mission on 26 May 2019. She has also provided us with additional information and images of Moira Oliver, her grandmother, a keen photographer.Rev Frank Oliver served at the Mission as senior Chaplain from 1930-1960. Rev Rodney Oliver, his son, served on the MTS board in the late 20th C./21st C. Kate Oliver is his daughter.Album of songs for children released in 2018 the launching took place at the Mission on 26 May 2019.kate oliver, passing clouds, children, wellbeing, frank oliver, rodney oliver, events, concerts, hiring events, padre oliver, reverend frank leslie oliver, moira bird oliver, john rodney oliver, cultural events, padre frank leslie oliver, mindfullness, 2019