Bluestone house in Ballarat Central.bluestone, raglan st

An example of a bluestone house in Ballarat.dana street ballarat, ballarat, architecture, bluestone

Colour photographs of a bluestone house in Yarrowee Street, Sebastopol. sebastopol, yarrowee street, sebastopol, bluestone

A number of early Ballarat houses are constructed of Bluestone. Bluestone house with slate roof in Ascot St, Ballarat.bluestone, slate, ascot street, ballarat, palm tree

Colour slide in a mount. Bluestone house, possibly Victoria, Australiaslide, robin boyd

Photograph of a bluestone house near the site of the former Immigration Depot.portland, heritage, bay, water, beach, bridgewater

Colour slide in a mount. Bluestone house, unknown location, probably AustraliaMount Made in Englandslide, robin boyd

A postcard showing an original bluestone cottage from Greensborough’s early days. The house was once owned by Richard Marsh and family. Original artwork by Maria Barbaro.This card is part of a series of well known Greensborough homes.A small greeting card featuring a painting of a bluestone house, corner of Church Lane and Hailes Street Greensborough. There is also an envelope included.Ink stamp on rear cover states "Original Artwork by Maria Barbaro" www.mariabarbaro.com greensborough houses, greeting cards, maria barbaro, hailes street, richard marsh, marsh family

The bluestone house 'Amelia' was built in 1914/1915 and has included a combination of Victorian and Federation styles. Andrew Patterson the first owner lived there for over 40 years. It is thought that the bluestone used for the walls came from the first state.A coloured photograph of 'Amelia', a bluestone double fronted house with white wooden trims and a white corrugated roof. A bull nosed verandah stretches across the front of the house. The surrounding garden has been painted out with low growing trees and shrubs.patterson, andrew, amelia, george evans collection

D'Estaville was built for Sir William Stawell in Studley Park, Kew in the 1850s. Later occupants include the artist Alma Figuerola. Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew, This view of the bluestone house is taken from the western side. The front entrance, originally facing Studley Park Road is set into the southern side of the house.d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists

D'Estaville was built for Sir William Stawell in Studley Park, Kew in the 1850s. Later occupants include the artist Alma Figuerola. Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew, This view of the bluestone house is taken from the western side. The front entrance, originally facing Studley Park Road is set into the southern side of the house.d'estaville -- 7 barry street -- kew (vic)

Montrose Cottage is an early bluestone house in Eureka Street Ballarat East. Clippings relating to an ealy bluestone cottage in Eureka Street, Ballarat East. montrose cottage, ballarat east, eureka street, vicki rennick, national trust classification, roof shingles, rodney davidson, bluestone, john alexander, e.j. millett, harry batson cab, e.j. millet, edward millet, nancee millet

Two Photographs ( proofs 60 and 61). No. 60 Mud brick? or bluestone house with another bluestone building visible in the background, this second building has a large portion of the roof missing. There is also a ruined section of a brick wall, these are set at the top of a rise with a track leading towards them. 61,. Two derelict bluestone? Building standing in a paddock.buildings, house, farm buildings, bluestone building

Shows a bluestone house surrounded by lush, well-developed garden. House is in good order with 4 chimneys, a porch and water-tank. To the left, partially obscured by the shrubbery stands the bearded Rev.Wagg with hat. To the right is a girl around ?10 years old, with parasol and hat in her hands. This was Mortlakes' Anglican Vicarage from c. 1886 to c.1916 when present one was built next to St.James church in Shaw Street. House stood in Sagnol's paddock (Waggs Lane) until 1950's when it was demolished reportedly by a group of boys using dynamite!) Rev. Wagg was a long-serving and well-regarded Anglican minister who served Mortlake from 1886 to1916. Wagg's Lane takes its name from his former residency there. A new Vicarage was built c.1916 next to the church. The old vicarage was reduced to rubble reputedly by boys using gelignite in the 1950's; the remains can be seen in the paddock on Wagg's Lane.Sepia rectangular photograph on cardboard backingWritten on the back: The Vicarage Mortlakechurch, anglican, mortlake, wagg, lane, waggs

SEPIA PHOTOGRAPH OF UNKNOWN LADY ON HORSE, SIDE-SADDLE, BLUESTONE TWO STOREY HOUSE IN BACKGROUND.local history, photography, photographs

Edna Barrie describes the Darlingsford property. C.E. Barrrie Land developers bought the property from my husband’s brother. It was one big farm and they were a big family. When the father died he left it to be cut up for the family. The youngest son had to reach age 21 before the property could be divided and portioned out to the mother and children, but it was deferred until Jim returned from the war. Eventually it was cut up into two parts, we were married by then and so was Edgar. Part of the land included the block on the other side of Ferris road, which became the quarry, Edgar’s section was on the Toolern Creek end, he was the last one married and lived in the old bluestone house until 1974. The developers bought this section but they could not get permits due to the state of the old bridge due to the cost. Barries had built the bridge across the creek [1926]. It took the big loads of hay and the family kept it maintained. Once the Barries had gone it did not get any upkeep. The developers found the cost of replacing the bridge and developing site with sewerage and drainage power before they sell. The rural land itself is not worth much as the developer has to complete the subdivision before any blocks can be sold. The developer from Sydney had a man living in the house, who let it go the rack and ruin. He managed to buy from the developer 25 acres with the bluestone house. Bernard Coburn had it for a while but is was well out of our hands by then. There were various people who have bought into and tried to develop and have given up. There was a project sometime ago to save the buildings from ruin but nothing has happened as yet, they are six or seven years to late. The buildings continue to deteriorate and were badly damaged vandals and fire. The Shire bought all the rest of it from the developer, where the tip is now, that was also part of Edgars land. Article about a fire at Darlingsford Estate featured in the Telegraphlocal architecture, local identities, emergency services

The building in the sketch is the former Manse for the Bulla Presbyterian Church. The artist was Bill Walls who did a number of similar sketches of historic buildings and sites in the Sunbury and Bulla area in the 1970s.A photograp[h of a coloured sketch of a house with bluestone walls and a slate roof. There is a closed-in addition building on one side and a verandah across the front with a lean-to structure on the other end of the building.bulla, presbyterian church, manse