Hilda Pert Group of Girl Guides with cakes on table at guide hall corner of Layzell and Patrick Street A Marshall Studios Quality Prints guides

Business card for a local pasticceria and gelateria, Pelligra Cakes, at 71 Main Street Greensborough.Business card, white card with blue text and colour image.business cards, pelligra cakes, main street greensborough, cake shops

Colour Advertising pamphlet for Wendy's Birthday Cakes. Wendy's had a store in Greensborough Plaza in 2001. Tri-fold pamphlet printed in colourgreensborough plaza, wendy's

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand embroidered doily with floral design and word "CAKE" stitched around outer rim of fabric "CAKE"textiles, sewing, handiwork, women's history, domestic, craft

Box of Recipe Cardswalsh st library

The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Anna Rahoferagricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., crochet, embroidery, ingeme, mrs val rahofer, anna - geelong handweavers and spinners guild inc., agricultural shows, textile art, handicrafts

The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from wool blend yarn, the plate mae by Les Clarke from wool.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

Short story collection.Green cloth- bound hardcover book with embossed decoration to front and back covers. Spine torn, front cover separated from body. Foxing throughout. 342 pp. Poor condition.Kilmore Mechanics Institute stamp inside front cover. Indecipherable markings (X77)? top left corner. Flyleaf, upper centre, '166', red ink underlined.adult fiction, kilmore mechanics institute library.

The party was organised on the Saturday 8 December 1928, 3pm. Captain Charles Alfred Melbourne Derham, son of Frederick Thomas Derham, partner and managing director of Swallow & Ariell Pty Ltd (biscuit company in 1854 in Port Melbourne). The Derham family had been involved with the Port Melbourne mission since the beginning as the factory was producing "ship biscuits". The company was renowned for its patriotic fundraising campaigns during both world wars. They also supplied the mission with plum puddings on every Christmas events. Captain C.A.M Derham enlisted in 1915 and was discharged in 1919. The same year he married Eileen Cuscaden sister of Beatrice Cuscaden (Honorary Secretary of the South Yarra branch of the LHLG), and daughter of Dr George Cuscaden, previously ship surgeon, honorary surgeon of the Women's Hospital and director of Swallow & Ariell. The photograph was published in the 1928 Annual Report. The print shows the curtain background.Photograph of the cake presented to the LHLG in 1928: on top of the cake a lighthouse.Ladies Harbour Light Guild - 21st Birthday Cake Present by Captain C.A.M. Derham 1928charles alfred melbourne derham, swallow and ariell, frederick thomas derham, cyanotyp, eileen cuscaden, beatrice cuscaden, dr george cuscaden, lhlg, anniversary, lighthouse, flag

The 3 items in this display - bell, crystal vase and cake server- were presented to the Wodonga Auxiliary of the Royal Victorian Institute for the Blind (RVIB) marking 50, 60 and 70 years of service respectively. This auxiliary was formed in March 1932 with K.D. Watson as the Inaugural President. Its purpose was to raise funds to assist blind and visually impaired people across the state of Victoria. The volunteers over 70 years spent countless hours door knocking in the annual fundraiser, and selling raffle tickets at street stalls. As the City of Wodonga expanded the areas to be door-knocked increased, creating a challenge for the mainly elderly members of the Auxiliary. Eventually it closed down in 2002 when the RVIB amalgamated with Vision Australia. The longest serving member of the Auxiliary was Mrs. Jean Burbidge.These items have local and state significance as they represent the work carried out by a local group of volunteers to support an important state wide institution.3 awards received by the RVIB Wodonga Auxiliary for recognition of their service. They include a crystal vase, a gold bell and a silver cake server. 18/10 is stamped on the reverse of the cake slicer. This relates to the percentage of chrome and nickel within the steel.On the bell: 'Presented to Wodonga R.V.I.B. Auxiliary 50th Anniversary" Around the middle of the vase: 'Presented to RVIB Wodonga Auxiliary 60th Anniversary, 1992" On the cake server: "Presented to RVIB Wodonga Auxiliary for 70 years service March 1932 to March 2002" On back of cake server:" 18/10 and initials FK inside 2 circles.royal victorian institute for the blind, rvib wodonga auxiliary

A cake decorated to look like the Shrine of Remembrance. The event is the annual Fete in 1993. The cake was entered into the Melbourne Show and shows a lot of skill. It was used as a raffle prize at the 1993 fete held at Legacy House (see the article from The Answer). The article says: The 31st annual Club Fete was held at Legacy House and a highlight of the event was a raffle to win a spectacular cake depicting the Shrine of Remembrance. The cake, made by Mrs Audrey McMaster (friend of a former Junior Legatee) was a 1993 prize-winning cake at the Royal Melbourne Show. Mrs McMaster kindly donated the cake to Legacy and nearly $200 was raised from the raffle (won by Mrs Mary Thompson of Reservoir).Part of the annual fete organised by the Legacy Widows' Clubs for fundraising.Colour photo x 2 of a cake decorated to resemble the Shrine of Remembrance.Printed on back "NOV93". 00673.1 has P6 No 3 in pencil and E in blue pen.fundraising, answer, widows, cake

Tin used to send cake to troops serving overseas, possibly WW1 or WW2Round grey metal cake tin with lid“Willow”cake tin, willow

Photos taken at the 125th Anniversary school reunion. Collection includes 5 colour photographs: Principal Mark Smith with Gladys Greenwood, oldest student and Jack Mansour, youngest student; Gladys Greenwood with Jack Mansour; Gladys Greenwood cutting cake (2); cake.Five colour photographs. Principal Mark Smith with Gladys Greenwood, oldest student and Jack Mansour, youngest student; Gladys Greenwood with Jack Mansour; Gladys Greenwood cutting cake (2); cake. Names of people, occasion and date on back of prints.greensborough primary school, gladys greenwood

The people were gathered around the large cake to celebrate the centenary of European settlement in Sunbury.A black and white photograph with a cream border of a crowd of people standing in an outdoor area behind a 3 tier cake on a table, which has candles lit on it. Two men are standing directly behind the large cake. The photograph was processed at Lloyds Chemist in Sunbury.

It was and still is customary for a piece of Wedding Cake to be given to the guests on their departure from the reception. . Some customs suggest single women will find a husband if they put this piece of cake under their pillow at night. --- the man of their dreams will come calling …..!A small tin with a lift -off lid for a piece of Wedding Cake traditionally given to guests at the reception as a take home gift .2 wedding bells engraved on lidweddings, early settlers, tinsmiths, moorabbin, bentleigh, cheltenham, celebrations, souvenirs

Top of wedding cake for Hilda Temple and Dr James Kerr on 10th November, 1893.Dr James Kerr visited Orbost on a government vaccinating job and settled there the next year. He married Hilda Temple in 1893. He was Orbost's first resident doctor. Glass and wood display case containing a floral arrangement from the top of a wedding cake .Arrangement is handmade.ornament dr-james-kerr handcraft

A recipe for corn cakes which was typed onto a sheet of Kerami Guest House stationary. Kerami Guest House was situated in Marysville.A recipe for corn cakes which was typed onto a sheet of Kerami Guest House stationary. Kerami Guest House was situated in Marysville.marysville, victoria, australia, kerami guest house, accommodation, corn cakes recipe, 2009 black saturday bushfires

The baking powder contents of this tin would have been used in cooking. Baking powder is a raising agent and in cake recipes can be added to plain flour when self raising flour may not be available. McKenzies Baking Powder was a well known product used in the home.Small tin with white and gold printing and with a white lid. It has a recipe printed on the back.McKENZIES EXCELSIOR/BAKING POWDER/NET 125g EASY CHOCOLATE CAKE RECIPEsocial history, cooking, food

Photos of a widows' club gathering, they appear to be celebrating with a cake. The instructor of swim and exercise classes appears to be a guest. They may have been celebrating the number of years Betty had been running the exercise classes. Year is not known but was with other photos around 1992-1993.A record of widows' club activities and celebrations.Photos x 5 of a widows club meeting with instructor Betty Luders and a cake.widows, activities, betty luders, widows' club, cake

Photograph taken in 1988 of buildings in Sussex Street, Linton: house was previously Bill and Georgie Hall residence and before that a cake shop run by Stella Ralf (Stella Ralf also taught piano). Next to it can be seen the former Bennett garage building. Bennett shop and garage (petrol station) 1920s-1940s. Later (1970s-1981) run as op-shop by Mrs. Surman to raise money for Maxwell Park C.E.B.S. camp. House had a later incarnation as a laundromat in 1980s - at this time many women were still without electricity on outlying farms and house blocks.Colour photograph showing green painted timber house with pitched roof and small verandah, white trim, next to brick building with pitched roof and verandah over footpath, brick pillars. "Stella Ralph's old shop (cake) later Bennett garage"stella ralf, bennett's garage, stella surman, bill hall, georgina hall

The great Magdala Lottery Cake Baked at Victoria Bakery Patrick Street by Mr J. Walker. Initially made to celebrate the official opening of the Magdala Mine Sept 15 1868 Then made yearly it was sold in pieces with embedded gold or silver coins as prizes. Photo given to Janet Hooper by Mrs Ellen McClure about 1990Large multi-tiered iced cake with Magdala written around bottom tierMagdalastawell, streetscape

A small moulded glass cake stand owned by Marie Taffe's (Knights') great grandmother Hoy formerly Beard.A small late nineteenth century moulded glass cake stand typical of basic domestic items after the style of more elaborate table pieces from a different social class.moulded or pressed glass with central stem and squared knop. The flat top section for standing cake or other delicacies decorated with hobnail pattern and fan pattern to centre.Nilcake stand, warrnambool, hoy family, beard

In 1982, the the Rheumatism and Arthritis Association of Victoria's Public Speakers Group made a visit to Kyneton, where they addressed the Fellowship Group at the Uniting Church. This photo, which appears on page 7 of the Vol 26, September 1982 issue of RAAV's News Review, was taken at the afternoon tea, after the meeting. It accompanies an article on the various visits made by the Public Speakers Group during the year. The photo is captioned: After the meeting at KynetonCOL photo of a large group of people gathered around a room. In the centre, there is a wooden table with various cakes, biscuits, and two sugar bowls on it. One woman is cutting a cake. In the background, there is a freestanding display board with posters on it and various framed pictures on the wall. There are also two electric heaters on the wall.[Handwritten in blue ink] N.R. Sep 82rheumatism and arthritis association of victoria, raav, public speakers group, kyneton, outreach, afternoon tea, cakes, news review, 1982

two foundation members of art workshop Marie Fish and Maisie Byrne cutting the tenth anniversay cake at LEAWS Art Show at the Mechanics Hall Lakes Entrance VictoriaBlack and white photograph of two foundation members of art workshop Marie Fish and Maisie Byrne cutting the tenth anniversay cake at LEAWS Art Show at the Mechanics Hall Lakes Entrance Victoriaarts, exhibition, people