Showing 5 items matching " canterbury literary society"
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Canterbury History GroupDocument - Goldings Hall and Alfred Golding, Renwick, R.L, 14/06/1968
... ... Canterbury Literary Society...Balwyn Wesleyan Church Canterbury Literary Society International Exhibition Sydney 1879 Renwick> R. ...History of Alfred Golding's businessesPhotocopy of handwritter notes. 9 A4 pages. golding family, renwick> frank, burridge> william (rev.), cuthburt> samuel (rev.), vasey> t., balwyn wesleyan church, canterbury literary society, international exhibition sydney 1879, renwick> r. l. -
Canterbury History GroupLetter - Robert O.Tucker, principal Canterbury Grammar School, c1902- 1992
... ... Canterbury Literary Society...Canterbury Canterbury Grammar School Canterbury Presbyterian Church Oddie> James Canterbury Literary Society Hutchison> Nance Morgan> Colleen Tucker> Robert O. ...Parental and personal record of Robert Octavius Tucker Principal of Canterbury Grammar School 1902 -1912. A two page letter from his grandaughter to Colleen Morgan, and a clipping from an unknown source on the occassion of his leaving the school in Brighton Street Richmond due to poor healthcanterbury, canterbury grammar school, canterbury presbyterian church, oddie> james, canterbury literary society, hutchison> nance, morgan> colleen, tucker> robert o. -
Friends of Ballarat Botanical Gardens History GroupWork on paper - Bust of Gordon Unveiled, The Ballarat Courier, 25, 27 October 1941, October 27, 1941
... Literary Societies were represented at the unveiling of Gordon's bust. This event also connected Ballarat citizens with the Gordons and their history, as well as with the poet. John Garner Doctor John Garner Collection Ballarat Botanical Gardens Friends of Ballarat Botanical Gardens Adam Lindsay Gordon Adam Lindsay Gordon Cottage Adam Lindsay Gordon Bust Literary Societies Poetry Australian Poetry The Gordons Archbishop of Canterbury Gardens Ballarat At the bottom of p.2 in blue biro is written October 27,1941. ...The first article announces the unveiling of Gordon's bust and the second gives an account of the unveiling of Gordon's bust outside the Gordon Memorial Cottage in the Ballarat Botanical Gardens and something of Gordon's connections.Many Literary Societies were represented at the unveiling of Gordon's bust. This event also connected Ballarat citizens with the Gordons and their history, as well as with the poet.2 white pages with uneven quality of print. The newspaper article is headed "Bust of Gordon Unveiled". 1 white page with a short paragraph, second column, announcing the unveiling of the Gordon Bust.At the bottom of p.2 in blue biro is written October 27,1941. P.1.john garner, doctor, john garner collection, ballarat botanical gardens, friends of ballarat botanical gardens, adam lindsay gordon, adam lindsay gordon cottage, adam lindsay gordon bust, literary societies, poetry, australian poetry, the gordons, archbishop of canterbury, gardens, ballarat -
Flagstaff Hill Maritime Museum and VillageBook - Collection of English Poetry, Thomas Percy et al, Reliques of Ancient English Poetry, 1857
... literary and historical subjects, exhibiting with the New Water-Colour Society (later the Royal Institute of Painters in Water-Colours) from 1837 to 1898. His style was described as careful, highly coloured and unmodelled, compensated for by direct and simple lighting of figures, and he soon became known for dramatising literary and biblical scenes such as the Canterbury Pilgrims, and for a prize-winning design, The Plague of London (lithograph, 1849, now in the British Museum), submitted for the competition to decorate the new Palace of Westminster. ...literary and historical subjects, exhibiting with the New Water-Colour Society (later the Royal Institute of Painters in Water-Colours) from 1837 to 1898. His style was described as careful, highly coloured and unmodelled, compensated for by direct and simple lighting of figures, and he soon became known for dramatising literary and biblical scenes such as the Canterbury Pilgrims, and for a prize-winning design, The Plague of London (lithograph, 1849, now in the British Museum), submitted for the competition to decorate the new Palace of Westminster. ...The Reliques of Ancient English Poetry is a collection of ballads and popular songs collected by Bishop Thomas Percy and first published in 1765. Its foundation was a manuscript that became known as the Percy Folio, which Percy discovered in the house of his friend Humphrey Pitt at Shifnal, Shropshire famously found on the floor, with the housemaid using its leaves to light fires. Percy used only forty-five of the folio's ballads in his final book, supplementing them with material from other manuscripts, printed broadsides, and, controversially, some of his own composition or heavy "improvements" of the originals. The three original volumes gather old heroic ballads, songs, romances and historical poetry covering subjects such as border warfare, the supernatural, and the legends of King Arthur and Robin Hood, including famous pieces like 'Chevy Chase' and 'Sir Patrick Spens' a collection of ballads and romances dating from the late medieval period to the seventeenth century, each annotated with Percy's antiquarian commentary.Hard cover book. Reliques of Ancient English Poetry Author: Thomas Percy Publisher: George Routledge Editor: Robert Aris Willmott Illustrator: Edward Corbould Date: 1857 Further Information: Green Cloth hardcover with lettering and patterning to spine in gilt. The spine has a Library label with an inscription.fictionThe Reliques of Ancient English Poetry is a collection of ballads and popular songs collected by Bishop Thomas Percy and first published in 1765. Its foundation was a manuscript that became known as the Percy Folio, which Percy discovered in the house of his friend Humphrey Pitt at Shifnal, Shropshire famously found on the floor, with the housemaid using its leaves to light fires. Percy used only forty-five of the folio's ballads in his final book, supplementing them with material from other manuscripts, printed broadsides, and, controversially, some of his own composition or heavy "improvements" of the originals. The three original volumes gather old heroic ballads, songs, romances and historical poetry covering subjects such as border warfare, the supernatural, and the legends of King Arthur and Robin Hood, including famous pieces like 'Chevy Chase' and 'Sir Patrick Spens' a collection of ballads and romances dating from the late medieval period to the seventeenth century, each annotated with Percy's antiquarian commentary.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, reliques of ancient english poetry, thomas percy, edward henry corbould, george routledge & sons, robert aris willmott -
Flagstaff Hill Maritime Museum and VillageBook - Collection of Short Stories, Thomas Ingoldsby Pen Name Of (Richard Harris Barham), The Ingoldsby Legends, 1881
... Canterbury and lost his father at seven, inheriting a small estate that included the manor of Tappington, which appears often in the Legends. He went to St Paul’s School at nine, but an accident partly crippled his arm for life. He went on to study at Brasenose College, Oxford, and was ordained in 1813. He married Caroline Smart on 30 September 1814 and was rector of St Dunstan, Snargate, from 1817 to about 1821. He later served at St Paul’s Cathedral and as vicar of St Mary Magdalene, and was a popular figure in London literary society...Canterbury and lost his father at seven, inheriting a small estate that included the manor of Tappington, which appears often in the Legends. He went to St Paul’s School at nine, but an accident partly crippled his arm for life. He went on to study at Brasenose College, Oxford, and was ordained in 1813. He married Caroline Smart on 30 September 1814 and was rector of St Dunstan, Snargate, from 1817 to about 1821. He later served at St Paul’s Cathedral and as vicar of St Mary Magdalene, and was a popular figure in London literary society ...The Ingoldsby Legends, or Mirth and Marvels is a collection of myths, legends, ghost stories and poems, mostly parodies or deliberately comic retellings. They were supposedly written by ‘Thomas Ingoldsby of Tappington Manor’, a pen-name of Richard Harris Barham. He began contributing them to the newly founded Bentley’s Miscellany in 1837, as tales that were mostly in verse and sometimes in prose. Bentley compiled them into books in 1840, 1842 and 1847. Typical tales mix Gothic spookery, medieval folklore and slapstick. Examples are ‘The Spectre of Tappington’ and ‘The Dead Drummer of Salisbury Plain’.Hard cover book. The Ingoldsby Legends Author: Thomas Ingoldsby Pen Name Of (Richard Harris Barham) Editor: Richard Harris Dalton Barham Publisher: Richard Bentley & Son Date: 1881 (New Edition) Further Information: Black Cloth hardcover with lettering to spine in gilt. The spine has a Library label with an inscription.fictionThe Ingoldsby Legends, or Mirth and Marvels is a collection of myths, legends, ghost stories and poems, mostly parodies or deliberately comic retellings. They were supposedly written by ‘Thomas Ingoldsby of Tappington Manor’, a pen-name of Richard Harris Barham. He began contributing them to the newly founded Bentley’s Miscellany in 1837, as tales that were mostly in verse and sometimes in prose. Bentley compiled them into books in 1840, 1842 and 1847. Typical tales mix Gothic spookery, medieval folklore and slapstick. Examples are ‘The Spectre of Tappington’ and ‘The Dead Drummer of Salisbury Plain’.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the ingoldsby legends, thomas ingoldsby
