Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The badges form part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.The use of common symbols for a range of purposes is sometimes a feature of wartime and post-war fundraising buttons. Like the ‘Hospital Day 1919’ badge, the ‘Come Back to God’ badge is within a seven pointed star on a dark blue ground with sprays of wattle; attempting to harness nationalism with religion.Come back to Godbutton

Hilda Kerr was the daughter of George Temple and Mary McAuslane of Castlemaine, later Orbost. Hilda married James Kerr in 1893 and lived at 'Lincluden,' Raymond Street, Orbost. Her husband, Dr James Kerr, was a Scot who had come to Australia as a ship's doctor and practised in NSW before visiting Orbost on a government vaccination programme. He liked Orbost and returned there, its first doctor, until his death in 1928. Hilda was sometimes referred to as 'Mrs Dr Kerr.' She and her sisters Mabel Stewart Temple and Margaret Ferrie Temple were all talented writers and musicians. This poem is an example of the talent of Hilda Temple Kerr. Hilda Temple Kerr (1874-1956) grew up in Orbost. She was very talented and published several books. It is reflective of the style of poetry in the early 19th century.A rectangular piece of paper with a typed poem titled, "We Come" by Hilda C. Temple-Kerr.poetry literature kerr-hilda-temple

Article titled - "Law-breaking does come in cycles, police blitz proves" about the behaviour of cyclists, particularly Couriers in the City area. Has a photo of a cyclist, a Courier, overtaking a tram (SW6 949 with a Bank of Melbourne home loan sign) on the wrong side. Quotes Senior Constable FarrarYields information about the behaviour of cyclists in the city area and trams.Photocopy, A4 sheet, of an article "Law-breaking does come in cycles, police blitz proves" - written by Tim Winkler - particularly about cycle couriers. From The Age newspaper.trams, tramways, sw6 class, sw6 949, cyclists, traffic, behaviour, road rules

Two full size B&W photocopied pages of a newspaper story from The Sun (Sydney) dated Friday 12 May, 1967. Front page story includes photo of some members of 5th Battalion lined up on deck of HMAS Sydney on their return home.Heading - THE 'TIBERS' COME HOMEtigers, 5th battalion, newspapers

Copy of the Hearld Sun The Great War 100 Year Anniversary Newspaper Supplementworld war 1914 -1918

The article reports on the categories under which adults be granted temporary Visas to enter Australia under the Whitlam Government in 1975.A newspaper article with bold black lettering from the Age newspaper dated Wednesday April 23, 1975. The article is titled "Whitlam lists who can come".whitlam, the age, 1975, vietnamese adults, visas, migration, migrants, prime minister whitlam, gough whitlam, immigration

Phonograph record, black shellac, no cover. Burgundy Regal label. Side A: Till the Boys Come Home March. Side B: Heroes All March. The Silvester Stars Band.Reference No. G 7157

Newspaper clipping, from a glossy colour printed magazine or publication, titled "Moving Masterpieces come to an end" about the Stewart Merritt tram, the end of the Transporting Art project - Stewart commented about the number of people who would come to Preston Workshops to see the tram being painted. Notes that it was actually painted by Dennis Dunkinson in thick signwriter's enamel. Mentions the other artist sin the project and comments from advertising consultant - Phillip Adams Has photos of Clifton Pugh tram No. 504 and Erica McGilchrist No. 497 - see http://www.hawthorntramdepot.org.au/papers/tram497.htm for details.trams, tramways, transporting art, ministry for arts, w2 class, tram 439, tram 504, tram 497

Linocut printSigned and dated 'Stewart MacFarlane 1985' in bottom right beneath image. Titled 'Love Come Down' bottom centre under image. Edition 1/10, lower left corner under printed image.

Millennial Dawn Vol 3 (Thy Kingdom Come) Author: Charles Taze Russell Publisher: Watch Tower Bible & Tract Society. Allegheny, PA USA 1905 Date: 1905 Further Information: Blue hard cover book with white text to lettering and front board edge pattern designnon-fictionMillennial Dawn, Vol. 3 (Thy Kingdom Come) was published in 1905 by the Watch Tower Bible & Tract Society and is a central text in the history of modern American millenarianism. The subject book was originally published in 1886 under the title The Plan of the Ages, and later re-titled The Divine Plan of the Ages as part of the Studies in the Scriptures series. Volume 1 lays out the foundational theological framework of Charles Taze Russell's religious movement. The book argues that God operates through distinct chronological "dispensations" or ages, such as the Patriarchal Age, the Jewish Age, and the Gospel Age, leading up to the "Millennial Age". Its primary themes include the harmonising of the scriptures while attempting to systematically reconcile Old and New Testament prophecies.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, millennial dawn vol 1 the plan of the ages, book, religious works, watch tower bible & tract society, charles taze russell, jehova witness, bible studies

Grey hardcover children's religious instruction book, Come Unto Me, with a coloured illustration of Jesus standing in the bow of a boat with his disciples in a bad storm. The title is red at the top of picture. Grey back cover, faded blue spine with title, publisher and lined design. Coloured plates with black and white illustrations throughout.fictionA children's religious instruction book of bible stories retold by Catherine Shawchildren's fiction, religious stories, books, fiction

Pamphlet - A4 printed on red paper, titled "come to a free for all discussion" , advertising a meeting at the John Curtain Hotel, Lygon St Carlton, 30 May (1987). Makes reference to the Light Rail system and lack of information and threats to existing workers, users, disabled. Produced by the Public Transport Workers Association - who were not happy with the Unions.trams, tramways, unions, personnel, light rail, lrv, south melbourne depot, preston depot

A recording of songs; Come again sweet love, Perhaps love, In the depths. This rehearsal performance is by the Diamond Valley Choral Society on 29/04/1991.1 audio cassette in clear plastic caseHandwritten on case: "For Kevin. Rehearsal. 29.4.91. DVCS".diamond valley choral society, rehearsals

Plan now to come back to Castlemaine in October 1967 - for a week plans are in hand for a week's round of activities to follow the old boys reunion in 1967. It will be a back to Castlemaine with attractions you won't want to miss. So plan now to be in it. Tell others who may be interested. Sponsored by developed Castlemaine and district committee

Folded full colour printed on glossy paper pamphlet titled "North East Travel Come Aboard - Bundoora - RMIT Route 86" for the opening of the Bundoora tramway extension 12 October 1995, with a complimentary ticket. Gives details of the extension to the RMIT Campus at Bundoora, associated bus routes and the companies operating them, RMIT launch celebrations, and a map. Published by The Met, has logos. Two copies held.trams, tramways, bundoora, route 86, opening, rmit

The title refers to a phrase used in the Australian Gambling game of two-up. "Come in spinner" is the call given by the game manager when all bets have been placed and the coins are ready to be tossed.This novel, set in Sydney, Australia at the end of the second World War was an outstanding best seller in its time and was an honest portrayal of society at that time. It is regarded as one of the best Australian novels ever written.A hardback novel with a red cloth cover. The title is printed in gold at the top of the front cover. Written by Dymphna Cusack and Florence James. Published by William Heinemann Ltd. Melbourne.literature come-in-spinner cusack-dymphna james-florence sydney-1950's

Actual photograph taken in the battlefield Actual battlefield photographer A laminated photograph depicting diggers taking cover during aerial and mortar attack in PNG 1945on bottom right corning on paper held inn place with adhesive tape: MEMBERS OF THE 2/2 INFANTRY BATTALION UNDER / ARTILLERY AND MOTAR FIRE DURING THE CROSSING OF / MANIB CREEK ON 16/3/1945 LEADING TO THE CAPTURE OF / BUT DROME ON THE 17/3/1945; on the bottom left hand side DIGGERS TAKE SHELTER AS / JAPANESE SHELLS COME OVER / ON THE ADVANCE FROM AITAPE.photograph, laminated photograph

Article 1 "Drainage calls come flooding in" deals with the drainage problems throughout Banyule in the aftermath of the Christmas Day 2011 floods. Article 2 "Library heeds the call of the e-book" discusses some of the digital technology available at Yarra Plenty Regional Library.Newspaper clipping. 2 articles, one with colout image.DV Leader 20/1/2012christmas day 2011, floods, drains, tom melican, yarra plenty regional library, ebooks, digital technology., banyule city council

Yields information about the view of letter writers about the proposal for a Ballarat Tourist based tramway in 2002.Set of three newspaper clippings about the return or revival of a tourist tramway in Ballarat. .1 - Photocopy of a newspaper clipping from The Courier - Saturday 24 August 2002 - titled "Talking buses an alternative to trams", written by David Stabb. .2 - Newspaper clipping - from The Courier, Tuesday 27 August 2002, first letter titled "Where is the tram money to come from" written by Michelle Smith. .3 - Newspaper clipping - Editorial - The Courier, Thursday 1 August 2002, titled "Tram support doesn't ensure plan success", also notes the Fast Train to Ballarat. Each item has the date, source and page written in ink.ballarat revival, btm, city tramway

.1 - Full colour, 100 page, book, A5 size titled "Ballarat Victoria's goldfields Official Visitor Guide", with an autumn view across Lake Wendouree. Gives details, maps accommodation listing, attractions etc of the Ballarat area. Pages30 and 31 detail the Ballarat Tramway Museum and the BTM advertisement on page 48. Published 2011 by The Ballarat Visitor Information Centre. .2 - Full colour 16 page brochure, titled "Ballarat where Parks and Gardens come to life" with rear fold out cover of map of the Ballarat and Buninyong district. Notes steam boats and trams on page 6.trams, tramways, ballarat, visitors, tourist guides, btm, gardens

Sometimes called a sweetheart postcard, it was a way of sending thoughts to the troops overseas. The printing on the rear implies it was sent with a hamper to the troops overseas. The text and poem on the front says : 'Like the boomerang may you quickly come back. / To wish you a Speedy, Safe and Sure Return. This hamper is sent you with greetings sincere, And the hope that its contents will bring you "good cheer"; While you're doing your bit, we are thinking of you And we'll welcome you home when you've seen the job through, In the meantime just send us a message to say You've received this all right if you find it OK.' Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of correspondence with the troops in World War 1 and sending good wishes with a hamper. This type of experience would have been familiar to the first Legatees as they had served in World War 1.Postcard with a boomerang stapled to the front, also the image of a kookaburra.Printed on the back is' Postcard / Per Hamper Mail / From Griffiths Bros, Syd / To An Australian Hero / on Active Service ABROAD'world war one, war correspondence

'Where We Have Come To', 2019 represents the multiculturalism that is at the heart of Merri-bek. Created from bronze, this sculpture represents a counter-twisted rope, where the diversity of strands is what gives the rope its strength. As a metaphor for multiculturalism, this sculpture shows how communities are stronger through diversity. The sculpture is located in Saxon Lane. The sculpture is also an instrument that can be struck to generate a kind of community ripple of sound that “binds all within its sonic perimeter”. This artwork unites all members of the community together in respectful acknowledgment that we do so on Wurundjeri Country in the spirit of wandha-djerri-nganyin-atj (bringing us together).merri-bek public art collection

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events

Stained glass window, north wall, Sanctuary, main nave. Depiction of Jesus and two children set within a stylised floral and patterned backgroundIn Latin: In memoriam Gulielmi Afflick qui AD MDCCCLXVII Kal: Jun: in vitam ingressus Septimo ante Io Apr:/ AD MDCCCLXXV iridiebahir mater ejus et sorer Maria et Jacobus Wotton Shevill hanc fenestram posuerunt A translation is: "His mother and stepfather, Mary and James Wotton Shevill, erected this window in memory of William Affleck, who entered into this life on June 1st, 1867, and was taken away on April 7th, 1875".

Clare Roper was a resident of the Kiewa Valley and belonged to the Kiewa Valley Historical Society. She or one of the members compiled this folder.Members of the Kiewa Valley Historical Society collected and collated items of historical interest for the KVHS.Blue plastic with clear front cover with 8 sleeves / pages containing 1 photo, and advertising for skiers.clare roper; snow skiing; scrap book

This brochure was produced as a tourist guide to Orbost.This item is a useful research tool.A magazine/brochure for use as tourist information. It contains the history, maps and touring routes of the Orbost district.tourism-orbost