Illustrated book with dustjacket. Book has a brown cover with abbreviated title and authors name embossed in gold on spine. Dust jacket has a coloured black and white photograph of a nurse in uniform holding an umbrella, book and pencil with tents in the background: Grace Wilson on the Aegean Island of Lemnos, 1915. Full title is printed in white and gold on front along with the author's name in gold. Abbreviated title is printed in brown and gold on spine, along with the author's name and publishers mark in whitenon-fictionUsing diaries and letters the author takes us into the hospital camps, the wards and the tent surgeries on the edge of some of the most horrific battlefronts of human history. He also showed how the friendships and loves of these courageous and compassionate women enriched their experiences.australia army-nurses, military nursing-australia, world war 1914-1918 - medical care, world war 1914-1918-female participation, nurses

Essendon arrived at the Essendon Recreation Reserve (later known as Windy Hill) in 1922. In August that year the club opened its first grandstand before the round 14 game against Richmond. It was later named the Dick Reynolds Stand.This historic photograph shows supporters crammed into the grandstand that day.Black and white photograph on brown cardboard mount with imprinted border; remains of a white sticker in upper left corner. "E. Franklin Moonee Ponds 37 6794" hand-written in blue biro on reverse."Opening day of new stand, Essendon 19.8.22"

Sepia photo on a cram board. Shows a railway tunnel through Big Hill near Mt. Herbert. Inscription: Above, 'Views of Bendigo|No.39.'. Below, 'View of the Railway Tunnel through the Big Hill near Mt. Herbert', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn's Print Forbes & Holmes, Agents',' The length of the Tunnel is about half-a-mile through the hill'. (two copies) Nicholas CaireN.J.Caireplace, bendigo, tunnel through big hill, see: 'views of bendigo' by n .j .caire. 'mp 157'

This is one of two books donated together and believed to have belonged to the Purvis family. The books were rescued from recycling. It has the name of C A. Purvis on the front endpaper. The other book from the same donor has the inscription "C. Purvis". The inscription on the back endpaper of this book is of interest, 'Edith Fox, Gheringhap, 1879' as it is earlier than the earliest journal in the book. Perhaps it is the birth date of Edith. It is also interesting that an notice was printed in the Geelong Advertiser in 1922 stating that Edith Susan Fox of Box Hill had an interest in land in Gheringhap. Gheringhap is a town on the Midland Highway, Victoria, 15 km northwest of Geelong, and 6.7 km southeast of Bannockburn. This is one of two journals of ladies fashion, fancy work and stories that reflect the interests of women the late 1800s. They are a useful source of historical information and include advertising and thought provoking articles .Young Ladies Journal 1884 - 1885; a collection of journals in a burgundy leather-bound spine and hardcovers with a black, blue, burgundy and cram pattern. The Journal contains illustrations and articles of a wide variety including fashion, fancy work and family reading. Inscriptions are on the spine and the front and back end pages. Inserted between pages is a loose Christmas Magazine from The Sun, dated 24th Dec 1954. Published by the Curtis Publication Company, Philadelphia, Pennsylvania, Inside the front cover on the first page, handwritten in pen; "C.A. Purvis 1955" Inscription, script in black ink; "Edith Fox / Gheringhap / 1879"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, young ladies journal 1884 - 1885, young ladies journal, 1884-1885, ladies journal, women's journal, fashion, fancy work, family reading, illustrated magazine, purvis, c a purvis, edith fox, gheringhap, 1879, edith fox gheringhap 1879

Murray Comrie Collection. Following the Armistice at the conclusion of the First World War, the residents of Tarnagulla, Newbridge, Arnold's Bridge (Arnold), Murphy's Creek and Woodstock gathered for a Peace Picnic celebration at Newbridge in July 1919. The traction engine of Calder Bros. was used to convey the Tarnagulla contingent to Newbridge on five wagons. A huge bonfire was lit at night. The picnic was declared an unqualified success, and the Tarnagulla participants returned to town at 7.30pm that evening.Monochrome photograph depicting children from Tarnagulla School on wagons pulled by Don Calder's steam traction engine, going to a Peace Celebration in 1919. Copy of an older original, Copy probably made in 1980s-90s. There were four wagons crammed with children, followed by a fifth wagon with the Tarnagulla Brass Band at full volume. The convoy travelled direct to Newbridge to the picnic ground, then home via Llanelly where they were cheered on by the Llanelly schoolchildren and residents. tarnagulla, war, military, ww1, first world war, peace, commemoration, community celebrations, school, children, calder, transport

1990 Simon Aitken, 1991 Fairlie Johnson, 1992 Gareth Elliott, 1993 Peter Rode, 1994 David Stribley, 1995 Jessica Whitmore, 1996 Laura Radford, 1997 Rohan Cram, 1998 Tamara Weihipihana, 1999 Erin Roscholler, 2000 Tania Armstrong 2001 Innika Lee, 2002 Lewis Strating, 2003 Kyle Livingstone, 2004 Jarryd Sutton, 2005 Caitlin Tolsma

William Abendigo Thompson was English bare-knuckle boxer born in Nottingham, 1811- 1880 and whose name is (allegedly) borne by the City of Greater Bendigo. One of 21 children he started fighting aged 18 and began prizefighting aged 21. His career spanned from 1832–50, and is said to have lost only one fight. Later in life, after spending time in prison he became a Methodist evangelist preacher. While the artist and date of production of this work are unknown the initials JJLh (or n?) are just legible lower right on canvas. Other clues for an approximate date of creation include the similarity in composition of this painting to a popular aquatint of Bendigo by Charles Hunt Senior (1803 - 77). Based on the markings on the back of the canvas for Rowney and Co and the address given, we can ascertain that the canvas itself was manufactured between 1884 - 1896. The painting also includes an extract of the Conan Doyle poem 'Bendigo's Sermon' which was written in 1911. Given these three factors, a date for the painting can be surmised as post 1911. Stretched made by George Rowney’s is one of very few artists’ supply businesses with origins in the 18th century still trading today, as Daler-Rowney, albeit no longer in family hands. The business has been a significant supplier of canvases and panels from the 1810s. Naive, Primitive, British0348.1 Framed oil painting of the bare fisted knuckle fighter William Abendigo Thompson painted in a naïve style. Depicts Thompson, bare chested in an outdoor fighting ring with his fists raised with a water bucket at this feet. 0348.2 Typed note re the history of the naming of the City of Bendigo.Top centre front of painting; You didn’t know of Bendigo? That knocks me out! Who’s your board school teacher? What’s he about? Chock a block with fairy tales – full of useless cram And haven’t heard o' Bendigo the pride of Nothin’ All sing along together lower centre painting; William Abendigo Thompson centre Inner wooden frame; bendigo back of canvas; Geo. Rowney & Co 64 Oxford Street and Princes Ball Piccadilly London W sticker lower centre back of frame; donors name and address. Initials illegible lower right.city of greater bendigo sport

Melamine Shield (Customer Board), mission brown with name plaque and 9 yearly plaques 1996 - 2000The Norma Fisher Memorial Shield Sunshine City Ladies Bowling Club|1994 - 95 Winners: M. Gatt, J. Cram, L. Crouch, D. Triplett|1995 - 96: J. Green, B. Robinson, E. Fowler, W. Miller|1996/97: J. Hyde, A. McCaw, L. McMillan, S. Petzierides|1997/98: J. Groves, T. Melvin, G. Trickey, M. Briggs|1998/99: E. Fowler, G. Trickey, K. Lewis, B. Davis|99 - 2000: L. Eleftheriou, A. McCaw, W. Miller|2000 - 2001: S. Elefttheriou, S. Taylor, J. Mougsunshine ladies bowling club, bowling, memento

Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski industry in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Page 169 SKYLINE LODGE COMMENCES SEASON SKYLINE Lodge at Falls Creek had a full complement of members for the opening of the season at Queen's Birthday weekend. Snow was ample, though soft, and care had to be taken till it was ironed out. The members reported very favorably on the hot shower installed by the working party at Easter, as also on the other facilities of Skyline. Falls Creek was particularly busy with skiers as every lodge in the village seemed crammed with members of the respective clubs all rarin' to go on the slopes. With Ski-Tow, Canteen, and many other attractions, there seems every promise that once again Falls Creek will enjoy a skiing season lasting well into November with delightful spring conditions to satisfy the keenest skiers.schuss journal, the ski club of victoria, skyline lodge

George Pollard was born in Corfe, Dorsetshire England in 1824. Being dissatisfied as a clay miner, he decided to migrate to Australia. He migrated in 1851 and after a short unsuccessful time on the goldfields in Bendigo, followed by a period in Dederang and farming in Oxley, he selected land on Little River, now know as the Kiewa River in 1868. His property was know as Rosebank and George continued to live there until his death in 1915. In the early 1880s, George Pollard constructed a creamery on his property at Bonegilla Flat. The creamery stood until the late 1970s although in a state of ruin and used neaas a scratching post by the cattle which grazed in the surrounding paddock. The creamery included a chimney and fireplace. This generated warmth so that when large pans of milk were placed near the fire the cram would rise to the top and could easily be separated to produce butter for the growing family. In 1982 Fred Hillier was visiting from Queensland and offered to make the replica of the creamery featured Wodonga & District Historical Society Collection.This item is significant because it represents a creamery owned by an important family in the Bonegilla district.A small model of an old building made from clay. It includes a roof resembling corrugated iron and empty spaces for windows.Underneath Model Bonegilla Creamery 1886 By Fred Hillier 1982pollard family, agricultural buildings

Longmore set aside his life as a farm-hand in Geelong, Victoria, when he enlisted in the Australian Imperial Force at age 21. Private (Pte) Roy Longmore, 3rd Reinforcements, 21st Battalion, of Bannockburn, Victoria enlisted on 13 July 1915; and he embarked from Melbourne aboard HMAT Anchises on 26 August 1915.[2] After training in Egypt, was sent to the Battle of Gallipoli where he was a tunnel digger with the 2nd Division, burrowing underneath the Turkish positions and laying mines. After evacuation from Turkey, he fought at Pozières, Armentières, and Villers-Bretonneux.[1] He was wounded three times in France and was momentarily given up for dead when he was shot as the Armistice in November 1918, approached. He later recalled, "We were patrolling in a gully when suddenly half a dozen Germans appeared over a hill armed with machine guns and opened fire. Jerry riddled me, knocking me flat on my back, and the last I heard was 'Longy's had it, they got him.'" Fortunately, his fellow soldiers saw him move and rescued him.[3] Lance Sergeant (LSgt) and returned to Australia on 16 March 1919 as a member of the 2nd Pioneer Battalion.[2] Civilian life[edit] After returning to Australia in 1919, his injuries made returning to farm work impossible, so he drove a taxi in Melbourne. Another change caused by the war was more telling. Before, he had hunted rabbits; but he later explained that when he returned home, he no longer had an appetite for firing at anything alive.[3] Longmore married and had one son, Eric.[1] The one-time LSgt Longmore died peacefully in his sleep at a Burwood Nursing Home aged 107 on 21 June 2001. He was the second last Anzac to die.[2] At his death, Australia honored him one final time with a state funeral.[3] Australian "legend"[edit] In 2000, Longmore was recognized as one of the "Australian Legends." His name and photograph were honored as part of an annual series of commemorative postage stamps issued by Australia Post since 1997. The stamps commemorate living Australians "who have made lifetime contributions to the development of Australia's national identity and character".[4] Longmore lived to fully enjoy this honor.[3] Longmore's 45-cent Legend stamp displays the soldier's portrait as a young man, photographed just prior to his departure for Gallipoli. Formal photographs of the other two ANZAC centenarians complete this stamp set. In addition, a fourth stamp features the 1914-15 star medal which was presented to all those who fought in campaigns during those war years.[5] These stamps, designed by Cathleen Cram of the Australia Post Design Studio, commemorate the story of events and people shaping contemporary Australia.[6] The Longmore stamp honors him as an individual and as a representative of all 68,000 soldiers at Gallipoli whose actions affected Australia's evolving self-image.[7] http://en.wikipedia.org/wiki/Roy_LongmoreFramed painting of Roy Longmore wooden frame glass fronted