Darkish black & white photograph of Francisca (Cissie) Schwerkolt on the right and Dora Van Prooyen. Francisca Schwerkolt (Both) is wearing a floral dress. Dora's (Dorothea) first husband was Franz Swarzman. She later married Joseph Van Prooyen.Grandma and Auntie Dora.schwerkolt francisca, van prooyen dora

The Marriage Register lists Harold Priestley Simpson and Amy Dora Walker as the bride and groom, and the wedding date as 14th of February 1928. The photograph uses the personal Harry and Dora, instead of the formal Harold and Amy. In the Register, Amy started signing her name as Dora. before correcting it. The photograph shows that weddings took place at the Chapel during the late 1920's, and the style of weddings at the time. This includes the type of outfits worn, such as the length of the veil and the type of bouquet carried. Dora's Bridesmaids are depicted in 2 other images in the MTSV collection also an image of the chapel decked with flowers for the occasion. The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Sea men's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."The photograph shows St. Peter chapel was being used for weddings in 1928. The Anglican church has been used for weddings since being finished in 1917. The Marriage Register shows that these weddings were legal in the Commonwealth of Australia, and lists Church of England as the denomination for this wedding. Miss Amy Dora Simpson (nee Walker) had a long association with the Mission, first as a young Volunteer with the Ladies Harbour Light Guild circa WW1, and through to her wedding in early 1928 and beyond. Square sepia, glossy photograph of a bride and groom, taken as they leave a building. Guests are throwing rice at the newlywed. The groom is turned towards the camera, while the bride is looking ahead, carrying a bouquet. There is a white border around top, bottom and left edges, the photograph seems to have been cut in half along the right edge.On the reverse: handwritten in blue pen JUST MARRIED!/DORA & HARRY/28/2/28. 618 is stamped in blue ink . (date is incorrect as wedding took place on 14/2/28)bride, wedding, groom, 1928, dora simpson, dora walker, st peter chapel, harry simpson, lhlg, flinders street, harold priestley simpson, valentine's day, amy dora walker, ladies harbour lights guild, mr and mrs a.w. walker, malvern, manning road, reverend j.r weller, molly walker, ella kendall, david simpson

In 1920 Dora Sandow, the youngest daughter of George and Mary Ann Sandow, married William Spencer Grigg, a son of William Michael and Louisa Caroline Grigg. Dora and Bill Grigg purchased the house next to the primary school and called it 'Gnarkeet' after the district in which Dora had grown up, near Mt Bute pastoral station.Black and white photograph of a young woman with long hair, wearing boots and a relatively short skirt. She is holding a tabby cat.dora sandow, dora grigg, cats

In March 2018, David Simpson, son of Dora, brought the metal along with a photograph to be digitised.Brought to the Mission to Seafarer Victoria by her sons on 28 April 2018 to be photographeddora simpson nee walker, obe, order of the british empire, harbour lights guild, hlg

Copy of a black and white image of the wedding of Dora Sandow to William Spencer Grigg. The bride and groom are in the centre of the image. The bride is standing whilst the groom is seated to her right. An unidentified woman (Bridesmaid) stands to the right of the groom and a man is seated to the left of the bride.dora sandow, william spencer grigg, neville sandow

Dora Sandow was born in 1893, the youngest daughter of George and Mary Ann Sandow. She married William Spencer Grigg in 1920.Black and white copy of original photograph, which shows a young woman with medium-length, slightly wavy hair. She is wearing lace-up boots, a mid-length dress which has ribbon trimming on the skirt and lace frills on the sleeves, and a very large, fabric-lined hat.dora sandow, dora grigg

Grave of Joseph Goodman (died 04/07/1932) and Dorothea (Dora) Goodman (died 24/02/1955.) in Plot# P7[?] Greensborough Cemetery. Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.joseph goodman, dora goodman, dorothea goodman, greensborough cemetery

Grave of Joseph Goodman (died 06/07/1932) and Dorothea (Dora) Goodman (died 24/02/1955) in Plot# P7[?] Greensborough Cemetery. . The Goodman’s lived in Alexandra Street, Greensborough.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.joseph goodman, greensborough cemetery

Grave of Joseph Goodman (died 04/07/1932) and Dorothea (Dora) Goodman (died 24/02/1955) in Plot# P7[?] Greensborough Cemetery. Photograph taken by Noel Withers 30/07/2009. . The Goodman’s lived in Alexandra Street, Greensborough.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there.Digital copy of colour photograph of grave/headstone.joseph goodman, dorothea goodman, dora goodman, greensborough cemetery

Donated by the Presentation Sisters of Mt Carmel Convent Rutherglen. Convent closed May 1990Sepia photograph of Linda, Eileen and Dora Drenen (unmounted)"With love from Linda, Eileen & Dora Drenen"drenen family, dora drenen, linda drenen, eileen drenen, mt carmel convent, mount carmel convent, presentation sisters

This photograph shows one of the many weddings held at the Mission to Seafarers over the years and provides an overview of wedding fashion of the late 1920s. The bridesmaids were Ella Kendall and Molly Walker. In this image a horse and cart can be seen in the background on Flinders St and a Telegraph pole. Dora would continue association with the Mission and as president of the Flying angels in the 1960s-70s she would be awarded the MBE for services to Community presented by the State Governor of Victoria. This photograph shows one of the many weddings performed at the Mission to Seafarers over the years. Cross referencing with the marriage registers, also held in the collection, reveals that this photograph is Amy Dora Walker (known as Dora) of East Malvern marrying Harold Priestley Simpson of Surrey Hills / Mornington on 14 February 1928. Dora's son David Simpson, a former architect still volunteers for the Mission in 2018. Dora is listed on the Women of achievement listing.Sepia toned photograph of bride and attendants in the courtyard of the Mission to Seafarers. The bride's dress is calf length and she has just stepped out of a large car assisted by her Father Mr Walker. The Bride is holding a large bouquet. There are two attendants or Bridesmaids to the right of the photograph, wearing layered calf length dresses, cloche hats and holding a small bouquet. Both are standing outside the Mission to Seamen on Flinders St waiting to assist the bride. small circular Blue ink stamp on rear of photograph: PRINTED BY HARRINGTONS. numerals stamped on the back 3 and 8 hat, flowers, veil, wedding, dress, shoes, motorcar, bridesmaids, dora walker, dora simpson, harry simpson, flinders street, 1928, david simpson, fan album, john reginald weller (1880-1969), arthur walker, molly walker, ella kendall

Gift of the artist

Gift of H.A. Watts, 1974

Cato Family Photo of Alick, Edwin, Gertrude, Una and Dora. Black & white Cato family group. The photo is of 3 women in long formal dresses with 2 males in formal suits standing behind the 3 seated women. Family group (Alick, Edwin, Gertrude, Una, Dora)stawell

dora walker, kath drury, officers, lhlg, cadets, south yarra, melbourne, palermo, dora simpson

Obituary for Elizabeth Burchill, one of fewer than 500 women listed in Who's Who in Australia, and who had her portrait entered for the Archibald Prize in 1975. She was once a resident of Whitehorse.Obituary for Elizabeth Burchill, one of fewer than 500 women listed in Who's Who in Australia, and who had her portrait entered for the Archibald Prize in 1975. burchill, elizabeth, nurses

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving