Newspaper cutting titled George works on, printed in the Bendigo Advertiser Sep 16, '99. Mentioned in the article is George's work with the Cornish Association and his re-election as president. An honour was bestowed on George and his wife, Edna at a ceremony in Cornwall. A photograph shows George and his Wife, Edna wearing a light bluerobe and a horizontal banded hat with two dark blue? bands with a yellow band in the centre.bendigo, history, long gully history group, the long gully history group - george and edna ellis, bendigo advertiser 16 /9/99, cornish association of bendigo and district, peter mundy, leanne lloyd, tanya lea, robert lloyd, trevor rosewarne, david lea, white hilll botanical gardens, forest street uniting church, michael joseph, ballarat cornish association, long gully uniting church, eaglehawk fire station

Music CD - Take me back to Bendigo - Bendigo Cornish Choir 2002. Special tanks to the late Edna Ellis

BHS CollectionCopy of a newspaper article titled Family saga continues at Long Gully George to the fore. A photo of George is included and printed under it it mentions that George Ellis is the new secretary of the Cornish Association of Bendigo and District. George's father, George A., is the associations long-serving president, while his mother Edna served as treasurer for many years. Sir John Quick is also mentioned. He was born in Cornwall.bendigo, history, long gully history group, the long gully history group - george to the fore, the cornish association of bendigo and district, george ellis, george a ellis, leanne lloyd, edna ellis, ted hocking, rob lloyd, peter mundy, cornish association of victoria, eaglehawk fire station, william trahair, st matthew's anglican church, bendigo city masonic lodge, cornish choir, corowa historical society, dr john quick, sir john quick, white hill cemetry, peter and catherine moyle

Vol. 1, No. 1 November 1996 CONTENTS REFORMIST?: Barbara Kruger comes to the Museum of Modern Art at Heide 3 FESTIVALS Nillumbik festival celebrates our lifestyle in food, wine, music and art 5 WRITERS WEEK Barry Dickens and Judy Jacques on Ruckers Hill present the "word" in all its possibilities 8 EMERGING ARTISTS Nillumbik presents a new wave of visual artists 11 SHORT STORY Extract from a novel in progress by Jon Weaving 12 POETRY Tribute to Myra Skipper 16 HERITAGE TRAIL Youth of Eltham research local history 1 8 SCULPTURE Akira Takizawa's search for harmony 22 WRITER'S JOURNEY A writer overcomes a nightmare 24 SCIENCE AND ART Pamela Conder analyses nature 26 ARTS BALL Jazz greats come to town 27 HISTORY IN PRINTS Australia's forgotten war artist 28 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market.

Peter has a wealth of knowledge about present day and historical aspects of local art and artists."
 - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) 1996, adam simmons, akira takizawa, alison cassidy, alistair knox park, allwood house, alvaro castagnet, angels of soul, anita hustas, anna kelly, anne curry, arts ball, avenue of honour, barbara kruger, barry dickens, batacuda, belli, belly dance and drumming group, betty rowland, bike paths, bits & pieces, blair fraser, blue tongue, bridge street, bulleen art & garden centre, bulleen nursery, bux, caffe poco, cal martin, carla cordeiro, cate bailey, charles morris, charlie dowley, chris hooke, chris kandis, chute street, circus in a suitcase, crucial kick, deirdre o'reilly, diamond creek, diamond valley big band, edna kenny, ellis cottage, eltham arts council, eltham cemetery, eltham courthouse, eltham festival, eltham high school stage and jazz band, eltham high school, eltham library, eltham people's choir, eltham symphonica band, eltham war memorial building, eltham wiregrass gallery, eucalypso, fay alexander jenkins, fiona furphy, firefly, food for all seasons, friends of the earth forest action fund, gavan gray, gene strode, geoff braithwaite, geoff kluke, george kirov, gil askey, golden cascades, graeme barker and the cats, greg o'leary, harry gilham, helen o'grady children's drama academy, heritage trail, hurstbridge goldworks gallery, italian women's choir, jackie gaudion, jackie stojznova, jacqueline gawler, janine james, jarrold cottage, jay atwill, jazz band ball, jerry hughes, jock ryan, john rasmussen, jon weaving, joseph zbukvic, joy ness, judy jacques, judy racz, jules burns, june cugola, kate jones, kavisha mazzella, kevin spearey, les gyori, lisa walker, lothlorian, louise jade, magwal, margie allan, margie lou dyer, margo barrett, mary burns, masquerade ball, melody james and friends, mermaid in the well, michael eames, michael murray, michele lonsdale, monique di mattina, montsalvat, myra skipper, nell frysteen, nerida kirov, nicole o'connor, nillumbik emerging artists exhibition, nillumbik festival, nola spence, ona henderson, opportunity shop, our lady of help christians church, pamela conder, parafinallen, patrick mccauley, peter burns, peter dougherty, pond, road, robbie greig, roger shuttleworth, ron hanson, rory cole, ross hannaford, ross needham, ruckers hill, sanctuary, scott griffiths, shep huntly, shillinglaw cottage, shire of nillumbik, shoestring, sigmund jorgensen, silvio apponyi, spindrift, st margarets anglican church, stebbing cottage, steve sedergreen, susan street, sweeney, syd tunn, tennis-courts, terry cole, the great gizmo, the picture, theo scharf, thermal skunkrust, untitled scraper board, victorian artists supplies, war artist, warrandyte, westgarth writers' week, wingrove cottage, wolfgangs palace theatre troupe, women's circus, yarra plenty rock gospel choir, you did alright kid, art streams

Photocopied extract from Robin Da Costa's 'Blackburn: a picturesque history' pp 92 -94.Extract from Robin Da Costa's 'Blackburn: a picturesque history' blackburn lake sanctuary, adult deaf and dumb society, blackburn swimming club, melbourne and metropolitan board of works, walling, edna, stones, ellis

Bendigo Advertiser "The way we were" from Friday, July 23, 2004. Ready: members of the Golden Square Eventide Welfare Association, pictured in 1972. Back row: Jack Bright, Kevin Slater, Dick Beattie, Harley Brown, Arthur Lourie. Front: Jim Porter,Edna Ellis, Gordon Sayers, Dennis Oaks, Norm Pinch, Win Brown and George Ellis.newspaper, bendigo advertiser, the way we were

Black and white framed photograph of the Golden Square Eventide Welfare Association Committee 1971-72 with names in a timber frame under glass. Back row: Jack Bright, Kevin Slater (Architect-Draftsman), Dick Beattie, Harley Brown (Vice President), Arthur Lawry. Front row: Jim Porter, Edna Ellis, Gordon Sayers (Honorary Secretary), Denis Oakes (President), Norm Pinch (Honorary Treasurer), Win Brown, George Ellis (Vice President).Martin Washingtonphotograph, person, golden square eventide

Gordon Ford was a conservationist and a pioneer of natural-style landscaping. He came to Eltham in 1948 and bought a block of land in John Street extending through to Pitt Street. Artist Peter Glass lived opposite in John Street. Early on, Gordon worked for Alistair Knox on construction of the mudbrick Busst house amongst others. At the same time, with the help of friends including artist Clifton Pugh, he progressively built his own house ‘Fülling’, which "grew like Topsy" utilising a variety of second-hand materials. His main focus, which became his life-long occupation, was garden landscaping. Inspired by Edna Walling and Ellis Stones, he sought to reflect the bush settings of rural Victoria where he had grown up. Commissions included Monash University and countless industrial sites but designing for the archetypal quarter-acre block gave him the most satisfaction. He had a huge impact on the look of gardens in Australia from the 1950s, creating seemingly natural bush environments by carefully integrating indigenous and exotic plantings. Gordon died in 1999 and is buried in Eltham Cemetery; the gravesite in a natural landscape setting is marked by a plaque. Another plaque (away from his grave) notes his landscaping design work within the cemetery grounds and at Alistair Knox Park. Gordon Craig Ford 30-8-1918 - 16-6-1999 Landscape designer Loved and respected Husband of Gwen, father Of Angela, Emma, Ben, Cassie, Dailan, Caitlin. A good life lived well Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p55This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, graves, eltham cemetery, gordon craig ford, gravestones, gwen ford, memorials

Gordon Ford was a conservationist and a pioneer of natural-style landscaping. He came to Eltham in 1948 and bought a block of land in John Street extending through to Pitt Street. Artist Peter Glass lived opposite in John Street. Early on, Gordon worked for Alistair Knox on construction of the mudbrick Busst house amongst others. At the same time, with the help of friends including artist Clifton Pugh, he progressively built his own house ‘Fülling’, which "grew like Topsy" utilising a variety of second-hand materials. His main focus, which became his life-long occupation, was garden landscaping. Inspired by Edna Walling and Ellis Stones, he sought to reflect the bush settings of rural Victoria where he had grown up. Commissions included Monash University and countless industrial sites but designing for the archetypal quarter-acre block gave him the most satisfaction. He had a huge impact on the look of gardens in Australia from the 1950s, creating seemingly natural bush environments by carefully integrating indigenous and exotic plantings. Gordon died in 1999 and is buried in Eltham Cemetery; the gravesite is marked by a plaque. Another plaque (away from his grave) notes his landscaping design work within the cemetery grounds and at Alistair Knox Park. Gordon Craig Ford Landscape Designer 30. 8 .1918 - 16. 6. 1999 Eltham Cemetery Trustee fom 1987 - 1999 Gordon settled in Eltham in 1948 He was a conservationist and a pioneer of natural style landscaping, continuing design and construction until his death. His local work and influence can be seen in many private gardens, the Eltham Cemetery and the Alistair Knox Park.Born Digitaleltham cemetery, gravestones, gordon craig ford

Ballarat Technical Art School was a division of the Ballarat School of Mines.373 certificates in 2 boxes. Most appear to be related to subjects undertaken at the Ballarat Technical Art School. Director of education stamped signature Frank Tate.Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate"ann duke, plain needlework, victor greenhalgh, frank tate, ballarat technical art school, arnold j. allen, florence allen, m.a. ansen, dressmaking, modelling human figure from cast, ruby e. allison, drawing fro memory, nancy b. angwin, maude arberry, douglas w. arch, muriel j. arch, eileen bailey, annie c. baker, percy j. baker, general design, light metal work, bessie m. barbery, commerical arithmetic, decorative needlework, bert bernaldo, drawing from a flat example, lorna m. mccallum, brush drawing, stanley g.a. barnett, millinery, mavis g. beacham, theodore k. beckwith, isabel j. bell, kelva e. bellingham, leslie bennett, olive van berkel, elizabeth e. berry, beatrice m. blake, thomas g. blake, catherine m. bowers, nancy w. bowe, clarice v. branagh, harold r. brown, architecture, modelling the head from life, henry bull, light metalwork, ivan d. brown, thyra j. brown, henry j. bull, leila m. burford, embossed leathwork, lettering, drawing fro dressmakers, irene m. burke, josephine m. callery, modelling, mona r. callow, herbert cameron, lillias cameron, william e. carlyon, doris l. carter, ruth e. catt, hiram e. chamberlain, stephen chambers, jack d. chand, jack d. chard, clara v. clegg, beryl e. coad, john c. collins, keith m. collins, robert g. collins, kathleen m. conway, athol b. cornish, ballantyne cottier, douglas s. cotton, lilith s. christmas, perspective, doreen coughlan, ivy g. crompton, phyllis culliver, joan m. cuthbertson, alan r. cutter, john l. daniel, arthur dansey, katherine d'arcy, dorothy f. darling, myrtle f. darling, reginal a. davey, gwladys h. davies, annie dellaca, henry a. deller, ivy f. denovan, joyce doepel, bessie donacaster, charles o. dowie, horace b. dowsing, walter dunstan, mary dwyer, allan r. egglestone, melville g. ellingsen, hugh o. elliott, beryl r. ellis, cecil f. engish, allan e. evans, matson l. eves, olive j. fairlie, robert j. falla, mavis felstead, lena featherston, albert c. ferguson, alma ferguson, hilda m. ferguson, john f. ferguson, beatrice m. field, clarice f. fisher, philip h. fleischer, building construction, olive p. francis, agnes fraser, essie gale, gilbert foster, pearle fricke, effie gascoigne, enid m. gates, clarice gear, james a. geary, sylvia f. greenhalgh, evelyn f. geddes, thomas j. gibson, wavie b. gilbert, edna m. gilmer, nancy govan, eula h. gower, doris e. gray, lesley j. gower, henry n. graham, victor e. greenhalgh, melva e. gribble, human anatomy, roy k. griggs, jack gullan, robert gullan, alma m. gunn, dorothy j. hallan, lucy hamilton, james hammer, dorothy e. hamond, christopher j. hanlon, catherin hardess, lily haymes, gladys hedges, irene h. hewitt, john hill, victor j. hill, olive hillings, john a. hobill, frances k. holmes, gertrude m. hopkins, alice horan, marjorie hudson, linda m. hughes, lydia hughes, winifred humphreys, commercial english, agnes a. humphries, colin hunt, kathleen hutchinson, francis n. king, jean king, hilda knox, john kopke, isabel a. kopke, hazel jackson, freda jacobi, agnes james, william r. james, alexander johnson, edward j. jones, eleanor w.h. jones, nellie kau, thomas kean, francis kelly, roy k. kelly, thomas g. kierce, theo e. leonard, esther f. leviston, bessie lockett, norman h. long, ena mackay, gwenda e. mann, robert v. maddison, herbert w. malin, dorothy m. marriott, john c. mcarthur, james p. mcculloch, doris mcdougall, cyril mcgibbony, thelma mcgibbony, jean mcgregor, kenneth mciver, constance m. mckenzie, elsie j. mckissock, alexander k.mcleod, grace b. mclean, john f.w. mclean, rebecca mcphan, vera meeny, edna merritt, dougald miller, florence h. mingst, agnes m. monteith, doreen j. montgomery, jean e. montgomery, robert w.p. montgomery, margaret b. moore, harry e. morrish, james mow, gwendoline r. neagle, gerald r. newson, robert j. nicol, helen f. nicholl, george m. norton, edward s. oliver, mavis e. oliver, hector h, osborne, henry parker, norma e. parr, doris m. patterson, elsie pearce, celia pearlman, leslie pearlman, edna pearson, william j. perriman, eulalie perry, ernest b. pinney, charles e. peverill, clarence r. pittock, raymond b. pitts, phyllis polson, cynthia b. power, bessie puzey, john m. punshon, evelyn a.v. ramsay, robert i ramsay, william a. rattray, drawing for builders and artisans, george h. reed, fred reeves, mavis i. regelhuth, george r. renkin, annie e. reynolds, lizzie rice, eileen l. richards, henry c. riegelhuth, gladys m. riley, charles a. rimmington, amy robson, ernest w. robson, florence a. rogers, dorothy rppney, kathleen rooney, hugh n. ross, stella m. rowe, agnes w. ryan, rosaling e. sage, cora sandberg, eric c. sanders, douglas f. scott, sylvia e. selkirk, dorine a. shearer, gladys sheldon, emily e. simper, veri slattery, florence c. smith, hilda m. spencer, rose spiers, mopna g. spiller, alma m. stapleton, joyce w. stark, marcus m. stone, commercial correspondence, beatrice m. stuart, ena v. sullivan, margaret a. sydes, rita tainsh, norman b. tamlyn, arthur w. thane, alma m. thomas, david e. thomas, william h. thompson, william m. thomas, edgatr j.t. tippett, sidnet tippett, gladys tongway, mavis toop, hugh d. trainor, annie e. treloar, john h. treloar, eilleen trumain, linda f. treewk, percival a. trompf, percy trompf, jean tunbridge, ruth e. tunbridge, allan j. twaits, irene m. utting, elizabeth van beek, william a. wade, agnes a. walker, james a. walker, vera v. aller, john walsh, marjorie walters, rex warrillow, edith watson, bernice e. webb, constance i weeks, ina m. westcott, pearl whan, violet wheeler, myrtle d. whitfield, annie whitl, richard l. whitla, charles f. whitla, grace a. wilcock, murray a. wilkie, andrew w. william, arthur williams, baden p. williams, david d. williams, grace f. williams, maude h. williams, mavis m. williams, james williamson, ivy wilson, hector g wilson, frederick w.r. wilson, david s. wood

Bendigo Symphony Orchestra Concert, Bendigo City Hall. Saturday December 1st, 1984, 8pm. Conductor: David Lord. Guest Artists: Anne Marshall (oboe), Stephen Kenyon (Clarinet), Clare Morton (Bassoon), Catherine Moore (French Horn), Veronika Kenyon (Flute). Program. Members of the Orchestra. Violins: Ellis Ormerod, Sister Cecilia, Jean Boulton, Ruth Weldon, Natasha Anderson, Daniel Herbst, Sally Tidwell. 2nds: Graeme Balaam, Thelma Harvey, Edna Osborne, Myrtle Robbins, Jean Wilson, Margaret Cowder, John Gault, Elizabeth Grounds. Cellos: Diane Chapman, Marge Bubb, Chris Wilson. Bass: Neville King. Flutes: Colin Bubb, Sally Pell, Nigel McGuckian, Karen Hansen. Oboes: David Tunley, Rob Boxshall. Clarinets: Jane Davies, Craig Spenceley, Trevor Quirk. Bassoons: Stuart Anderson, Michael Grounds. Horns: Giles Lean, Gaye Cooper, Allan Davies, Anthony van Emmerick. Tuba: Brian Brewer. Trombones: Stephen Vine, Neil Newman. Cornet: Paul Cooper. Trumpet: Neville Pearce. Percussion: Lloyd George, Nola McIver, Jim Merritt. Acknowledgements: The Orchestra wishes to acknowledge the support given by the Victorian Ministry for the Arts, & the Bendigo & Castlemaine Arts Councils.program, music, bendigo symphony orchestra, bendigo symphony orchestra concert, bendigo city hall. december 1st, 1984, . conductor: david lord. guest artists: anne marshall (oboe), stephen kenyon (clarinet), clare morton (bassoon), catherine moore (french horn), veronika kenyon (flute). program. members of the orchestra. violins: ellis ormerod, sister cecilia, jean boulton, ruth weldon, natasha anderson, daniel herbst, sally tidwell. 2nds: graeme balaam, thelma harvey, edna osborne, myrtle robbins, jean wilson, margaret cowder, john gault, elizabeth grounds. cellos: diane chapman, marge bubb, chris wilson. bass: neville king. flutes: colin bubb, sally pell, nigel mcguckian, karen hansen. oboes: david tunley, rob boxshall. clarinets: jane davies, craig spenceley, trevor quirk. bassoons: stuart anderson, michael grounds. horns: giles lean, gaye cooper, allan davies, anthony van emmerick. tuba: brian brewer. trombones: stephen vine, neil newman. cornet: paul cooper. trumpet: neville pearce. percussion: lloyd george, nola mciver, jim merritt. acknowledgements: victorian ministry for the arts, bendigo & castlemaine arts councils.

News-Sheet Number 3. Listed are the President - Helen Bramley; Vice-President - Barry Thomson; Secretary - Mary Smith; Assistant Sec. - Rae Turner; Treasurer - Betty Martin; Publicity - Julie Manypeney, and the Editor - Michael Treacy. Calendar of club functions & other dances (1994) are listed. Dances are held at Spring Gully, Harcourt, Quarry Hill, Sedgwick and one in Adelaide. Bands are Emu Creek, Black Billy and in Adelaide the Gawler Brass Band. Some items marked with a star are explained on the reverse side of the news-sheet and the ones marked with a dot were not on the previous news-sheet. Entrance costs are listed. There is also a reminder for Membership subscriptions.clubs, social, dances, peter ellis collection, helen bramley, barry thomson, mary smith, rae turner, betty martin, julie manypeney, michael treacy, peroomba, don manypeney, emu creek band, ben thomson, margaret howie, sue foster, barb johnson, jim dobbyn, tom & margaret dean, edna miller

Conditions of Performance Agreement signed by Peter N Ellis on behalf of the Emu Creek Bush Band, dated 9/3/94. Letter dated 3/1/1994 To Peter Ellis, Dean Swift to confirm performance details, payments and accommodation details for Emu Creek Bush Band at the National Folk Festival 1994. Signed by Phil Wilson.entertainment, music, national folk festival, peter ellis collection, 28th national folk festival - canberra, peter n ellis, emu creek bush band, dean swift, edna kenny, phil wilson

'Fulling', the half-hectare property at Pitt Street, Eltham was the home of landscape designer Gordon Ford and his wife Gwen. Ford bought the property in 1948, originally part of an orchard. The garden encapsulates the major trends of Australian garden design in the second half of the 20th century. The garden design is based on mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informality and attraction to native wildlife. The mud brick house and designed and built by Ford commenced in 1948. Several extensions were added up to 1970 and were built by Graham Rose (Source: information panel for exhibition, n.d.) Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p147 A narrow timber gate opens onto a garden that has had a huge impact on natural garden development in Australia since the 1950s.1 Fulling, the half-hectare property at Pitt St, Eltham, was the home of the landscape designer, Gordon Ford, who died in 1999. The garden ‘encapsulates the major trends of Australian garden design in the second half of the 20th century...and epitomises the Eltham style of garden’.2 It in turn, was influenced by several Victorian major landscape designers of the mid 20th century – Ellis Stones, Peter Glass and Edna Walling. The gate opens onto a sandy gravel path, one of several, which wind around dramatic pools and what appear to be natural bush, but on close inspection are carefully integrated native, indigenous and exotic plantings. Retaining walls and steps of rock through the garden link different terrace levels. Lichen-covered boulders serve as steps across a pool, leading to the triple level mud-brick house. Ford bought the property, which was originally part of an orchard, in 1948. As the son of a Presbyterian minister, Ford received a good education, which included learning Latin. This was advantageous when he worked in plant sales for the Forestry Commission, before the Second World War. In the late 1940s, however, Ford turned to building and landscape gardening. He worked on the Busst house, an early mud-brick building designed by Alistair Knox and at the same time, Ford was employed by Ellis Stones. Knox described Ford as, ‘one of the funniest men of the district. ...Rocky’s (Ellis Stones) Depression stories and Gordon’s memory and quick tongue made the jobs the most enjoyable of all those hysterical times that made Eltham the centre of the eternal laugh, between the years of 1945 and 1950’.3 Ford’s house, like so many after the war, was built progressively, as more space was needed and formerly scarce materials became available. It began with an army-shed of timber-lined walls, now used as the kitchen. Ford then built what is now the lounge room, and the house grew ‘like topsy and on a shoestring,’ says his widow Gwen. A lot of second-hand materials such as window frames were used, a style made famous particularly with their extensive use at Montsalvat, the Eltham Artists’ Colony. The house was constructed as a joint venture with friends, including artist Clifton Pugh, who built Ford’s bedroom for £10. The polished floorboards and solomite (compressed straw) ceilings, interspersed with heavy beams, exude warmth. The result is a home of snug spaces, with soft light and garden vistas. Several other mud-brick buildings were constructed as needed, including a studio and units for bed-and-breakfast clients. The garden, which has been part of the Open Garden Scheme since the mid 1980s, is based on a balance of mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informal ethos and attracts native animals. Wattlebirds, scrub wrens, pardalotes, currawongs, owls and even kangaroos, have been seen at Fulling. Gwen, a former English teacher who has worked on the garden since around 1970, urged and helped Ford write his book, The Natural Australian Garden.4 Several of Ford’s favourite trees are in the garden, including the native Casuarina or She-Oak. In spring, the garden is dusted with the purple Orthrosanthus multiflorus or blue native irises and rings with the calls of birds attracted to plants like the callistemons, correas and grevilleas.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, fulling, gordon ford garden, pitt street, eltham mud brick buildings, mud brick house

Black soft covered exercise book with handwrritten examination results for Typingat the Ballarat School of Mines. Each students name is given, and whether they passed, failed or got a Credit. In some years their mark out of 100 was given.ballarat school of mines, typing examinations, phyllis bradley, alice lyons, dorothy serjeant, maude williams, john scarff, hilda dunstan, edna thomas, annie barrow, nancy beames, dallas kitt, john rogers, robert lutherland, alex kum yuen, lenis proctor, joan leonard, grack wilcock, freda saunders, vera sprott, violet osborne, adeline blake, pansy ellis, ivy nott, mary keith, george webb, eunice williams, constance wilkinson, jean corbet, hazel bullock, norma crabbe, gladys middleton, joy young chung, mary green, dorothy coad, eileen fitzgerald, mary finch, thelma gordon, mary ling, betty guy, sylvia shillington, betty dulfer, betty veitch, valma falla, mona greenbank, barbara curwen-wakjer, olga lawrence, ina jopling, francis poppins, betty law, elsie coombs, marcia stoddart, thelma ellsworth, doreen keating, freda penna, evelyn ditchfield, ouida worthington, valerie vickers, norma lepp, audrey fry, valerie hoffmann, aileen judd, hilda ledwell, margery ross, margaret murrell, nola hornbuckle, valma scobie, roberta gay, lois george, claire lawrence, audrey suckling, pamela trigg, valerie blee, glenn gazzard, basil murphy, leoni cutter, barbara ngip, margaret eason, alys page, carol gibbins, louise coltman, margaret holmes, kathleen power, estelle wasley, faye lawn, hancie mcardle, margaret stoddart, judith hillman, gwenneth dixon, anne la roche, carole craig, dianne gmmola, janice vincent, margaret evans, pauline stapleton, susan wendt, dalys flynn, rita mueller

George Archibald Ellis (1928-2019) was a long time Long Gully resident and local historian. He married Edna Hocking in 1953 and they are both buried at White Hills. In this photo he is receiving a cheque for $1000 on behalf of the Long Gully Historical Society. Daryl McClure (1947-2015) was born in Bendigo and became a radio announcer in 1964. He was a Bendigo Councilor 1969-1970 and was elected the Liberal Party member for Bendigo in the Victorian Legislative Assembly where he served 1973-1982. He returned to the Bendigo Council in 1996 and was the mayor from 1999-2000.Coloured photo of George Ellis receiving an envelope from Daryl McClure.bendigo, history, long gully history group, the long gully history group - photo of george ellis and daryl mcclure

Hilary Bennet Mason (born 25/12/1911 in North Melbourne; died 16/3/2008) married Olive Marjory Muridge (B 20/7/1915; D 26/9/2001) on 30 September 1940. They has one daughter, born in 1947. Hilary had a number of occupations in his lifetime. His daughter referred to him as a tram conductor. The family lived at 7 Charles Street, Surrey Hills from c1960, having purchased it from William Stanton (Stan) Philp, a baker, and his wife Eileen. The title originally extended over 2 plots. The Philps sub-divided the land and built a new house for themselves at No 9. No 7 Charles Street had a well under the kitchen window; the house was extended in 1971/72; it was sold after Hilary Mason died in 2011. [REF: Personal communication from the donor; Alan Holt property register and online research.] The handwritten timeline refers to the area having been "called Irish Town as Catholic's were in the majority." Most of the writing is that of Hilary Mason, although some blanks have been filled in by another (unknown) hand. There is also an entry by John Whitford, who moved into a new home on the corner of Charles and Arthur Streets in 1982. The last entry is dated June 1996, when Hilary Mason would have been c 85 years old. Comment in relation to this catalogue entry: "One of the occupation that Mr Mason had was a Radio shop in Bridge Road, Richmond, called Mason's Radio. I worked for Mason's Radio in January 1963 to December 1964. Mr. Mason was a true gentleman, very kind and treated me like a son. Regards M.Zammit." (Maurice Zammit email; 9 March 2025)This is a unique piece of social history reflecting the closeness of this small suburban street.A standard lined exercise book, brand is HEADLINE, which contains a mixture of handwritten entries and pasted in and loose ephemeral items. These include house advertising flyers, newspaper clippings of a general nature and death notices, tickets, etc. The handwritten notes mostly pertain to a timeline of residents and their comings and goings to and from Charles Street in Surrey Hills, but also include some reflections on social history. Memories of other residents of the street are recorded. There are also some personal diary notes.Front cover: "begun october 1987 / History of / Charles street / Surrey Hills / History of Charles st. 1989 / 1996 / 1995 / 1993 1991 1990 / History 1987" in biro and marking pen in blue, red, brown and green. Back cover: "History / of / Surrey / Hills [1987 /1990 /1993 / 1995 / 1996] / History of / Charles street / Surrey Hills 1991" handwritten in black, blue, green, red and pink biro and marking pen.charles street, edna holzer, jack wright, john whitford, diana whitford, amanda whitford, melissa whitford, june kavanagh, aub sherlock, hilary bennet mason, olive marjory mason, noni hallier, elvis greenwood, bob peacock, ken warren, chris holford, enid holford, keith ellis, gina ellis, nita jacobsen, christine craig, peter craig, gary austin, deb austin, ian pearson, chris jacobsen, jack titansaw, peter burton, william (bill) philp, george cook, lee burton, mary pearson, bill sloan, carmel sloan, fielding's foundary, antonio panzera, annunziata panzera, nancy panzera, dr eric allan, merelyn maher, charles lyons, doug sloan, coral meehan, peter haase, steve creati