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Women's Art RegisterBook - Exhibition Catalogue, Caroline Phillips, The f Word: Contemporary feminist art in Australia, 2012-2014
Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.feminism, feminist art, melbourne, the dinner party, australia, judy chicago, west space, latrobe visual art institute, bendigo, gippsland art gallery, sale, victoria, ararat regional art gallery, ararat, technopia tours, kim donaldson, catherine bell, penny byrne, filomena coppola, kate just, jill orr, clare rae, elvis richardson, kate beynon, karen buczynski-lee, destiny deacon, laurene dietrich, eliza-jane gilchrist, janice gobey, georgia macguire, robyn massey, caroline phillips, louise saxton, inez de vega, lyndal walker, justine makdessi, the great petition, natalie thomas, laura castagnini, lyndal jones, vicki kinai, dot ket, virginia fraser, juliette peers, louise burchill, carolyn barnes, melbourne social equity institute, ebony gulliver, kalinda vary, kate robertson, stephanie alexander, kate macneill, victoria duckett, hana assafiri, victoria bennett, anne marsh, catherine deveny, danni zuvela, jon dale, marcia jane, catherine evans -
Women's Art RegisterBook - Anthology, Katy Deepwell, New Feminist Art Criticism, 1995
Essays addressing questions surrounding the effects of feminism on arts practice including responses to feminist exhibitions, the way arts degrees are taught d how feminism's engagment with psychoanalysis and postmodernism has deconstructed borders between the arts and crafts.Booknon-fictionEssays addressing questions surrounding the effects of feminism on arts practice including responses to feminist exhibitions, the way arts degrees are taught d how feminism's engagment with psychoanalysis and postmodernism has deconstructed borders between the arts and crafts. theory, psychoanalytic theory, modernism, curatorship, museology, censorship, hierarchy of media, feminist pedagogy, education, performance art -
Women's Art RegisterBook, Lucy R. Lippard, From the Centre. Feminist essays on women's art, 1976
Following an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.Booknon-fictionFollowing an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.art history, criticism, gender, contemporary, feminism, joan mitchell, judy chicago, faith ringgold, louise bourgeois, adrian piper, eva hesse, performance -
Women's Art RegisterBook, Chritine Battersby, Gender and Genius. Towards a Feminist Aesthetics, 1989
Using the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.Booknon-fictionUsing the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.myths, creativity, motherhood, psychoanalytic theory, prejudice -
Women's Art RegisterBook, Sandy Kirby, Sight Lines. Women's Art and Feminist Perspectives in Australia, 1992
Charts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.Booknon-fictionCharts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.portraiture, feminist art practice, performance art, political art, art and craft, thancoupie, jill orr, vivienne binns, collective art, erica mcgilchrist, mickey allan, ann newmarch -
Women's Art RegisterBook, Somer Brodribb, Nothing Mat(t)ers. A Feminist critique of Postmodernism, 1992
A feminist critique of post-modernism to create a new discourse in feminist theory.Book non-fictionA feminist critique of post-modernism to create a new discourse in feminist theory.structuralism, deconstructivism, theory, political art, modernism, feminism -
University of Melbourne, Burnley Campus ArchivesArticle, Burnley's first feminist gardener, 2018
Copy of article in Australian Garden History, 29 (3) Jan. 2018, on Ina Higgins ina higgins, women, gardeners, burnley, female students -
Glenelg Shire Council Cultural CollectionBanner - Banner - Women's Christian Temperance Union, 1900s
From Heritage Victoria: The Women's Christian Temperance Union (WCTU) was an international first-wave feminist organisation. The Melbourne branch was formed in 1887 and became the biggest and most influential women's organisation in Victoria. The WCTU introduced large numbers of Victorian women to political activity. The Union linked temperance and women's suffrage to achieve a variety of social reforms to improve women’s lives. Possible belonged to Florence Dellar of Henty Street, PortlandBanner for the Women's Christian Temperance Union. Navy cotton backing. Pale blue cotton front. Hand painted. White cord on edges. White fringe on bottom. Person holding flag and cross in centre. Paint - blue, white, black, gold. Wooden slat on top - nailed. String hanger with white tassels.Front: WCTU. For God, For Home, For Native Land. Portland League of Hope. Tremble King of Alcohol, We Shall Grow Up.wctu, womens christian temperance union, feminism, feminist -
Glenelg Shire Council Cultural Collection
Document - Vida Goldstein - notes, Leslie M. Henderson, M.A. LLB, 1966
Vida Goldstein was a feminist and suffragist. She was born in Portland on 13 April 1869. Vida's father was an anti suffragist but encouraged his daughters to be economically and intellectually independent. Vida and her sisters were well educated.Eleven pages of biographical notes on Vida Goldstein written by her niece Leslie M. Henderson, M.A. LLB. Red typing on white paper, foolscap sizevida goldstein, feminist, suffragette, suffragist, womens suffrage, womens rights, vote -
Camberwell Historical SocietyBook, Susan Priestley, Henrietta Augusta Dugdale: An Activist 1827-1918, 2011
Biography of the life of pioneer feminist Henrietta Augusta Dugdale, who initiated the first female suffrage society. Published in 2011, this book offers an insight into Australian women's rights in the 19th century.australia, history, biography -
Women's Art RegisterJournal, Women's Art Forum Annual 1978, 27th February 1979
This journal is the first issue of the Women's Art Forum, a women artists' collective established in 1978 (Melbourne, Australia), in connection with the Women's Art Register.The Women's Art Register is an Australian collection of national significance, documenting the work of Australian women artists from the 19th, 20th and 21st centuries.First issue of the Women's Art Forum, reporting on the state of feminist art in Australia in 1978. 100 pages. B/W text and illustrations. Articles include artist drawings, stories, histories of women artists, and reports, advocating and representing Australian women artists.Published by the Women's Art Forum of Victoria. Printed by Sybylla Co-operative Press Ltd. -
Federation University Historical CollectionPhotograph - Photograph - Black and White, Bella Guerin and son, 1895, 1895
Bella Guerin was born on 23 April 1858, at Williamstown, Victoria. She studied at home to matriculate in 1878, and then gained her Bachelor of Arts from the University of Melbourne in 1883, becoming the first woman to graduate from an Australian university; she followed this with a Master of Arts in 1885. She taught at Loreto Convent, Ballarat, urging the establishment of higher education scholarships to produce ‘a band of noble thoughtful women as a powerful influence for good’. She married an elderly poet, Henry Halloran, who died shortly afterwards leaving her with a young son, Henry. She returned to teaching and from the mid-1890s frequented suffragist circles. A second marriage in 1909 to George D’Arcie Lavender was also short lived. Bella Guerin was vice-president of the Women’s Political Association from 1912–14 and co-authored Vida Goldstein’s 1913 Senate election pamphlet. However, dual membership of the non-party feminist camp and the Labor Party was prohibited by the latter in 1914, so from that date she campaigned for the Victorian Socialist Party and the Women’s Socialist League, speaking out on a range of controversial issues. She led the Labor Women’s Anti-Conscription Fellowship during the 1916 referendum campaign. In 1918, as vice-president of the Labor Party’s Women’s Central Organising Committee, she caused controversy by describing Labor women as ‘performing poodles and packhorses’ who were used for fundraising but under-represented in policy decisions—and she was right. Bella died in Adelaide on 26 July 1923 of cirrhosis of the liver and is remembered for her idealism, her oratory skills and her commitment to equity for women. Black and white photograph copy print of Bella Halloran (nee Guerin) with her son Henry. .2) Photograph that has been removed from displaybella guerin, bella halloran, henry halloran, julia margaret guerin, feminist, university women -
Federation University Historical CollectionPhotograph - Photograph - Black and White, T. Humphrey & Co, Julia Margaret (Bella) Guerin the first woman graduate of The University of Melbourne, B.A. 1883, M.A. 1885, 1895
Bella Guerin was born on 23 April 1858, at Williamstown, Victoria. She studied at home to matriculate in 1878, and then gained her Bachelor of Arts from the University of Melbourne in 1883, becoming the first woman to graduate from an Australian university; she followed this with a Master of Arts in 1885. She taught at Loreto Convent, Ballarat, urging the establishment of higher education scholarships to produce ‘a band of noble thoughtful women as a powerful influence for good’. She married an elderly poet, Henry Halloran, who died shortly afterwards leaving her with a young son, Henry. She returned to teaching and from the mid-1890s frequented suffragist circles. A second marriage in 1909 to George D’Arcie Lavender was also short lived. Bella Guerin was vice-president of the Women’s Political Association from 1912–14 and co-authored Vida Goldstein’s 1913 Senate election pamphlet. However, dual membership of the non-party feminist camp and the Labor Party was prohibited by the latter in 1914, so from that date she campaigned for the Victorian Socialist Party and the Women’s Socialist League, speaking out on a range of controversial issues. She led the Labor Women’s Anti-Conscription Fellowship during the 1916 referendum campaign. In 1918, as vice-president of the Labor Party’s Women’s Central Organising Committee, she caused controversy by describing Labor women as ‘performing poodles and packhorses’ who were used for fundraising but under-represented in policy decisions—and she was right. Bella died in Adelaide on 26 July 1923 of cirrhosis of the liver and is remembered for her idealism, her oratory skills and her commitment to equity for women. Duplicate photograph of Julia Margaret (Bella) Guerin the first woman graduate of The University of Melbourne, B.A. 1883, M.A. 1885, The original is held by Melbourne University Archives. bella guerin, bella halloran, julia margaret guerin, university of melbourne, graduation, feminist, university women -
Women's Art RegisterBook, Uta Grosenick, Women Artists in the 20th and 21st Century, 2003
Individual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.bookIndividual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.marina abramovic, louise bourgeois, guerrilla girls, cindy sherman, adrian piper, georgia o'keefe, portraiture, perfomance, political art, tracey emin, hannah hoch -
Women's Art RegisterBook, Rosemary Betterton, Looking On. Images in the Visual Arts and Media, 1987
Essays examining the way images of women advertising, magazines, fine art, fashion and pornography influence attitudes and perceptions about femininity and female sexuality.Booknon-fictionEssays examining the way images of women advertising, magazines, fine art, fashion and pornography influence attitudes and perceptions about femininity and female sexuality.iconography, mass media, body image, self-portraiture -
Women's Art RegisterBook, Judith Brooks, The Women's Gallery 1988 - 1995, 2019
Documents every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.BOOKnon-fictionDocuments every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.solo and group exhibitions, spiritual art, political art, portraiture, iwd exhibitions, collaborative prectice, collective practice -
Australian Nursing & Midwifery Federation
1985 recording of 3CR Community Radio 'The History Show' broadcast about nurses in World War I featuring historian Katie Holmes, 3CR Community Radio, 1985 April 28
Broadcast of 'The History Show' on 3CR Community Radio. Features feminist historian Katie Holmes speaking on the experience of nurses in World War I.29 minute audio file (.mp3 multimedia format), transferred from compact disc recording.nurses, nursing, war, wwi, world war one, community radio, 3cr, radio, broadcast, history, katie holmes, feminism -
Glenelg Shire Council Cultural Collection
Book, Harriet Martineau, History of Peace Vol. 2, 1851
Light-brown coloured leather bound spine and cover corners. Paper covered board covers, marbling design, red, greens and yellow ochre. The History of Peace 1800-1845non-fictionhistory, english, feminism, peace -
Australian Queer ArchivesPoster, Wimmins' dance, 1981
Additional text: "Disco [Women's] Warehouse, Bay 9, No 9 Ultimo Road, Haymarket. Benefit for 'Girls Own'; the new Sydney feminist Newspaper. Dress Disco. Friday Feb 13th. $3/$2 kids free". -
Women's Art RegisterBook, Judy Chicago, Through the Flower. My struggle as a women artist
BookBooknon-fictionBookfeminism, feminist art, exhibition, abstraction, art education -
Australian Queer ArchivesPoster, Cathie Knox, International Women's Day 1995, 1995
The use of the colours purple, green and white reference the colours used during the first wave feminist movement initially in the UK by the Women’s Social and Political Union (WSPU), and subsequently emblematic of the Australian women’s movement.Graphic illustration of a naked female seated figure in purple, white and red, against a background with 'rays' of purple, green and white. Main text in red, with additional text at base in purple.Additional text: "A woman's place is… …in the struggle : 24th consecutive rally and march : 6:30pm steps of Parliament House : Dance afterwards 8:30pm Brunswick Town Hall (cnr. Sydney Rd. + Dawson St.)."women's liberation -
Uniting Church Archives - Synod of VictoriaBook - Bible, Edinburgh Bible Society, Gaelic bible, 1842
Brown embossed leather bible.margaret mclean, gaelic bible -
Federation University Historical Collection
Letter - Correspondence, Derek Woolley, Information on Derek Woolley, 1992
Typed pages from a speech Derek Wooley made on the occasion of the Ballarat School of Mines Founders Day Address for 1992. The speech was on Bella Guerin. derek woolley, bella guerin, founder day, ballarat school of mines founders day, speech, feminist -
Women's Art RegisterBook - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Women's Art RegisterBook, The Women's Press Limited, Women Artists: Recognition and Reappraisal from the Early Middle Ages to the Twentieth Century, 1978
Illustrated overview of women artists from 5th - 20th century including European, British and American artists. A chapter on Chinese artists states that Chinese women's contribution to the arts ' beginning around 3000 BC.'Booknon-fictionIllustrated overview of women artists from 5th - 20th century including European, British and American artists. A chapter on Chinese artists states that Chinese women's contribution to the arts ' beginning around 3000 BC.'painting, portraiture, sculpture, textiles, photography -
Women's Art RegisterBook, Whitney Chadwick, Women, Art and Society, 1990
Illustrated feminist overview of women artists from the Middle Ages to the late 20th century, practising predominantly in Europe, United Kingdom and the United States.Booknon-fictionIllustrated feminist overview of women artists from the Middle Ages to the late 20th century, practising predominantly in Europe, United Kingdom and the United States.painting, sculpture, performance, feminism, collage -
Unions Ballarat
Robyn Mason: collected memorabilia and press cuttings, 1993-2015
Robyn Mason was a member of the ALP and unsuccessfully contested the seat of Ballarat West in 1996. She was a feminist, teacher and a social worker who fought hard for those affected by sexual abuse and violence. Robyn Mason passed away in 2016. This large collection was donated after her passing; it is a reflection of the vastness of Robyn's contribution to the Ballarat community. Politics, government, advocacy, education - Ballarat region. News articles, correspondence and other memorabilia.btlc, ballarat trades hall, ballarat trades and labour council, politics and government, alp, australian labor party, brumby, john, mason, robyn, kirner, joan, beacham, jenny, howe, brian, elections - state - victoria, sheehan, frank, laffey, catherine, thwaites, john, keating, paul, cain, john, kennett, jeffrey, state premiers, advocacy - sexual abuse, advocacy - violence -
Unions Ballarat
Robyn Mason: scrapbook, 1993-1995
Robyn Mason was a member of the ALP and unsuccessfully contested the seat of Ballarat West in 1996. She was a feminist, teacher and a social worker who fought hard for those affected by sexual abuse and violence. Robyn Mason passed away in 2016. This large collection of correspondence, photographs and other memorabilia, was donated after her passing; it is a reflection of the vastness of Robyn's contribution to the Ballarat community. Politics, government, advocacy, education. Standard scrapbook containing news articles, photos, and other.btlc, ballarat trades hall, ballarat trades and labour council, politics and government, alp, australian labor party, brumby, john, mason, robyn, kirner, joan, beacham, jenny, howe, brian, elections - state - victoria, sheehan, frank, laffey, catherine, thwaites, john, keating, paul, cain, john, kennett, jeffrey, state premiers, advocacy - sexual abuse, advocacy - violence -
Federation University Historical Collection
Article - Article - Women, Women of Note: Author and Activist; Doctor Beatrice Faust, (1939-2019)
Beatrice Faust was born Beatrice Eileen Fennessey in Glen Huntly, a suburb of Melbourne, on 19 February 1939. She was educated at Mac Robertson Girls' High. She attended Melbourne University in the 1950s, where she became acquainted with Germaine Greer and they extended their feminist inclinations. She earned her bachelor's degree in English and subsequently her master's degree. The first of her two marriages was to Clive Faust during her time at university. Having become known as a public figure with the Faust surname, when they later divorced she retained the name. She was one of the first women to argue for civil liberties, abortion law reform and well-informed sex education for all. In 1966 she co-founded the Victorian Union of Civil Liberties to advocate for civil rights and, in 1972, the Women's Electoral Lobby (WEL), to agitate for legislative reform along specifically feminist lines and to give Australian women a greater voice in politics. In the latter part of her career, Bea became a lecturer in English at RMIT in Melbourne, then from 1990-2003 she was at Monash University’s campus at Churchill, Gippsland, (now Federation University) where she was an educational designer in the Centre of Learning and Teaching Support. She retired at 67. In 2001 Faust was awarded the Centenary Medal. In the same year, she was inducted into the Victorian Honour Roll of Women. In 2004 she was appointed an Officer of the Order of Australia for such efforts and more. "Today we pay tribute to one of Victoria’s great feminist leaders, Dr Beatrice Faust AO, who sadly passed away yesterday. Beatrice tirelessly advocated for women’s rights and equality in government policy and for the right to abortion, amongst many other achievements. We recognise her contribution to making Victoria a more gender equal state." Statement from Gender Equity.women of note, beatrice faust, beatrice fennessey, melbourne, macrobertson girls' high, melbourne university, germaine greer, civil liberties, abortion law, informed sex education, victorian union of civil liberties, women's electoral lobby, centenary medal, order of australia, victorian honour roll of australia, gender equity, lecturer, rmit, royal melbourne intitute of technology, monash university, churchill, gippsland -
Unions Ballarat
Book - Australian Labour History (D.J. Spiers Collection), Patmore, Gred
Australian Industrial Relations series. Chapter headings: 1. Australian labour history 2. Convicts and free labour 1788-1850 3. A working man's paradise? Labour 1850-91 4. Labour and politics 1891-1957 5. Labour and the state: Compulsory arbitration and wages boards 1890-1914 6. Labour and capital: The labour process in Australia before 1972 7. Gender and work: Feminist labour historiography and equal pay in Australia 8. Race, ethnicity and work: Australia 1788-1972Significant to labour relations and unions in Australia.Book; paper.Front cover: Author's name and title. btlc, ballarat trades and labour council, history - labour
