On the 27th of May, 1994, the foundation plaque of the Arthritis Foundation of Victoria's new headquarters was unveiled. Named the Percy Baxter Arthritis Centre, the official unveilling was conducted by the Premier of Victoria, the Honourable Jeff Kennett (1948-). Located at 263-265 Kooyong Rd, Elsternwick, the construction of the new building was nearing completion. This photo depicts several platters of finger food on a table, with guests eating and mingling in the background.COL photo of a group of people standing close to one another at the end of a table. Some of them are eating or have some food in their hands. On the table in front of them, there are several platters of finger food and two stacks of paper napkins. In the foreground, one person's hand is reaching for some paper napkins in a clear plastic napkin holder. There are several other people standing in the background, and some chairs near a large window.arthritis foundation of victoria, afv, percy baxter arthritis centre, new building, new premises, foundation plaque, unveiling, guests, refreshments, finger food, paper napkins, celebration, 1994

On the 27th of May, 1994, the foundation plaque of the Arthritis Foundation of Victoria's new headquarters was unveiled. Named the Percy Baxter Arthritis Centre, the official unveilling was conducted by the Premier of Victoria, the Honourable Jeff Kennett (1948-). Located at 263-265 Kooyong Rd, Elsternwick, the construction of the new building was nearing completion. This photo depicts guests mingling while enjoying some refreshments inside the unfinished building.COL photo of a big group of people standing inside a large room in an unfinished building. Several people are holding glasses of wine or champagne in one hand. In the foreground, there is a table containing several large platters of finger food. Above them, the roof trusses and electrical wiring are evident as a ceiling has not yet been installed. The walls have not yet been painted. Large windows reveal views of an unlandscaped garden and a portable construction site office on the outside.arthritis foundation of victoria, afv, percy baxter arthritis centre, new building, new premises, foundation plaque, unveiling, guests, refreshments, finger food, wine glass, champagne, flute, celebration, roof trusses, electrical wiring, 1994

On the 27th of May, 1994, the foundation plaque of the Arthritis Foundation of Victoria's new headquarters was unveiled. Named the Percy Baxter Arthritis Centre, the official unveilling was conducted by the Premier of Victoria, the Honourable Jeff Kennett (1948-). Located at 263-265 Kooyong Rd, Elsternwick, the construction of the new building was nearing completion. This photo depicts guests mingling inside the unfinished new building.COL photo of a group of people standing close to one another, chatting. In the background, a round table covered with a tablecloth is evident in a gap amongst the crowd. There are platters of food on the table. The photo has been taken from a high angle, highlighting a small group of people in the foreground.arthritis foundation of victoria, afv, percy baxter arthritis centre, new building, new premises, foundation plaque, unveiling, guests, refreshments, finger food, celebration, 1994

In late 2000, Arthritis Victoria (formerly the Rheumatism and Arthritis Association of Victoria) celebrated the 80th birthday of its founder, rheumatologist Dr Leslie Koadlow AO (1920-2006). Around 90 people attended the celebratrions at AV's headquarters, including Dr Koadlow's family, colleagues, and friends. In this photo, Dr Koadlow's wife, Dr Elsie Koadlow OAM (1922-2010), Wilma Nelson, and board member, Heather Rose, pose for a photo while chatting during the festivities. The photo appears on page 26 of the Vol 14 Issue 01, Autumn 2001 edition of the Arthritis Foundation of Victoria's quarterly magazine, Update. It is captioned: "L to R: Dr Elsie Koadlow, Mrs Wilma Nelson, Ms Heather Rose."COL photo of three women, standing in a large room, posing for a photo. They are holding drinks and/or finger food in their hands. In the background, there are two men chatting.[On a white label, handwritten in black ink] L-R. Dr. Elsie Koadlow Mrs. Wilma Nelson Ms. Heather Rose celebrating at Arthritis Victoria's offices [On the same white label, handwritten in pencil] 80% [On the same white label, handwritten in thick black ink (sideways orientation & circled)] 26dr leslie koadlow, rheumatologist, founder, co-founder, arthritis foundation of victoria, afv, rheumatism and arthritis association of victoria, raav, 80th birthday, celebration, dr elsie koadlow, wilma nelson, heather rose, 2000

Fire in the Borough (2007) by Shirley A VIDEION was launched in 2008 at the Port Melbourne Fire Station No 39 at the corner of Williamstown Road and Graham Street. Current Fire Fighter, Station Officer Phillip BENCRAFT was special guest to help launch the book. Phillip is the great-grand nephew of William BENCRAFT who was appointed Superintendent of the United Insurance Companies' Brigade in March, 1858.Digital colour photograph of Heather WALE, Beryl RIGBY (both seated), Suzy MILBURN and Ann GIBSON preparing finger-food for the launch of Fire in the Borough.fire in the borough, celebrations fetes and exhibitions, port melbourne historical & preservation society, pmhps, fire and fire services, heather wale, suzy milburn, ann gibson, beryl rigby nee dixon

This photo depicts Arthritis Victoria CEO, Shirley Caulfield, and two other women sitting at a table during a function.COL photo of three women sitting at a round table covered with a white tablecloth. On the table, there are some printed sheets of paper, mugs of tea or coffee, glasses of water, and some finger food on top of paper serviettes.arthritis foundation of victoria, afv, shirley caulfield, ceo, function, event

Photo of a group of people: one woman, 2 children and 5 men. All the men in business suit eating finger food. Date and location unknown. A business card for L.E. Curnow (Public Affairs Manager) attached to the photo; the words: ''Hugh you may find people who would like to have these'' are written on the card.person, group, mixed

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Maj Neville Smethurst MBE 2IC of the 7th Battalion Royal Australian Regiment (1970-1971) at Ambassador Harry's residence in Saigon. Maj Smethurst has just refused to accept the presentation of the "Polar Medal" from the Ambassador, telling him he was going to receive it back in Australia with his wife and family present. The Ambassador conceded and the medal was put away. Maj. Smethurst then told of his experiences on Antarctia to the assembled embassy officials, while enjoying some champagne cocktails with some delicious "finger food". After spending a pleasant night in Saigon Maj Smethurst returned to Nui Dat.photograph, nui dat, saigon, ambassador harry, maj neville smethurst, gibbons collection catalogue, polar medal, mbe, member of the order of the british empire, 7th battalion, royal australian regiment, denis gibbons

This kiln glazed container for liquid's, was the type used in the 1700's to mid 1900's to contain fluids mainly for human consumption which needed to retain liquid that could be affected by sunlight and or required to be maintained at a cooler temperatures. Ginger beer and other "brews" for human consumption were the prime target. The ability to refill these vessels were of the utmost importance to the consumer. Over time these containers were reduced in size and produced for "special" liquids e.g. alcoholic Port. This Demi John stone ware was manufactured in Tamworth (England) and imported into Australia during a period when the majority of "quality" domestic items were sourced from "the Mother Country" and the ties between the still "colonial" outpost were very strong. This bondage remained longer in rural communities than in the cities. The "multi-culturalism of the post World War II era resulted in the lessening of the earlier ties. The growing of nationalism, the Aussie evolution, was brought about by the increased social and business/commercial interactions between Australia and the United States of America, post World War II.This container(jug) is very significant to the Kiewa Valley, a rural region that required these type of liquid storage vessels, especially in the late 1800's to the mid 1900's. These were times when household refrigeration, if available, would be from the "block ice" coolers or "cool" storage nooks and crannies within farmhouse locations.This large "stone ware" glazed Demi John, alias Carboy has a capacity of over 20 litres. It has a conical smooth lipped neck top with a wide, flat(three to four finger) carry and poring handle. The top third portion of the jug is caramel in colour and the bottom a darker cream. It has a manufacturer's seal stamped into the surface before glazing. This item would have been corked and then sealed (air tight) with wax.manufacturer's seal "GEORGE SKEY WILNECOTE TAMWORTH"household liquid jar container, 1800's food storage, kiln fired glazed pottery

This biscuit/tea caddy was probably targeting the "theatre going" family or those who liked looking at the colourful shakespearian scenes. This item however demonstrates that the rural (Kiewa Valley) appreciation of classic English plays was, in this time period (early 1900's), just as strong as in the larger towns and cities. This item also presents the period in which the "olde" Elizabethian phrases and words were taught in regional high schools. Although this speech pattern and phraseology was of a specific time period and going out of fashion when Australia was first settled it was an inherited form of communication(higher social/economical level). In the context of the rural Australia "scene" and in this time frame of the elite "boarding school" generation this item was a visual reinforcement of the education level and position of the family who owned this tin.This item is highly significant because it not only presents the social aspects of early life in the Kiewa Valley but also the variety of educational levels and economical variations of the rural population within the Kiewa Valley. The egalitarian perception of the inhabitants of the Kiewa Valley was still at the infancy of early Australian social interactions. This biscuit /tea container was however a leveling of the socio-economic playing field of the time.This biscuit or tea tin, has besides having an outer lid (hinged), it also has an internal lid(with a circular finger grip). Although the shape is rectangular it has a slight concave bulge at each side of the centre of each of its main frame. It is made of pressed light steel and has a raised floor. The corners are bevelled and the outer lid has a bevelled slope ridge in parallel to the extremities of the main tin frame. There are painted scenes from the following Shakespearian plays on each side of the tin; "As you like it", "Hamlet" and on each of the bevelled corners are the portraits of Shakespeare(in the middle), the caricature mask faces of "the theatre" above and on the bottom section the "Director's chair"food storage, kitchen table container, domestic educational storage, shakespeare illustrations

This canister which contained a blend of Rasawatte tea was produced in the early 1900's and for the most of those who acquired it for its contents it was useful (because it was made from solid pressed steel) as a tea caddy or container for other kitchen utensils or loose grains etc. It was also a good advertising item for a general agent W.M. Peterson & Co. in Melbourne. This company along with neighbouring tea importers offices were burnt down in a horrific building fire in Melbourne.This item was used in a period of time when the tea beveridge was the main hot beveridge to accompany meals, and "high tea" was a special treat to enjoy quality teas and "finger" food. In the rural sector of the Kiewa Valley, the favourite hot drink at "smoko" or other rest times was a freshly "brewed" pot or "billy" of tea. The hot drink tea was later in time challenged by the hot cup of coffee. This change occured at a later time in the rural sector than in cities or larger towns. The rural sector in this time frame was a lot more "traditional" in a lot of their day to day learned mores. Life style changes took longer to evolve mainly due to lack of media bombardment (mainly from city based advertisers) within the family home . "The latest jadgets" took longer to permeate into "isolated or semi isolated rural regions" such as the Kiewa valleyThis cylindrical tin container, which originally contained fine Ceylon tea is totally constructed from pressed light steel. It is embossed with content details and the name of the general tea agent. The main body has been fastened by pressed, not soldered connections.Embossed with the following "Ceylon Flavoured" and in bold large letters "RASAWATTE TEA" and below this in smaller print "ONE POUND NETT" This is encapsulated by Tea plant petals and vines. On the opposite side and in script writing "3M" below this in an unfolded banner presentation "BLENDED & PACKED BY" below this "Peterson & co Melbourne" This is also encapsulated by Tea plant petals and vines.kitchen storage, tin container, cannister/caddy, kichen advertising

This tin which once contained coffee with chicory was purchased in a period when the importation of coffee beans into Australia was quite expensive and to counter that local distributors of coffee mixed it with Chicory, a blended coffee, flavoured slightly milder depending on the amount of coffee(percentage) per serve. This provided a cheaper cup of "coffee" drink. This mixture was a spin off from the 1930's Great Depression and the naval blockages of World War II (imports from India and other regional coffee growers) and the scarcity of secure ship supplies. As supplies became more secure "pure" coffee as a drink became available at reasonable costs. This "insignificant" coffee/chicory tin is very significant as it demonstrates that the Kiewa Valley was becoming more accessible to reliable coffee supplies and general food items.This was brought about through reliable roads and an ever increasing population The need for travelling supply caravans to the area, and with the establishment of grocery stores in Tawonga and Mount Beauty the supply of previously "hard to get" groceries vanished. This transition was precipitated by the SEC Vic Hydro Scheme of the 1940's to 1960's which increased the valley population two fold.This container of McKenzie's Coffee and Chicory is made from pressed steel and has a tight fitting lid (steel with a protruding lip to allow finger pressured removal). The tin has one pressed seem (holding the cylinder together). The backdrop of the outside of the tin is "grained" brown painted with dark brown (worn) lettering and central between McKenzie's/Coffee is a figure of an eagle with its wings outstretched. All the letters and figure have been embossed into the tin surface. The weighted contents are listed at a capacity of 1Ib Net.On one side (front) "McKenzie's Coffee and Chicory 1lb Net". On the other side "COFFEE & CHICORY" underneath "Guaranteed under the Victorian Pure Food Act 1905" "No. 1000 guaranteed under the Pure Food Act 1908, N.S.W. by Jas F. McKenzie & Co. Pty Ltd., No. 1000." "No 22 Guaranteed under the Food and Drugs Act 1910 by Jas F. McKenzie Pty. Ltd No. 22 (Tasmania)." Further "No. 1000 Guaranteed under the Health Acts by Jas. F McKenzie & Co. Pty Ltd No. 1000 (Queensland) "Containing not less than 50 percent of coffee." And at the bottom Jas.F. McKENZIE & Co. Pty Ltd Melbourne and Sydney"tin food/drink mild steel containers, food/drink storage containers

Sheet metal sugar scoop with finger loop handle.L28domestic equipment, food preparation, sugar scoop

Very small sheetmetal mug/dipper with finger loop handle.domestic equipment, food preparation, kitchen

These are stainless steel Hair styling Clips that are used for creating definite, non permanent Waves in a lady's hair c 1920 to 1960. Ladies usually went to the hairdresser for this styling but they could do it themselves at home Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin Finger waves were very a fashionable Hairstyle 1920 - 1960. Gladys Reed, who was a member of the Ormond Choral Society c 1950.that performed plays and musicals the City of Moorabbin used these 'butterfly clips'Steel spring 'butterfly clips' used for crimping hair to form waves. Sanitarium Health Food Company Box c 1960 used for storage.hairdressing, finger wave hairstyle, steel, fashion, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george, hairdressing salons

Naturally, we tend to take commonplace objects for granted, because they have always been there. Yet how many of you actually have thought “hey, where do forks come from?” Well, it takes one trip to China and a 3-year-old laughing at your face because of your desperate attempt to eat with chopsticks to finally appreciate something so ordinary such as a fork. So, where do forks come from? The early history of the fork is obscure. As a kitchen and dining utensil, it is believed to have originated in the Roman Empire, as proved by archaeological evidence. The personal table fork most likely originated in the Eastern Roman (or Byzantine) Empire. Its use spread to what is now the Middle East during the first millennium AD and then spread into Southern Europe during the second millennium. It did not become common in northern Europe until the 18th century and was not common in North America until the 19th century. Carving fork from 1640. Source: Wikipedia/Public Domain Carving Fork from 1640. Source: Wikipedia/Public Domain Some of the earliest known uses of forks with food occurred in Ancient Egypt, where large forks were used as cooking utensils. Bone forks had been found on the burial site of the Bronze Age Qijia culture (2400–1900 BC) as well as later Chinese dynasties’ tombs.The Ancient Greeks used the fork as a serving utensil. Read also: Steven Spielberg to Remake the Classic Musical ‘West Side Story’ In the Roman Empire, bronze and silver forks were used. The use varied according to local customs, social class and the nature of food, but forks of the earlier periods were mostly used as cooking and serving utensils. The personal table fork was most likely invented in the Eastern Roman (Byzantine) Empire, where they were in everyday use by the 4th century (its origin may even go back to Ancient Greece, before the Roman period). Records show that by the 9th century a similar utensil known as a barjyn was in limited use in Persia within some elite circles. By the 10th century, the table fork was in common use throughout the Middle East. Bronze forks made in Persia during the 8th or 9th century.Source: Wikipedia/Public Domain Bronze forks made in Persia during the 8th or 9th century.Source: Wikipedia/Public Domain The first recorded introduction of the fork to Western Europe, as recorded by the theologian and Cardinal Peter Damian, was by Theophano Sklereina the Byzantine wife of Holy Roman Emperor Otto II, who nonchalantly wielded one at an Imperial banquet in 972, astonishing her Western hosts.By the 11th century, the table fork had become increasingly prevalent in the Italian peninsula. It gained a following in Italy before any other Western European region because of historical ties with Byzantium and continued to get popularity due to the increasing presence of pasta in the Italian diet. At first, pasta was consumed using a long wooden spike, but this eventually evolved into three spikes, design better suited to gathering the noodles. In Italy, it became commonplace by the 14th century and was almost universally used by the merchant and upper classes by 1600. It was proper for a guest to arrive with his fork and spoon enclosed in a box called a cadena; this usage was introduced to the French court with Catherine de’ Medici’s entourage. In Portugal, forks were first used at the time of Infanta Beatrice, Duchess of Viseu, King Manuel I of Portugal’s mother around 1450. However, forks were not commonly used in Western Europe until the 16th century when they became part of Italian etiquette. The utensil had also gained some currency in Spain by this time, and its use gradually spread to France. Nevertheless, most of Europe did not adopt the use of the fork until the 18th century. Read also: The 8 Most Famous ‘Functioning Alcoholics’ in History Long after the personal table fork had become commonplace in France, at the supper celebrating the marriage of the Duc de Chartres to Louis XIV’s natural daughter in 1692, the seating was described in the court memoirs of Saint-Simon: “King James having his Queen on his right hand and the King on his left, and each with their cadenas.” In Perrault’s contemporaneous fairy tale of La Belle au bois dormant (1697), each of the fairies invited for the christening is presented with a splendid “fork holder”. The fork’s adoption in northern Europe was slower. Its use was first described in English by Thomas Coryat in a volume of writings on his Italian travels (1611), but for many years it was viewed as an unmanly Italian affectation. Some writers of the Roman Catholic Church expressly disapproved of its use, St. Peter Damian seeing it as “excessive delicacy.” It was not until the 18th century that the fork became commonly used in Great Britain, although some sources say that forks were common in France, England, and Sweden already by the early 17th century. Spaghetti fork By Lady alys - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6414948 Spaghetti Fork By Lady alys – Own work, CC BY-SA 3.0, The fork did not become popular in North America until near the time of the American Revolution. The curved fork used in most parts of the world today was developed in Germany in the mid 18th century while the standard four-tine design became current in the early 19th century. The fork was important in Germany because they believed that eating with the fingers was rude and disrespectful. The fork led to family dinners and sit-down meals, which are important features of German culture. https://www.thevintagenews.com/2016/08/31/priority-fork-came-italy-european-country-pasta/?chrome=1Serving fork, two prongs, with a shaped wooden handle. Badly rusted.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, food, meat, carving

A field ration, combat ration or ration pack is a canned or pre-packaged meal, easily prepared and eaten, transported by military troops on the battlefield. They are distinguished from regular military rations by virtue of being designed for minimal preparation in the field, using canned, pre-cooked or freeze-dried foods, powdered beverage mixes and concentrated food bars, as well as for long shelf life.Australian Defence Force Combat Ration pack for one man. Contains 30 items: tomato soup, processed cheddar cheese, blackberry fruits spread, sweetened condensed milk, cream cracker buscuits, scotch finger biscuits, instant coffee x2, chocolate drinking powder, sugar x8, mixed berry beverage powder, Cottee's cordial powder, tropical fruit grains, salt, pepper, sweet chilli sauce, tabasco sauce, arrowmint chewing gum, tangerine lemon lollies, toothpicks, scourer, napkins, bottle opener.Australian Defence Force Combat Ration (One Man) contents list.ration pack, australian army ration pack

Collection of images taken by the Royal Blind Society of New South Wales and used by Ron Black to promote the work of the society. These include a young child finger painting, an adult walking a rope bridge, rowing, a talking book machine (TBM), a narrator in the studio, Rob McQuillan using a TBM, staff sorting mail, transcribing print into Braille and proof reading Braille, Dawn Davis with a refreshable Braille display, and daily home living skills such as cutting up food, using a CCTV to read a newspaper and Michael Simpson using a computer in the office.14 coloured photographs previously stored in albumroyal blind society of nsw, rob mcquillan, dawn davis, michael simpson

Dark haired boy sitting at a table eating food with his hands. In the second image, another child is seated next to him and has placed his fingers over his mouth, to understand what is happening. Both boys appear to be in the dining room at the RVIB Burwood School as there is another table behind them and possibly a servery in the background.2 digital images of a boy eating his lunchrvib burwood school, education

This device was improvised to prepare herbs for cooking, It could chop bundles of herbs efficiently whilst also ensuring the users fingers were kept clear of the blades. The user held onto the handle and rolled the blades across the herbs to be cut. This item has typical of kitchenware improvised to complete tasks when more food preparation was completed in the home.A device with two sets of sharp metal rollers attached to a metal frame with a handle, The wooden handle is painted in green. domestic appliances, kitchen utensils

Small metal utensil to remove cherry pips. Two metal rings for fingers, a metal "push" to remove the pip when plunged down.food preparation, domestic item

2 glass bottles x 1 imperial pint milk bottles and 1 x 1/2 imperial pint milk bottle all with finger-shaped pattern around neck."MILK. M.B.R.This bottle is the property of Milk Bottles Recovery Ltd. 18 Market Street, Melbourne. It can only be used by written permission and cannot be sold" is visible on each bottle, with one imperial pint and imperial half pint inscribed towards the lower part of each relevant bottle.bottles, containers, milk bottles, food storage containers

Off-white tea cup, swelling in upper half. Handle shaped to fit two fingers. Decoration is willow, in blue ink and is symmetrical on both sides of the cup. No saucer.EIT LTD ENGLAND' imprinted on base.domestic items, food & drink consumption, tea, cup, willow, blue and white, pattern, drink, china, eit ltd.

This hook was used by George and Noel A'Vard on their farm from the 1940s to lift bags of potatoes, chaff, and animal food. Sack or bag hooks were designed to make carrying these heavy bags far easier. The pointed end was sharp enough to pierce a woven bag and the handle was designed to fit ergonomically into the palm of a farmer's hand. This saved them from having to bend to pick the bags up or strain their fingers by gripping the necks of many bags over the course of a long and laborious day. Many sack hooks had a wooden handle which was attached to the shank later in the construction process, but the A'Vard family's hook is made from one continuous piece of iron, likely shaped with a tool by a local blacksmith in the early-mid 20th century.This hook is a prime example of the many tools farmers in Emerald and its surrounding agricultural areas used around their properties to ease the strain of manual labour. Prior to the mass mechanisation of farms, difficult tasks were done by hand, and any tool that could assist in their completion would have been greatly valued. A large, rusted iron or steel hook, tapered to a sharp point at one end. The other end of the hook's shank is wrapped into a large handle.emerald, a'vard family, 20th century, 1940s, farming