'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Freeman Street, Hawthorn East by Margaret Picken.3 Freeman St, Haw, Margaret Picken '91. Woodards - C'well. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 5 Freeman Street, Hawthorn East by Margaret Picken.5 Freeman St, Haw E, Margaret Picken '96. Woodards - C'well. artist - margaret picken 1950-

East Ringwood 2000-StStephens Uniting Church in Freeman Street East Ringwood- B&W Photo from Album 6501

Handwritten draft - History of St Stephens Uniting Church, Freeman Street, Ringwood East, Vic. May 1955 to October 2003, compiled from minute books and church records by Keith Sutton, February 2007.

Advertisement for subdivisional auction sale of 80 residential allotments on Saturday, 21st December, 1918, including terms of sale, subdivision layout, and nearby location photographs.Subdivision includes Mount Dandenong Road (incorrectly shown as White Horse Road), Dublin Road, Freeman Street, Bona Street, and Patterson Street. Local Agent - J.B. McAlpin, Telephone Ringwood 7.

Australia Day 1978 Melbourne had the biggest collection of historic vehicles seen in this country. There were electric and horse drawn trams, steam trains, veteran and vintage cars and even a fly past of old flying machines. Officially the occasion marked the unveiling of Harold Freeman's giant mural at Spencer Street Station depicting a century of transportation in Australia. Another paragraph refers to the horse trough referred to in E - C - 3 and research by Amy Bunker into the story of George Bills. It points out that the RSPCA emergency home in Burwood is the George Bills Rescue Centre.transport, freeman, harold, spencer street station, horse troughs, bills, george, royal society for the prevention of cruelty to animals, bunker, amy

The Sons of Temperance was founded in New York in 1842 and brought to New South Wales by the Baptist minister, Dr William Hobbs, a short time later. Division, or local branches, grew quickly so that in October 1864, a provisional Grand Division was formed with a commitment to spread the word on temperance throughout the country, and the advantages gained by joining a temperance benefit society. It was reported that by 1869, in New South Wales, there was a National Division, two Grand Divisions, and one hundred and seven Divisions, with a total membership of 5970. While a distinct part of the temperance movement, the Sons of Temperance was also a 'friendly society'. Friendly societies were fraternal organisations established to assist members and their families cope with unemployment, sickness and death. No government unemployment or hospital benefits were available to individuals when the societies were initially formed. In each society, members contributed financially to a common fund which could be drawn upon in times of need. In 1868, members of the Church of Christ, Cheltenham, initiated a meeting to form a Division of the Sons of Temperance, which was subsequently called Star of Moorabbin Division, No 29. The meeting was held at the Cheltenham Temperance Hall on 30 September, with office bearers appointed and the larger membership acknowledged.This minute book records the minutes of the meetings of the Star of Moorabbin Division of the Sons of Temperance. It also records the first office holders. Additional members and some financial information is also recorded.Hard covered book, lined in brown fabric with red leather corners and spine used as a minute book for the Sons of Temperance, Star of Moorabbin Division. Inside pages are unlined, although a red margin has been printed. Additionally, the fly sheet of the book has printed text, which has been completed in handwriting.Handwritten in blue ink on the inside of the front cover: J.W. Hall G.S. / Brighton Cottage / Freeman Street / North Carlton The fly sheet has printed text which has been crossed out with handwritten edits: Star of Moorabbin Division / No 29 / Instituted: September 30th 1868friendly societies, societies, temperance, cheltenham, moorabbin

Mrs Elma Camm (nee Freeman) was the wife of Herbert Desmond Camm. Des and Elma lived in Orbost from 1971-1980/1. Des died on 9/11/1980 and is buried in Orbost Cemetery. Elma moved away and is presently (2013) in care at Lakes Entrance. Elma's hobby was collecting shells and crafting them into interesting forms. Much of her work is in the Shell Museum in Lakes Entrance. The figurine in Orbost Museum was donated by Elma.This item is an example of the handcraft skills of women in the early to mid 20th century.A small figurine made completely of different shaped shells and set onto a wooden block as its base. The block was originally a Wee William cigar box. The figure is playing a stringed instrument, possibly a guitar, held in front of him/her. The hat is a small shell.shell-art figurine recycled-materials

Plane Moulding type Hollow Stamped W Freeman and C Quigley.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, moulding plane, w freeman and c quigley

Through the address on the box, this dress has a local connection. Miss Mavis Hedrick operated a dress salon at 162 Liebig St Warrnambool in the 1940's. Her parents lived at various houses in Warrnambool, including Skene, Spence and Princess Sts. She married John William Freeman in 1942 and left Warrnambool some time after that date. From wedding reports of the day it doesn't seem that this is Miss Hedrick's wedding dress. It seems more likely that it was purchased from her frock salon in Liebig St Warrnambool.While the owner and original wearer of this dress has eluded us, the dress has a strong link to Warrnambool through the original box with its identifying labels. The dress is very much in the style of the era of Miss Hedrick's dress shop..This cream silk wedding dress and slip was donated in original cardboard box with the address written in large letters on the front. The dress is cream silk with gold metallic trim in two lines across the bodice.There are silk covered buttons on the front and back of the bodice and it has a high rounded V neckline.It has long lily point sleeves .There is a side opening with hook and eye fastening.The skirt is cut on the cross and a small train flows from the back of the dress. A simple A line slip accompanies the dress. It has ribbon shoulder straps and the top is edged in a fine narrow lace. The large box is rectangular and grey in colour. The addressee's name is written in large lettering in black (possibly crayon) . A label is pasted to the top right hand corner. A Victorian Railways stamp is loose with the item.On the Box : Miss Hedrick Frock Salon Warrnambool On Label in top RH corner: Mollard & Williams 238 Flinders Lane Melbourne. Stamp: Victorian Railways Parcel stamp 8d Melbournewarrnambool, 1940's wedding dress, mavis hedrick, mollard and williams, 238 flinders lane melbourne, miss hedricks frock salon

Hardcover. Front cover has a photograph of a winery surrounded by hills.Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779victoria, australia, history, travel, pictorial works

Hardcover. Front cover has a photograph of a winery surrounded by hills.Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779victoria, australia, history, travel, pictorial works

Pages feature student works, contacts and artist statements. Introduction by Associate Professor Richard Chew, Director, Arts Academy Ballarat and Gippsland, School of Arts. Notes ongoing adaptation to "challenges of living, working and learning with extended lockdowns and changing restrictions" of the Covid-19 pandemic. Last page features long list of staff and supporters as well as EYE committee. Inside back cover features sponsors. Catalogue includes Bachelor of Communication Design (3), Bachelor of Visual Arts (11), Bachelor of Fine Arts (Gippsland) (3), Honours (Gippsland) (2), Honours (Ballarat) (2), Graduate Diploma of Ceramics (1), Advanced Diploma of Graphic Design (3), Diploma of Graphic Design (8). Liam Smith, Taylah Fenwick, Zainab Zaidi, Beth Aldcock, Concetta McFall, Donna Morrison, Garth Horsfield, India Potter, Emmalie-Kate Bird, Kristen Britten, Kya Duro, Ruby Hyatt, Sarah Canham, Tayla Champion, Alix Machen, Curtis Anderson, Georgia Gooding, Molly Berry, Tracey Raine, Vienna Bischard, Lauren Matthews, Aaron Haywood, Aprille Cantillas, Jesse Noonan-Wade, Mahalia Howard, Aquila Tavai, Ashleigh Freeman, Jackson Begelhole, Jarli-Kai Humm, Marina Melenhorst, Pauline Whitbourne, Sam Katzer, Samuel Francis. Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2021. 60pp + 4pp cover, saddle-stitched book, full colour throughout.federation university, visual arts, graphic design, arts academy, camp street campus, exhibition, eye, end of year exhibition, liam smith, taylah fenwick, zainab zaidi, beth aldcock, concetta mcfall, donna morrison, garth horsfield, india potter, emmalie-kate bird, kristen britten, kya duro, ruby hyatt, sarah canham, tayla champion, alix machen, curtis anderson, georgia gooding, molly berry, tracey raine, vienna bischard, lauren matthews, aaron haywood, aprille cantillas, jesse noonan-wade, mahalia howard, aquila tavai, ashleigh freeman, jackson begelhole, jarli-kai humm, marina melenhorst, pauline whitbourne, sam katzer, samuel francis.

Pages feature student works, contacts and artist statements. Introduction by Associate Professor Richard Chew, Director, Arts Academy, Institute of Education, Arts and Community. Notes a return to face-to-face teaching. Catalogue includes students from Diploma of Graphic Design (9), Advanced Diploma of Graphic Design (4), Bachelor of Visual Art (6), Bachelor of Communication Design (2), Graduate Diploma of Ceramics (4), Bachelor of Fine Art (2). Publication design by Angas Dorsett, Jack Trevey, Ashleigh Freeman, Susan Stanley and Jason Grace. Last page lists acknowledgements of staff and supporters. Inside back cover lists sponsors.Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2022. 48 page + 4 page cover, saddle-stitched book, full colour throughout.federation university, visual arts, graphic design, arts academy, camp street campus, exhibition, eye

The article was written by Susie Freeman-Green published in the Age in 2003Large newspaper clipping from the Age 2003, with a photograph of Alan Knottalan knott, stevedores

CEMA Art Collection Winner of Portland Artist's Society Prize 1961The painting depicts a small building set amongst tall trees and grasses. The building is situated in the centre of the work and is cream with a red roof and red awnings. In the foreground is a large area of long grass which leads into the shorter maintained grass that surrounds the building. Behind the building are numerous tall dark green trees. The work has a wide gilded frame and exposed canvas.Front: (No inscriptions) Back: Jack Freeman 1961 Landscape Dandenong (top right, black handwriting) 18 (white sticker)

Colour photographindustries, craig freeman automotive, shadow's gym, susan street

Colour photographindustries, craig freeman automotive, skaterz, susan street

Watchmaker History: James McCabe born in 1748 and was the son of Patrick McCabe, a notable watchmaker from Lurgan in County Armagh, Ireland. James McCabe immigrated to London in 1775 where he established his own business in Bells Building, Fleet Street. On 2nd April 1781, James McCabe was made an Honorary Freeman of the Clockmakers Company. The House of McCabe was renowned for the sheer variety of its designs and the creativity and prestige of their manufacture was celebrated and revered by owners worldwide. These pieces remain highly collectable today and fetch increasingly higher prices at auction houses worldwide. Watch association with the Loch Ard: The watch was saved from the sea when discovered on the body of Mrs Rebecca Carmichael from Dublin and handed to Eva Carmichael, the only family member to survive the fatal wreck of the Loch Ard on 1st June 1878. Eva gifted the watch to her husband, Thomas Achilles Townsend when they married in 1884; his name is engraved on the rear movement cover. The watch has been held by the family until 2011 when they decided to bring the watch, to Australia for auction. At this time the watch was in the possession of Eva Carmichael's grandson, Robert Townsend. Given its connection with the Loch Ard shipwreck It was purchased at auction by Flagstaff Hill Maritime Village on 25th October 2011 to add to it's Loch Ard collection and is currently referred to as the Carmichael watch. It is now on display alongside the Minton Peacock, which also survived the Loch Ard shipwreck, and other artefacts from the collection. James McCabe was originally a Belfast watchmaker who had moved his business to London. At the time James McCabe was much esteemed for producing fine watches and clocks, especially for export to India. Only the best watches were inscribed “James McCabe” and many with highly decorated cases were intended for the Indian market. Contemporary newspaper accounts of the watches discovery echoed a Carmichael family tradition that the watch had been intended as a gift from the City of Dublin to King George IV to mark his planned visit to the city in 1821 however there is no evidence to support this theory. Dr Evory Carmichael at some stage bought this watch some accounts say from a nobleman for about £100 and so it travelled with him on his final fateful journey to Australia. Today we can only guess at the actions of Mrs Carmichael in the chaos and darkness of the pre-dawn shipwreck. Perhaps the two items that were found on her body, the watch and a locket, were items that reminded her of those she held most dear, her husband and her family. When Mrs Carmichael's body was washed ashore the watch was found secreted in the waistband of her dress. In its own right the watch is of artistic and monetary value and is a rare and beautiful object depicting watch making in the early 19th century. It is a historically significant object in it’s own right and there is additional importance, surviving a significant event in the maritime history of Victoria. The wreck of the Loch Ard, Victoria's greatest maritime disaster has also been declared an event of National Significance because of its strong connection to Australia's immigration and maritime history. The watch, together with the Loch Ard Peacock, make up the two most significant shipwreck artefacts in Australia. Both of these items are of great social significance to not only local people but the wider Australian community. Funding for the watches purchase came from six local trusts and one anonymous citizen and is now on permanent display. Both these artefacts symbolise and helps to interpret the stories of survival along the Shipwreck Coast. Fob Watch, known as the "Carmichael Watch" or the "Loch Ard Watch". 1814 fob pocket watch belonging to the Carmichael family, recovered from the wreck of the Loch Ard. Fob watch (or pocket watch)and winding key, made by James McCabe and Son, of Cornhill, London. The watch is in excellent condition and its design is decorative and intricate. The gold face is covered by glass. The gold rear cover is hinged over a silver inner cover that includes the winding hole. The watch has a knob with a swinging ring from which it can be hung. The dial of the gold watch face is textured and has raised Arabic numerals and every minute is marked around the perimeter by a dot, with the 5-minute dots slightly larger. The numerals and dots are a different coloured gold than the rest of the face. The centre of the face has a wavy pattern fanning out to the base of the numerals. The hour and minute hands are of a dark colour. The stems of the hands are a wavy shape and finish with spade shaped tips; the tip of the hour hand is larger than that of the minute hand. The hour hand reaches to the base of the numerals and the minute hand is long enough to rest between the minute dots. The back of the watch is decorated with a detailed design on a textured gold background. The design is embossed in coloured metals; gold, silver, greenish-gold and pink. In the centre is a dove resting on leaves of a pot plant that sits on a silver circular base. Another dove is flying above it, and their beaks touch together. On the right of the base of the pot plant is a dog resting on its hind legs, body facing away from the plant and head twisted around to look at the birds. On the sides of this design and meeting at the base are sprigs of leaves and buds. Around this central design is a rope-like border. Around the perimeter of the case is a border of leaves and budding stems. The inside of this cover has embossed hallmarks, numbers and etched markings indicating that the watch is 18 carat gold, made by James McCabe, assayed in London in 1814 and the case may have been made by Daniel Willmott, case maker. The silver inner workings cover has a full name beautifully engraved on it. There is a winding hole that accesses a square-ended lever for the key to fit over. The handle of the watch is a twisted gold knob with a hollow ‘D’-shaped swinging ring attached to the end of it. This knob also has a hallmark.On the silver inner workings cover “Thomas Achilles Townshend” is engraved, underscored by a thin, delicately decorated line. On the gold handle is the logo of a crown with “18”’ next to it. Inside the gold rear case is stamped “DW’. Under that is etched “JAN 77 II”. Underneath this are 3 logos; a logo “leopard, crowned”’, a logo “ crown on top of 18”, and a logo “T”. Under these 3 symbols is part of a stamp that could possibly be “IMC”. Under this is “ ’ 5 9 4 ”. Other numbers, symbols and letters are etched into this case including “15001”, “2/5/19”. Others are difficult to read.warrnambool, shipwrecked coast, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, shipwrecked artefact, shipwreck artefact, carmichael, townshend, townsend, carmichael watch, loch ard watch, pocket watch, loch ard, 1st june 1878, james mccabe, thomas walker, robert townshend, loch ard gorge, great ocean road, victoria., memorial headstone

Three colour photographsindustries, susan street, craig freeman automotive, shadow's gym

Three colour photographsindustries, susan street, craig freeman automotive

Reflections reprinted history extracts from Bentleigh Baptist Church Diary from September 1989 to March 1993. Issues includes a CD with digital photos Reflections reprinted history upon the centenary of Bentleigh Baptist Church 1984 by DL Audemard from May 1985 The Way We Were Feb 1990 pamphlet notes reflections on the churches ministery over the last 50 years by unknown author A brief printed history author unknown and undated on Bentleigh Baptist Church, 10 Vickery Street Bentleigh Two computer generated articles of correspondence between Claire Barton and Robert Bell on the gathering of Bentleigh & Korean Baptist Church history April 2010bentleigh, baptist church, brewer mr, tucker road, box henry, lush gp rev, east boundary, north road, bentleigh baptist church, brighton baptist church, tucker road church, box francis, box edith, clay jack, clay joy, lipman vern, lipman bronwyn, watt family, pioneers, watt richard, watt martha, market gardens, centre road, jasper road, watt herbert, horse drawn vehicles, stamp mr, hall annie, vickery street, watt may, clay family, marriott hector, watt don, watt family, box chris, lipman joy, grewar family, alexander chas, shephard f, chapman samuel rev, chambers h, eunson ta rev, boreham e rev, fletcher w rev, marriott hec – market gardens, kennedy jack, kennedy lil, kennedy isa mary, herron john, seawright celia, streckfuss edith, cole alice, grewar annie, grewar hall, faulkner ern, graham tom, cross mabel, cross w rev, trenches, grewar jean, ormond, wadley mr, wellum mr, hinton wh, rees gp rev, hinton mrs, wade ken rev, wadley mrs, bent st, wade mrs, bell powell, warner lawrence, architects, winckel l rev, richards jl, builders, streckfuss bert, marriott may, streckfuss family, sach florrie, sach family, reid mrs, reid lesley, mcmillan mrs, drapers, mckinnon road, streckfuss edith, simpson mrs, wellum mrs, leadlights, main mary, evans william john, cooke j, cooke mrs, cahill samuel george, smith kate, freeman nancy, wanless mrs, redmore ab, redmore mrs, audemard phil rev, hawkins margaret, ord elton, hawkins shiela, pith ron, bell mr, wallace pat, bell margaret, audemard joan, docker sandra, hubbard mark, thomas bernie, thomas mrs, lamprell mrs, herron mr, herron mrs, freeman mrs, beach mrs, paton john mrs, george lloyd, aspinal eric, bell gwen, sutton mrs, winkel mrs, neil mary, costain mrs, main mrs, baker mrs, cross mrs, kershaw mrs, smith millie, smith jack, freeman alf, harwood lindsay, harwood doreen, bell lesley, bell roberta, bentleigh korean baptist church, barton claire, hoare mike, hoare margaret, bott muriel, bridgeman pat, cook don, small hugh, trewin bill, smith eddie, iggulden sid, neve keith, horsford david, spencer wally, mcewan bill, holmes ron, holmes joyce, pullman peter, pullman elly, probbel peter, robinson john, bott laurie, main alice, disney clarrie, taylor kath, woff miss, rutledge peter, cameo playgroup, bentleigh baptist church, bentleigh, tucker road, foundation stones

The University of Ballarat was established by the University Act 1993 and came into existence on 1 January 1994. The Act was amended in1997 to provide for the merging of the University with The School of Mines and Industries Ballarat Limited and the Winnera Institute of TAFE, and the establishment of a Technical and Further Education Division in addition to a Higher Education Division. The merged institution came into existence on 01 January 1998., creating five University campuses in Central and Western Victoria, situated at Ararat, Ballarat city, Horsham, Mount Helen and Stawell.Black and white soft cover book featuring a detail of the former Ballarat Post Office, now the University of Ballarat Post Office Gallery. Contents include: David Caro, Kerry Cox, Wayne Robinson,Terry Lloyd, Vicki Williamson, Robert Hook, Dennis Murray, Robert Irvine, Camp Street Arts Precinct, State Revenue Office, Peter Ryan. Information and photographs of the following recipients of University of Ballarat Honorary Doctorstes: William Pryor, Steve Moneghetti, Catherine Freeman. PhDs were conferred upon Heather Moore, Brendan O'Brien, Mikhail Andramanov, Terrence O'Brien, Caroline Taylor, Emelia Martinez-Brawley, David Behm, Carole Wilson, Leeanne Pitman, Talia Venn, John McDonald, Martin Westbrooke, Alex Rubinov, Jenny Blitvich, IBM Global Services, Australasian International Beer Awards, Clare Gervasonidavid caro, kerry cox, wayne robinson, terry lloyd, vicki williamson, robert hook, dennis murray, robert irvine, camp street arts precinct, state revenue office, peter ryan, university of ballarat, annual report, establishment, university of ballarat establishment, robert hoock, camp st, arts academy, sidney morris, honoraray doctorate - william joseph pryor, honorary doctorate - steve moneghetti, carole wilson, heather moore, terrence o, brien, brendan o'brien, s. caroline taylor, emilia martinez-brawley, david behm, colin lankishear, harry rothman, nancy lange, paul lambeth, philip candy, neville french, leeanne pitman, talia vern], norman falzon, john mcdonald, martin westbrooke, alexrubinov, jenny blitvich, australasian international beer awards, clare gervasoni, jill blee, simon molesworth, arts academy under construction, buildings, honorary doctorate - catherine freeman, cathy freman, steve moneghetti