Paper dust cover over Green heavy cardboard with gold print. Dust cover and b/w/ photo of a town with a range of mountains in the background. has black and white print Green Pastures and Gold. A History of Ararat. Lorna L. Banfieldstawell

Vestment worn at St Brigid's Church, Crossley. 20th CVestments worn at St Brigid's Church, Crossley. 20th CLime green synthetic material with gold and purple braid sewn perpendicularly down front and back. ecclesiastical clothing, vestments

This suit was owned by Steve Lee, a three time Australian Olympian who competed at Sarajevo 1984, Calgary 1988 and Albertville 1992. He also achieved 1st in the Furano World Cup Super G in 1985. Steve Lee grew up in Falls Creek and had skis on his feet when he was just two years old. He later became a member of the Falls Creek Race Club and at the age of 14 won State and National Junior titles. After repeated success, Steve was selected to race overseas in the Australian Junior team. He won the Australian Open Championship at the age of 17. For 10 years, Steve never missed a race in the World Cup Circuit. Overall, He claimed 20 top 15 finishes in Downhill, Super-G and combined events. Towards the end of his career Lee swapped the World Cup circuit for the World Pro Tour in the USA, winning the Pro Downhill Tour ‘King of the Mountain’ title. He was also running a photography business in Falls Creek and was also involved in sports commentating on Australian television. This included commentating Alpine Freestyle events at four Winter Olympics and several World Championships. Steve co-founded Chill Factor Ski magazine and spent a decade as a National Selector and President of Falls Creek Race Club. He also became involved in movies, working with Roger Moore and Jackie Chan as a stuntman. As well as these activities Steve started guiding in the mid-90s and established Back Country Tours at his home area in Falls Creek Australia and also in Hakuba, Japan in 2011.This item is significant because it was worn and donated by an Australian Triple Winter Olympian who began his skiing career with Falls Creek Race Club.A green and gold Spyder brand ski suit worn for downhill skiing Olympic events by Steve Lee.Spyder brandsteve lee, winter olympics, australian triple winter olympian, falls creek race club

Pamphlet, folded sheet, six folds, full colour on blue background gloss paper titled "Wattle Park - a gold and green oasis" giving information on the park, its history, management (MMTB) and sporting uses. Has a number of photos of sporting activities, the Tramways band, buildings, the Lone Pine tree. On the rear is a map showing route 70 and details of the tram timetable. In the bottom right hand corner of the pamphlet are the words "MTB Publication". No contact numbers or addresses given. Printed in the same style as Reg Item 594. Second copy added 19-1-2017 from donation of John PrideauxIn ink in top left hand corner "4J40" - AETA Library location.trams, tramways, wattle park, mmtb

Hardcover. Shows Mick Taylor making last-minute adjustments to the rigging of a large log about to commence its journey down the incline to the Marysville Timber and Seasoning Company No.1 mill. Back cover has a photograph of a rail tractor towing a timber trolley along a timber tramway.non-fictionA history of the timber mills along the Yarra Track from Narbethong to Matlock.timber, timber mills, yarra track, narbethong, matlock, marysville, wood's point, wilks creek, great divide, cathedral range, cumberland, foresters, sawmillers, peter evans

Hardcover. Shows Mick Taylor making last-minute adjustments to the rigging of a large log about to commence its journey down the incline to the Marysville Timber and Seasoning Company No.1 mill. Back cover has a photograph of a rail tractor towing a timber trolley along a timber tramway.non-fictionA history of the timber mills along the Yarra Track from Narbethong to Matlock.timber, timber mills, yarra track, narbethong, matlock, marysville, wood's point, wilks creek, great divide, cathedral range, cumberland, foresters, sawmillers, peter evans

A history of the Marysville Football ClubPaperback. Yellow cover. Front cover has a photograph of Marysville's 1973 Premiership team at Warburton. Back cover has a photograph of the Gilbey's and Peter Dawson Cups and a Marysville football jumper.Trevor Harrow (H.A.) / 1947-2004 / H.A. often said: "One day, I'm gonna write a history of the footy club!" / To his memory this book is affectionately dedicated. Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779marysville, football club, history, victoria, australia, william metcalfe

"A key concern of my art is the investigation of colour. In both oil painting and watercolour, I use concentrated pigments. This is imperative in achieving the highest intensity of individual colour. Also, and most importantly, when mixing it allows the greatest dynamic range for ‘colour space’ – the depiction of form and space, light and dark through colour." - John SheehanJohn Sheehan studied painting at the Victorian College of the Arts (1993). He presented a solo exhibition at Bundoora Homestead Art Centre in 2013 surveying his work from 1991 to 2012.

No specific information is available for this object. However, fountain pens originated in France in 1827, with the first patent attributed to a Parisian student named Romanian Petrache Poenaru. The fountain pen typically has a fine stainless-steel tip that is filled with ink via an ink well. Widespread production of fountain pens occurred from 1857, with new designs having improved filling techniques. Fountain pens became popular with professionals, such as barristers, professors, doctors, and accountants for over 100 years. The only downside to using fountain pens was their tendency to sometimes leak onto documents, so in the 1950s, they were made with disposable cartridges. The cartridges made the pens more popular, especially with university students. For this reason, in the early 1960s, fountain pens were renamed cartridge pens and were deemed the best writing instrument in most schools.This object is an example of the use of fountain pens in domestic households and professional workplaces since 1827.A solid and complete green and gold patterned fountain pen.There is green shimmer-like decorative patterning on the body with gold-coloured veining.pen, fountain pen, ink, france, chiltern athenaeum museum, victoria

Set of fine crochet hooks with sheath to protect their points used for crochet which became popular in early 19th centuryUnusual early set of interchangeable crochet hooks attached to the one handle. Triple folding crochet hooks in sheath with three hooks from a single joint. These fold into a decorated (black japanned with green and gold pattern) sheath which is open at end to allow selected size to be handled individuallySheath black japanned with green and gold patterncrochet, triple crochet hook

Gold rim. Purple violets with green leaves on cream china. . Tea cup -Maker's mark - AJ Wilkinson LTD. England, Green decorators mark and 1/1 gold mark Saucer - Maker's mark AJ Wilkinson LTD, Royal Staffordshire Pottery Honeyglaze, green decorators mark gold mark Side plate - Maker's mark AJ Wilkinson LTD, Royal Staffordshire Pottery Honeyglaze, orange mark 10 domestic object, john perry

Though there is no information on the tie to indicate to whom this tie belonged, it is possible to assume that it belonged to Kevin Coombs, as the box it was found contained several medals and other memorabilia related to Coombs.Dark green neck tie with gold pattern. Label indicating "polyester - washable".The pattern on the green background is three gold interlocking wheels likely symbolising "Friendship - Unity - Sportsmanship" - see this link for a similar motif https://victoriancollections.net.au/manage/catalogue/items/5dc386f021ea670f9c4576fb

After an unsuccessful attempt to gain a seat for the Australia Party in the 1974 Hugh Jeffrey ran again in 1977 for the newly-formed Australian Democrats in one of 5 Victorian electorates. This badge features a green background in enamel with Australian Democrats in gold lettering surrounded by a gold border. A gold Southern Cross and Federation Star feature on the right hand side, next to the lettering. The rear features a pin and MD and Co Badges stamped into the base.1 badge with writing and gold Southern Cross stars on green backgroundAustralian Democratshugh jeffrey, badges

Typical of work boxes made in China for sale to visiting Europeans 1840'sBlack lacquerware work box, hexagonal, with bone or ivory fittints. Black all-over lacquered surfaces decorated with Chinese pavilion scenes and motifs with butterflies. Two inner compartments, upper one fitted with bone/ivory lids to compartments for needlework. Lower compartment is a drawer with missing contents. Two metal carrying handles, two metal key holes (no keys). Front feet gilded wood, back feet wooden blocks. Interior has one removable fitted tray with eleven compartments. Two compartment lids match gold and green lacquerware of exterior. Two have removvable inserts. Third compartment has removable pincushion insert. Four narrow compartments fitted with wooden blocks to contain tools. Lower drawer has folding writing slope decorated and five compartments for writing toolsExterior: Black lacquer with gold and pale green inlaychinese lacquerware, workbox, ivory needlework accessories

RSL paraphernaliaMedium significancea) Small round red, blue and gold cap badge with gold crown on top with a light green background b) Round blue and silver brooch type badge with a crown on top c) Round key ringa) Front:- Gold Army, Airforce and Navy emblems. Rear on a blue background. Gold lettering TB Sailors, Soldiers & Airmen Association of Victoria. Gold crown with 99 on a light ground background. Rear:- Swann & Hudson. Frankston. 3862 b) Front:- Australian Flag on a Silver background. Womens Auxiliary. R.S.S.A.I.L. Crown with 99 on a green background Rear:- Swann & Hudson. Frankston c) Front:- Australian Flag on a Gold background. Gold lettering around the rim, "Women' s Auxiliary. RSL on a blue background with a red crown on top Rear:- blankassociation badges

Homemade bread for the family was stored in these type of large bins to keep them fresh. As there were no preservatives in those days, the bread would not last long before it went stale or mouldy. A vintage extra large cream coloured enamel bread bid with a lid and two handles on the side. It has white enamel inside the lid. The brown plastic handle on the top of the lid is attached with two brown screws. It has a damaged label with the word 'Bread' in green lettering on a gold background. Bread is stamped on the back side of the bin.It has a damaged label with the word 'Bread' in green lettering on a gold background. "Bread" is indented on the back side of the bin.food storage containers, food bins

This book was made for celebration of the centenary of the Orbost Football Club in 1994. The Orbost football club players were known as the Busters and wore green and gold guernseys. An Orbost football team has participated in the East Gippsland League since the early 20th century. In 2003 in response to a dwindling population, the Snowy Rovers and Orbost Football Clubs were driven to merge into the Orbost Snowy Rovers.Orbost Football Club through its many changes has always been an important social fabric of the Orbost community. Sport is often regarded as an important part of life in rural Australia, contributing to community identity, sense of place, social interaction and good health.A soft covered book of white with large green and gold print on the cover. There is a photograph of a football ovel with a township behind it.orbost-football-club-centenary recreation sport football

These items are a collection of paints etc for those artists wanting to produce lustroleum and crystoleum works of art in the late 19th century and early 20th century. These works of art using lustroleum and crystoleum which were mainly metallic paints, were produced on a variety of surfaces, including glass, wood, tapestry, china and ivory. These items have no known provenance but it is known that lustroleum and crystoleum painting were popular pastimes with women in Warrnambool in the late 19th century. There are several records of women advertising classes in lustroleum and crystoleum painting in the 1880s and 90s in Warrnambool. One was these was Annie Newcombe, an art teacher who offered classes at her studio in Timor Street in 1884.This is a metal tin with a metal catch and a hinged lid. The tin contains 10 items - four glass bottles of Lustroleum, one glass bottle of gold paint, one glass bottle of purple metallic paint, one tube of green paint, one china bowl with a lip for pouring, one dish to hold paint with a broken base and one small dish for holding paint. There is also a sheet of paper containing information on the Crystoleum Company of London advertising that they supplied photographs, price list for classes, silk frames and crystal glasses. On bottles: ‘Lustroleum Registered’ ; ‘H. Bessemer, Gold Paint’, ‘Purple’, On tube: ‘Winsor & Newton, Chrome Green, Vert Anglais, London England’ crystoleum and lustroleum painting, warrnambool, paint set, artist's paints

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a blue and gold label. Title: Sometime Artist: Franklyn Baur, tenor, solo Publisher: Imperial Records Number:1547 Size: 14 inchWhite paper stamp with gold, red and green printflagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, imperial record, 1547, sometime, tenor solo, franklyn baur, 14 inch

Etobicoke - then on the outskirts of Toronto, and now a part of Toronto proper - was designated as a borough between 1967-1984. It celebrated its 125th anniversary in 1975. Quite how this and related items from that anniversary entered the collection of Disability Sports and Recreation Victoria is unknown.Elongated lapel pin - round top third, rectangular bottom two thirdsImage (in gold) of an archer and the words "The Corporation of the Borough of Etobicoke", also in gold, on a dark green background.the corporation of the borough of etobicoke

Purchased by donor. An ecclesiastical stole is a traditional liturgical strip of coloured cloth worn by ordained clergy as a symbol of authority, the yoke of Christ, and servant ministry. Symbolism: It represents the spiritual authority of ordained office and Christ's readiness to serve. Colours: Changes according to the liturgical season or special service—such as purple for Lent, green for Ordinary Time, red for Pentecost, and white/gold for festive celebrations. • Priests and Bishops: Worn draped around the back of the neck with both ends hanging down straight in front. • Deacons: Worn diagonally, draped over the left shoulder and fastened at the right side.Cream silk twill ground with ten panels of embroidered flowers stitched in coloured silks and gold metal threads. Alternating nine panels are stitched green ground with floral designs on top. Edged with gold cord and fringed on both ends.stole, priest's stole, metal thread

Tram 14 was a small green and cream single truck tram operated by one person. Entry was by the narrow door at the driver's end of the tram. People would pay their fare to the driver. There was no conductor. Pink advertisement for the Bendigo Bank was on the side. The tram is photographed outside the Shed at the Ballarat Tramway Museum. Tram body was built in 1915 for the Prahran and Malvern Tramways Trust. Sold to the Melbourne Electric Supply Co. Ltd. in 1927 and ran in Geelong. Transferred by the State Electricity Commission to Ballarat in 1936. It was the last tram to be overhauled by the SEC. It is now the property of the Ballarat City Council and on loan to the Museum.Coloured photograph of No. 14 tram. Advertising board on side for Bendigo Bank. Laminated'Green and cream coloured with gold number and lines. Special in destination window.tram 14, driver, small tram, narrow door, special, ballarat tramway museum, shed, advertisement, green and cream, single truck, 1915, prahran and malvern tramway museum, melbourne electric supply co, 1927, geelong, state electricty commission, ballarat, 1936, ballarat city council

Photograph shows the tram known as the Scrubber outside the sheds located at the Ballarat Tramway Museum, Wendouree Lake/Gardens precinct. This is the tram used for cleaning the tracks.Coloured photograph of a Scrubber, No 8Green tram, Scrubber. Number 8 in gold on front. Football in destination window on top.scrubber, no.8, track cleaner, ballarat tramway museum, sheds