Showing 177 items
matching langley
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Chiltern Athenaeum Trust
Photograph, Ralph Langley
Ralph Langley served in WW1Reproduction Black and white photograph of Ralph Langleyww1 -
Warrnambool and District Historical Society Inc.
Wallet, G F Langley
This wallet was given to George Langley from the Warrnambool High School ex students in 1940. George Furner Langley 1891-1971 was Principal of Warrnambool High School from 1921 to 1940.He served with distinction in World War One and World War Two and became the Principal of Melbourne High School. This wallet is of some interest as a memento of a prominent Principal of Warrnambool High School - Colonel George Langley. This is a brown kangaroo leather folding wallet with several pockets, a pencil holder, a metal clip on the front and a small metal plaque with an inscription. It is lined with corded material. G.F. Langley in Appreciation 18-5-40 Warrnambool High School Ex Students Stg 115 george langley -
Port Melbourne Historical & Preservation Society
Book, Alan Gregory, The Sentimental Soldier - A Life of George Furner LANGLEY, May 2008
"The Sentimental Soldier" - A life of George Furner LANGLEY - by Alan GREGORY Book of 200 pages with white type reversed in Langley's portrait (predominantly brown)Note inserted on first title page from donor. Signed by author, 1 May 2008, on title pageeducation - secondary schools, war - world war i, war - world war ii, george furner langley, melbourne high school -
Beechworth Honey Archive
Publication, e-book, Bees-wax: its economical uses and conversion into money (Dennler, J.), Kings Langley, 1889
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Halls Gap & Grampians Historical Society
Photograph - B/W, C 1900
The Langley family owned Morningside at this time and took in paying guestsPhotograph of frame with oval photos plus etching on original frame which appears to be wooden Photos show a man and woman 'Charles John Perry' and Alice Maude May langleyCharles John Perry, Alice Maud May Langleypeople, langley, people, perry -
Ringwood and District Historical Society
Envelope, Packet: Ringwood Borough Medical Officers (Dr Hewett, Dr Langley) - correspondence 1929-1939
Borough Medical Officers. Handwritten Correspondence of D.A. Langley and Dr W.E. Hewitt; Early Reports and Statements +Additional Keywords: Hewitt, W.E. / Langley, A -
Mission to Seafarers Victoria
Print - Engraving, In the anxious hours of waiting, 1916-1917
For Trafalgar Day, 20 October 1914, the Archbishop of Canterbury in England had "drawn up a new form of private prayer to be offered up specially for the sailors of the Fleets in the present crisis. He suggested its use particularly at noon as a silent prayer, when those at work may be reminded by the ringing of the " Angelus" bell to lift up their hearts to the Lord. The prayer was as follow: "O Thou that slumberest not nor sleepest, protect, we pray Thee, our sailors from the hidden perils of the sea, from the snares and assaults of the enemy. In the anxious hours of waiting, steady and support those on whom the burdens of responsibility lies heavily, and grant that in dangers often, watching often, in weariness often, they may serve Thee with a quiet mind, through Jesus Christ our Lord. Amen.” The prayer illustrated by English artist G.M. Langley became popular. Prints were sold as gift for 7/9 each with an oak frame. As mentioned in the ' Quarterly Jottings from our log" no 47 midwinter 1917: the etching was gifted to the Mission for display in the new Chapel by the Godfrey sisters. The frame was gifted by their cousin's wife, Mrs William Scott Purves Godfrey ( ' Quarterly Jottings from our log" no 48 Michaelmas 1917).The print was gifted by the Misses Godfrey, influential and long term members and supporters of the Ladies Harbour Light Guild. At the time of the completion of the St Peter's Chapel in September 1917, it was dedicated to the memory of all merchant seamen serving in the long war. The print subject, of the sailor guarded by Jesus was no doubt intended to inspire faith and hope but also acknowledges and reflects the anxious days of waiting not only of the sailors and seafarers negotiating the dangerous waters and oceans but also the challenge for families, experiencing the widespread anxieties of a world at war. Wood framed and glazed engraved print of Jesus Christ with sailor in the foreground and printed inscription on mount belowSignature of artist lower left of print.: G M Langley Printed on mount at lower right: "In the Anxious hours of waiting"g.m. langley, prints, engravings, merchant seamen, seafarers, ww1, godfrey family, ethel augusta godfrey, frederica godfrey, first world war, great war, mrs william scott purves godfrey, rica godfrey, rita godfrey, artwork-paintings -
Sunbury Family History and Heritage Society Inc.
Photograph, 18th October 1998
The Aboriginal scarred tree was growing along the Redesdale Road just north of the Langley State School.The scarred tree is evidence of Aboriginal technology as the bark from such trees was used for many items. A coloured photograph of a scarred tree with other smaller trees in the background. The tree has a yellow cross painted on its trunk.scarred trees, aboriginal society, aboriginal technology, langley -
Chiltern Athenaeum Trust
Photograph, Ralph Langley
Ralph served in WW1 and returned to Australia injured.Sepia coloured reproduction photo of Ralph Langley seated, holding crutches. Injured foot can be clearly seen.ww1, ralph langley -
Federation University Art Collection
Work on paper - Artwork - Painting, 'Your Family Slaughterhouse' by Alexandria Langley Hall
Alexandria LANGLEY HALL (1954- ) Born England Arrived Australia 1960 Alexandria Langley Hall graduated from University of Ballarat (now Federation University) in 2013 with a Bachelor of Fine Arts (Visual Art).Eight framed works depicting slaughtered animals.alexandria langley hall, animals, slaughter, slaughterhouse, butcher, meat, available -
Eltham District Historical Society Inc
Photograph - Black and White Print, NASA, Technicians at Langley Research Centre performing final tests on 4 stage Scout solid fuel rocket, 16 November, 1960
On reverse: Technicians at Langley Research Centre performing final tests on four stage Scout solid fuel rocketalan gardiner collection, space industry, 1960, nasa, rocket, scout solid fuel rocket -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1902
The dwelling is said to be the store at the Stoney Creek diggings, with some members of the Langley family. From left Alice Maria Langley, Lucy, ?, ?, Charles Langley (old man) & three friends.Photo shows three women and three men standing and sitting outside a slab hut. The roof of the hut appears to be constructed of bark, held in place by saplings. One of the men is sitting against the side of the hut and is holding a dog. Another man is crouched over a gold pan while an onlooker appears happy with the contents of the pan."Store at Stoney Creek diggings ?1902. Alice Maria Langley, Lucy ? ? Charles Langley (old man) & three friends." written on back in blue pen.people, langley, mining, gold mining -
Port Melbourne Historical & Preservation Society
Book, George F Langley et al, Sand, sweat and camels - The Australian Companies of the Imperial Camel Corps / Australian Aviator, 1976
Purchased online after Exec decision that we should have it regardless of cost, for $120. While cataloguing, noticed it was a faulty copy. Page 32 followed by 65-70, followed by 49 to 188. Pages 33 to 48 missing. Returned to bookseller for refund, and ordered one on-line for much less.Sand, sweat and camels - The Australian Companies of the Imperial Camel Corps / Australian Aviator by George F and Edmee M Langley. Illustrated soft cover double book with coverage of WWI Egyptian activity of Aussie Camel Corps and subsequent forming as 14th and 15th Australian Light Horse regiments, interesting appendices. (Second book "Australain Aviator" by Sir Norman Brearley)war - world war i, armed services, transport - aviation and aerodrome, armed services - air force, george furner langley, edmee mary langley, australian companies of the imperial camel corps, sir norman brearley, australian light horse -
Halls Gap & Grampians Historical Society
Photograph - B/W
The family is said to be that of the Langley, standing at the back of "Morningside".Photo shows two women, three men, three girls, two boys and a baby held by one of the women (in the centre). A four horse team hitched to a wagon loaded with sacks stands behind the people and a longish house stands at the back."Langley 'Morningside" - Halls Gap" is written on the back with blue pen.accommodation, morningside, people, langley -
Halls Gap & Grampians Historical Society
Photograph - Sepia, C 1900-1906
In 1900 'Morningside" was leased by the Langley family and was now taking in paying guests. The photo shows 'Morningside" with the Langley parents and two of their children in the foreground, left to right Arthur Geo. (b. 1886), Charles (b1853), his wife Alice Maria (b.1855, nee Freeman) and Lucy Myrtle (b. 1884), In 1909 "Morningside was leased by James and Grace D'Alton who continued to run a small guest house.Photo of a weatherboard house with four people standing in fron of it. Mountains can be seen in the background.Mr and Mrs Charles Langley with Walter or Arthur and Lucyaccommodation, morningside, people, langley -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1900-1906
In 1900 "Morningside" was leased by the Langley family and was now taking in paying guests. The photo shows 'Morningside" with some of the Langley family in foreground,from left to right, Alice Maud (b. 1879) standing; Arthur Geo. (b. 1886) in front seated on ground; Florence (b. 1880) seated; Charles (father) (b.1853) standing wearing hat; Henry (Harry) (b. 1887) seated on ground in front; Alice Maria (b. 1855, nee Freeman) (mother) seated and Lucy Myrtle (b. 1884) standing. In 1909 "Morningside was leased by James and Grace D'Alton who continued to run a small guest house. The photo shows a weatherboard house with seven people grouped in the foreground. Trees can be seen behind the house.1900s early Morningside Langley familyaccommodation, morningside, people, langley -
Surrey Hills Historical Society Collection
Photograph, Home and surgery of Dr William Langley Carrington, 174 Union Road, 1935
The building was erected in c 1913 as a home / surgery for Dr James L Blakie (1868-1937), who originally lived / practised across the road. It was designed by architect Arthur William Plaisted (1890-1965) and is an early example of attic-style Californian bungalow style. Dr Carrington ( 1900-1970) succeeded Dr Blakie and practised at 174 Union Road from 1930-1970. Now known as the Surrey Hills Medical Centre.Black and white photo of the surgery and home of Dr and Mrs William Langley Carrington at 174 Union Road on the corner of Guildford Road, Surrey Hills.. The exterior of the building is decorated with paper lanterns around the windows and veranda for the Empire Day celebrations in 1935. The building is 2 storey, of brick construction with a tiled roof and front porch. It has a bay window front right. Shadows indicate the photo was taken early morning in winter.medical services, guildford road, union road, dr william langley carrington, mr arthur plaisted, dr james landells blakie, californian bungalow, dr bill carrington -
Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, W. Langley-Taylor, Cape Schank [Schanck], Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings -
Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, W. Langley-Taylor, Eagle Rock, Warrnambool, Vic, Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1890s
The Langley family (see inscription ).Photo show a group of four men, three women and a boy. Some are seated and some are standing. All are wearing hats. They are in a bushy area with many trees behind them. A gate can be seen in the background."The Langley family, Arthur L. Charles (Sen) b.1853 Dad,Alice Maria (Freeman) b.1855 (Mum), Walter, Lucy & friends. Halls Gap late 1890's. Lucy m 1907 C/E to Thomas Waldron, Bellfield, Halls Gap by John William Davison (Vicar of Stawell)." written on back in blue pen.people, langley -
Raymond Island Historical Society
Oral History transcript, Pat Wilson, December 2010
Pat Wilson of the Raymond Island History Group interviewed Iris Langley for a display of memorabilia of the musical history of Raymond Island. Iris Langley was a singer in a number of bands from the 1960s to present day. She holidayed on Raymond Island in the 1970s and currently lives on the Island.Local significance. Biographical information on a local musician.Transcript of interview conducted by Pat Wilson on the musical career of Iris Langley. Contains details of the bands she sang with The Silhouettes, The Boomerangs, This Time Around. Details her marriage to Ron Langley.iris langley, pat wilson, raymond island history group, raymond island music, the silhouettes, the boomerangs, this time around, ron langley -
Moorabbin Air Museum
Manual (Item) - Metal Aircraft Construction by Marcus Langley
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Chiltern Athenaeum Trust
Letter, Copy of handwritten letter
Ralph Langley served in WW1 and returned home injured.This letter is in Ralph's own handwriting, written on 3/4/1918Copy of handwritten postcard from Ralph Langley to his wife, Nancie . Addressed "My Dearest Wife". Black print on white background.ww1, ralph langley, letter -
Halls Gap & Grampians Historical Society
Photograph - Transparency, C 1901
Halls Gap 's first wedding at Morningside between the lessee's daughter, Maud Langley and Charles Perry.Slide of a woman dressed in a high necked dress,the lady has brown curly hair.people, langley -
Bendigo Historical Society Inc.
Document - ''THE TRUE LIFE STORY OF THIS OLD BENDIGO MINER'' W (BILL) A LANGLEY, 21st April, 1967
''The true life story of this old Bendigo miner'' W (Bill) A Langley. Seven typewritten pages of reminiscences of various types of (labouring) work. As provided by author,21/4/1967, aged 82 years. Mention of breweries in Bendigo (Bruce; Pritchard; Chamberlin; Cohn Bros; Hunter Bros; Stewards (Eaglehawk); Italian contractor - G. Vanosio (Back Creek); George Edwards (skin buyer, Market Square); Hercules and Energetic mine; Hustlers Reef mine; Prices of various things purchased in late 1890s; costs of various entertainments at that time.W.A. Langleyperson, individual, w. a. langley, new chum railway mine, mr charles rowe, chinese camp at ironbark and bridge street, bob lewis, jim scobie, bob lewis, bruce brewery, pritchard and chamblin, cohn bros, hunter bros, illingsworth and stewards brewery, white hills cemetary, george edwards, harry hoy, g. svanosio, back creek, hercules mine, energetic mine, sea company mine, hustlers reef mine, jim mcdonald, bendigo pottery, beehive exchange. -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Book, M.R.D. FOOT & J.M. LANGLEY et al, Mi9 Escape and Evasion 1939-45, 1979
940.5486412.foo, historical -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Book, MIKE LANGLEY et al, ANDERS LASSEN VC, MC, OF THE SAS WW11, 1988
isbn: 0-586-20898-4 -
Melbourne Tram Museum
Ephemera - Timetable, Melbourne Tramway & Omnibus Co. Limited, David Langley, "Time Table for the Kew Tramway Line", May.. 1907
Print of a digital image on an A4 sheet of the Melbourne Tramway and Omnibus Company Limited timetable for the Kew Horse Tram line, titled "Time Table for the Kew Tramway Line". gives the times for Weekdays, Saturdays and Sundays. Provides times for Kew Cemetery and Victoria Bridge. Also gives fares.trams, tramways, kew, horse trams, mto co, victoria bridge -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Langley Eve, White Coolies, 1994
A thinly veiled autobiography of the authors early life which includes time spent living and working on the land in the Metung area of East Gippsland Victoria.employment, social history -
Federation University Art Collection
Painting - Artwork - Painting, Alexandra Langley Hall, 2013
alexandra langley hall, animals, available