6 page document plus map : Gold mining lease No. 11145 between Crown ( King George VI) and North Deborah Mining Company, Parish of Sandhurst, dated 14th February, 1941. Map: Lease No. 11145 'Mining District of Bendigo, County of Bendigo, Parish of Sandhurst. Total area 48 acres, 3 roods, 22 perches. Map has extensive colour key indicating depths below surface that will be mined. Crown land and surface excised shown in orange cross-hatching. Lease holdings on map: 10753, 11020, 1363 T.L., 1115 T.L., 11013, 11062, 11033, 9988. Dam shown on 11013. Railway line marked through centre of map. Map refers to central area of Bendigo and includes reference to Hargreaves Street, Violet Street, Lily Street, Breen Street and Sullivan Street.bendigo, mining, north deborah mining company, breen street, lilly street, hargreaves street, voilet street, sullivan street.

Bendigo Advertiser "the way we were" from 1999. Milky way: Sunny Side Dairy, Lilly street, later known as Symons dairy. Circa 1920.newspaper, bendigo advertiser, the way we were

Five page typed document. On top in handwriting ' Original, for self tour'. New Chum Hill is situated in Golden Square, Marong Road on north side, Lilly Street to the east, Chum Street on southern slope and Lansell's Fortuna on the western side. Mines on the hill are listed: Lansell's 180, The New Chum and Victoria, the Old Chum, the Lazarus, the New Chum United, the New Chum Consolidated and the Garibaldi. The Mungo group of mines on the New Chum Line of Reef at Eaglehawk are listed: Ellenborough, St. Mungo, Lady Barkly and South Mungo. Victoria Hill mines: Rae's, Wittscheibe and Co., Lansell's 180. Notes prepared by Albert Richardson for a tour by the Bendigo Historical Society.Albert Richardsonalbert richardson, new chum hill mine, victoria hill mine, hustlers hill mine

This business was owned by father and son, Henry Archibald Wilkinson and Samuel Ronald "Ron" Wilkinson. Henry (1882-1954) was born in Shepparton and died in Bendigo. He was married to Grace Hovendon in 1908. Samuel Ronald "Ron" (1914-1995), Henry's son, was married to Florence Jean McKerlie in 1937.Conditions of sale by private contract dated 21st November, 1941 between A.W.A. Morley (seller) and Mrs. A.B. Toll (buyer) for land situate corner Lilly and Creek Streets, Bendigo being part of Crown allotment 10 section 134C described in certificate of title volume 3043 folio 608435, together with 5-roomed weatherboard dwelling and all sundry. Price 475 pounds.organization, business, h.a. & s.r wilkinson real estate

Mudbrick cottage, heritage listed, Lillies on Brougham Street Peter Garner Mud Brick Studio Victorian Heritage Database Listed https://vhd.heritagecouncil.vic.gov.au/places/55317 From Shire of Eltham Heritage Study (Bick 1992) Cultural Significance: Constructed by Peter Garner when he was just 16 years old, this studio exemplifies the highly creative structures erected in the Shire of Eltham during the I960s and 1970s and the social movement behind them, both of which Eltham is well known for. The Garner studio is one of the two finest small examples of these structures anywhere in the Municipality and is distinguished by the quality of its fittings, also all designed and made by Peter Garner. Sharing the common use of mud brick and second-hand materials, these structures reflect the physical involvement (and individual creativity) of their owners, often, as in Garner' s case, through building the building and making all of its fittings and artworks. The tree branch framed spiral stair and wrought metalwork are particularly fine. History: Arthur F. Munday who was associated with the Montsalvat Artists' Colony, subdivided a property bounded by Maria Street (now Main Road) and Brougham Street in 1964. The largest portion, three acres of land facing Brougham Street in Lot 2, was sold to Leslie and Lenore Garner. A sketch in Lodge Plan 65141 drawn at the time of the subdivision showed that the southern part of the land was subject to flooding. By 1967 a brick house with an iron roof and outbuildings had been constructed for the Garners and Peter Garner's separate studio followed in 1969. DESCRIPTION: Studio Style Eltham style. Design unique. Plan rectangular; living room occupies northern two thirds, with kitchen in remainder and bedroom on top of the kitchen. A store adjoins the kitchen. Single storey with attic bedroom; living room has a cathedral ceiling. Walls adobe (solid single skin mud brick), bluestone chimney. Roof gabled with eaves, corrugated iron clad. Features are the modest size, living room into which the front door opens directly, exposed mud brick walls internally, fireplace, most unusual spiral stair and small gallery off the bedroom, herringbone brick floor, log faced internal doorway that separates kitchen and living room, timber lined ceiling, exposed truss, the various second-hand windows and their placement and the outbuilding. Also the kitchen doorway, adzed table and benches, fireplace high relief metal panel and other art works are features and all were presumably made by Peter Garner, following the ethic of the time. The present owner has advised (4 May 2025) the spiral staircase was removed prior to their taking possession of the property.david taylor collection, eltham, 62 brougham street, peter garner adobe studio

Mudbrick cottage, heritage listed, Lillies on Brougham Street Peter Garner Mud Brick Studio Victorian Heritage Database Listed https://vhd.heritagecouncil.vic.gov.au/places/55317 From Shire of Eltham Heritage Study (Bick 1992) Cultural Significance: Constructed by Peter Garner when he was just 16 years old, this studio exemplifies the highly creative structures erected in the Shire of Eltham during the I960s and 1970s and the social movement behind them, both of which Eltham is well known for. The Garner studio is one of the two finest small examples of these structures anywhere in the Municipality and is distinguished by the quality of its fittings, also all designed and made by Peter Garner. Sharing the common use of mud brick and second-hand materials, these structures reflect the physical involvement (and individual creativity) of their owners, often, as in Garner' s case, through building the building and making all of its fittings and artworks. The tree branch framed spiral stair and wrought metalwork are particularly fine. History: Arthur F. Munday who was associated with the Montsalvat Artists' Colony, subdivided a property bounded by Maria Street (now Main Road) and Brougham Street in 1964. The largest portion, three acres of land facing Brougham Street in Lot 2, was sold to Leslie and Lenore Garner. A sketch in Lodge Plan 65141 drawn at the time of the subdivision showed that the southern part of the land was subject to flooding. By 1967 a brick house with an iron roof and outbuildings had been constructed for the Garners and Peter Garner's separate studio followed in 1969. DESCRIPTION: Studio Style Eltham style. Design unique. Plan rectangular; living room occupies northern two thirds, with kitchen in remainder and bedroom on top of the kitchen. A store adjoins the kitchen. Single storey with attic bedroom; living room has a cathedral ceiling. Walls adobe (solid single skin mud brick), bluestone chimney. Roof gabled with eaves, corrugated iron clad. Features are the modest size, living room into which the front door opens directly, exposed mud brick walls internally, fireplace, most unusual spiral stair and small gallery off the bedroom, herringbone brick floor, log faced internal doorway that separates kitchen and living room, timber lined ceiling, exposed truss, the various second-hand windows and their placement and the outbuilding. Also the kitchen doorway, adzed table and benches, fireplace high relief metal panel and other art works are features and all were presumably made by Peter Garner, following the ethic of the time. The present owner has advised (4 May 2025) the spiral staircase was removed prior to their taking possession of the property.david taylor collection, eltham, 62 brougham street, peter garner adobe studio

Black and white photograph (2 copies)Typed under photograph: The Water Lily Pond. Mr Hill's flower farm, Mt Dandenong Rd. Later Howship's. In area around Howship Street. Written on back of one image: 'Australasian' 29/3/05. John Hill's flower farm, Mt Dandenong Rd. Later Howship's flower farm subdivided, name retained in street name. Pool was part of Sandy Gully Creek 1905.water lillies, flower farming

HCA Morrison (Henry Charles Alexander No 2684 57th Bn) This is the only person listed as “HCA” 57th Bn. Joe Fawcett, there are two Regimental numbers re, 1643 & 7981..1) Letter dated 28.2.18 to Master Gordon Schilling from Joe Fawcet. .2) Christmas card, folding with ribbon, central logo 57th Bn AIF..1) Handwritten on front: “On Active Service, Master Gordon Schilling "Burswood" Chisholm Street Wangaratta Vic Aust” .2) “From H C A Morrison (57th Battalion AIF) to Silas & Lil 1918”letters, cards, 57th bn

Great Hall at Montsalvat built 1938-52, designed by Justus Jorgensen Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p129 At first glance, Montsalvat, the artists’ community at Hillcrest Avenue, Eltham, could belong to another time and place. The French provincial Gothic-style buildings blend picturesquely with the introduced and native trees and farm animals on the five hectare property. But Montsalvat belongs very much to today’s Eltham, having inspired much of its creative activity and style. The use of mud-brick and recycled building materials, for which Eltham is so well-known, was largely popularised by Montsalvat. Montsalvat – unique in Victoria and probably in Australia – is registered by the National Trust and National Estate.1 Montsalvat, named after the castle of the Knights of the Holy Grail, has attracted artists and intellectuals since it was founded in 1934. For years at weekends, artists, lawyers, philosophers, politicians and others, who shared a love for what Montsalvat stood for, gathered for a meal and stimulating discussion. The focus for this gathering of talent was Justus Jörgensen, an eccentric man with vision and charisma. It was Jörgensen’s foresight that saw the creation of Montsalvat, which in 1975 was formed into a trust to benefit the Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book The Art of Still Life by Herbert Furst, which featured 100 of the greatest ever still life paintings.2 In 1929, Jörgensen returned to Melbourne where Lil, now qualified, worked as an anaesthetist at St Vincent’s Hospital. They bought a small house in Brighton and Jörgensen rented a large building in Queen Street for his studio until the Royal Automobile Club of Victoria bought it in 1955. While designing and overseeing the building of a studio for his friend the famous cartoonist Percy Leason, in Lavender Park Road, Jörgensen decided to buy land for a country retreat in Eltham. So the building of Montsalvat began. Jörgensen gathered around a dozen of his friends and students from his Queen Street studio. They set to work, first at weekends then some decided to live permanently on the site. Jörgensen had seen mud-brick buildings in Spain and recognised that Eltham’s clay soil was ideal for mud-bricks and although labour intensive, it was a very cheap way of building. Jörgensen’s students and friends worked under his direction with the help of local tradesmen, including carpenter, Len Jarrold and later stone mason, Horrie Judd. In return Jörgensen would give the students a painting lesson or two. It was the Great Depression when many were out of work. Jörgensen also inspired people to give generously of money and materials. With their help Jörgensen found second-hand materials for building. Friends donated slate for roofing, discarded firebricks were used for flooring and windows and doors and a cast-iron circular staircase came from a wrecker. The students’ day started at 7am with building and domestic chores, shared equally between the sexes. The first building was used by his friends at weekends and then became a home for his wife Lil. It consisted of three rooms and an attic under a high-pitched roof. Jörgensen then built a similar structure with the same high-pitched roof as a more permanent home for his students. The two buildings were joined together with a tower and a studio for Jörgensen. While excavating for the studio a reef of yellow mud-stone was found and then used in construction. The next building was the Great Hall, to be used for dining, exhibitions and meetings and completed in 1958, after a halt during the war. Whelan the Wrecker donated the stone-framed windows from the building that housed the Victorian Insurance Co. in Collins Street, which had been demolished in the 1930s. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep.1 One of Jörgensen’s great abilities was to recognise how to use material which harmonised. He would comb through wreckers’ yards for what he needed. Regarding his buildings as sculptural pieces, his first consideration was for the aesthetic quality of a building and only then for its functionality.2 At Montsalvat, Jörgensen found he was able to put his ideas into practice without compromise and those who worked with him had to conform to his ideas. With the Jörgensens, the colony’s original nucleus consisted of the Skipper family – Mervyn and wife Lena, daughters Helen and Sonia and son Matcham,who was to become an eminent jeweller and sculptor represented in National Gallery collections throughout Australia and in European museums.3 Other members were Arthur Munday, Lesley Sinclair, Helen Lempriere, Ian Robertson, John Smith, George Chalmers, John Busst and Sue Van der Kellan; also Jörgensen’s three sons – Max, Sebastian and Sigmund – and Saskia, Sonia Skipper and Arthur Munday’s daughter. Montsalvat went through some hard times when local gossips spread rumours of sexual shenanigans at Montsalvat. However Montsalvat also had many local supporters – especially amongst the local tradespeople. The colony was certainly unconventional – with Jörgensen’s wife Lil (and son Max) and life-time partner Helen Skipper, (mother of Sebastian and Sigmund) living at Montsalvat. Sonia Skipper says in her biography that the group were ‘very conscious of their responsibilities to each other and a desire to make their relationships work’.4 By World War Two many buildings around the Great Hall were completed. Jörgensen was a pacifist, as were most of his students. Some of the Montsalvat community enlisted while others engaged in essential services like dairy farming and market gardening for the war effort. It was then that Jörgensen constructed farm buildings. After the war many well-known personalities such as Clifton Pugh, landscape gardener Gordon Ford, and builder Alistair Knox, were drawn to Montsalvat. They learnt that building was not a ‘sacred cow’ only for professionals, but that anyone who was willing to get their hands dirty could do it. The post-war shortage of materials also encouraged builders to follow Montsalvat’s lead in reusing materials. When Jörgensen died in 1975, his influence did not – thanks largely to the vigilance of his son, Sigmund, who became its administrator. The weekend dinners have gone, but in 2008 about 14 artists still work at Montsalvat – some living there – including a couple who have been there since its early days. Under Sigmund’s direction Montsalvat further expanded its activities which included festivals, art exhibitions, concerts and weddings. Sigmund completed the Chapel, then the Long Gallery next to the pool, After the barn burnt down, he replaced it in 1999 (the builder was Hamish Knox, Alistair’s son) with a new gallery and entrance and added a restaurant. Sigmund has been careful that any new building blends in with the character of Montsalvat. In 2006 Montsalvat was restructured for its continued financial viability and with the help of Arts Victoria a new executive officer was appointed. A representative board from the wider community was established, which includes members from the former Montsalvat Trust including Sigmund Jörgensen – who is now the heritage and arts adviser to the new company Montsalvat Ltd.5 Today, visiting Montsalvat one still sees artists, students and visitors enjoying the unique and beautiful surroundings.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, great hall, montsalvat

Donald Lewis McRae was a farmer of Scottish descent and well known sportsman from the Western District who then became a publican in Horsham. He took over as licensee of the Crown Hotel in Buninyong in 1935. After his death in 1937, his widow Catherine, and subsequently his son Lou and daughter Lil continued to run the hotel until circa 1970.The McRae family were well known and respected in the Buninyong community as the licensees of the Crown Hotel from 1935 to around 1970. Black and white copy of photograph of the McRae family 1905 Catherine and Donald McCrae, William (back), Lewis (front) Lillian (baby) Platino Photographing Co. 610 Hight Street, Armadalecrown hotel, buninyong hotels

6 page indenture, plus plan, between King George V and North Deborah Mining Company in the Parish of Sandhurst, dated 29th August, 1950 to operate a gold mine. Indenture numbered 11231 Bendigo, Vol 331 and Folio 36457. Plan shows Hargreaves Street, Violet Street, Lily Street, Sullivan Street railway line, and leases numbered, 11230; 2107; 11062, 11033, 11013, 11219, 11175. Shafts and tracks indicated. Dam shown on lease 11013. Scale 8 CHAINS TO A INCH. Coloured key to plan shows depths, Crown Land, and surface excised. Total area of lease 48 acres, 3 roods, 22 perches.bendigo, mining, north deborag mining company, north deborah mining company, hargreaves, violet, lilly, sullivan streets.

Reflections reprinted history extracts from Bentleigh Baptist Church Diary from September 1989 to March 1993. Issues includes a CD with digital photos Reflections reprinted history upon the centenary of Bentleigh Baptist Church 1984 by DL Audemard from May 1985 The Way We Were Feb 1990 pamphlet notes reflections on the churches ministery over the last 50 years by unknown author A brief printed history author unknown and undated on Bentleigh Baptist Church, 10 Vickery Street Bentleigh Two computer generated articles of correspondence between Claire Barton and Robert Bell on the gathering of Bentleigh & Korean Baptist Church history April 2010bentleigh, baptist church, brewer mr, tucker road, box henry, lush gp rev, east boundary, north road, bentleigh baptist church, brighton baptist church, tucker road church, box francis, box edith, clay jack, clay joy, lipman vern, lipman bronwyn, watt family, pioneers, watt richard, watt martha, market gardens, centre road, jasper road, watt herbert, horse drawn vehicles, stamp mr, hall annie, vickery street, watt may, clay family, marriott hector, watt don, watt family, box chris, lipman joy, grewar family, alexander chas, shephard f, chapman samuel rev, chambers h, eunson ta rev, boreham e rev, fletcher w rev, marriott hec – market gardens, kennedy jack, kennedy lil, kennedy isa mary, herron john, seawright celia, streckfuss edith, cole alice, grewar annie, grewar hall, faulkner ern, graham tom, cross mabel, cross w rev, trenches, grewar jean, ormond, wadley mr, wellum mr, hinton wh, rees gp rev, hinton mrs, wade ken rev, wadley mrs, bent st, wade mrs, bell powell, warner lawrence, architects, winckel l rev, richards jl, builders, streckfuss bert, marriott may, streckfuss family, sach florrie, sach family, reid mrs, reid lesley, mcmillan mrs, drapers, mckinnon road, streckfuss edith, simpson mrs, wellum mrs, leadlights, main mary, evans william john, cooke j, cooke mrs, cahill samuel george, smith kate, freeman nancy, wanless mrs, redmore ab, redmore mrs, audemard phil rev, hawkins margaret, ord elton, hawkins shiela, pith ron, bell mr, wallace pat, bell margaret, audemard joan, docker sandra, hubbard mark, thomas bernie, thomas mrs, lamprell mrs, herron mr, herron mrs, freeman mrs, beach mrs, paton john mrs, george lloyd, aspinal eric, bell gwen, sutton mrs, winkel mrs, neil mary, costain mrs, main mrs, baker mrs, cross mrs, kershaw mrs, smith millie, smith jack, freeman alf, harwood lindsay, harwood doreen, bell lesley, bell roberta, bentleigh korean baptist church, barton claire, hoare mike, hoare margaret, bott muriel, bridgeman pat, cook don, small hugh, trewin bill, smith eddie, iggulden sid, neve keith, horsford david, spencer wally, mcewan bill, holmes ron, holmes joyce, pullman peter, pullman elly, probbel peter, robinson john, bott laurie, main alice, disney clarrie, taylor kath, woff miss, rutledge peter, cameo playgroup, bentleigh baptist church, bentleigh, tucker road, foundation stones

Warrandyte artist, Clara Southern, features on the Artists Trail. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p189 Since early in the 20th century this district has attracted artists and other creative people. So much so, that Eltham has been compared to the Left Bank in Paris, New York’s Greenwich Village and London’s Bloomsbury. That is until the 1970s when Eltham rapidly expanded into a suburb. However many artists still flourish not only in Montsalvat, Dunmoochin and the Bend of Islands but elsewhere in Nillumbik. Some artists who have worked or lived in Nillumbik are well-known nationally and internationally. Artists are attracted to the hilly district’s subtle colours, unique light and the Yarra River and Diamond Creek. The railway’s extension to Eltham in 1902 brought artists to paint for the day or to camp. Then many settled in Eltham, perhaps also because the poor quality land, far from the city, was cheap. Following World War Two they found they could build houses and studios cheaply by making their own mud-bricks. The flexible material, with its warm tones blending into the bush, also satisfied their aesthetic sensibilities. As early as 1900, Will Longstaff, known for his painting The Ghosts of Menin Gate at the National War Memorial in Canberra, lived at Stanhope in Peter Street, Eltham, later to become the home of intellectuals Clem and Nina Christensen. Members of Australia’s first significant art movement, the Heidelberg School of Artists, painted in Eltham, Warrandyte and Diamond Creek. Walter Withers lived at the corner of Bolton and Brougham Street, Eltham and taught Sir Hans Heysen, who for a short while stayed with the Withers family. In Warrandyte were Clara Southern, whom Frederick McCubbin taught at the National Gallery School and Penleigh Boyd, who is represented in all Australian state galleries and the National Collection in Canberra. May Vale, daughter of politician William, lived in Diamond Creek. With Jane Price they feature on the Heidelberg School Artists Trail, part of which runs through Nillumbik. The trail includes signs each displaying a reproduction of a painting by an artist and located near where the artist lived or painted. In Nillumbik the trail includes parts of Warrandyte, Eltham in the Alistair Knox Park, Main Road shopping precinct and Wingrove Park, the Research walking track on Main Road and the Diamond Creek Reserve. In 1916 artist William ‘Jock’ Frater lived at the corner of Arthur and Bible Streets, Eltham. Before then, Frater, with other artists including Percy Leason (who moved to Eltham in the mid 1920s) painted in Eltham on weekends. They camped near Bible and Pitt Streets and along the Diamond Creek where the Eltham Retirement Centre now stands.4 In 1921, painter Peter Newbury (father to painter David Newbury, who was born in Eltham) moved to Cromwell Street, Eltham. Max Meldrum, the first Australian painter to formulate a consistent theory of art largely based on tone,5 taught local artists Alan Martin, Clarice Beckett, Peter Glass and Justus Jörgensen. Meldrum visited Eltham then rented a house there for 18 months opposite Wingrove Park. In 1934, artist and architect Justus Jörgensen and his doctor wife Lil and friends built Montsalvat, the artists’ colony. Montsalvat has played an important part in attracting artists to Eltham and its mud-brick, pisé, stone and recycled building materials has had a major influence on Eltham’s built environment. Jörgensen’s students who also helped him build Monstalvat included Arthur Munday, Lesley Sinclair, Helen Lempriere, Joe Hannan, Helen, Sonia and jeweller/sculptor, Matcham Skipper. Among artists who visited Montsalvat were Clifton Pugh and Angry Penguins’ artists Albert Tucker and Arthur Boyd. Some who painted after World War Two were Alan Martin of Eltham and Warrandyte artists Frank Crozier and Harry De Hartog6, one of Melbourne’s first painters influenced by Cubism.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, clara southern, main road, research (vic), heidelberg school artists trail

Black and white photograph of Lil Allen and fiancee Lloyd Jackel taken in back garden of Lil's parents home in Myer Street Lakes Entrancegenealogy

Black and white photograph of Mrs Frances Allen and daughters Vera and Lil taken in garden at 'Seaview' Myer Street, Lakes Entrance Victoriagenealogy

No 1: Matron Eagleton with Nursing Staff, Ballarat & District Hospital. Priscilla Wardle, far right - trainee nurse 1905-1908. No 2: This could be a group of trainee nurses at Ballarat Hospital. Circa 1906/1907. The nurses with the grey looking sleeves in this black and white photograph may be wearing the lilac uniform of Trainee nurses. The sitting nurse on the far right may already be qualified because she appears to be wearing the white of a trained nurse. Sitting in the middle with the cheeky grin could be Priscilla and the standing nurse on the far left could be Edith Popplewell. No 3: This photograph is labelled 1907 and Priscilla would have just commenced her training. She appears to be “fanning” a female patient presumably to cool her down. This could be upstairs in the Queen Victoria’s Women’s Ward. Priscilla graduated as a nurse in 1908. In this photograph Priscilla was at age 23 years. No 5: Sheila Kelly (left) and Priscilla Wardle. This photograph is labelled 1909 and shows Priscilla in an all white uniform indicating she has qualified as a nurse. Sheila Kelly appears to have darker sleeves/blouse (lilac) and may still be a trainee. No 6: There is a very good chance that this photograph is Edith Popplewell, standing left, Lily MacKenzie , standing on the right and Priscilla seated. Writing in her album is very hard to read but it appears to be “Pop McK & I”. The arm bands with the St John Cross denote they are “charge nurses” maybe in charge of a ward. Taking all this into account the photograph could be circa 1909/1910. No 8 & 9: Priscilla painting what appears to be a gate while wearing her nurse uniform. She has a big grin on her face. Together with Lily MacKenzie they were the principals in the Mount Stuart Private Hospital at 18 Duke Street. Daylesford. This property is now known as Mount Stuart House. Priscilla appears to be on Central Spring Road with the Daylesford Post Office in the background. Photograph 9 is labelled 1914 which would make it near the end of their tenancy between 1911 and 1914. No 10: This photograph raises some questions. Priscilla appears to have darker sleeves /blouse (lilac) which may indicate she is still a trainee however Priscilla is also wearing a “charge nurse” arm band. While my research shows trainee nurses can be a “charge nurse” this is not common practise. The scene appears to be at the door of a house/home. I am not sure if the children’s ward/orphanage at the Ballarat Hospital at this time was in such a building. It could be that it is at the Mount Stuart Hospital but this would mean Priscilla and Lily have duplicated the wearing of the “charge nurse” arm band. The St John’s logo looks different too. Priscilla Isabel “Pearl” Wardle (1884-1967). The armband indicates Priscilla is a Charge Nurse at the Ballarat Hospital. Nothing else known. No 11: Mary & I at Mount Stuart – House Daylesford – This is probably the nursery at the Mount Stuart House Private Hospital being run by Priscilla Isabel “Pearl” Wardle (1884 – 1967) and Selina Lily (Lil) MacKenzie or McKenzie (1882 – 1975) between 1910 and 1914. Mary is certainly Mary Young MacKenzie or McKenzie (1865- 1942) Lily’s stepsister who trained at Ballarat Hospital as “Mary Young “at the same time as Priscilla and Lily. Mount Stuart House still stands at 18 Duke Street Daylesford. Photo date 1912. No 12: Priscilla wearing her distinctive Queen Alexandra’s Imperial Military Nursing Service Reserve cape and badge. Possibly while nursing in London for a month in 1919 after the war. No 12A: Priscilla Wardle - WW1 Diary, OCR enabled. No 13: Priscilla and friends at No. 7 General Hospital, Malassises, Saint Omer, France in July 1915 The old monastery being used as a hospital can be seen in the background. The tents are the nurses quarters. This photograph may have been taken at the same time as the group photograph on page 250 of the diary transcription. Priscilla is thought to be the nurse at the centre in the QAIMNSR uniform. The nurses quarters at the No 7 General Hospital in Saint Omer in France where Priscilla worked for most of the first year of her Diary. Their Monastery (Hospital) at Malassises can be seen in the background. No 15: Priscilla is an Acting Sister working at the 2nd General Hospital for Officers in Havre, France, between March and July 1918. The nurses were enjoying their “tea party”. (see also page 253 of the Diary transcription) No 17: Priscilla at Havre - at 2nd General Hospital (Officers Hospital) in Havre., France Friday 29 March 1918 to Monday 29 July 1918 note the two dark bands on her right sleeve denoting that she is an “Acting Sister”. Priscilla is 34 years of age in this picture and in the three weeks prior to this posting she met Cyril Terence Charles Kirby (1892-1968) her future husband at the 42nd Stationary Hospital in Flixecourt while he was serving with the British Army during the battle and evacuation of Amiens. No 18: Priscilla Wardle at No 8 Stationary Hospital Wimereux, France - from Saturday 24 June 1916 to Tuesday 18 September 1917, Priscilla worked at this hospital for 15 months her longest time in one hospital. during the war. While at Wimereux on Sunday 1 July 1917 she was appointed an Acting Sister. Priscilla once said she disliked nursing in her cape and badges and here she is in her favourite “uniform” for work “the robe” as she called it. She may be leaving the “operating theatre” at Wimereux in this photograph. No 19: Priscilla worked in various operating theatres throughout France. This could be after she became an anaesthetist in 1918 and worked with this team. She is wearing her favourite uniform which is more comfortable. She did not like the collars and capes that were required to be worn. No 20: Priscilla and Sister Michael Meeke? (details not found) are having a quiet drink at the 2nd General Hospital for Officers in Havre, France. Note the dark bands on their sleeves denote their rank as nursing “Sisters”. While it looks like they are smoking look more closely they are in fact holding a “flute” style probably “cocktail” glass. Tea parties and cocktails, Havre could almost have been fun. No 22: 1913 – Ballarat nurse Priscilla Isabell “Pearl” Wardle (1884-1967) in Cannes on the French Riviera during leave from between Friday 20 February 1918 and Friday 6 March 1918.Priscilla is second from the left wearing her distinctive QAIMNSR cape of grey with dark “wine” coloured border. The other nurses are wearing their “travelling” army uniform. They were rudely called “Salvation Army Lassies” by American nurses for the way they were dressed. (see page 232 of Priscilla’s War Diary) The description of 1913 on this photograph is confusing. No 23: Priscilla with her best friend Edith Victoria Donaldson somewhere in the “mysterious far east” on their trip on the Orontes. Priscilla is second from left - this may have been taken at Durban during Priscilla's return to Australia in 1919. No 25: Priscilla Wardle, Ballarat nurse in her Queen Alexandra’s Imperial Military Nursing Service Reserve (QAIMNSR) uniform. Notice the distinctive grey cape with “wine coloured” border Priscilla is also wearing her QAIMNSR qualification badge (medal) on the right side. Because she has no dark (wine coloured) bands on her sleeves so this photograph may be before 1 July 1918. No 26: Priscilla met her husband to be English army Lieutenant Cyril Terrence Charles Kirby during the battle and subsequent evacuation of Amiens in France. As an army nursing “Sister” Priscilla also held the rank of Lieutenant. Priscilla was stationed at the 42nd Stationary Hospital between 7/3/18 and 23/3/18. She had just completed a fortnight break at Cannes on the French Riviera. They were married at Priscilla’s home “Waverley" at 215 Dawson Street Ballarat on Saturday 15 November 1919. Nov 15, 1919 – Mr and Mrs Kirby. The bride Priscilla Isabell “Pearl” Kirby (nee Wardle) (1884-1967) and the groom Cyril Terence Charles Kirby (1892– 1968) on their wedding day. Priscilla was 34 years of age and Cyril 27 years of age however their marriage certificate states that they were both 34 years of age. Their marriage certificate states they were married at Waverley, Dawson St, South, Ballarat in a Presbyterian service conducted by the Rev. John Walker, a Minister of the Presbyterian Church of Australia and the Moderator General of the Church we think for Victoria. Was it in an outdoor setting as the surrounds in this photograph seem to indicate. Their witnesses were Robert and Olive, Priscilla’s brother and sister. Cyril signed as C. Terence. C. Kirby and Priscila signed as Priscilla I. Wardle. The certificate lists Cyril (Terence) as a Bachelor, Born at sea on a British ship and his occupation as Sailor. His father interestingly is listed as Charles John Kirby, of independent means and his mother as Emily Newman. Priscilla is listed as a Spinster, born in Ballarat with occupation as a Nurse. Her father is listed as Henry Thomas Wardle, Timber Merchant and her mother as Isabella Allan. They are both resident at 215 Dawson St. Ballarat which was Waverley the Wardle family home. No 28: Reverse in Poppy’s handwriting: “Lovingly yours Poppy, Dec 1908” Taken the year after Poppy qualified at BBH. No 29: Reverse in Poppy’s handwriting: “With much love to you Cilla, Poppy 1915” This picture was taken in the same year as the Marquette sinking incident. Edith Catheina Popplewell RRC (1884-1972) in her New Zealand Army Nursing Service (NZANS) Uniform. Poppy is at age 29 years in this photograph. Poppy was awarded the Royal Red Cross (RRC) medal for her heroism during the sinking of the Marquette transport ship. She lost her best friend NZ nurse Lorna Ratray. No 30: Taken in Cairo. Poppy is in the centre and wearing her New Zealand army badge and cape. The two nurses on either side are Australian nurses probably wearing their unique silver Australian Army sunrise badge and cape. No 31: Reverse in Poppy’s handwriting: “Ward 7 on Xmas day 1917, with my love, Poppy, A Happy New Year to you – had the sweetest letter from Bobbie”. (Bobbie is Priscilla’s brother Robert). It is thought the nurse in the centre of the three on the left is Poppy. It is 1917 two years after the Marquette sinking. Poppy appears to be a “sister” note the two dark bands on her sleeve. The uniform also matches that of Poppy 2. This photograph is in Post Card form very common during WWI. Edith Popplewell RRC is the “Sister” in the middle of the group of three nurses on the left. She is a sister not a general nurse because of the two bands on her left wrist denoting her rank. She was in fact the Charge Nurse ( in charge) of Ward 7 at this time. Note the Christmas decorations. Poppy is at age 33 years of age in this photograph.Bobbie is Priscilla’s brother Robert Norman “Bobbie” Wardle (1895-1979). No 32: Lilly MacKenzie & Poppy – Otaki - Australian nurse Selina Lily (Lil) MacKenzie sometimes McKenzie (1882– 975) grew up and trained as a nurse in Ballarat Victoria. After completing her training Lily and Priscilla Isabell “Pearl” Wardle (1884 – 1967) conducted the Mount Stuart House Private Hospital in Daylesford Victoria. In late 1913 Lily travelled to Otaki, 32 kms north of Wellington in New Zealand and worked at the Otaki Cottage Hospital with close friend Edith Catheina Popplewell “Poppy” (1884-1976) who also grew up and trained as a nurse at the Ballarat Hospital. In 1914 Lily was matron of a private hospital in Taihape 150kms north of Wellington. Both Lily and Poppy volunteered for New Zealand but as New Zealand were not accepting Australian trained nurses she returned to Australia and enlisted in the Australian Army Nursing Service (AANS) in October 1915. Lily went on to serve in Egypt, England, France and Italy where she was awarded the Royal Red Cross (RRC) medal for her service. This photograph is while Lily and Poppy were working at Otaki Cottage Hospital in New Zealand. Circa 1914. trainee, charge sister, ballarat, hospital, 1905, 1908, ww1, mount stuart house, sleeman, wardle, popplewell, mackenzie, military, queen alexandra's imperial military nursing service reserve, daylesford, nurses, private hospital, edith popplewell, france, cairo, diary, ww1 diary, havre, lily mackenzie, eagleton, matron, otaki, new zealand, donaldson, malassises, kelly, young, kirby, priscilla

Lil was born in Long Gully, Bendigo in 1904 daughter of Herbert Charles Leopold Willaton and Lillie Jenkins. She had 3 brothers and 3 sisters, one brother dying in infancy. The family lived in Lille Street, Surrey Hills. Both her parents and one sister died in Surrey Hills. In the 1920s Lil gained her A.L.C.M. (Australian London College of Music) in singing and made a career of teaching gymnastics with calisthenics, rhythmic movement etc. She arranged the music and lyrics for items and also designed the costumes, as well as conducting the physical training which culminated in annual concerts held in Box Hill and other town halls. Lil married Leslie Reginald Stephenson in 1934 and they lived at 36 Union Road, Surrey Hills. She died in July 1995 and is buried in Box Hill Cemetery - CE-126-0001. A black and white photograph of a young lady sitting in a lounge chair.(miss) lil willaton, (mrs) lil stephenson, entertainer, singers, teacher, gymnastics, calesthenics, (miss) lille louisa willaton, (mrs) lille louisa stephenson, box hill cemetery), lille street, union road

Lil was born in Long Gully, Bendigo in 1904 daughter of Herbert Charles Leopold Willaton and Lillie Jenkins. She had 3 brothers and 3 sisters, one brother dying in infancy. The family lived in Lille Street, Surrey Hills. Both her parents and one sister died in Surrey Hills. In the 1920s Lil gained her A.L.C.M. (Australian London College of Music) in singing and made a career of teaching gymnastics with calisthenics, rhythmic movement etc. She arranged the music and lyrics for items and also designed the costumes, as well as conducting the physical training which culminated in annual concerts held in Box Hill and other town halls. Lil married Leslie Reginald Stephenson in 1934 and they lived at 36 Union Road, Surrey Hills. She died in July 1995 and is buried in Buried Box Hill Cemetery - CE-126-0001. A black and white photograph of a young lady dressed in a graduation gown and wearing a mortarboard on her head.(miss) lil willaton, (mrs) lil stephenson, entertainers, singers, gymnastics, calesthenics, teacher, lille street, union road, (miss) lille louisa willaton, (mrs) lille louisa stephenson, box hill cemetery

Miss Lillie Louisa (Lil) Willaton, and her callisthenics students in 1930s celebrating during competitions in Ballarat in which they were successful. Lil held weekly classes in Surrey Hills, Box Hill and nearby suburbs for a number of decades. Students include Nancy Scott, Nancy Hayes, Sylvia McGill and Vera Willaton. Lil was born in Long Gully, Bendigo in 1904 daughter of Herbert Charles Leopold Willaton and Lillie Jenkins. She had 3 brothers and 3 sisters, one brother dying in infancy. The family lived in Lille Street, Surrey Hills. Both her parents and one sister died in Surrey Hills. In the 1920s Lil gained her A.L.C.M. (Australian London College of Music) in singing and made a career of teaching gymnastics with calisthenics, rhythmic movement etc. She arranged the music and lyrics for items and also designed the costumes, as well as conducting the physical training which culminated in annual concerts held in Box Hill and other town halls. Lil married Leslie Reginald Stephenson in 1934 and they lived at 36 Union Road, Surrey Hills. She died in July 1995 and is buried in Buried Box Hill Cemetery - CE-126-0001. A black and white photograph of a group of girls posing for a photograph around a monument. They are all dressed in similar clothing of light coloured skirts / shorts and shirt, and wearing hats. The lady in the centre is wearing a darker coloured suit.(miss) lil willaton, callisthenics, (ms) nancy scott, (ms) nancy hayes, (ms) sylvia mcgill, (ms) vera willaton, (miss) lille louisa willaton, (mrs) lille louisa stephenson, (mrs) lil stephenson, teacher, gymnastics, box hill cemetery, lille street, union road

David Miller Mair (1879-1938) married Lily Vipond Deakin (1890-1943) in 1910. They lived in East Melbourne after they married followed by Louise Avenue, Mont Albert before settling at 20 Barton Street Mont Albert where they lived until they died. Dave was an extremely keen sportsman (particularly bowls and cricket). He started the Kangaroo Cricket Club and worked for the Melbourne Cricket Club. Possible identification of Sid Ginn: There was a Sydney Herbert Ginn and family living in Camberwell. This is part of a large donation of material related to the Deakin, Mair and Young families.Sepia photo within a cream cardboard mount of a woman in a large hat seated with 2 men, one each side of her on a veranda. The men are both wearing bowler hats; one has a moustache; the other appears to be wearing glasses. REAR: 1. In black ink - "To / Lil & Dave / With love / From / CLS." (uncertain regarding these initials); "21.1.11." 2. In a different hand beleived to be Beryl Mair's on the basis of the handwriting in her autograph book and inscriptions in her daughter Laurie's autograph book: 'MAIR" / Mum & Dad / & Uncle Sid Ginn / (not real uncle)" with "LILY" in lead pencil and "DAVE" in lead pencil above Mum and Dad.david miller mair, dave mair, lily vipond mair, lily vipond deakin, sid ginn

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 68 Park Street, Hawthorn 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. The woman named as Mattie was Martha Dunham Brooks b1892, Camberwell. She was the daughter of Arthur 'Empire' Brooks and his wife Mary Jane Wilson who lived at 21 York Street. They also had twin boys: Thomas Moffat Brooks – b. 1899, Surrey Hills; d. 1906 and Edwin Dunham Wilson Brooks – b. 1899, Surrey Hills; d. 1971 Heidelberg. The donor remembered the later as a builder of 11 York Street. Martha m. Clifford Ernest Cairns in 1935. Mattie Cairns was the donor's godmother. This is part of a large donation of material from the Deakin, Mair and Young families. This is part of a large donation of material from the Deakin, Mair and Young families all of which had connections with Surrey Hills / Mont Albert.A black & white photo of a man, a women, 2 women, a girl and a young lady beside a car in a country setting. The girl is bending to pat a dog.On rear: "Mum Dad Mair / Shirl Isabel Mattie / Digger - Cliff Cairns / Dog" in blue biro. Thought to be Beryl Mair's handwriting. "LILY" and "DAVE" in lead pencil above Mum and Dad. Photographer's stamp "653" in blue ink.dave mair, david miller mair, lilly vipond deakin, lily vipond mair, shirley inez mair, isabel lillian mair, mattie brooks, martha dunham brooks, cars

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Beryl initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 68 Park Street, Hawthorn 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. The woman named as Mattie was Martha Dunham Brooks b1892, Camberwell. She was the daughter of Arthur 'Empire' Brooks and his wife Mary Jane Wilson who lived at 21 York Street. They also had twin boys: Thomas Moffat Brooks – b. 1899, Surrey Hills; d. 1906 and Edwin Dunham Wilson Brooks – b. 1899, Surrey Hills; d. 1971 Heidelberg. The donor remembered the later as a builder of 11 York Street. Martha m. Clifford Ernest Cairns in 1935. Mattie Cairns was the donor's godmother. This is part of a large donation of material from the Deakin, Mair and Young families. This is part of a large donation of material from the Deakin, Mair and Young families all of which had connections with Surrey Hills / Mont Albert. Mattie Brooks' father was a significant figure in early Surrey Hills.A black & white photo of 2 women, a girl and a lad beside a car on the sand at the beach.On rear: "Mum Mattie / Shirl / Digger (Cliff Cairns / Dog" in blue biro. "MATTIE BROOKS / LAD UNKNOWN" Thought to be Beryl Mair's handwriting. Photographer's stamp "653" in blue ink.beach, lily vipond mair, lilly vipond deakin, mattie brooks, martha dunham brooks, mattie cairns, martha dunham carins

Sydney and Oscar Ball were the wheelwright and blacksmith in Linton. Their premises were 1) next to the Post Office; 2) next to Peacock Cottage, Sussex StreetCopy of original photograph showing six children in a garden."Lilly Ball (Oscar's daughter) Myrtle Cornish (Agnes' daughter) Cecil Ball (Sidney's son) Gladys Ball (Ernest's daughter) Violet Ball (Sidney's daughter) Olive Ball (Oscar's daughter) The grandchildren of Edwin & Mary Ball) Taken at Linton approx 1898".edwin ball, mary ball, lilly ball, myrtle ball, myrtle cornish, cecil ball, gladys ball, violet ball, olive ball, ball family

The house was in Sussex Street, next to the library building, and was the home of the Todd family.Black and white photograph of two ladies standing on front verandah of a weatherboard house."Lilly Pilly tree". "Lil Poultney and Pet Todd". "Taken about 1910 we could hear all the music from our veranda. Dance music band music children's concert from the old Shire Hall what a lovely old hall it was with a cedar spiral staircase. Huge magnolia tree in front & clock".lil poultney, pet todd, houses

This photograph, taken by The Advocate in 1993, were published as part of the newspaper’s ongoing column profiling local traders across the district. This photograph features Lilly Pufek from Dynamic Haur Studio located at 44 Alfrieda Street, St. Albans.The Sunshine Advocate’s feature on local traders was a modest yet well‑liked column that played a meaningful role in strengthening community identity. Through these regular profiles, the newspaper promoted local businesses and helped shape Sunshine’s understanding of its developing commercial district.7576 - Dynamic Hair Studio 44 Alfrieda Street St. Albans 1993 Photograph (Advocate 149.3).JPGdynamic haur studio, alfrieda street, st. albans