The Kelly family lived at 'Norwood', 103 Wills St. Bendigo. Whole family buried together in Bendigo Cemetery. Michael Peter Kelly bd. 23.9.1929 MON H4. Margaret Jane Kelly wife of Michael Kelly died 25.8.1912. bd. 28.8.1912. Daughter Rita bd. 21.1.1898 Son Roy (Robert Dennis) Kelly died 22.9.1943 bd. 23.9.1943. Daughter Doris May Kelly bd. 19.1.1967 Daughter Madge Annie Kelly bd. 6.6.1963. No records found of a marriage for Roy, Doris or Madge. Michael P. Kelly was born in Galway, Ireland and died in 1929 aged 76. He had been in Victoria for 59 years. For 50 years he had been closely associated with Bendigo mining companies, and was a leading investor. He joined the Bendigo Stock Exchange in 1880, had been chairman of the exchange multiple times. Director of the Farmers & Citizens' Trustee Co. and of the Sandhurst Building Society. Refs: Obituary The Argus 24.9.1943. The Argus 23.9.1943 (obit. of Roy Kelly). National Archives WW1 enlistment records Robert Dennis Kelly Reg. No. 10874. TROVE Bendigonian 29.7.1915. Bendigo Advertiser 27 August 1912. Bendigo Advertiser 21.1.1898 and 22.5.1900. Bendigo Cemetery records.Full length studio portrait male & female photograph. Captioned Miss Doris Kelly, Mr Roy Kelly, 103 Wills Street Bendigo. Bartlett Bros, Sandhurst printed on cover. Nill reverse. See Research field in 1342.5 (Michael Kelly) for information on the Kelly family.Bartlett Brosphotograph, person, male/ female

.1) Robert James Lee “MM”. Refer Cat No 1734 for his service history. .2) Lorna Jean Robbins VF518306 enlisted on 10.8.1945 age 20 years in the AWAS. She was discharged on 27.9.1946 with the rank of Cpl. Lorna married Robert James Lee.Pair of frames photographs. .1) & .2) Frames light brown & gold timber with cream mounts & glass. .1) Photo, colour portrait of male soldier in uniform, VX65555 Robert James LEE 'MM'. .2) Photo, colour portrait of female in uniform, VF518306 Lorna Jean ROBBINS, Corporal, Australian Women's Army Service..2) Handwritten in black ballpoint ink: LORNA 'JEAN' LEEphotography - photographs, frame accessories

The man is possibly a ship master or captain and the photo of the couple depicts also his wife. Studio photographic portrait of two people: female standing dressed in black? formal attire, arm leaning on seated male also formally dressed in 3 piece suit with watch chain and bowler hat.skipper, captain, ship master

Possibly mother and son No photographer details CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, unknown, 1875, female shillinglaw 9, male shillinglaw 10

Biography, cardboard cover with black print on yellow background. Front cover has 2 black & white portrait photos, a male in uniform & a female in civilian clothing. Also a small photo of poppies with the words 'At Peace in Flanders'. Back cover has black print comments & a colour photograph of a wreath. 220 pages, cut, illustrated with black & white photos.Title page in handwritten blue ballpoint ink: To Shirley and David with best wishes Brenda S.C 2014books - biography, military history - army

Sepia photograph of three young men and three young women sitting at the base of a tree. Names have been written on the photo but they are illegible. Photo mounted on white paper then greyish matt board. Written on the back - Picnic at Kyneton. Stuck to the back is typed information- Reference: Magnifying glass, Family History, Jean Jones. BACK Thomas George Rowland Lowe born 13.5.1887 left, right Samuel Charlesworth. FRONTL. To R. John Kerr (Jean's father) Clarise May 9.3.1890 - 29.4.1916. Jennie or Annie Wright. Lila Gertrude born 7.8.1892 (Mrs McCawley). Photo - Jean Jones. McIvor Rd., Bendigo.? Studio, Kynetonperson, group, men and women, john jones collection - male/female portrait, jean jones, thomas george rowland lowe, samual charlesworth, john kerr, clarise may, jennie or annie wright, lila gertrude, mrs mccawley, ? studio kyneton

BHS CollectionA white envelope which contained four photos and on the front in grey lead is the name J.C. Burnett A black and white photograph of Ms. J.C. Burnett a staff member at Bendigo Teachers' College. A small black and white photograph of four Bendigo Teachers' College staff members - Ms. J.C. Burnett, Mr.George Mills (Principal), Mr. M. Morris and two unnamed women. Two black and white photographs of Bendigo Teachers' College staff members - 1. Ms. J. Burnett with an unknown man and 2. A small photo of Mr. M. Mills, Ms. J. Burnett and Mr. George Mills, year 1945 written on rear of photo.bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo teachers' college staff, male, female, individual, person, portrait, photography, photographs, photograph, bendigo, education, photo, envelope, bendigo teachers' college staff, ms. j.c. burnett, teacher training, tertiary education

Three small portrait photographs, 1 male 2 female by Photographer Tuttles Co Melbourne ,Sydney & Adelaide, written on back of 7923/1 in ink yours sincerely Robert.W.Greville.Tuttles Cophotograph, portrait, male & female

Six small portrait photographs by M.Bent Photographer Centre of Pall Mall Sandhurst, 4 of men, 2 of women.M.Bentphotograph, portrait, male & female

Two small portrait photographs by Fred.K.Cornell Photographer Sale Victoria, 1 family portrait with 2 adults & 6 children and one of a young adolescent male. Back of photographs reads, patronized by his Excellency Sir Geo.F.Bowen, awarded prize medal Melbourne & London international exhibition 1873 Honourable mention Melbourne 1867 Dublin 1865.Fred.K.Cornellphotograph, portrait, male & female

Printed reminiscence ''Looking Back with Tom Rowe'' with Appendices. 27 stapled pages and 28 - 42 loose sheets of Appendix. Loose sheets (7) of Select Bibliography and (poor quality) copies of photos including portraits of un-name male and un-named female; also picnic gathering of approx 20 hatted/suited men in rural setting. No author, no date of authorship.bendigo, history, autobiography tom rowe, the great depression, mr t rowe, world war 2, central deborah gold mine. mr charles robert searle rowe, new chum railway company, north old chum syndicate, list of mine managers, golden square school, big hills gold mine, henry gibs, new chum synline, school of mines, cr. g d garvin, central deborah mine, golden square fire station, the fife shire hotel, the rose of australia hotel, hicks spurs, red white and blue mine

B+W Group photo on cream board. 4 males + 4 females, perhaps a family group as there is a family facial resemblance. There are 2 generations . Older man + woman (mother + father?) seated in leather chairs with armrests. The younger 6 are standing behind with the youngest seated at centre of older ones. All in 'good' clothes, males in 3 piece suits + ties, women in 'Sunday best' dresses. Group centred on a large floral mat. Inscription: Bartlett Bros. BendigoBartlett bros. Bendigoperson, group, possibly, family group

Sepia photograph. Interior group studio portrait of football team. Five in front row, seven seated, seven standing and four men at rear not in football clothing. General pose is arms folded across in front of body. Mounted on fawn card with family photo on back. Inscriptions: Front 'RHSV stamp GP49', 'Presented to Mr F Richardson by the members of the St Andrews Football Club, First of October 1894'. On back - RHSV stamp. Photograph of family group - father, mother, children and young adults. Rear row: two males, four females. Middle row: mother, father? And two boys. Front row: baby held by mother, boy and two girls. 'STKing, Bendigo'. History Prev. Acc. No. GP49cottage, miners

Black & white photo developed onto a sheet of glass. Lady in long black dress, silver brooch at neckline, holding white flowers, black hair tied back, standing ------ Man in wool suit with black arm band, white shirt, bow tie, silver chain in vest, flowers in lapel, short beard and mustash, receding hair, sitting. White flowers on wall in background. Markings: P 763. 9123x Eden. AWB. Gilt mount, with unassociated wooden frame. Deframed 2022person, individual, portrait of couple / male & female

black and white photo on dark gray board. Wedding group: Mr. and Mrs. Arthur Swanwick, ( nee Jessie Campbell ) 3 males, two seated , one stganding, in three piece suits, white bow ties and gloves. Females in white frocks, hats and carrying bouquets. Lace curtains on window. In ball point pen on back ' Mr and Mrs Arthur Swanwick, nee Jessie Campbell'Kalma, Pall Mallperson, group, wedding

Sepia studio photograph . Mature couple, male seted, female standing. Chair, fringed and tesselated, full length gown with collared neckline and leg 'o' mutton sleeves. Gent with 3 piece suit, watch chain, collar and tie, cuffless trousers and elastic sided boots. Printed at front bottom coat of arms, Alan Spicer in script, Bendigo in capital letters.Alan Spicer, Bendigofamily, portrait

black and white photo mounted on grey card. Mixed group of males and females, seated in front of waterfall and broken branches. Some people holding long sticks - walking group ?person, group, casual

BHS Collectionblack and white photo: family. One mature female in dark gown with brooch and necklace, one mature male in suit, white shirt, tie and tie pin. One male child suited, short trrousers. Six young males suited and buttonholed, one with watch chain. Two young females, long dark curls, pinafore gown, brooch visible at throat of R. hand gown. Weatherboard house at rear, ivy at left hand border. Step and verandah visible behind group with an upholstered chair, personal belongings nearby and below four pane glazed window.2000 - 180-01 on back of photoperson, group

family portrait, male serviceman ( navy ? ) female and three children, all seated ( children on studio bench/table )Eden Stuidios, 727 George Street, Sydney embossed bottom centrecottage, miners

black and white photograph - Man woman and dog black wearing Victorian era clothing / old and stained / bottom and rear shows Logo -Stevenson & McNicoll late Benson & Stevenson Photographers 108 Elizabeth Street Melbourne / 'Light & Truth -Copies of this portrait can be had at any time by sending the name and Post Office Money Order or stamps for the amount of order' / Mrs Goggin & husbandphotograph, person, male / female, man woman and dog black wearing victorian era clothing / / -stevenson & mcnicoll late benson & stevenson photographers 108 elizabeth street melbourne / / mrs goggin & husband

Photographic Album - 19th Century Portraits. This album is in a handsome leather tooled cover with brass ring clasp - pages have gold edging to match the gold tooling on front cover.This album comes from ''Old Box 94'' which generally contains ephemera from Merle Bush. However, this album has no identifying inscriptions (but see the following notes). There are approx 44 portraits of children, males, females, mixed groups taken by a range of studio photographers (Sandhurst, Melbourne, Stuttgart and possibly from other cities?) There appear to be no inscriptions on the reverse of these photos - but not all have been removed for checking. One photograph (R Dermer Smith, Sandhurst has a photograph Number #753 on reverse and show a man/boy?, woman and child on the front verandah of a house. There are 6 loose cards within the book which may give some indication as to the family connection; 1. Mr W Tainsh - Echuca; 2. Frau Pastor Leypoldt - Lutheran Parsonage, Bendigo; 3. Miss H Janie Schleiger; 4. Citizens' Life Assurance Co Ltd - Represented by A A Brooker(?); 5. Card with inscription in German below print of ? Luther) and handwritten text in German on reverse (difficult to read), date 11/11/83; 6. black bordered card ''In Memoriam'' (no name).cottage, miners

Eighteen tin type photographs mounted in a card. The card has a dark red border and small oval windows with a photo behind each one. Each opening has decorative work in dark red. Photographer's name and address printed at the bottom. The photos consist of male and female adults, children and young people. Other addresses for the photographer are: 95 Swanston St., Melbourne; 23 King William St., Adelaide; 6 Sturt St., Ballarat; and Brisbane St., Launceston.Gove & Allen, 324 George St., Sydneyphotograph, portrait, male & female, tin type collage, gove & allen

Photograph - black and white. Portrait of a young family, mum,dad and baby. Male with a high neck collar and thin tie and moustache. Female, pleated top part, hair tied up on top of head. Baby all in white lace.Richards & Co., Ballarat.person, family, portrait of family, portrait - family.

Photograph - black and white. A group portrait, looks like all the same family (facial features). One male and 2 females. 1st female wearing a plain dress with a thin bow tie, 2nd female plain with frills around the neck and bodice of dress, pendant around her neck, both females wearing long white gloves. Male wearing a dark suit, collar and tie, clean shaven.person, group, possibly, family group, group portrait. 2 females and 1 male.

Photograph. Norman Penrose collection: (A) Photo portrait of a man wearing a suit and tie. He is also wearing glasses, dark hair. (B) Tinted portrait of a lady with black hair. She is wearing a grey dress with beads and fabric flowers and leaves at the shoulders. She is also wearing sun glasses. Picture mounted on cardboard. (C) Black and white portrait of a lady with shoulder length curly hair. She is wearing a black dress. She is also wearing glasses. Portrait mounted with matt board. (D) Coloured portrait of a lady wearing a bright yellow dress with large black buttons at the shoulders. She has short, curly hair. She is wearing glasses which are black with clear lower edges to the frames. Also black ear-rings. The portrait has been taken from the side and she has her head turned to the camera. The background is pale blue.photograph, person, norman penrose collection, artwork, male and female portraits

Photographs of portraits of Mary Gaunt (nee Palmer) and Judge William Henry Gaunt, Parents of Mary Eliza GauntThese two photographs are rare depictions of members of the Gaunt Family, a family of historic influence in the Indigo Shire during the nineteenth century. Photographed are Judge William Henry Gaunt, a respected member of the community whose work in law and order in multiple roles gained him high esteem. Also photographed is his wife, Mary Gaunt, someone rarely depicted and little associated history outside the connection to her husband. Two portrait black and white photographs, female on the left and male on the right, in a single black frame with basic relief and white matte board. Paper overlay in top of frame with textMary Gaunt Judge William Henry Gaunt/ (nee Palmer)/ Parents of Mary Eliza Gauntmary gaunt, judge william henry gaunt, william henry gaunt, william gaunt, mary eliza gaunt

The Valley Worsted Mills were established in 1924 on Swanston Street in South Geelong and quickly grew to become the largest and most modern textile mill in Australia, employing roughly 500 workers at its peak. Built out of distinctive red Geelong brick with iconic Art Deco white trimmings and a sawtooth roofline, the massive 11-acre complex served as a major manufacturing cornerstone during the height of the region's historic wool boom. The mill operated at high production for nearly 50 years before merging with John Foster & Son in December 1973, subsequently closing down entirely in the mid-1970s. During the Great Depression of the 1930s, the female workforce at Valley Worsted Mills and other local Geelong textile factories became more vital than ever. Because women were historically paid significantly lower wage rates than men for equivalent labor, local mills increasingly relied on them to keep operating costs low during severe economic strain. These young women, often referred to affectionately as "mill girls," typically started working as young as 14 to 16 years old. They filled specialized, highly skilled roles as menders, warpers, and weavers. For many families in the Geelong region, the steady industrial employment of these women provided a crucial financial lifeline when male breadwinners faced widespread unemployment. Beyond their grueling factory shifts, the mill women maintained a vibrant social culture, even forming organized recreation groups like the Valley Worsted Mills Women’s Basketball team during this era. The donor's father Stan Hoyle, and grandfather Cliff Hoyle, both worked there at the time.Black and white panoramic photograph attached to backing board. Photograph shows a group portrait of female factory workers outdoors.back: [handwritten] Valley / Worsted Mills Geelong / 34 - 40 / Ada? Stan?valley worsted mills, swanston street geelong, geelong, woollen mills, depression, 1930s, working life, panoramic, employees, staff, portrait, textile industry, great depression, female workers, mill girls, social culture, stan hoyle, cliff hoyle

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie