Black and white image mounted on cream board. Group of 35 men, 4 rows, standing in a tiered arrangement in front of a brick building. Building has dark (red ? ) bricks, archway, with cream brick surround, over entrance, with wooden infill, doors. Men are wearing three piece suits, hats, one man on Right hand side of front row is wearing a Scottish outfit. Men have a ribbon attached to their lapels. Could be a Lodge ? Early 1900 ? Stamped on back of board ' W.H. Robinson, Photographer, Mundy St., Bendigo'W.H. Robinson, Bendigoperson, group, lodge ?, bendigo, males. photographer , w. h. robinson, mu8ndy street, bendigo.

Small tin type photograph of a young male. Photographer unknown.photograph, portrait, boy

Small portrait photographic of a young male, photographer Grouzelle & Co Melbourne.Grouzelle & Cophotograph, portrait, male

Small portrait photograph of a young male, photographer E.C.Waddington & Co 109 Elizabeth Street Melbourne.E.C.Waddington & Cophotograph, portrait, male

Small portrait photograph of a young male, photographer E.C.Waddington & Co 109 Elizabeth Street Melbourne.E.C.Waddington & Cophotograph, portrait, male

Small portrait photograph of a young male, photographer E.C.Waddington & Co 109 Elizabeth Street Melbourne.E.C.Waddington & Cophotograph, portrait, male

Small portrait photograph of a young male, photographer E.C.Waddington & Co 109 Elizabeth Street Melbourne.E.C.Waddington & Cophotograph, portrait, male

Small head and shoulders portrait photograph of a male, photographer Wood 314 George Street Sydney.Woodphotograph, portrait, male

Small portrait photograph of a male, photographer Stewart & Co 217 & 219 Bourke St East Melbourne.Stewart & Cophotograph, portrait, male

1 small sepia toned photograph of a male by Photographer Charles Mitchell Glasgow.Charles Mitchellphotograph, portrait, male

One small portrait photograph of a male by Photographer A.Wren Mitchell Street near railway station Sandhurst.A.Wren.photograph, portrait, male

One small portrait photograph of a male by Photographer T.F.Chuck & Son Melbourne with number 22148 written in ink on back.T.F.Chuck & Sonphotograph, portrait, male

Small portrait photograph of a young male with moustache, photographer E.C.Waddington & Co 109 Elizabeth Street Melbourne.E.C.Waddington & Cophotograph, portrait, male

Small sepia portrait photograph of a male with large beard, photographer Imperial 109 Elizabeth St.Imperialphotograph, portrait, male

Small head and shoulders portrait photograph of a male with beard, photographer Wood near Town Hall corner of Bank & Clarendon Streets Emerald Hill Melbourne.Wood Emerald Hillphotograph, portrait, male

Three small portrait photographs, 1 male 2 female by Photographer Tuttles Co Melbourne ,Sydney & Adelaide, written on back of 7923/1 in ink yours sincerely Robert.W.Greville.Tuttles Cophotograph, portrait, male & female

Copy of black and white photo: Bridge Street streetscape near site of the present Chinese Museum. Showing Bendigo Hotel at left,. 'Crossingham & Goodman, Saddlers ' ' J. Holdsworth', 'Glass and Chines Warehouse'. 'Batchelder, Photographer, Pall Mall' handcart in foreground. 3 storey weatherboard building with 3 males at door, 2 males and photographers cart in front of fence. Row of single storey buildings with verandahs, some with business signs. 2 storey building at back. Deep gutters with foot bridges over. On back in grey lead '12' Note: Batchelder and his assistant are standing at the hardcart' ( James Lerk 22.9.2000 }Batchelder, Pall Mallplace, streetscape, bridge street

booknon-fictionPublished in Italy in 1979 exploring the theme of women and sexuality these diverse images reveal how women see themselves, their bodies and their changing roles, characterised by inventiveness, intimacy and sensuality.portraiture, body, colour photograpy, erotica

This photograph was taken in approximately 1870 and depicts four male miners standing in mining sluice at the Three Mile Goldfields. These men are wearing typical attire for 1870s gold miners. They wear white shirts, tan coloured pants with water proof shoes and most of the men are wearing an apron to prevent their clothing from becoming too dirty from the mud. Each man is wearing a wide brim hat and hold large wooden tools used for sorting through the sluice. Three of the four men have full beards. The photograph was donated to the Burke Museum by R. Ziegenbein before 2001 but the photographer and the individuals captured in the photo are unknown. The image depicts the landscape of the Three Mile Goldfields during a period when open cut sluicing was undertaken to reach gold. Open cut sluicing is a method used to extract gold and other precious metals from beneath the surface of the earth. This technique involved the use of high-powered hoses which broke down the soil enabling miners to come along and search this soil for gold. After the gold rush of the early 1850s, diggers had to enlist the assistance of heavy machinery and techniques like hydraulic sluicing in order to reach gold because the surface alluvial gold had already been discovered and removed. This heavy machinery was not used until after 1853. The Three Mile Goldfields was a site of rich alluvial gold deposits located about 5 km south of Beechworth in Victoria. Today, the location of this gold deposit is called Baarmutha. It was a popular area for gold mining in the 1850s but became largely abandoned by the following decade. In 1865, a man named John Pund recognized that the area could be potentially rich if a better water supply could be obtained. He secured a 15 year license with three other miners. Within the next five years, these men had constructed 19 km of water race going from Upper Nine Mile Creek to Three Mile Creek. By 1881, these four men had delivered 950,000 gallons to the Three Mile Sluicing area which is depicted in this photograph. Pund was later go into partnership with John Alston Wallace who would become owner of the Star Hotel in Beechworth. The Three Mile sluicing location continued to be operational until 1950. Sluice box workers were a vital part of gold mining regardless of how inefficient they were in the recovery of gold. After using hydraulic sluicing to cut away the earth, miners would use the big wooden boxes depicted in the image to catch the earth which would then be sifted for gold. However, accidents would occur often which would result in the gold washing away and unable to be recovered. It was not a very efficient system because the gold, which was alluvial and thus very fine, would often pass through the sluice box undetected.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper and mounted on board.[illegible] about 1870 / 97 2514.1 / 2594 30three mile goldfields, goldfields, 1870, 1870 gold, australia, australian landscape, miners, gold miners, diggers, gold diggers, beechworth, victoria, sluice box workers, sluicing, sluice, mining

People are unknown as is the area. Stubbs. F. J Stubbs operated as a photographer in Victoria between 1858 and 1908. G. U. Petterd as picture framer operated from Timor Street. He also acted as a house, land and commission agent and dealt in books, fine arts and toys. This photograph is a tangible link to a business which operated as a family business for many years in Timor Street Warrnambool.Black and white photograph depicting 4 men standing at the net on a tennis court. All are in long sleeve shirts and long white trousers and shoes. High timber framed fence behind them, behind which is a picket fence and 3 cottages. Glued and double mounted in cream and grey.Stubbs imprinted in lower right side of photo and lower left of cream mount. G. U. Petterd picture framer and plush worker Warrnambool, stamped on rear. Handwritten in pen on rear11/4/00warrnambool, stubbs, petterd, photographer, picture framer, 1900 tennis players

Cabinet Photo Goulter Photographer, Prahran Ezra Goulter operated at 47 Chapel Street, Prahran from 1878-1890Goulter, Prahraningram family, goulter photographer chapel st prahan, pam thoonen (nee ingram) collection

Photographer Ezra Goulter operated from 23 Chapel St. Prahran between 1878-1890 A duplicate photo is contained in Album 2 (05664) CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1878-1890, goulter photographer chapel st prahan, male shillinglaw 7, unknown, 1885

Photographers Stevenson & McNicoll operated from 108 Elizabeth St., Melbourne from 1880-1885. By 1890 they were at 150 Elizabeth Street. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1880-1885, 1882, male shillinglaw 4, stevenson & mcnicoll photographers108 elizabeth st melbourne, unknown

A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, unknown, 1885, male shillinglaw 3

A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, unknown, 1885, male shillinglaw 3

Possibly mother and son No photographer details CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, unknown, 1875, female shillinglaw 9, male shillinglaw 10

Photographer Mark Joseph Allan operated from 318 Smith Street Collingwood from 1887-1901 Shillinglaw family members that were part of the Salvation Army included Elizabeth who married John Docherty in 1894, Catherine who married Edward Henry Bottle in 1897 and Jane who married William James Sommerville in 1887. CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 2, cabinet photo, 1887-1901, 1890, m.j. allan photographers 318 smith st collingwood, male shillinglaw 8, salvation army, unknown

Photographers Yeoman & Co operated from 133 Swan St., Richmond from about 1891 to 1899. CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, shillinglaw family photo album 3, unknown, 1891-1899, 1895, male shillinglaw 11, yeoman & co photographer 133 swan st richmond

Photographer T. Wood, St George's Studios operated frpm 238 Bourke St East, Melbourne from about 1891 through to 1897 at which point the premises was taken over by Yeoman & Co in 1898 CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, 1892-1897, 1895, house, male shillinglaw 11, t. wood photographer 238 bourke st east melbourne, unknown

Students working in the elctrical/electronics Engineering laboratories. .1) Two male person with test equipment .2) Four males with test equipment .3) Two males discussing a test setup .4) One male at a test bench .5) Four people in an electronics laboratoryelectrical engineering, laboratory, electronics, ray martin, j. kavanagh