Part of a collection of books, fabric samples and documents from the working life of Ray Smith. Ray began his career at the age of 15, working at the Albion Woollen Mills in Geelong in 1953. Over the next five decades, Ray furthered his education in textile design, weaving design, knitting and later computer aided design, including qualifications from Gordon Textile College, City and Guilds of London Institute, The Textile Institute, Melbourne Institute of Textiles and Royal Melbourne Institute of Technology (RMIT). After ten years at Albion Woollen Mills, Ray went on to hold fabric design positions at Prestige Fabrics and Yarra Falls, working up to management roles in both the Weaving and Fabric Design Divisions, and then as Product Development Manager at Yarra Falls until 2000. Ray shares some career highlights below: In 1977 and 1978 I won the Wool Corporation’s Celsius 30 Awards as Yarra Falls Designer. (See photos attached.) These awards came with study trips to the major Textile Centres and Trade Fairs around the world. This was proven to be beneficial and Yarra Falls sent me overseas every year for the next 22 years. On stopovers in Hong Kong we appointed an agent and took part in Textile Trade Fairs at Interstoff Asia and exhibited designs in 1991, 92, 93, 94. I created a pattern book for a chain of shops called “Kwun KeeTailors” for their customers to select our fabrics to be made up into suits for the tourists. I also had several trips to New York to try to export to America with some success. I was commissioned by the Melbourne College of Textiles to write a Woven Textile Design Course to be taught under the outreach program. This was eventually translated into Spanish to be used by developing textile industries in South America.Black two armed binder folder with over one hundred pages of typed paper in plastic sleeves. Documents contain details of sixty eight topics for Woven Textile Design Course. The folder has a label attached across the top edge, and a business card attached with tape to the front.Front [printed label]: WOVEN TEXTILE DESIGN COURSE WRITTEN FOR THE MELBOURNE COLLEGE OF TEXTILES BY RAY SMITHray smith, yarra falls, mills, textile design, fabric design, product development, wool corporation, textile design course, coursework, melbourne college of textiles, study, students

Part of a collection of books, fabric samples and documents from the working life of Ray Smith. Ray began his career at the age of 15, working at the Albion Woollen Mills in Geelong in 1953. Over the next five decades, Ray furthered his education in textile design, weaving design, knitting and later computer aided design, including qualifications from Gordon Textile College, City and Guilds of London Institute, The Textile Institute, Melbourne Institute of Textiles and Royal Melbourne Institute of Technology (RMIT). After ten years at Albion Woollen Mills, Ray went on to hold fabric design positions at Prestige Fabrics and Yarra Falls, working up to management roles in both the Weaving and Fabric Design Divisions, and then as Product Development Manager at Yarra Falls until 2000. Ray shares some career highlights below: In 1977 and 1978 I won the Wool Corporation’s Celsius 30 Awards as Yarra Falls Designer. (See photos attached.) These awards came with study trips to the major Textile Centres and Trade Fairs around the world. This was proven to be beneficial and Yarra Falls sent me overseas every year for the next 22 years. On stopovers in Hong Kong we appointed an agent and took part in Textile Trade Fairs at Interstoff Asia and exhibited designs in 1991, 92, 93, 94. I created a pattern book for a chain of shops called “Kwun KeeTailors” for their customers to select our fabrics to be made up into suits for the tourists. I also had several trips to New York to try to export to America with some success. I was commissioned by the Melbourne College of Textiles to write a Woven Textile Design Course to be taught under the outreach program. This was eventually translated into Spanish to be used by developing textile industries in South America.Card folder featuring pale blue and white clouds and sky motifs, with a thermometer on the cover. Folder holds eleven circular black cards, eight have wool fabric samples attached.Front [printed]: Celsius 30 / SPRING SUMMER / 74 / SPRING SUMMER / A Woolblendmark fabric developed especially for summer.ray smith, yarra falls, mills, textile design, fabric design, product development, wool corporation, fabric samples, 1970s fashion

Part of a collection of books, fabric samples and documents from the working life of Ray Smith. Ray began his career at the age of 15, working at the Albion Woollen Mills in Geelong in 1953. Over the next five decades, Ray furthered his education in textile design, weaving design, knitting and later computer aided design, including qualifications from Gordon Textile College, City and Guilds of London Institute, The Textile Institute, Melbourne Institute of Textiles and Royal Melbourne Institute of Technology (RMIT). After ten years at Albion Woollen Mills, Ray went on to hold fabric design positions at Prestige Fabrics and Yarra Falls, working up to management roles in both the Weaving and Fabric Design Divisions, and then as Product Development Manager at Yarra Falls until 2000. Ray shares some career highlights below: In 1977 and 1978 I won the Wool Corporation’s Celsius 30 Awards as Yarra Falls Designer. (See photos attached.) These awards came with study trips to the major Textile Centres and Trade Fairs around the world. This was proven to be beneficial and Yarra Falls sent me overseas every year for the next 22 years. On stopovers in Hong Kong we appointed an agent and took part in Textile Trade Fairs at Interstoff Asia and exhibited designs in 1991, 92, 93, 94. I created a pattern book for a chain of shops called “Kwun KeeTailors” for their customers to select our fabrics to be made up into suits for the tourists. I also had several trips to New York to try to export to America with some success. I was commissioned by the Melbourne College of Textiles to write a Woven Textile Design Course to be taught under the outreach program. This was eventually translated into Spanish to be used by developing textile industries in South America.Folded map attached inside a card folder, featuring a map of Scotland with tartan design and red and black text on the cover.Front [printed]: BARTHOLOMEW / the tartan map / with list of septs of the clansray smith, yarra falls, mills, textile design, fabric design, product development, wool corporation, map, tartan, scotland

Part of a collection of books, fabric samples and documents from the working life of Ray Smith. Ray began his career at the age of 15, working at the Albion Woollen Mills in Geelong in 1953. Over the next five decades, Ray furthered his education in textile design, weaving design, knitting and later computer aided design, including qualifications from Gordon Textile College, City and Guilds of London Institute, The Textile Institute, Melbourne Institute of Textiles and Royal Melbourne Institute of Technology (RMIT). After ten years at Albion Woollen Mills, Ray went on to hold fabric design positions at Prestige Fabrics and Yarra Falls, working up to management roles in both the Weaving and Fabric Design Divisions, and then as Product Development Manager at Yarra Falls until 2000. Ray shares some career highlights below: In 1977 and 1978 I won the Wool Corporation’s Celsius 30 Awards as Yarra Falls Designer. (See photos attached.) These awards came with study trips to the major Textile Centres and Trade Fairs around the world. This was proven to be beneficial and Yarra Falls sent me overseas every year for the next 22 years. On stopovers in Hong Kong we appointed an agent and took part in Textile Trade Fairs at Interstoff Asia and exhibited designs in 1991, 92, 93, 94. I created a pattern book for a chain of shops called “Kwun KeeTailors” for their customers to select our fabrics to be made up into suits for the tourists. I also had several trips to New York to try to export to America with some success. I was commissioned by the Melbourne College of Textiles to write a Woven Textile Design Course to be taught under the outreach program. This was eventually translated into Spanish to be used by developing textile industries in South America.Fifty two page hard cover book featuring yellow and brown images and text on the front and back cover showing scenes from Geelong. The book features sepia toned printed photographs and brown text.Front [printed]: EARLY GEELONG / DO YOU REMEMBER?ray smith, yarra falls, mills, textile design, fabric design, geelong, geelong advertiser

Part of a collection of books, fabric samples and documents from the working life of Ray Smith. Ray began his career at the age of 15, working at the Albion Woollen Mills in Geelong in 1953. Over the next five decades, Ray furthered his education in textile design, weaving design, knitting and later computer aided design, including qualifications from Gordon Textile College, City and Guilds of London Institute, The Textile Institute, Melbourne Institute of Textiles and Royal Melbourne Institute of Technology (RMIT). After ten years at Albion Woollen Mills, Ray went on to hold fabric design positions at Prestige Fabrics and Yarra Falls, working up to management roles in both the Weaving and Fabric Design Divisions, and then as Product Development Manager at Yarra Falls until 2000. Ray shares some career highlights below: In 1977 and 1978 I won the Wool Corporation’s Celsius 30 Awards as Yarra Falls Designer. (See photos attached.) These awards came with study trips to the major Textile Centres and Trade Fairs around the world. This was proven to be beneficial and Yarra Falls sent me overseas every year for the next 22 years. On stopovers in Hong Kong we appointed an agent and took part in Textile Trade Fairs at Interstoff Asia and exhibited designs in 1991, 92, 93, 94. I created a pattern book for a chain of shops called “Kwun KeeTailors” for their customers to select our fabrics to be made up into suits for the tourists. I also had several trips to New York to try to export to America with some success. I was commissioned by the Melbourne College of Textiles to write a Woven Textile Design Course to be taught under the outreach program. This was eventually translated into Spanish to be used by developing textile industries in South America.A collection of fabric samples from Yarra Falls, including twenty three sets of woollen fabric samples on black backing card, three sets of woollen fabric samples on white backing card and one Yarra Falls fabric label.PURE NEW WOOL / Yarra Falls / MELBOURNE AUSTRALIAray smith, yarra falls, mills, textile design, fabric design, geelong, geelong advertiser, fabric samples

These pieces were part of the certificate course. 1972 a Book of Plain Needlework Samplers was added along with the examination certificates. Made by Mrs Brent-Clark when aged 10.Mrs Elsie Brent-Clark (nee Naples), a foundation member of The Embroiderers Guild Vic, at the Melbourne Institute of Plain Needlework from 1905-1908Plain sewing sampler, embroidery in yellows and green on open weave fabric.embroidery, samplers, plain sewing, 1900-20, australia

These pieces were part of the certificate course. 1972 a Book of Plain Needlework Samplers was added along with the examination certificates. Made by Mrs Brent-Clark when aged 10.Mrs Elsie Brent-Clark (nee Naples), a foundation member of The Embroiderers Guild Vic, at the Melbourne Institute of Plain Needlework from 1905-1908Plain sewing sampler, on cambric.embroidery, samplers, plain sewing, 1900-20, australia

These pieces were part of the certificate course. 1972 a Book of Plain Needlework Samplers was added along with the examination certificates. Made by Mrs Brent-Clark when aged 10.Mrs Elsie Brent-Clark (nee Naples), a foundation member of The Embroiderers Guild Vic, at the Melbourne Institute of Plain Needlework from 1905-1908Plain sewing sampler, darning. Includes Mrs Robertson's Prize Certificate for floral darning repair.embroidery, samplers, plain sewing, 1900-20, australia

These pieces were part of the certificate course. 1972 a Book of Plain Needlework Samplers was added along with the examination certificates. Made by Mrs Brent-Clark when aged 10.Mrs Elsie Brent-Clark (nee Naples), a foundation member of The Embroiderers Guild Vic, at the Melbourne Institute of Plain Needlework from 1905-1908Plain sewing sampler displaying hems, pleats, attachments.embroidery, samplers, plain sewing, 1900-20, australia

These pieces were part of the certificate course. 1972 a Book of Plain Needlework Samplers was added along with the examination certificates. Made by Mrs Brent-Clark when aged 10.Mrs Elsie Brent-Clark (nee Naples), a foundation member of The Embroiderers Guild Vic, at the Melbourne Institute of Plain Needlework from 1905-1908Embroidery sampler - egg shell blue embroidery and darning examples.embroidery, samplers, plain sewing, 1900-20, australia

These pieces were part of the certificate course. 1972 a Book of Plain Needlework Samplers was added along with the examination certificates. Made by Mrs Brent-Clark when aged 10.Mrs Elsie Brent-Clark (nee Naples), a foundation member of The Embroiderers Guild Vic, at the Melbourne Institute of Plain Needlework from 1905-1908Plain sewing sampler displaying hems, pleats.embroidery, samplers, plain sewing, 1900-20, australia

These pieces were part of the certificate course. 1972 a Book of Plain Needlework Samplers was added along with the examination certificates. Made by Mrs Brent-Clark when aged 10.Mrs Elsie Brent-Clark (nee Naples), a foundation member of The Embroiderers Guild Vic, at the Melbourne Institute of Plain Needlework from 1905-1908Swedish Huck weaving sampler in green , red and brown threads.embroidery, samplers, plain sewing, 1900-20, australia

An Hawaiian quilt is a distinctive quilting style of the Hawaiian Islands that uses large radially symmetric applique patterns. Motifs often work stylized botanical designs in bold colours on a white background. Hawaiian quilt appliqué is made from a single cut on folded fabric. Quilting stitches normally follow the contours of the appliqué design. Hawaiian quilting derives from the kapa moe, an indigenous bed cover textile. Kapa was constructed from the inner bark of local trees. Traditional kapa was beaten and felted, then dyed in geometric patterns. Quilting may have begun in the Hawaiian islands with the arrival of missionaries and Western fabrics in the 1820s. The climate of Hawaii is unsuitable for cotton cultivation and kapa is unsuitable for quilting so all Hawaiian quilts are constructed from imported material. The earliest written reference comes from Isabella Bird who visited Hawaii in 1870 and wrote a travelogue Six Months in the Sandwich Islands.Worked by Mrs Brent Clark and daughter. An American design of the 19th century, worked and adapted from a photograph by the donor. Mrs Brent Clark was an early pupil of the Victorian Institute for the Advancement of Plain Needlework (Melbourne) and Foundation member of the EGV.Background of fine white cotton, quilted in running stitch. Appliqued design known as 'Friendship Plume" is in pink cotton, with a 3 cms scalloped border, also in pink.embroidery, applique, quilts, mid 20th century, australia, hawaiian