Showing 5 items matching " merry andrew"

Bendigo Historical Society Inc.
Document - TOWN HALL, THE BENDIGO CHORAL SOCIETY, 24 Apr 1928 - 27 Nov 1928

... Merry Andrew..., There is a Lady Sweet and Kind, Danse Negre, Study, Merry Andrew, Gracious... There is a Lady Sweet and Kind Danse Negre Study Merry Andrew Gracious ...

Town Hall, The Bendigo Choral Society. 3 Programs for 1928: First Concert, Second Concert & Third Concert. a/ First Concert 38th Grand Concert, Town Hall, Bendigo. Tue. April 24th, 1928. Conductor MR W C Frazier ARCO. Artists: Miss A Caddell, Mr L Bienvenu. Pianiste: Miss Eileen Hains, ATCL. Hon. Sec. E H Collett. Asst. Sec. W F Mansell. Other Artists from BCS; Miss Essa McSwiney, Miss Jean Thompson, Miss May McGauchie, Hector Taylor. Programme: Price 3d. Programme: In These Delightful Pleasant Groves, Like To A Damask Rose, When The King Went Forth To War, Lament Of Isis, Tell I Tell Me, The Princess, Autumn's Storms, Prelude (The Cycle of Life), How Fair is Thy Face, God's Son Hath Set Me Free, Jesus Christ Our Lord Is Risen, I Heav'n Above, King Arthur. b/ The Bendigo Choral Society, Season 1928. Second Concert. 39th Grand Concert. Town Hall, Bendigo. Wednesday, Sep. 19th 1928. Conductor: Mr W C Frazier ARCO. Sub-Conductor: Mr E A Miller. Artists: Coral Trenerry, Muriel Bolt, Leslie Jephcott, Eileen Hains, Bendigo Choral Society. Hon. Sec. E H Collett. Asst. Hon. Sec. W F Mansell. Programme: The Hexhamshire Lass, Prelude and Allegro, M'Appari Tutt 'Amor', Rhapsody, Sweet Stay Awhile, There is a Lady Sweet and Kind, Danse Negre, Study, Merry Andrew, Gracious and Kind Art Thou My Queen, Secrecy, Sweet Honey-Sucking Bees, Mazurka, Sigh No More, Faery Song, Fantasie, Courage Brothers. Picture of W C Frazier is on cover. c/ The Bendigo Choral Society. Season 1928. Third Concert. 40th Grand Concert. Town Hall, Bendigo, Tuesday, November 27th, 1928. Conductor: Mr W C Frazier. Artists: Gwen Prockter, Lotte Daniell, A E Sayer, Eileen Hains ATCL, Joyce Connell LTCL. Hon. Se. E H Collett, Asst. Hon. Sec. W F Mansell. Programme 3d.Programme: Rest Sweet Nymph, Fine Knacks for Ladies, Adagio, Allegro, The Maiden's Complaint, I've Been Roaming, Down in a Valley, Flora Gave Me Fairest Flowers, Gipsy Dance, Songs of Love, Elegie, Songs of Love, Moonlight, The Nut-Tree, Songs of Love, Traumerei, Zigeunertanz, Nymphs and Fauns, Romance, Budmouth Dears, Bonny Fisher Lad, Rolling Down to Rio.Boltons Print, Bendigoprogram, music, the bendigo choral society, town hall, bendigo, the bendigo choral society. 3 programs for 1928 a/ first concert 38th grand concert. tue. april 24th, 1928. conductor mr w c frazier arco. artists: miss a caddell, mr l bienvenu. pianiste: miss eileen hains, atcl. hon. sec. e h collett. asst. sec. w f mansell. other artists from bcs; miss essa mcswiney, miss jean thompson, miss may mcgauchie, hector taylor. programme: in these delightful pleasant groves, like to a damask rose, when the king went forth to war, lament of isis, tell i tell me, the princess, autumn's storms, prelude (the cycle of life), how fair is thy face, god's son hath set me free, jesus christ our lord is risen, i heav'n above, king arthur. b/ second concert. 39th grand concert. wednesday, sep. 19th 1928. sub-conductor: mr e a miller. artists: coral trenerry, muriel bolt, leslie jephcott, eileen hains, bendigo choral society. hon. sec. programme: the hexhamshire lass, prelude and allegro, m'appari tutt 'amor', rhapsody, sweet stay awhile, there is a lady sweet and kind, danse negre, study, merry andrew, gracious and kind art thou my queen, secrecy, sweet honey-sucking bees, mazurka, sigh no more, faery song, fantasie, courage brothers. picture of w c frazier is on cover. c/ the bendigo choral society. season 1928. third concert. 40th grand concert. town hall, bendigo, tuesday, november 27th, 1928. conductor: artists: gwen prockter, lotte daniell, a e sayer, eileen hains atcl, joyce connell ltcl. programme: rest sweet nymph, fine knacks for ladies, adagio, allegro, the maiden's complaint, i've been roaming, down in a valley, flora gave me fairest flowers, gipsy dance, songs of love, elegie, songs of love, moonlight, the nut-tree, songs of love, traumerei, zigeunertanz, nymphs and fauns, romance, budmouth dears, bonny fisher lad, rolling down to rio.
Eltham District Historical Society Inc
Negative - Photograph, Cricket match, Central Park, Eltham, c.1931

The new Central Park was opened on Monday, 21 April 1930 by Mr. W.H. Everard, M.L.A. followed by a sports carnival. The Advertiser reported on Friday, April 25, 1930 that – “Perfect weather prevailed on Monday for the sports gathering in aid of the recently-acquired park near the railway station, and from every point of view the day was a success. The Central Park contains 9½ acres, and has the Diamond Creek on one side and the railway line on the other. It cost £760, of which the council contributed £500, and the citizens, are finding the balance. Already about £80 has been spent in levelling, and a pavilion has been erected by the footballers, who will use the ground for training until it is sufficiently, improved for matches. There is ample shade along the banks of the creek, where there were numerous picnic parties. The committee has already done some planting on the railway side of the park, and where the trees grow on the higher side, overlooking the arena, the natural stand will have shade, command a view of the events, and have the trees on the banks of the creek in the distance. There were between 600 and 700 people present, many in motor cars having a little difficulty in, finding their way under the aqueduct to the ground, but the council is at present effecting improvements to the road. A merry-go round was a source of pleasure to the children, and the Northcote Soldiers and Citizens Band under Bandmaster Gore, de-lighted everyone with their varied selections of good music.” “Cr. E. J. Andrew, president of the Park Committee, said it was the first function held in the park, and although the citizens have guaranteed £420 towards it, there is still some-thing owing. Mr. W. H. Everard, M.L.A., who can always be relied upon to attend any gathering which draws the people together, said that he and Mrs. Everard had great pleasure in being present to declare the park open. He congratulated the Eltham people upon their public spirit, and the new park would be more appreciated in years to come. The other park is a splendid one, but it is far away, and one is required close to the station, so that young people can have a day's enjoyment, without having to go far from the station. The trouble in Victoria is not having enough parks. The early settlers did a lot in getting park lands, but the present generation is not doing enough. Eltham people are entitled to the highest commendation for their action, and Cr. Andrew and the council are to be thanked for what they have done. What is wanted is ingress and egress so that people can get in comfortably. When he was motoring in his wife said, "Surely you are not going down that precipice," and he replied that he would go anywhere where the people were. In the future it will be the big centre of Eltham.” Reproduced on page 96 of 'Pioneers & Painters'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg 9 x12.5 cm printsepp, shire of eltham pioneers photograph collection, eltham, eltham central park, automobile, central park, cricket match, pioneers and painters
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Card - Christmas Card, 1915 (exact)

Service of Frank Phillips Prior to the commencement of World War I, Frank Phillips served in the Minyip Troop of the Light Horse militia. His civilian occupation was that of clerk. On 22 August 1914 he enlisted in C Squadron 4th Light Horse Regiment. The 4th Light Horse Regiment embarked on the troop ship “Wiltshire “ for training at Mena Camp, in Egypt. During May 1915 the Regiment was deployed to the Gallipoli campaign in a dismounted role. After seven months, the Gallipoli campaigned was abandoned and the troops withdrawn. On return to Egypt the 4th Light Horse Regiment divided with one component deployed to Palestine and the other to the Western Front. Frank went on to serve in Palestine. He was promoted to Sergeant while at Gallipoli and, in Palestine, was promoted to Captain, serving as Adjutant of the Regiment. He was granted furlough to return to Australia from 14 October 1916 to 12 March 1917. On 16 January 1918 he was Mentioned in Despatches Citation: At Hill 750 near Bir El Esani on 30-4-17 he led an attack on Hill 750 under heavy rifle fire capturing the position and 7 armed Bedouins. On 23-5-17 during reconnaissance, he led and attack on 790 under very heavy rifle and machine gun fire and captured the position, inflicting losses on the Turks. He has, at all times, set a fine example of courage to his men. 22 October: 1918 he was awarded the Military Cross Recommendation of Commanding Officer – For exceptional gallantry and devotion to duty on the 28th September 1918, during the crossing of the JORDAN near EL MIN, this officer (adjutant of the Regiment) personally reconnoitred for crossings under heavy M.G. fire and led the Regiment to the only available crossing, rendering invaluable assistance during the crossing. On 3oth September when the Regiment was advanced guard on to KAUKAB, this officer’s personal reconnaissance to confirm patrol reports was of the highest order and utmost value to his C.O. culminating in the capture of KAUKAB with a mounted attack and the The 4th/19th Prince of Wales’s Light Horse Regiment has a long and distinguished history that pre-dates Federation to colonial Victoria’s mounted troops. Our history parallels that of the nation, including its active participation in some of the most inspiring events in Australian Military History including the Defence of ANZAC and the charge at Beersheba. The Regiment is based on a linkage of the two post-World War II Victorian Army Reserve RAAC units - 4th/19th Prince of Wales’ Light Horse and 8th/13th Victorian Mounted Rifles. From these units we derive our links with the six Light Horse Regiments of Victoria and Southern New South Wales (4th, 8th, 13th, 17th, 19th and 20th Light Horse Regiments.) The Regiment proudly bears the guidon of the 4th Light Horse, with the guidons of the remaining regiments being laid up in the crypt of the Melbourne Shrine of Remembrance. During World War I, the 4th Light Horse Regiment served with distinction on three fronts – Gallipoli, Palestine and the Western Front. Corporal, later Captain, Phillips was a member of the 4th Australian Light Horse Regiment. He created the post card while serving with the Regiment as a Corporal at Gallipoli. Post Card hand made and sent to familyFrom Cpl Frank Phillips, 4th Australian Light Horse Regiment. Entries in pencil Front: Addressed to Andrew Phillips (father) at Minyip, Victoria, Message: “A Merry Christmas and Happy New Year to all, Made while on my day out. Love Frank” Reverse Top Centre – 4 LH Badge Centre – cloth map of Australia stapled to card Bottom – Print of flag stapled to card, Irish green ensign, Union flag in canton, gold coloured Irish harp on fly. Notations: Broadmeadows, Wiltshire (Troop Ship), Shrapnel Gully, Suicide Gully, Courtney’s Post Mena, Mex, Heliopolis, Imbros, Gallipoli, Turkish soil underneath (flag), Australia on Turkey, Lone Pine, Leans Trench, Constantinople, All honour to our Irish comrades, To greet you 1915-16. From the shells, yells, and little Hells, of the Darda Dardenelles 0 – 0 May you enjoy your Xmas dinner as I hope to enjoy my Xmas billy in the trenches.ww1, gallipoli, 4th light horse, post card, frank phillips
Lake Bolac & District Historical Society
Black and white photo, Lake Bolac Tennis Club, 1979

Lake Bolac Tennis Club, 1979. (5 teams) Back L-R: Colin McKenzie, Les O'Brien, Ian Furness, Peter Solly, Fergus Cameron, Ian Park, Jack Martinich, Bill McKenzie, Ray Gale. 3rd row: Greg Walters. Douglas Lee, Barry Walters, Wayne Phillips, Rodney Young, Alan Wordley, Ray Harrington, Andrew McIntyre, Veronica Hucker. 2nd row: Betty Walters, Glenda Davis, Jan Wordly, Marj McKenzie, Chris Gale, Beryl O'Biren, Viv Martinich, Jenny Healey, Helen Furness. Front: Judy Merry, Jenny Solly, Hazel Brown, Helen Jones, Una Allender, Viv Cameron, Merran Low. lake bolac, tennis club, allender, brown, cameron, davis, furness, gale, harrington, healey, hucker, jones, lee, low, martinich, mcintyre, mckenzie, merry, o'brien, park, phillips, solly, walters, wordly, young.
Federation University Art Collection
Artworks - Printmaking, Limited edition prints by Andrew Sibley

Andrew SIBLEY ( 9 July 1933-2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Six framed limited edition prints by Andrew Sibley using the Sugar-lift etching technique and hand colouring. Printed at the Australian Print Workshop, Melbourne and published by The Lytlewode Press, Melbourne in an edition of 125 in 2010. .1) 'Catch a Falling Star' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 17/125 Signed, inscribed and numbered by the artist. Catch a Falling Star written by Paul Vance (born 1929) and Lee Pockriss (1924-2011) 1957 .2) 'It’s only a Paper Moon' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. It's Only a Paper Moon by Harold Arlen (1905-1986) lyrics by E. Y. Harburg (1896-1981) and Billy Rose (1899-1966) 1933 .3) 'Come Fly With Me' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 9/125 Signed, inscribed and numbered by the artist. Come Fly with Me by Jimmy Van Heusen (1913-1990) lyrics by Sammy Cahn (1913-1993) 1957 .4) 'You are the Sunshine of my Life' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. .5) 'Some Enchanted Evening' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition:1/125 Signed, inscribed and numbered by the artist. Some Enchanted Evening Richard Rodgers (1902–1979) and Oscar Hammerstein II (1895–1960) South Pacific 1949 .6) 'Vilya, Oh Vilya' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. Vilya, Oh Vilya Die lustige Witwe (The Merry Widow), operetta Vilya, oh vilya Composed by Franz Lehar (1870-1948) 1905 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artwork, artist, sibley, andrew sibley, printmaking, etching, churchill, gippsland campus