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Bendigo Historical Society Inc.
Book - MADGE FREEMAN
... paintings. Bottom ;left corner of front cover is a number... Bendigo Art Gallery art Australian art artwork paintings. Bottom ...A catalogue on the paintings of ' Madge Freeman (1895 - 1977)' whose paintings were exhibited at the Bendigo Art Gallery on the 16th March - 26th April 1981.Bottom left corner of front cover is a number sticker, 0132 HAL.person, individual, madge freeman, madge freeman, female, artist, person, individual, bendigo, bendigo artist, painter, exhibition, bendigo art gallery, art, australian art, artwork, paintings. bottom ;left corner of front cover is a number sticker, 0132 hal. -
Bendigo Historical Society Inc.
Document - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: PHOTO'S, 1965
... painting ( presentation to school ? ) Bottom image Grade 2B, 1965...., posed around an Albert Namatjira painting ( presentation ...Two copies of photos mounted on purple board. Top image shows three men, two children, posed around an Albert Namatjira painting ( presentation to school ? ) Bottom image Grade 2B, 1965.education, primary, golden square laurel st p.s. -
Bendigo Historical Society Inc.
Photograph - GOLDEN DAYS HISTORICAL EXHIBITION COLLECTION: SAILING SHIP PHOTO
... Exhibition, 1960. Name on bottom of painting 'Sobraon' See http... photograph: framed painting of three masted sailing ship, on display ...Black and white photograph: framed painting of three masted sailing ship, on display at Golden Days Historical Exhibition, 1960. Name on bottom of painting 'Sobraon' See http://www.aberdeenships.com/single.asp?offset=2360&index=100160 for further information on ship's history.bendigo, history, golden days historical exhibition -
Ballarat Clarendon College
Painting, framed, John Stanley Walker (1941py)
The Australian War Memorial provides the following details about John Stanley Walker: Service number: 418494 Rank: Flight Sergeant Unit: 1 Service Flying Training School Point Cook Service: Royal Australian Air Force Conflict: 1939-1945 Date of death: 23 January 1943 Place of death: Victoria Cause of death: Accidental Source: AWM148 Roll of Honour cards, 1939-1945 War, Air Force .Oil painting on plyboard, framed with stained pine. Features head and shoulders of John Stanley Walker in RAAF uniform with cap.Signed in front bottom left: 'Jos. Schwarcz / Albury / 1943'1943, ballarat college, world war 2, john stanley walker, r a a f, w w 2 -
Supreme Court of Victoria Library
Portrait, Justice Sir Thomas a'Beckett
The Argus reports that “In 1916 the members of the bar took the opportunity afforded by his [a’Beckett’s] 80th birthday, and the completion of 30 years on the bench to present to the judges of the Supreme Court, with his permission a portrait of himself, to be placed in line with portraits of other judges in the Supreme Court library. The portrait which depicts Sir Thomas a’Beckett in his robes, was an excellent piece of work of Mr Max Meldrum. The unveiling was made the occasion of a little demonstration at which some congratulatory speeches were made." Sir Thomas a'Beckett arrive in Melbourne as a teenager with his parents in 1851. His uncle was the former Chief Justice, his father a well known solicitor. At the Bar Sir Thomas mainly worked in the Equity jurisdiction, which he took as a specialisation with him to the bench. This is an early work of Meldrum, he won the Archibald prize for portraiture in 1939 and 1940.The portrait is of interest for whom it portrays and as the early work of a well known artist.A full length portrait in oils of Justice Sir Thomas a'Beckett. Sir Thomas is seated, his feet placed on a plush red foot stool. He is dressed in his red judicial robes with white fur trimming and black trousers and a full bottomed wing. Justice a’Beckett has a white beard and moustache, he was 80 years of age when this portrait was painted. In his hand he holds a rolled document. At his elbow, there are books upon a table. He sits in a fine carved wood and leather chair, in the background a gold frame is just visible. A line in the canvas indicates that the size of the painting was expanded. The frame is gold with a gum leaf motif.Max Meldrum 1916a beckett, max meldrum, judge -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime painting, C. W. Veale, Loch Ard, c. 1978
This painting is believed to have been created by an amateur artist C W Veale of Colac, who established an early bus service in about 1923, known at the time as the Blue Bus Service, which operated from Colac. This service was available for special trips within the Colac region. The Blue Bus Service became very popular with travellers to Lorne via the Deans Marsh Road. The label on the back of the painting comments on whether the ship would be in full sail at the time of the wreck. History of the Loch Ard: The Loch Ard got its name from "Loch Ard" a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen, and candles, as well as a heavier load of railway irons, cement, lead, and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy that had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost families in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce, and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collection's objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.Painting in brown-stained wooden frame. Depicts three-masted vessel 'Loch Ard' in full sail on moderate seas. Ship has figurehead, figures on board, and a Union Jack flag on red background. Ship's hull is black with white stripe, and is red on waterline. Ship's name is on hull. Artist C. W. Veale, painted in 1978, signed on bottom right. Label on back of painting has typed description of the Loch Ard and a comment.Signature "C W Veale / 1978" Text on hull "LOCH ARD" Label on back; " "LOCH ARD" / The clipper ship Loch Ard was wrecked on the 1st June 1878. / Of 54 people on board only two survived : Eva Carmichael and Tom Pearce. / Pearce became hero of the wreck for saving Miss Carmichael. / This picture shows the Loch Ard in full sail in moderate seas. / When approaching Cape Otway from the west, she would be in rough water and would presumably not be in full sail."flagstaff hill maritime museum, colac bus services, blue bus service, cw veale, loch ard paintings, loch ard, veale, warrnambool, great ocean road, eva carmichael, tom pearce, thomas pearce, cape otway, cargo ship 1878 -
Bendigo Military Museum
Painting - PORTRAIT, FRAMED, Post WW2
Gold coloured wooden frame, blue oil paint portrait of soldier C PERRY, in hat.Handwritten bottom left: “C PERRY”illustrations-oil, military history, portrait -
Bendigo Military Museum
Painting - PRINT MENIN GATE, FRAMED, Post WW1
Frame is heavy timber & painted gold, light brown mount & glass. Coloured print showing ghostly soldiers rising up out of the soil, in front of Menin Gate, Ypres, Belgium. Brass plaque with etched print at bottom centre: “Menin Gate at Midnight by Will Longstaff Copyright Reserved”illustrations-prints, trades - carpentery, military history - army, menin gate -
Bendigo Military Museum
administrative record - Australian - United Kingdom Exchange Mid Tour Report by SSGT NJ Collins RE 1987, SSGT N.J. Collins RE, 29. 03.1987
The document is the Mid Tour Report by SSGT N.J. Collins RE, a British Army Senior NCO on a two-year exchange to the Army Survey Regiment. A4 size, Stapled, Front cover has a reproduction of a painting of Fortuna Villa in bottom half. Back cover has a difficult to see street scene of Pall Mall, Bendigo with a paragraph describing Bendigo's history superimposed. 19 Pages. The actual Report is contained on Pages 1-16. Annex A is 2 x pages plus a contents page.Green Hi-Light on parts of pages 10 and 11.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Bendigo Military Museum
Book - BOOK, WW1, Lifetime Distributors, The World War I Album, c.1997
Hard cover book, buckram material, 304 pages, black & white photos. Top 1/3rd has additional painting of charging trench soldiers. Centre 1/3rd has black background with white ink. Bottom 1/3rd has black & white photo of walking wounded British & German soldiers.books - albums - military, photography-photographs -
Bendigo Military Museum
Book - BOOK SET, Lansdowne Publishing Pty Ltd, DIGGERS, The Australian Army, Navy and Air Force in Eleven Wars from 1860 - 1994, Post 1994
Author George Odgers Endorsed by the Australian Defence Forces .1) Diggers from 1860 to 5 June 1944 The royal blue & dark yellow hard cover book with dust jacket. On the front cover is a picture of a painting in the centre of horses, guns & soldiers on a battlefield with stars of the Southern Cross around the picture 272pp. .2) Diggers from 6 June 1944 to 1994 The royal blue & dark yellow hard cover book with dust jacket. On the front cover is a picture of a painting of a group of soldiers during a battle. 2 tanks & palm trees in background. Stars of the Southern Cross around the picture 272pp. Page numbering in Volume 2 continues on from last page number in Volume 1. .3) Blue cardboard sleeve Open sided royal blue & dark yellow box slip cover for 2422.1 & 2422.2. Portrait orientation LHS has photo of 4 fighter pilots walking away from an aeroplane. Stars of Southern Cross around photo. RHS has picture of a painting of a group of soldiers during a battle. 2 tanks & palm trees in background. Stars of the Southern Cross around the picture. Bottom section of the box is missing.books-military-history, containers, military history -
Bendigo Military Museum
Print - PRINT, FRAMED
White information labels - black print ink. At top - HMAS Kanimbla crest with two lions. Printing: "HMS - HMAS/KANIMBLA/ Donated by the Kanimbla Association Inc/ Painted by Bob "Bluey" Paton ex crew member/and Ship's Artist "HMAS Kanimbla"HMAS Kanimbla, original painted by Bob "Bluey" Paton, ex crew member and ship's artist. Painting: colour oil painting of a ship at sea. Foreground - sea, background - sky and clouds, ship in camouflage colours. Signed bottom right corner by artist. Two white information labels - one front, one back. Handwriting on back.Artist signature, white paint "R. "BLUEY" PATON / EX KANIMBLA" Handwritten on back in black felt HP pen 'IAN S DIXON' Two white information labels - see context.framed painting, ships, navy -
Bendigo Military Museum
Book, Norman Ashworth, The ANZAC Squadron, 1994
ISBN 0-8905-198-6275 page softcover book with pale yellow cover and title in a white box. Cover has a painting of a Sunderland flying boat attacking a submarine. At the bottom of the front cover is a red, white and blue RAAF roundel. Includes illustrations, photos, maps and aircraft designs."N Bainingham"books, military history, anzacs -
Bendigo Military Museum
Literary work - BOOK SET, Australian War Memorial Set of 20, 1) 1919; .2) & .6) 1942; .3) & .12) 1943; .4), .7), 8), &.16) 1953; .5), .9) & .14) 1945; .10) 1941; .11) & .20) 1954. .13) & .14) 1944;
Set of Books commonly called 'As You Were' from WW1 and WW2. Green cloth. .1) Australia in Palestine (WWI) Book, hard cover, cardboard in centre of cover is silhouette of a Light Horseman & horse. Print is black ink, 153 pages. Illustrated with photos, drawings & maps. .2) These Eagles. Story of the RAAF at War. Book, green hard buckram cover, 200 pages. Front cover has black print with outline drawing of an eagle. Illustrated with photos, drawings. .3) RAAF Log - The RAAF at War. Book, green buckram hard cover. Front has profile of a pilot, black print, 200 pages, illustrated with photos, maps. paintings & drawings. .4) RAAF SAAG - The RAAF at War. Front cover has drawing of 2 Fighter Pilots in black ink, black print. 200 pages, illustrated with photos, drawings & paintings. Book, green buckram hard cover. Front cover has drawing of 2 Fighter pilots, black print, 200 pages, photos, drawings & paintings. .5) Victory Roll - The RAAF at War. Book, green buckram, black print, 200 pages, photos, drawings & charts. .6) HMAS Green buckram hard cloth cover, cloth cover with black text. 200 pages, black & white print, black text on white paper. .7) HMAS Mk II. Book, green buckram hard cover, black & white text on white paper. 200 pages, illustrated colour prints. .8) HMAS Mk III Book , green buckram hard cover, black text on white paper. 200 pages, illustrated colour prints. .9) HMAS Mk IV Book, green buckram hard cover, black text on white paper. Illustrated colour prints. .10) Active Service with Australia in the Middle East. Book, green buckram hard cover, black text on white paper, 129 pages. .11) Soldering on the Australian Army at Home & Overseas. Book, green buckram hard cover, black text on white paper, 200 pages. Rising Sun badge at bottom right hand corner. Illustrated with black & white photos, paintings, maps & drawings. .12) Khaki & Green with the Australian Army at Home & Overseas. Book, green buckram hard cover, black text on white paper, 204 pages. Front cover has a layout of words khaki & green, 2nd tone in light yellow. Illustrated with black & white photos, paintings, & drawings. .13) Jungle Warfare with the Australian Army in the South West Pacific. Book, brown buckram hard cover, light brown ink. Image at bottom of Australian soldier in jungle, 208 pages. Illustrated with photos, paintings, maps & drawings. .14) Stand Easy. After the Defeat of Japan, 1945. Book, light green buckram hard cover, black text on white paper, 208 pages. Image of soldier, both arms outstretched, smiling. Illustrated with photos, maps, paintings, & drawings. .15 On Guard with the Volunteer Defence Corps. Book, green & black buckram hard cover, black text on white paper, 172 pages. Illustrated with colour prints, & black & white photos. .16) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1946. Book, green buckram hard cover, tan & black text on white paper, 202 pages. Illustrated with black & white photos & colour prints. .17) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1947. Book, green buckram hard cover, black text on white paper, 202 pages. Illustrated with black & white photos & colour prints. .18) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1948. Book, green buckram hard cover, black text on white paper, 202 pages. Illustrated with black & white photos & colour prints. .19) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1949. Book, green buckram hard cover, green text on white paper, red & green diagram, 194 pages. Illustrated with black & white photos & colour prints. .20) Signals. Story of the Australian Corps of Signals. Book, green buckram hard cover, black text on white paper, 196 pages. In the corner of the front cover is the badge with motif of the Australian Corps of Signals. Illustrated with photos & drawings..1) 4214 TPR J E Neilson Year 1919 F E Addlem 1962 .books-military, museums, history -
Bendigo Military Museum
Book, Douglas Cockwood, Australia's Pearl Harbour. Darwin 1942, 1966
... , red & green, at top of page is the Rising Sun badge. Bottom..., at top of page is the Rising Sun badge. Bottom half is a painting ...Book is part of the Australian War Classics series presented by E E (Weary) Dunlop.Book, soft cover, front cover has 3 colour bands - black, red & green, at top of page is the Rising Sun badge. Bottom half is a painting of air attack on a harbour by the Japanese aircraft. 232 pages illustrated with black & white photos.J Fullerbooks-military-history, bombing of darwin -
Bendigo Military Museum
Book, Lawson Glassop, We Were the Rats, 1991
Book is part of the Australian War Classics series presented by E E (Weary) Dunlop.Book, soft cover, no illustrations, 275 pages. Top half of front cover is a black square, in it are a red & green band with a copper Rising Sun, print is white. Bottom half of cover is from a painting of AIF Soldiers in Tobruk. F Fullabooks, military history, army -
Bendigo Military Museum
Book, Softly Tread the Brave
Hard cover book with dust cover. Dust cover show painting of a large mine, solder and silhouette of a city. Bottom third of dust cover torn off. Book - red buckram. Pages 287. Illustrated - black and white photos."L SCHILLING" books, military history, valour -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Print, A V Gregory, HMS Susan, 1934 (exact)
HMS Susan sailed from the Port of London on the 23rd September 1835. She carried 394 male convicts and a guard of officers and 30 rank and file of the 28th (North Gloucestershire) regiment, arriving in Sydney on 8th February 1836. Samuel Windridge, who was born in Warwickshire in 1817, was a Private in the Regiment on board the ‘Susan’. He served in various places: Sydney, Moreton Bay (Brisbane) and Port Phillip (Melbourne). He was discharged from the Regiment in 1842 with the rank of Sergeant. After his marriage he settled in Victoria and by 1852 he was often in charge of the gold escort from Bendigo. In 1854 he retired from the Gold Commission and settled in Kyneton. In 1860 the Kyneton Mounted Rifle Corps was formed with Samuel Windridge as one of its earliest members. In 1862 the ladies of Kyneton presented a standard to the Rifle Corps. In 1976 the Shire of Kyneton presented the Kyneton Colours to the 4th/19th Prince of Wales’s Light Horse Regiment Museum. In 1862 the whole of the Victorian Horse was amalgamated into one Regiment: The Prince of Wales Light Horse. Samuel Windridge rose to the rank of Lieutenant Colonel in the Kyneton Troop of the regiment. He died in 1896, aged 79 years, This painting is a gift from his Great Grand-daughters Mrs Mary Hopper and Miss Jean Baldwin. Framed reproduction of painting of HMS Susan. Wood frame, glass frontA V Gregory on proper left bottom corner of print On bottom right of print: H.M.S Susan 'Southward of the Cape' Arrived in Sydney Feby 1836paintings, kyneton, prints, hms susan, samuel windridge, a v gregory -
Kiewa Valley Historical Society
Painting, Cattlemen of the Bogong High Plains, c1995
Leo Wimmer who lived locally was commissioned to do the painting for the Mt Beauty, S. K. Pearce Pty. Ltd., Supermarket as a display was wanted to fit against the blank walls opposite the cash registers (where the liquor store is now). His idea was to break up the parts in the painting and use these as large replicas painted on wood for the display. An official opening was held and Leo used the money earned to visit his homeland, Austria. Leo trained as a restorer of church art in Austria.This painting was commissioned for a Cattlemen's display behind the cash registers at the Mt Beauty S. K. Pearce Supermarket. Each part of the foreground was painted separately onto stand alone boards -the cattle, the hut, the grass and the Mt Beauty township. Leo Wimmer lived locally and was a professional frame conservator. Leo Wimmer specialised in gilding and worked at the National Gallery of Victoria and later the National Gallery of Australia (NGA Nov. 1981 - 1990) where he was responsible for conservation of gilded frames in the national collection. This involved crafting of missing pieces on period frames, conservation/restoration of gilded surfaces, crafting of period frames, and lecturing at galleries and institutions on gilding, wood carving, Australian frame history and crafting of period frames. Framed painting of Mt Bogong with cattle, Mt Beauty township and cattleman's hut in foreground.Circular watermark (illegible) on bottom right corner. "Wimmer / 1" is underneath the watermark.cattlemen; bogong high plains; s.k.pearce; mt beauty supermarket; leo wimmer; -
Ringwood and District Historical Society
Painting, Olive Vass, "Ringwood Scene 1920" - oil on canvas by Olive Vass, 1920
Framed oil painting on canvas panel depicting railway station and view looking north across main street of Ringwood 1920.Bottom of frame marked "Ringwood 1920". Written on back - "Early Ringwood about 1920" and "Mrs. Olive Vass 27 James Street Ringwood 8701528". -
Orbost & District Historical Society
Painting, Cameron, Grace (Miss), Circa 1920-1930
... and bottom rolled for decoration. Painting of three single petalled... gippsland Painting Painting Large oblong oil painting on green ...Grace Cameron was the daughter of John Cameron who selected the first land on the Snowy River flats. She was the sister of Annie (later Mrs John Gilbert) who was the first white girl born in Orbost.This item is aesthetically significant and shows the skill and craftmanship of the women of the early settler families.Large oblong oil painting on green painted tin with the top and bottom rolled for decoration. Painting of three single petalled pink roses in full bloom with two small buds.tin painting cameron-grace art -
Morongo Old Collegians
Portrait, William Dargie, Miss Lucy Shaw
This portrait was commissioned by Margaret Oddie, a Morongo Old Collegian.This is a portrait of Morongo GIrls College's second Principal (1942-1970)Large rectangular coloured oil painting encased in a guild-edged frameInscription on the bottom: "Miss Lucy Shaw MBE BA MACE Principal 1942-1970education, school, morongo, geelong, girls, principal -
Warrnambool and District Historical Society Inc.
Book, BPA Print group Pty Ltd, 11 Evans St Burwood, Vic 3125, 50 Years and More A History of Surf Life Saving Victoria, First published 2002
History of Life Saving Victoria for over 50 yearsBlue and gold hard cover with stylized figure of life saver on front cover with multi coloured blue cover on back with small boxed copy of front cover figure. Taken from painting Beltman and Co by Brian St Alban Smith 1958. 548 pages followed by lists of award winners both individuals and clubs. Title and authors in dark blue text.History of Life Saving Victoria for over 50 yearswarrnambool, surf life saving victoria, surf championships, shark attacks, surf boats -
Tennis Australia
Oil painting, Circa 1895
Painting on board of female figure playing tennis. Signed bottom right: 'BE. LONG' Materials: Oil paint/Pigment, Wood, Cloth, Papertennis -
RMIT GSBL Justice Smith Collection
Painting 02 - Bottom
... Painting 02 - Bottom... Russell Street Melbourne melbourne Painting 02 - Bottom 02 Bottom ...02 Bottom North West corner large narrow print with angels -
RMIT GSBL Justice Smith Collection
Painting 04 - Bottom left
... Painting 04 - Bottom left... Russell Street Melbourne melbourne Painting 04 - Bottom left 04 ...04 Bottom Left North East corner, north wall T. W. Smith - young - cigarette in mouth -
RMIT GSBL Justice Smith Collection
Painting 07 - bottom right
... Painting 07 - bottom right... Russell Street Melbourne melbourne Painting 07 - bottom right 07 ...07 Bottom Right North East corner, north wall T. W. Smith - elderly - photograph -
RMIT GSBL Justice Smith Collection
Painting 09 - Bottom
... Painting 09 - Bottom... Russell Street Melbourne melbourne Painting 09 - Bottom 09 Bottom ...09 Bottom North East corner facing north west corner 'Plead not guilty', honore Daumier, 1808-1879 -
RMIT GSBL Justice Smith Collection
Painting 11 - Bottom
... Painting 11 - Bottom... Russell Street Melbourne melbourne Painting 11 - Bottom 11 Bottom ...11 Bottom North East corner facing east corner 'Les geus de Justice'[?], 62-500B, Print[?], signature bottom right -
RMIT GSBL Justice Smith Collection
Painting 14 - Bottom
... Painting 14 - Bottom... Russell Street Melbourne melbourne Painting 14 - Bottom 14 Bottom ...14 Bottom Left whiteboard panel Print of US Congress amendments to the Constitution - Bill of Rights