Surrey Panels was started by Maurice Dalzell (Maurie) Costello (1918-2000) in 1948, soon after the first Holden was released. Maurie later brought his sons Alan, Robert and Brian into the business. F H Stevens Motors started in North Balwyn at a similar time and in 1982 was taken over by the Costello brothers, with Robert as General Manager. Members of the Costello family have been around the Surrey Hills area for many decades. Maurie’s parents Thomas Maurice and Mabel Isabel Costello lived at 43 Box Hill Crescent, Mont Albert North. Thomas was a cattle dealer and related to the Costellos of Costello’s Jersey Dairy (demolished) in Mont Albert Road, Balwyn. Prior to starting the business Maurie is listed as a market gardener living with his parents in Box Hill Crescent. He married Mavis Jean Guillerme in 1942. Surrey Motors and Surrey Panels are well known businesses serving the Surrey Hills community for decades.A small booklet, yellow in colour, designed to fit in the glove box of a car. It is stapled on the spine in 2 places and consists of 12 pages. Some pages are designed for the owner to fill in with their personal details. There is advice regarding emergency phone calls, what to do in the event of an accident, towing, 'at fault' information, insurance, location and services of Surrey Panels and F H Stevens Motors. There is a brief history of these linked businesses. There is a separate loose sheet designed to be completed in the event of an accident.Nilsurrey motors, surrey panels, maurice dalzell (maurie) costello, f h stevens motors, alan costello, robert costello, brian costello, canterbury road, stirling crescent, surrey hills, ephemera, car accidents, motor vehicle repairs

Stained glass window from the Principal's Residence, Burnley (demolished 1980.) Two rectangular coloured stained glass panels constructed by leadlight in a wooden frame separated by a wooden panel. Leadlight in an Art Nouveau style. stained glass window, principal, burnley, art nouveau, leadlight window, principals residence, artifact

Some time before the end of the year 1962, two great panels of Aboriginal art were begun. They were painted for part of a screen placed behind the Communion table in the Yirrkala church, and represented the two main, creative legends governing the lives, the behaviour and the ritual of the Aborigines belonging to a wide area of northeast Arnhem Land. Gives a brief outline of circumstances surrounding the panels. Lists the artists for each moiety. Maps show the territory of the people mentioned in the text. For each panel, there is a description of each section and an explanation of associated myths. Dua panel - the Djankawu journeys. Yiritja panel - legend of Banaitja. Glossary of terms.b&w art reproductionsyirrkala, yirrkala church, arnhem land

Petrol Station Caltex H & D Panels Smash Repairs Lake Road Stawell with petrol bowsers out front and two Vehicles c1950's

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the first of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Five picture and six woven balustrades each made out of welded steel / organic wrought iron and coated with wax. Imagery (flora - plants, landscapes and fauna - animals, birds, reptiles, insects) are all based on the local environment. There is also a relevant aboriginal presence amongst each of the panels. Each panel represents the different areas that make up the Shire. 'Water' for Warrandyte, 'Kangaroos' for Christmas Hills, 'Cockatoos and 'Valley Creek Flats' for Hurstbridge, 'Wombats', 'Bluetongues' and 'Possums' for St. Andrews/Kinglake, 'Orchids' for Panton Hill, 'Cows' and 'Grapevines' for the Kangaroo Gound Hill landmark. N/Apublic art, nillumbik, fauna, flora, wrought iron, balustrade, halpern, laurence, kangaroo, eltham town square, spirit, warrandyte, christmas hills, kangaroo ground, hurstbridge, kinglake, panton hill, water, valley creek flats, cockatoos

The portable lock up at Eltham is not original to the site. The date of construction is unknown. It is a pre-fabricated design and each of the timber panels are individually numbered on the inside surfaces. It is amongst a large group of portable locks up,categorised as 'Portable Lock Up - Timber - Later' and also known as the "Casterton style", based on the only known plan for portable lock ups, built for the Casterton Police Station, in 1907. The later portables have been in use since the 1880s. It is not known how many lock ups of this type have been constructed in Victoria. At least 50 examples have been documented around the state. Of these, 42 are known to be extant.This lockup used to be located at the Police Station in Pryor Street and was then stored in Youth Road before being acquired for the Local History Centre 2 colour photographseltham, main road, police residence, local history centre, eltham district historical society, courthouse, youth road

Colour postcard, five panels featuring Transporting Art trams: 1 - SW5 726 route 5, by Mental as Anything 2 - Flinders St station with a pipe band marching. 3 - SW5 723 - Bob & Lorraine Jenyns (See also Reg Item 5210) 4 - SW5 829 - The Peace Tram by Megan Evans and Eve Glenn. It was painted in 1986, and overpainted in 1991 by a new work by Lin Onus. 5 - Z 10? - not part of the Transporting Art Project - tram was allocated to Camberwell for some time and is showing route 75. .3 and .4 advised by Russell Jones 16/9/2020. Back has space for name and address, stamp and a message and details of the postcard. Produced by Steve Parish Postcards. Card No. PC323 and a historical note regarding trams on the back. Has "Melbourne Australia" along the bottom edge.trams, tramways, flinders st station, sw5 class, transporting art, tram 723, tram 726, tram 829, tram 10?

Pre egg cartons.Home-made with reused 'crate' wooden panels. Higginson and Hollond families - farmers in the Kiewa Valley. Bogong was a property owned by Kiewa Valley farmers. Dave Gibson worked with the SEC in the early days and married Lois Hollond (Robert and Reg's sister). Lois lives in WodongaOld brown wooden handmade box with two panels joined together on each face (sides, bottom, top). The lid fits inside at the top and has 3 smaller panels nailed on, 2 of which have leather straps nailed on one side of the box and fastened (nailed) to 1 side as a hinge. Inside: the box has 2 wooden vertical panels dividing the box into 3 sectionsTop of the lid in yellow paint "Mr D. Gibson/Bogong" on 1 wooden panel and "Eggs with Care" on smaller panel between the side panelseggs, farming. chooks, kiewa valley, higginson family, hollond family

Scanned on 30th January, 2008 from Ida Oke's albums. Ida lives in East Ringwood and also contributed to the East Ringwood Recollections book. Wife of Bob (Robert William) Oke. Both Ida and Bob were heavily involved in the Scout movement, as were Bob's parents - Corrie and Ruby (Guides) Oke, who both lived in Old Lilydale Road, East Ringwood.

A cream coloured manual with black writing on the cover. There is written in blue ink 18615 2Lt L.B. Dawsonelectronic manuals, communications, military radios

Desigend for A.R.C Engineering Pty. Ltdink, paper

Donated through the Australian Government's Cultural Gifts Program by an anonymous donor, 2016

Digital Images of hand made poppies made for the ANZAC Centenary at Federation Square, Melbourne.5000 poppies, poppies, wwi, commemoration, federation square, fed square, melbourne, atrium, panel, world war one centenary, anzac

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

For more than a quarter of a century, Tony Clark has been working on one of Australian art's most enduring, significant yet elusive projects, Myriorama. Yet he refuses to discuss it in resolved or unambiguous terms. ''I've never known where this was going to lead,'' he says almost guiltily of the theoretically endless project, sections of which are now part of nearly every large public collection in Australia. The series is modular and interchangeable - the point at which the horizon concludes on both sides of each panel is consistent, making every panel interchangeable. It concerns same rambling, meandering, romantic landscape, ostensibly Australian, chiefly painted on compact canvas boards, and, since 2002, rendered in a restricted palette of black, light pink, light blue and raw sienna. Self-imposed constraints and tenets are not only Myriorama's defining cues but its great strength.stonnington contemporary art collection, landscape, painting, tony clark

Designed and worked by Mrs E.M. Johns, a well known English embroideress. Purchased for 20 pound each, some by members of Western Australian Guild. Arrived at the Victoria Guild via Mrs Morna Sturrock, member. Edith John was a highly influential 20th-century UK embroidery artist, teacher, and author. Born in Doncaster, she trained at the Doncaster School of Art in the 1930s and later became a full-time instructor specializing in experimental embroidery, history, and design. Her work has been exhibited globally and in major UK landmarks like York Minster and St Paul's Cathedral. She authored several widely respected books on needlecraft for Batsford of London, most notably Experimental Embroidery (1976). She designed and led the massive community stitching project for the famous Doncaster Tapestry, which is kept at the City of Doncaster Archives.All designs based on the rose and worked on orange slightly textured fabric. The applique is made from a variety of gold kid and the embroidery is in black threads of different thicknesses. Panel A Windblown Rose.Each panel has the name of the rose as above and E.M. John and 1980 in black thread.embroidery, applique, panels, 1980-2000, creative, england

Designed and worked by Mrs E.M. Johns, a well known English embroideress. Purchased for 20 pound each, some by members of Western Australian Guild. Arrived at the Victoria Guild via Mrs Morna Sturrock, member.All designs based on the rose and worked on orange slightly textured fabric. The applique is made from a variety of gold kid and the embroidery is in black threads of different thicknesses Panel B Opening rose.Each panel has the name of the rose as above and E.M. John and 1980 in black thread.embroidery, applique, panels, 1980-2000, creative, england

Designed and worked by Mrs E.M. Johns, a well known English embroideress. Purchased for 20 pound each, some by members of Western Australian Guild. Arrived at the Victoria Guild via Mrs Morna Sturrock, member.All designs based on the rose and worked on orange slightly textured fabric. The applique is made from a variety of gold kid and the embroidery is in black threads of different thicknesses. Panel E Polka dot rose.Each panel has the name of the rose as above and E.M. John and 1980 in black thread.embroidery, applique, panels, 1980-2000, creative, england

Timber panels salvaged from the foyer of Forestry House 601 Bourke Street in late1980s. They were on display in the Forests Commission's head office on the fourth floor of 1 Treasury Place in the 1970s The original panel comprised 76 individual samples of Victorian timbers, each with its botanical and common name identified, and four wood carvings of flora and fauna The material for the plaques was assembled in carpenters shop in FCV districts throughout the State. Timber was kiln dried by M. Feiglin & Sons at Nunawading and erected by Peter Danby Pty. Ltd. Closely linked to FCV Forestry House in MelbourneTimber Display PanelThe highly carved panels were possibly made by Robert Prenzel in about 1908. Alternatively, in about 1994, forester Norm Endacott took them to the National Gallery for inspection by an expert in Australian wood carvers of early 20th Century who thought they may have been by Lewis John Godfrey (1836 - 1919).forests commission victoria (fcv)

Immigration Museum Exhibition panelTitle panel: Where to? To a New Beginning . . .