100 prominent Australian were asked why they have achieved so much - is it talent or determination?Paperback book, 143 pages, black and white photographs and line drawings.australia social conditions

203 p., illus.non-fictionA collection of interviews with Australiansoral history, biographies, australia - social conditions

Softcoveraustralian biography, childhood, walsh st library

This exhibition includes 'Mrs Penleigh Boyd' by E. Phillips Fox on loan from Mr and Mrs Robin Boyd.A catalogue for a Loan Collection of Portraits August 8th-26th 1967, Georges Gallery Melbourne, with 85 portraits.art. portraiture, prominent australians, walsh st library

Biographical entries of prominent Australians, including political and judicial appointeesHard cover book with worn edges, paper dust jacketaustralians, biographies, achievements

Sonia PAYES (1956- ) Born Melbourne, Victoria Sonia Page is a conceptually-based artist Australian artist working with photography, multi-media, animation and sculpture. She continually pushes the boundaries between photography, sculptural work and new media, with a strong environmental narrative permeating her work. A large photographic tryptich depicting the studio of prominent Australian artist Jeffrey Smart. Sonia Payes art practice is grounded in her training as a photographer. In 2005 Sonia Payes started a large project involving photographing artist's portraits, art works and surrounds. Depicting the idiosyncratic, and often private, lives of artists the project resulted in a visual book titled ‘Untitled. Portraits of Australian Artists', published by McMillan Art Publishing in 2007. studio, eisel, geoffrey smart, sonia page

Includes 2 articles by Walter Bunning - "Aesthetics and War" p.71, "Rachel Forster Hospital" p.85. Walter Bunning was a prominent Australian architect and urban planner - a contemporary of Robin Boyd.walter bunning, rachel forster hospital, world war 2, walsh st library

8RAR plaque presented by 8RAR members..Evidence of 8RAR members in the Sub Branch; text engraved by hand.Wooden plaque, mahogany in color with brass engraving plate towards bottom of the plaque and with a prominent brass Royal Australian Regiment symbol centrally mounted on the plaque.Presented to the DViets by its 8RAR members.vietnam, vietnam war, diamond valley vietnam veterans sub branch, 8rar

Wendy Rees-Harrison is a prominent Australia artist, working mainly in watercolour and often depicting older terrace buildings in the Melbourne district. One source cites her being born in Ballarat. The Gold Mines Hotel was opened in 1857 at the height of the gold rush in Bendigo, and is still operating as a hotel venue. It is located at 49-57 Marong Rd, Golden Square, Bendigo, Victoria.Sepia coloured water colour painting of the Gold Mines Hotel Bendigo by W. Rees. Harrison, under glass in a black and gold timber frame with a burgundy mount, markings on image read '1977 Gold Mines Hotel Bendigo W. Rees. Harrison Mitcham Vic', Donated by Mr Atkinson related to Mary Reiby.W. Rees. Harrisonpainting, watercolour, buildings, gold mines hotel, w. rees. harrison

Pamela Irving (born 1960) is a prominent Australian visual artist specialising in bronze, ceramic and mosaic sculptures as well as printmaking and copper etchings. Irving's early art was influenced by artists including Arthur Boyd, John Brack, Noel Connihan, Mirka Mora, Sidney Nolan and John Perceval. In recent years, Irving has been influenced ″by the honest and direct expressiveness of ‘outsider art’ (the art of self-taught or ‘naive artists’) and the craft of ‘memoryware’″ Significantly, this interest grew following Irving's visit to Nek Chand's Rock Garden in Chandigarh, India.Green Wedge Larry - dog sculpture reminiscent of the iconic Larry LaTrobe located at Melbourne City Square. The dog is constructed from Italian Bisazza glass tiles, using a Mapei adhesive system. The theme for his 'coat' is the flora from the local surrounds of Nillumbik, drawing from the 'Live Local Plant Local' Nillumbik plant directory.green wedge, larry, dog, sculpture, mosaic, indigenous flora, irving

A film about Legacy that featured Olympian Bill Roycroft and was commentated by Tony Charlton. It has not been watched but the details from the canister. The year is not known. Bill Roycroft, was an Australian Olympian Equestrian, who rode in five consecutive Olympics 1960 to 1976. He helped his team win Gold at Rome Olympics with broken arm. He was flag bearer for Australian team in 1968 Olympics and in his final Olympics was the oldest Olympic competitor at age 61. Tony Charlton, TV sports commentator with Channel Nine, producer and commentator of film. The connection between Bill Roycroft and Legacy is not known. He may have been a junior legatee, or even a Legatee as he served in World War 2 (according to Wikipedia). Or merely a prominent Australian willing to help promote Legacy.A record that a prominent Australian sportsman and olympian was used in a promotional film about Legacy.Eastman Kodak, Ektachrome Film,7242, 16mm, 200 feet,7242.rev. Stored in metal canister 187mm dia, reel 96mm dia.Eastman Kodak Companylegacy promotion, history

Callard & Bowser was a prominent confectionery supplier in Australia in the 1950s. This tin was for storing 7 3/4 oz of butterscotch confectionsRed green and black printing on white paint. Lid states "barley sugar". confectionery tin, butterscotch, callard and bowsers

Purchased from an opportunity shop, this dress is a stage costume bearing the label of Bonn & Mackenzie, a prominent UK costume designer from the 1950s to the 1970s. The dress appears to have been worn by June Bronhill (1929-2005), a prominent Australian opera singer and actress, whose name is handwritten on the label. Born June Mary Gough, she began using the stage name of Bronhill in 1952 in honour of her NSW home town of Broken Hill as a form of thanks to the local community who had helped raise money to send her overseas for professional training as a singer. Bronhill trained in London and gained early exposure with the English National Opera. She went on to star in many theatrical productions in Australia and the UK. She moved back to Australia permanently in 1976, and in 1980 was cast in her first television role as Mrs Crawford in the Australian version of 'Are You Being Served?'.Full-length short-sleeved dress of white cotton, lace and nylon, featuring elaborately ruffled sleeves and vertical stripes of lace on the skirt and bodice. The dress is open at the back, fastening with hooks and cotton ties to facilitate quick costume changes.Label, white cotton with red text: "BONN & MACKENZIE LTD. / TEMPLE BAR 1393". Handwritten underneath in black pen: "JUNE BRONHILL".june bronhill, bonn & mackenzie, theatre costume

hard cover book with dust jacket, with dog-ear top of spine. Quarto, 55 pages with numerous full-page colour illustrations from photographs by Jocelyn Burt.non-fictionThis book is a true pictorial and written experience of the Little Desert 's flora, fauna, animal habitats and environment as it was in the 1970's.jocelyn burt - photographer - author - australian landscapes - environment

The Olympic Games were held in Sydney in 2000. The Olympic torch progressed through Australia and prominent sporting or cultural identities were invited to carry the torch through their local areas.Colour photograph of Olympic torch relay as it made its way through Kingston. The torch is being exchanged between Russell Broughton on the left and Allan Lawson on the right. They are surrounded by relay support crew, including a motorcade travelling behind them, and the street is lined with people on both sides.Handwritten in black ink on reverse: Allan Lawson / Russell. Broughtonolympics, torch relay

The Olympic Games were held in Sydney in 2000. The Olympic torch progressed through Australia and prominent sporting or cultural identities were invited to carry the torch through their local areas.Colour photograph depicting Craig Kimberley of Just Jeans (retail store) surrounded by people, including a boy wearing a paper bandana that says "I saw the torch". The photograph has been taken outside Westfield Shopping Centre (Southland) and the event was part of the torch relay for the 2000 Olympic Games.Handwritten in black ink on reverseL Craig Kimberley / Just Jeansolympics, torch relay

The Olympic Games were held in Sydney in 2000. The Olympic torch progressed through Australia and prominent sporting or cultural identities were invited to carry the torch through their local areas.Colour photograph of Naomi Milgrim, CEO of Sussan Fashions, outside Westfield Shopping Centre Cheltenham (Southland), participating in the Olympic Torch Relay. Behind her a crowd can be seen gathered to watch the relay. There is a motorcycle police officer in a high visibility jacket to the right. Spectators can be seen on the roof of the building.Handwritten on reverse in black ink: CEO Sussan Fashions / Naomi / Milgrimolympics, torch relay, cheltenham

The Olympic Games were held in Sydney in 2000. The Olympic torch progressed through Australia and prominent sporting or cultural identities were invited to carry the torch through their local areas.Colour panoramic photograph of the Olympic Torch being carried by Allan Lawson. Allan is blind, and is being assisted by another name whose name was not recorded. There is a police escort in the front on a motorbike, a cavalcade of cars behind him and crowds on either side of the road.Handwritten in black ink on reverse: Allan Lawson / Blindolympics, torch relay

The Olympic Games were held in Sydney in 2000. The Olympic torch progressed through Australia and prominent sporting or cultural identities were invited to carry the torch through their local areas.Colour photograph of David Douglas running in the Olympic Torch Relay as torch bearer. There is a police escort on motorbike in front and behind him, as well as a cavalcade of vans and cars behind him. Both sides of the street are lined with spectactors.Handwritten in black ink on reverse: David Douglasolympics, torch relay

This book is of general as well as local interest as it gives short biographies of prominent 19th century Australian men. Included in the book are people of local importance to Warrnambool and district – Dr Fleetwood, Dr Singleton, Rev. George Tait, James Stewart Butters, Stephen Henty and Dr Thomas Scott. This book is important because it has interesting and informative biographies of prominent Australian men of the 19th century but it is of greater importance to Warrnambool’s historians because of its biographies of men who were influential in Warrnambool’s history. It is also of interest that the book has the signature of Henri Worland, the Town Clerk of Warrnambool from 1918 to 1949. Worland was also a great Warrnambool historian, preserving items of historical importance, writing on local history and talking about our history for a number of years in a series of broadcasts on Warrnambool’s 3YB. It is due to him that we have ‘Australian Representative Men’ in our collection today. This is a hard cover book with a black cover and gold-coloured lettering on the spine. The pages are unnumbered. The book contains 107 biographies of well-known 19th century men in Australia, together with their portraits fronted by a piece of tissue paper. The book also has articles on the Federal Council and the Soudan Expedition. The first couple of pages are missing. The cover is a little stained and some of the pages have blotches on them. There are several stamps of the Warrnambool & District Historical Society.‘H.J.Worland’ history of warrnambool, dr fleetwood, dr singleton, dr thomas scott, stephen henty, james stewart butters, rev. george tait

Thomas Clark began his career as an artist in England in the mid-1800s. He specialised in drawing and went on to teach at the Birmingham School of Design. In 1851 he left England, and it is thought that he travelled to Russia possibly to undertake an engraving commission for the Tsar. From there he travelled to Melbourne, Australia. In Australia Clark established his reputation as an artist and began painting landscapes. By 1862 the Ballarat Star reported the exhibition of several of his paintings and refers to him as, ‘an artist of eminence in Melbourne’. In 1870 Clark was appointed as the drawing master of the National Gallery School of Design where he taught several prominent Australian artists – Tom Roberts and Fred McCubbin. Clark spent most of his time in Melbourne. He did, however, travel to the Western District twice – once to undertake a commission and another time on a sketching trip. It is during one of these trips that he most likely painted Portland Bay. Portland Bay is thought of as one of Clark’s most appealing paintings . It is also fascinating because it depicts a view of Portland Bay both before the establishment of the harbour in the 1950s and prior to the lighthouse being moved in the late 1800s. This view is from Battery Point and shows the Portland Lighthouse before it was moved. It is now on the other side of the bay on Whaler’s Bluff. Australian ColonialView of Portland Bay with a bluff in foreground left. On top of bluff is a lighthouse and a white cottage. Lighthouse is white with a red roof. Cottage has a tall flagpole flying a red flag. Two figures stand in front of cottage. Below bluff are two further figures looking out to see. In background right is a town and harbour. Further figures can be seen on the beach. Framed in ornate gilded frame.Front: (no inscriptions) Plaque on frame read: "PRESENTED BY MRS. J.E. GRICE GRAND DAUGHTER OF STEPHEN GEORGE AND JANE HENTY." Back: (unknown)portland bay, thomas clark, portland lighthouse, whalers bluff, glenelg shire cultural collection, portland, glenelg, landscape, seascape, maritime

The Olympic Games were held in Sydney during 2000. The Olympic torch progress through Australia and prominent sporting or cultural identities were invited to carry the torch through their local areas. The relay was accompanied by large crowds.Colour photograph depicting the crowd in attendance at Westfield Shopping Centre, Cheltenham, during the 2000 Olympic Torch Relay. There are people lined up along the street, many carrying red balloons.olympics, torch relay

The abacus has been used by many civilisations, and is still in use today. Its origin is masked in the depths of time, but it is believed to have originated in crude form around the years c.2500 BCE. It is interesting to note that this abacus, although in use in Australian schools, contains ten rows, each containing ten beads, suggesting that it was heavily influenced by the decimal system. The number 12 was quite prominent in Australia, no doubt introduced by the British during the first settlements. It's use, as in dozens, twelve shillings in the pound and twelve inches in a foot, was widespread until decimalisation in 1966. Even today, many items are sold in dozens or sixes.Before more sophisticated adding machines and then calculators were developed in the 19th and 20th centuries, the abacus would have been in worldwide use.Abacus or counting frame with ten rows, each containing ten wooden beads.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood, abacus

To commemorate the two anniversaries of prominent organisations, Australia Post issued two stamps, as well as first day covers, an accompanying card set and first day postmark. One card contains a photograph of young Tilly Aston, with the AFB 100 anniversary logo, a stamp of a person with a dog in harness playing the violin. The other card is a picture of Audrie and Neil Mc Leod, who founded the Spastic Centre of NSW as part of their efforts to assist their child and others access services for those who were born with cerebral palsy. The 50th anniversary logo of the centre is featured on the card, as well as a stamp of a person in a wheelchair flying a kite. Both cards have the postage mark of a kite and it's string framing the sun, and 'First Day of Issue 13 July 1995 Brighton Beach, Vic, 3188'.2 colour post cards released as part of setassociation for the blind, tilly aston, spastic centre of nsw, stamps, audrie mcleod, neil mcleod

This image appeared in the Australasian Sketcher on 2nd July 1883. This issue had several illustrations relating to the meeting of the railways at Albury and Wodonga. The item was accompanied by the following text:- Wodonga consists of two principal streets lying parallel to each other seemingly desirous of outstripping the other in length and the straggling character of its buildings. After carrying on this contest for the length of three quarters of High Street, of which we give a view, bears off the palm. Between the township and Albury there is a distance of three miles, which in summer has the reputation of being the dustiest three miles in Australia. This distance is traversed by omnibuses and cabs, which ply between the two towns, and until the junction of the railways did a good business in carrying all travellers from station to station. The dwellers in Wodonga, who are Victorians to the backbone, complain severely of the disadvantages under which they labour, owing to the border duties, in comparison with their more fortunate neighbours in Albury, but though they grumble they have no intention of giving in, and confidently look forward to the brighter days which they say are in store for Wodonga. In the lower right hand corner are the initials J. R. A. These are the initials of Julian Rossi Ashton (1851-1942). Ashton was born in England and emigrated to Melbourne in 1878 to work as an artist for the Illustrated Australian News. In 1881 he worked at the Australasian Sketcher and in 1883 moved to Sydney to work on the Picturesque Atlas of Australasia and the Bulletin. He became an influential patron and supporter of Australian Art through his roles as trustee of the National Art Gallery of New South Wales. He was awarded the Society of Artists’ medal for distinguished services to Australian art in 1924, appointed as Commander of the Order of the British Empire in 1930, and won the Sydney Sesquicentennial Prize for a watercolour in 1938. Ashton dominated artistic circles in Sydney for over 50 years. He established his own Art School in Sydney and became a teacher and mentor to many now prominent Australian artists. Julian Rossi Ashton died on 27th April 1942 This item is significant because it depicts an early view of Wodonga and was created by a future prominent artist and influential patron and supporter of Australian Art .A print from a Wood Engraving which was published in the Australasian Sketcher 1883. It features a street scene in Wodonga.wodonga town 1883, early wodonga

Awarded to Donald Neil Symons for excellence in Scripture during 1926 at Ballarat College. Neil was educated at Ballarat College (Dux 1933) and Ormond College, Melbourne University. He became a Clothing industry leader and was Fletcher Jones' distinguished successor as chief executive of the FJ organisation, and a prominent advocate for the Australian textile and clothing industries, decentralised industry and government support of employee share ownership schemes.Thick, maroon leather-bound book with gold lettering on spine, black wording and detail and gold school crest on front cover; bookplate inside front coverBookplate inside front cover:School crest / Ballarat College / IVA Form / Scripture Prize / (The gift of Mrs Cairns) / Awarded to / Neil Symons / A Richardson BA / December 1926 Principaldonald-neil-symons, cairns, scripture, book prize

Awarded to Donald Neil Symons for excellence in Scripture during 1926 at Ballarat College. Neil was educated at Ballarat College (Dux 1933) and Ormond College, Melbourne University. He became a Clothing industry leader and was Fletcher Jones' distinguished successor as chief executive of the FJ organisation, and a prominent advocate for the Australian textile and clothing industries, decentralised industry and government support of employee share ownership schemes.Medium-sized, maroon, leather-bound book with gold-lettering and decoration on spine and gold school crest on front cover; bookplate inside front coverBookplate inside front cover: School crest / Ballarat College / Sixth-Lower Form / Dux Prize / Awarded to / D N Symons / A Richardson BA / December 1930 Principaldonald-neil-symons, dux, 1930s, fletcher jones

Awarded to Donald Neil Symons for excellence in Scripture during 1926 at Ballarat College. Neil was educated at Ballarat College (Dux 1933) and Ormond College, Melbourne University. He became a Clothing industry leader and was Fletcher Jones' distinguished successor as chief executive of the FJ organisation, and a prominent advocate for the Australian textile and clothing industries, decentralised industry and government support of employee share ownership schemes.Small, maroon, leather-bound book with gold lettering and detail on spine and gold crest on front cover; book plate inside front coverBook plate inside front cover: School crest / Ballarat College / Third Prize / (Lower division) / Awarded to / N Symons / A Richardson BA / December 1927 Principaldonald-neil-symons, fletcher jones, 1920s, book prize