Annual record of teaching staff, students and events that took place over the year by using both photos and reports. Headmaster / Principal - Mr. Richard Thomson.Edited by Margaret Willimott.40 pages, blue cover, Title "Renaissance 1991" in blue ink. Contains text, graphics and class photos. 2 copies.Item 826 has label on rear cover indicating owner: Margaret Willimott.greensborough secondary college, yearbook, renaissance, school magazines, margaret willimott

Annual record of teaching staff, students and events that took place over the year by using both photos and reports. Headmaster / Principal - Mr. Dick Thomson. Edited by Margaret Willimott.This is the first yearbook after the amalgamation of Watsonia High and Watsonia Tech to form Greensborough Secondary College.Pages not numbered, blue cover, Title "Renaissance 1990" in blue ink. Contains text, graphics and class photos. Cover illustration includes “New VCE”. 3 copies.Copy 827 has label on back cover with name of owner.greensborough secondary college, yearbook, renaissance, school magazines, margaret willimott

Annual record of teaching staff, students and events that took place over the year by using both photos and reports. Headmaster / Principal - Mr. Richard Thomson.Edited by Margaret Willimott.40 pages, blue cover, Title "Renaissance 1991" in blue ink. Contains text, graphics and class photos. greensborough secondary college

Annual record of teaching staff, students and events that took place over the year by using both photos and reports. Headmaster / Principal - Mr. Dick Thomson. Edited by Margaret Willimott.This is the first yearbook after the amalgamation of Watsonia High and Watsonia Tech to form Greensborough Secondary College.Pages not numbered, blue cover, Title "Renaissance 1990" in blue ink. Contains text, graphics and class photos. Cover illustration includes “New VCE”greensborough secondary college

This book was translated from the French of M. Jules Labarte.Charcoal hard covered book with over 200 beautiful black and white woodcut illustrations. Illustrations include: Ivory chair at Ravenna - Abbey of Lorsch Martha and Mary advancing to the savior (Chichester Cathedral sculpture) The Navicella mosaic by Giotto Crown of Charlemagne (Imperial Treasury Vienna) Sword of Charlemagne (Imperial Treasury Vienna) Shrine of the Migi (Cologne Cathedral) Cup of Lapis Lazuli Iron Crown of the Lombards (Monza Cathedral) Irish Harp Bayeux TapestryLibrary cards, dates stamps, etcballarat technical art school library, library cards and date stamps, book plate, art, middle ages, renaissance

Index, bib, ill, p.288.non-fictionhe invasion of Italy by France in 1494 sowed the dragon's teeth of all successive European wars, and accelerated the pressures to devise ever more effective armaments and methods of warfare." "This account of the story of arms over the period covers in detail the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. Armour is shown attaining its full Renaissance splendour then suffering its later decline; the history of the sword, Ewart Oakeshott's special interest, is followed to the late eighteenth century when it ceased to be part of everyday wear: cause or effect, the far-reaching effects of the Industrial Revolution on military armaments had begun.military technology - history, armour - europe - history

p.238.non-fictionA history of art and poetry in the renaissance periodrenaissance - history, renaissance - art and poetry

Displayed in Gallery June 1997. Produced for the 'Hurrah' Group Exhibition 1996. Two similar pieces (bowls) exhibited in Normandy, France July/September 1996 - Paris 13 Jan-30 March 1997. Mrs Wanda McPherson, Life Member of the Guild.Small brown, cream and grey bowl. Machine and handstitched.machine embroidery, 1980-2000, australia

Biography and photo in Archives. Piece embroidered by the Donor's mother Miss Ethel Webb in the 1910's-1930's.A long runner, probably meant for a sideboard in white renaissance cutworkin a floral design and a crocheted edge.embroidery, cutwork, runner, renaissance, whitework

The Shire of Braybrook (1871–1951) was a vast, semi‑rural municipality stretching from Melton to West Melbourne, centred on the old Braybrook village at Solomon’s Ford. It transformed dramatically with the arrival of railways, the rise of Braybrook Junction/Sunshine, and the industrial boom driven by H.V. McKay’s Harvester Works. The area was first organised as the Braybrook Road District on 28th May 1860, after a public meeting at the Shamrock Hotel in Albion. The district was enormous, extending from Melton to Dynon Road on the West Melbourne swamp. Early settlement clustered around Solomon’s Ford on the Maribyrnong River, a key crossing for travelers heading to Geelong, Williamstown, and the goldfields. On 23rd January 1871, the Road District became the Shire of Braybrook. Council meetings were initially held in Maidstone, reflecting the early population centres. The Braybrook Shire Hall in Deer Park was built in 1885. That 1885 building was the first official hall and council offices for the Shire of Braybrook, long before the municipality shifted its centre of gravity toward Sunshine. It stood near the Deer Park Hotel and served as the administrative heart of the shire during the late 19th century. The Braybrook Shire Hall at Deer Park effectively closed as a council headquarters in 1930, when the Shire of Braybrook shifted its administrative centre to Sunshine. In 1951, the Shire of Braybrook was renamed the City of Sunshine, reflecting the shift of population and industry eastward. In 1994 - 1995 the Kennett Government reduced Victoria’s councils from 210 to 78, the largest restructuring of local government in the state’s history and this part of the City of Sunshine became the City of Brimbank. It is believed this extension table came from the Shire of Braybrook Shire Office located in Ballarat Road, Deer Park, opposite the Deer Park Hotel. Over the years this sideboard was used in the Shire of Braybrook Shire Office Ballarat Road Deer Park, the Shire of Braybrook and City of Sunshine Memorial Hall Hampshire Road Sunshine and in the City of Sunshine Municipal Offices Alexandra Avenue Sunshine where it was used in the Mayoral's council chambers. When the City of Sunshine Municipal Offices in Alexandra Avenue, Sunshine closed down, this sideboard was presented to the Sunshine & District Historical Society by the City of Brimbank.This sideboard is one of the few remaining items that still connects us to the early days of the Shire of Braybrook.French renaissance styled carved walnut sideboard with mirrored backplate.shire of braybrook, shire of braybrook offices, ballarat road, deer park

Photo and biography in archives. Piece embroidered by the Donor's mother Miss Ethel Webb in the 1910's-1930's.Renaissance cutwork in a design of flowers and fruit. The cutwork is of a very high quality.embroidery, renaissance cutwork, cloth

Pedro J. Lemos was an educator and artist. He was also the editor of the School of Arts Magazine and Director of Stanford University Museum of Fine Arts. He was born in 1882 and died in 1954. This art portfolio contains ten periods of art history: Egyptian, Assyrian, Grecian, Roman, Byzantine, Romanesque, Saracenic, Gothic, Renaissance and Georgian. Some of the images are: The Temple of Luxor in Egypt, Temple of Zeus, the Arch of Titus, Gothic cathedral in Cologne, Assyrian furniture and weapons, Greek architectural decorations, Byzantine costumes, Renaissance weapons and household articles, plus much more. Blue, large, hard cover. Black tape edges and spine. Title is written in orange on front cover. Ribbon ties stitched to the edge of the cover used to close book by tying them together. Loose pages showing coloured and b/w illustrations of the ages of art. Includes fold-out text booklet with five pages. The book has a number of coloured prints of examples of art through the ages, including Egyptian, Assyrian, Grecian, Roman, Byzantine, Romanesque, Saracenic, Gothic, Renaissance and Georgian. Inside the front cover there is a plate titled "Ballarat Techincal Art School Library no. R/400". It is also stamped with the publisher's details. art, art ages, pedro j lemos, historic art, egyptian art, grecian art, roman art, byzantine art, romanesque art, saracenic art, gothic art, renaissance art, american colonial art, assyrian art, ancient costumes, ancient weapons, ancient instruments, ancient household articles, ancient furniture, ancient architectural, textile decorations

Hand embroidered.Butterfly pattern on calico, partially completed in Renaissance Work or Point Lace, with pulled thread, lace braid and cotton embroidery thread stitching.textileworking patterns, household textiles, tableware

Chapters entitled History of Aboriginal Art, Imagining Albert Namatjira, Indigenous Renaissance, Creative Revolution, The Art of Les Griggs and The Art of Lin Onus.colour photographs, b&w photographs, colour illustrations, document reproductionsyorta yorta, cummeragunja, albert namatjira, les griggs, lin onus, indigenous art

Worked by Miss Lily Sebire about 1900.White tablecloth in Renaissance work, also known as point lace. Braid is stitched onto a calico pattern, then linked by needle and thread in a variety of designs.tablecloths, embroidery

Pages 194-197 of Country Life in America (July, 1903), featuring an article by Charles P. Sawyer, entitled:THE RENAISSANCE OF TENNIS. Materials: Paper, Inktennis

Calico embroidery pattern for table runner, intended for Renaissance work, or Point Lace. The blue printed pattern depicts leaves and flowers the whole length of the runner." L.B. Lacet Runner. J.W. with a crown in between the two letters, No. 4322" in top left hand corner of the runner and "Worked with Point Braid No. 261" in the top right hande corner. The same inscriptions are found repeated at the other end of the runner.household textiles., tableware, textileworking patterns

Part of the Kevin John Herman, No. 397661, Collection. See Cat No. 5942P for details of his service record.Barrel shaped silver coloured pewter tankard with handle. Engraved details on one side. Manufacturer's logo and details stamped on base.Engraved on side: “PRESENTED BY, RCSC, TO MAJ. K.J. HERDMAN RFD, ON RETIREMENT, 30 JUN 88.” Stamped on base; Logo (Fler de lis symbol), RENAISSANCE PEWTER, (in a circle).memorabilia, tankard, kevin john herdman

Postcard: Image shows Bendigo Post Office, viewed from Pall Mall. Palm trees in foreground. On back ' Post Office Bendigo, Victoria' Built in the Italian renaissance style, and opened to the public in 1887, this fine building with its 142 foot clock tower is a local land mark.Plastichrome, Murfett Publishersbendigo, buildings, post office, post office, bendigo, italian renaissance, plastichrome, murfett publishers

Machine-made net scarf with tape lace ends. tape lace, renaissance, princess

Former National Bank, 30 Pall Mall. Architect W.C. Vahland 1887. Contractor N. Longstaff. Built in 'Modern Italian Renaissance Style'Colour photograph of the Pall Mall façade of the National Bank. Dated August 1990. Note on back states note name on top of building 'National Bank'.Estelle Hewston

Bendigo Advertiser "The way we were" from 1999. Australian natives association hall: the renaissance-style Australian natives association hall in View Street was next to the Masonic Hall and had a frontage of 75 feet. The public hall was capable of holding 500 people and the building designed by William Beebe, cost 4,500 pounds. Demolished in 1970, it was replaced with new ANA offices and a motelnewspaper, bendigo advertiser, the way we were

Monsieur Charles Auguste Albert Racinet was born in Paris on July 20th, 1825. His job was representative of a group of 19th-century industrial draughtsmen, teachers of technical drawing and factory studio manager. He helped in spreading the most significant design of the decorative arts of the time. Racinet learned his trade from his father. He was trained by neo-classical artists in the ambit of Percier and Fontaine. August Racinet was influenced by the Schinkel tendency and supported by architects such as Hittorf and Voillet-le-Duc.Book. Large red leather cover. Title written in gold on spine. Illustrations (black & white), 100 of chromolithographic plates in gold, silver and colours. Various styles of ancient, oriental and medieval art including the Renaissance, the 17th, and the 18th centuries. Subjects are arranged in historical order. Text translated from the original French. The book includes a table of contents, a list of plates, a classified index and an introduction.A book plate inside front cover with a heading "Ballarat School of Art Library No. R/171. Stamped with "Reference","Education Department" and "Ballarat School of Art Library"art, paintings, textile, designs, decoration and craft, ornaments, ballarat technical art school library, bookplate

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).Rare colour photograph of the exterior of SoutheskA colour enlargement of the entrance to ‘Southesk’. Formerly known as ‘Ordsall’, the house was built for John Halfey in 1882 on the corner of Cotham Road and Charles Street. This Italianate mansion was built in the Renaissance villa style on a bluestone plinth. The picture provides photographic evidence of the tiling on the veranda and the typically arched doorway. The neon sign above the door was added during the period when it was owned by the City of Kew (1948-70).david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

White tape lace on a card which is enclosed in a large illustrated envelope. The mid 19th century 'Renaissance Lace' is wound around cardboard which is in the large envelope. The lace depicts five petaled daisies with an eyelet on each side. The envelope is illustrated with drawings of snowdrops. It opens on the front with small snowdrops drawn around the square opening. On the right hand top corner there is a drawing of mountains with a village in the valley.'Snow-Bleach Embroidery' Man. in Switzerland. Guaranteed to retain its Snow-Whiteness. 'All Cotton' No. 83177 20yds E600handcrafts, lacemaking, documents, envelopes

The Commercial Bank of Australia was established in 1866. In Bendigo it was initially in Pall Mall but in 1875 a new building was designed by Vahland and Getzschmann in the Renaissance revival style and was erected at 11 View Point. In 1982 the CBA merged with the Bank of NSW to become Westpac.Photocopy of Cheques used in Bendigo in the 1880s. 20 assorted cheques on plain blue paper. Amounts on cheques vary - Commercial Bank of Australia - on the rear 'amounts in gold, notes, silver and copper to be listed. Purpose of these unknown.history, bendigo, cheques, commercial bank of australia

Donation of the estate of Kenneth Lay Antique Dealer High St ArmadaleThree Priests under a Canopy with Jesus Christ on altar, surface embroidery in silk. Couched goldwork highlights, painted body of Christ ? cochineal. Priest/Bishop faces painted - under garment painted outline in now dark brown ink. In old wooden frame. 18th century, silk embroidery, gold work, renaissance, religious, jesus christ

White linen and white cutwork and surface embroidery tea cosy cover. Design of grape leaves and fruit and circles buttonholed, scalloped edging. Four pale blue satin ribbon tied sides. No inner pad which was usually part this style of cosy. Front and back the same. Trapezoid shape.embroidery, cutwork, renaissance, tea cosy, 1920-40, australia

This is the program of the 2014-5 exhibition at the Warrnambool Art Gallery, ‘From the Sacred to the Profane – The Challenges and Possibilities of Renaissance Art’. This exhibition was a joint project between the National Gallery of Victoria and the Warrnambool Art Gallery and was officially opened in December 2014 by the Director of the National Gallery of Victoria, Tony Ellwood. This program is of interest as a souvenir of an exhibition in Warrnambool that was an important one as it featured historical and valuable works of art from the National Gallery of Victoria. This is a sheet of paper folded to make six sides. One side has a plasticized surface. The pages have a black background with white and red printing on five sides and a colour photograph of a painting on the front page. The back page has the logos of the Warrnambool Art Gallery Foundation, the Victorian State Government, Arts Victoria, Warrnambool City Council and Deakin Worldly.national gallery of victoria, warrnambool art gallery, art in victoria, renaissance art, warrnambool history