Photograph of a rural setting near Mount Warrenheip circa 1921The image shows transport in the early twentieth century and the rural landscape near Mount WarrenheipA black and white photograph Old Melbourne Road near Mount Warrenheip, a horse drawn vehicle and surrounding properties.Mt Warrenheip circa Dec 1921rural life, mount warrenheip, transport

Contained in Volume 1 of a set of two spiral magnetic photo albums, each containing 10 leaves, 20 pages; Vol. 1 labelled "Houses - Eltham South" and Vol. 2 labelled "Eltham Houses". Newspaper clippings promoting house auctioneltham, eltham south, real estate advertisement, houses, morrisons estate agent, yarra braes road

A photograph of the Scott Family property "Mt Boninyong" circa 1870sProperty is one of the earliest of Buninyong district and shows early buildings, fencing and possibly farm workersA black and white photograph showing the Scott Family property "Mt Boninyong"Scotsburn early photographscott family, mt. boninyong, scotsburn

Black and white photo of Mark Duly and sister Lil Heal seated in a garden. Photo of two people seated on chairs in a rural setting. Newington Stawell Mark Duly (D 1940) (Adelaide) with sister Lil Heal.stawell portrait

The photograph is undated but a companion photograph (Registration no. 256),which shows Eva Simper with Harold Wishart, suggests that it was taken in the late 1920s.Black and white photograph of a brick school in rural setting."Linton school".linton state school no. 880, buildings

Newspaper clipping advising that the band was playing at the Karralika Theatre and information about their provenance, records released and notable gigs.The advertisement features a black and white photograph showing the band and some of their instruments in a rural setting.

Sepia photograph of a double grave monument with headstone in rural setting."Blamire family grave, Linton cemetery".blamire family, linton cemetery, graves

Cragg Sisters Father William Grundy Cragg 1862-1938 a Cabinet Maker made the Honour Roll. Brother Henry also cabinetmaker. Mother Annie Cragg (ne Wearmouth) 1863-1948 married 1895. Elizabeth (Bess or Bessie) Cragg 1896-1985 of Smith Street in 1920 prepared WW1 Honour roll for shire while she was a part time student and part time instructor at the then School of Mines. Music teacher Annie (Nan) Cragg 1897-1984 Of Smith Street Stawell. School teacher from 1915. Taught at Watta Wella. (Fat Miss Cragg). Owned a car. Marjorie Cragg1900-1982 Schoolteacher in Melbourne. Married Henry Bird Jessie Cragg 1901-1998 School Teacher from 1922 of Smith Street (Skinny Miss Cragg) looked after Cragg household. Agnes Cragg 1903-1930 Schoolteacher in Melbourne Married cousin Lancelot Wearmouth D’Arcy Street. Agnes was murdered by her husband Lancelot.   Weatherboard house in rural setting, tree at front, six people standing on verandah. Holiday House in Grampians. c1920’s Kodak Print

Colour photograph of brick and tin farm buildings in rural setting, with dam in foreground.buildings, woolsheds, agricultural activity

Black and white photo. Church possibly in rural setting. Markings/Inscriptions: Photo. A. DoneyA. Doneyorganization, church, unknown

The Old Lintonians' Association organised annual reunions from 1914.Black and white photograph of a large group of people posed in front of a tree in rural setting."Old Lintonians Flagstaff Hill S E Surman (3)".old lintonians association, events, reunions

Glen Isla built in 1868 by Robert Anderson, additions 1987 - 88. Had several owners subsequently, bought again into family by Grandson Stan Anderson but sold when he died. Now owned and restored by Mr & Mrs Lunn.Distant view of Glen Isla House depicting rural setting and Western Port Bay glimpse in background.local history, photography, photographs, slides, film, glen isla house, phillip island, sepia photograph, mrs emma anderson jacobs

The gathering of men and woman includes the Greek Orthodox priest and appears to be some sort of celebration. A scanned photograph of a large group of well-dressed men and women standing in an open area in a rural setting.unknown

Petit point, 2 birds in a rural setting. Probably part of edge of cushion cover or table carpet.embroidery, canvas work, england, 16th century

A black and white photograph of a large group of men and women standing in a rural setting with a Greek flag flying in the background. unknown

Black and white photograph of fishermans cottage in a rural setting beside a waterway, frame for nets in foreground. Lake Tyers Victoriasettlement, fishing, waterways

Chinese sleeve embroidery bands, or wanxiu became popular in the late 19th century during the Qing Dynasty, evolving from the traditional Han cuff embroidery and Manchu styles. These detachable, decorated bands were added to women's informal jackets and robes, often featuring symbolic motifs like landscapes, flowers, and auspicious symbols. They served both a decorative function, displaying artistic skill and personal wishes, and a practical one by covering the sleeves when hands were folded at the waist. History and evolution: Origins: The practice of embroidering cuffs on robes existed during the previous Ming Dynasty for Han women, and this was adopted by the Manchu rulers who founded the Qing Dynasty. Qing Dynasty (1644-1911): The practice was popularized and elaborated upon during this era, with detachable bands becoming a fashionable element for informal wear. Symbolism: The embroidery included a complex visual vocabulary of wishes for a long life, many offspring, and a happy marriage, derived from nature, mythology, and classical literature. Functionality: Women would fold their arms, often with their hands inside the sleeves, so the embroidered bands, which were sewn to hang down the back of the jacket, would be displayed prominently down the front. 19th century peak: The late 19th century was the peak of their popularity, with intricate designs becoming fashionable and even influenced by court tastes, such as those favoured by the Empress Dowager Cixi. Later developments: The late 19th century saw the introduction of chemical 'aniline' dyes from Europe, leading to brighter, bolder colours in embroidery. Motifs and their Meanings: Auspicious symbols: Designs often included symbols for good fortune, wealth, and longevity. Natural imagery: Birds, flowers, and landscapes were common motifs that could represent natural beauty or convey specific symbolic meanings. Figurative scenes: Bands could also feature narrative scenes from classical stories or legends. The choice of motifs allowed women to express personal desires, cultural values, and aesthetic preferences, reflecting a more personal and informal style than official court attire.Cream satin, silk embroidery in Pekin knot stitch. Fine couched cord. Rural setting with figures, trees and pagoda.embroidery, garments, silk embroidery, china, garden, figures, lanscape

Donated with a Water Colour painting (6642) of a cottage by Will ReesBlack and white photo of woman on horse with her two children in a rural setting. c 1950's Isobel is the daughter of Will Reeswill rees, art, painting

The photograph of a group of Ithacan women was taken at an Ithacan Philanthropic Society annual picnic. The women would work hard in the lead up to the picnic to prepare traditional Greek fare to enjoy on the day. At the picnic women catch up with relatives and friends. Ithacan women brought with them their Ithacan traditions and culinary skills and were very much the custodians of the Ithacan cultural heritage. A black and white photograph mounted on grey board of twenty one ladies and five children standing in front of a cluster of trees in a rural setting. picnics

The family group are members of the Ithacan Philanthropic Society enjoying a day out at an annual picnic. A black and white photograph mounted on grey board of ten men and a lady with two children sitting on the ground around a picnic meal. They are sitting in a rural setting.Written on the back: AGP - 3

Colour photograph showing two women dressed in period costume seated in four-wheel horse drawn cart with woman standing beside in rural setting."l-r Alice Knight, Letty Armstrong, Maisie Hart".smythesdale homecomers parade 1981, ldhs activities

Postcard given to Stella Todd by Linton State School head teacher Mr H. B. Williamson, wishing her a happy year in 1912.Black and white postcard photograph of men, women and children, thought to be a Linton State School group, on an outing in rural setting (possibly Mortchup Road reservoir)."To Stella Todd with best wishes for the new year 1912 from her teacher H B Williamson".stella todd, stella surman, linton state school no. 880, h. b. williamson [head teacher], picnics