Around March to April 1994, the Arthritis Foundation of Victoria (AFV) opened a second oppportunity shop in Moonee Ponds. A woman impersonating satirist Barry Humphries' most well known character, Dame Edna Everage, was the special guest at the opening of the new op shop. In this photo, she is posing for a photo with some of the second-hand fashions that are available for sale.B&W photo of a woman holding up some clothes on hangers inside a shop. She is wearing a long evening gown, a long beaded necklace and novelty sunglasses in the shape of two swans. Behind her are some racks of clothes.arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, fundraising, opening, launch, dame edna everage, impersonator, second-hand clothing, second-hand clothes, moonee ponds, 1994

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. In 2006, as Di prepared for a trip to New York City, fellow BHS volunteer Liz Gay gifted her a copy of the book “Alligators, Old Mink and New Money” by vintage clothing dealer and former fashion model Alison Houtte. Between 1995 and 2015, ran the vintage and second hand clothing store Hooti Couture at 321 Flatbush Avenue, Brooklyn, and after reading the book Di was inspired to seek out the shop. During her visit she met Alison, who autographed her book, and purchased this kimono jacket from the store.Pure silk black kimono with red silk lining. The kimono features floral and leaf motif machine embroidery in pale pink and green."Made in Japan"hooti couture, alligators, old mink and new money, kimono, alison houtte, vintage clothing, di reidie, 1960s

Hannah Gartside works across sculpture, installation and video. Her artworks transform found fabrics and clothing to articulate experiences and sensations of longing, tenderness, care and desire. The artist writes: “Waiting is a large-scale, found textile assemblage. This artwork continues my use of found, second-hand women’s clothing and accessories to tell transformation stories. Twenty-seven sleeves have been carefully unpicked from variously patterned black, silver and grey sequinned party dresses and blouses, and applied onto a silvery sequinned base fabric arc (the arc was once the skirt component of a party dress). These are celebratory fabrics worn for special events. I have stitched circles of firm millinery wire into the hem at the wrist of each sleeve, and added soft shoulder pads at the head to suggest an invisible arm in each sleeve. Viewed through my metamorphosis short story ‘Frances, the moth’ (which describes a lonely woman who transforms into a moth after cutting herself out a cape using a pair of magical scissors), the sleeves in Waiting refer loosely in shape and form to a group of moth or butterfly cocoons suspended in time. They hang winking and sparkling, waiting patiently for change.”

Canwen Zhao was awarded the $10,000 We The Makers Acquisitive Prize for '35 Life' in 2023. Artist Statement: "35life" is a sustainable fashion project that transforms second-hand clothing materials into urban street outdoor-style products. Highlighting prominent Chinese classic red and green colours not only conveys eastern aesthetics but also adds a sense of unity to the clothing collection. The high-saturation and high-brightness full-colour palette keeps the clothing consistently "fresh," allowing any trendy colours to seamlessly integrate into the project's designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept of "huo feng ding," meaning "exchange the old for the new." it's also influenced by the designer's personal experience with health issues, making the designs suitable for individuals who can't be exposed to sunlight for extended periods, adapting to the changing urban lifestyle. 35life aims to provide visually pleasing and comfortable dressing experiences for urban dwellers who are busy with work and experience high levels of stress. Unlike traditional design patterns, this project adopts a unique design approach. It selects 3-5 pieces of raw materials based on their colours, and then disassembles them through structural lines. While retaining most of their functionality, these materials are rearranged and assembled on a flat surface before being shaped on a dress form. Subsequently, various ways of creating storage bags are derived from the initial clothing prototypes. After refining the designs, the final products are developed, and similar materials are used to create samples. Therefore, under this design methodology, even for the same garment, it is impossible to produce two identical pieces of clothing. Each garment is truly one-of-a-kind, which enhances its rarity and contributes to the longevity of the fashion pieces. The project includes various types of clothing, each with unique storage methods. This yellow look, named "elegant beach sunscreen monarch," draws its fashion inspiration from traditional Han Chinese attire and its storage concept from the Chinese cultural concept of "jiu jiu gui yi." the design employs flat pattern cutting, utilizing materials from the second-hand market such as beach towels, children's waterproof clothing, and women's dresses. Similar colours and patterns are reassembled through cutting and combining. For the sleeves, quick-drying, sun-protective sport fabric forms the base, overlaid with discarded silk fabric dyed with turmeric and plant dyes. This not only ensures functionality but also adds a sense of elegance. The length can be adjusted using drawstrings. Artist Bio: Zhao Canwen is a multidisciplinary fashion designer with a strong passion for integrating art, history, culture, and sustainable design. With over 15 years of experience in painting, she draws inspiration from ancient Chinese philosophy and aesthetics, which gives her a unique sense of beauty. After 8 years of fashion and art training, she possesses a keen insight into current trends and tends to combine art with commercial needs. Zhao's design style is diverse, characterized by a multidimensional approach, a focus on colour application, and storytelling through details.Outfit consisting of six pieces: - Orange plastic eye wear with green paint - Pair of red and green metal clip on earrings - Red beaded phone case with attached beads on string - Pair of red and green painted running shoes - Yellow and green hooded garment with red piping and zips - Brown bag with green beaded handlessustainable, fashion, we the makers, art, culture, design, chinese philosophy, prize

This tiny picturesque building near the corner of John Street has served the community since 1878. At that time it served as an agency of the Heidelberg branch of the Commonwelath Bank of Australia. It has a small space inside measuring about 3.6 metres by 4.5 metres. It was built by George Stebbing who was also responsible for other heritage buildings nearby in Eltham. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p93 The tiny picturesque building on Main Road, Eltham, near the corner of John Street, has served the community since 1878. At that time the building, which inside measures only about 3.6m by 4.5m served as an agency of the Heidelberg branch of the Commercial Bank of Australia. The yellow and orange Victorian brick structure was built by Mr George Stebbing.1 Mr Stebbing, who also built the Anglican and former Methodist churches and the Shillinglaw Cottage, had come from England and lived in Pitt Street. The bank is a fine example of a once common but now rare building style – the single room bank. It compares with another in the municipality, also a former Commercial Bank of Australia branch, the timber Little Bank Building in Hurstbridge, built around the early 1900s.2 The Eltham bank, which was said to store gold from the Eltham - Research mining areas, has had exciting moments. A bullet hole still visible in a cedar bench testifies to the drama in 1949 when a youth held up the bank. After the 19-year-old opened an account as John Henderson, he walked to the door and then turned pointing a pistol. But it was shots fired by the clerk, Lindsay Spear, that saved the day, frightening the youth, who drove off empty-handed in a grey sports car. He was later apprehended and given a two-year sentence. Soon afterwards the agency was upgraded to a branch. However by 1954 the bank no longer needed the branch and the adjoining Methodist Church bought the building. It proved useful for the Church’s young people who furnished it and used it for their meetings. A youth club developed, led by young adult member, Ross Gangell. The building was also used as a Sunday School, which with junior membership numbered 27.3 Around 1960, Mrs Alma Bell, of the Methodist Church Women’s Guild, suggested using the building as an opportunity shop to raise funds for a chaplain at the Eltham High School. The women later asked the nearby St Margaret’s Anglican Church to help them in the shop. In 1960 the Eltham Combined Churches Opportunity Shop was established and staffed by Methodist and Anglican parishioners, notably Methodist Mrs Gwen Miller. The shop originally opened on Child Endowment Days to help the needy, but later for years, it opened twice a week. In 1962 it donated clothing and shoes to the Eltham Bushfire Appeal. By 1963 the chaplaincy scheme ceased. So the £450 raised was then donated to the Council for Christian Education and to the participating churches. Funds were also donated to local charities including the Eltham and Research Fire Brigades, the Austin Hospital Auxiliary, the Benevolent Society, the Red Cross and the Diamond Valley Hospital.4 In 2008 the Opportunity Shop volunteers continue to work together to help the local community. Although crammed with second-hand goods, the simple, almost stark interior, is still evident and is relieved only by a front rectangular window and an unused fireplace. Outside, the chimney, the corrugated iron peaked roof, and the surrounding varied plants, add to the charm of this sound building which continues to serve the community well.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, cba bank

Pink, self-stripe -2cm stripe with a woven floral motif, alternated with a 4cm triple stripe with 2cm spacing between each stripe. Boat shaped neckline, with a .5cm rouleau tie on left side. Sleeveless. Draped and ruched 7cm band at hip line. Two tier, knife pleated panels to the hemline. Dropped and bloused bodice. Handkerchief hem. Wedding dress worn at marriage of Barbara Johnson to her second husband John Johnson on 26.1.1985.Stitches Plus Gold Label 12 Care Instructions – Wash separately. Do not soak. Do not bleach. Do not wring. Warm hand wash. Warm rinse well. Dry in shade. Warm iron. Dry cleanable. Polyester.costume, female ceremonial, wedding dress

Clothing. Wrist length, dark cream, machine stitched leather gloves. Machine stitching-two rows, gives the effect of pin-tucks, are sewn in a diagonal direction from the outer wrist, across the back of the hand. The shorter outer stitching, 4 cm long has two 6mm long leather stitches, at right angle to the machine stitching. The second diagonal stitching runs around the top of the glove, and 9.5 cms across the back of the hand. It is offset with three 6 mm stitches at right angles. There is a 3 cm long, bound slit at the outer side top of the gloves.costume accessories, female, dark cream wrist length leather gloves

BHS CollectionWaist length dark green cotton bodice. Fabric has alternating stripes of pulled thread pattern and wider stripes of small dot pattern. Front opening with deep V to waist with lined lace insert extending from throat to waist. LHS of bodice fastened to lace insert with five press studs. Stand up collar of lined black lace (%cm) fastened with two hook and eyes. The bodice is made from five pieces. The two front sections have three knife pleats facing out and falling from the shoulder. The pleats are stitched down for twenty cms from the shoulders. On either side of the front opening is decorative embroidered black lace that extends across the shoulders to the back of the collar. There are two side panels from under the arm. The back section has three box pleats falling from the collars and tapering to the waist. The hem of the bodice is fastened with black cotton tape. Leg of mutton sleeves are trimmed with black embroidered brais at elbow and wrist. Lower sleeves have pintucks from elbow to wrist. The sleeves are lined with black cotton fabric. The back of the bodice is lined with black cotton fabric almost to the hem. A three cm piece of white and blue cotton tape is attached across the lower back with cotton ties at either end. The underarm panels are lined with brown cotton fabric and green satin inserted sections. The front has a separate lining with front opening and shaped with darts. Fastened with six buttons and buttonholes. Two shoulder pads on each side- one white piece under the shoulder and a green satin piece under the gathered section of each sleeve. Dark green full length skirt. Cotton fabric with alternating stripes of pulled thread pattern and wider stripe of small dot pattern. Skirt is made of three sections. Centre front panel widens slightly to hemline. Side panels continue around to join at centre back. Darts at both hips to shape sides. Panels widen to hemline. Inverted pleats at either side of back opening create fullness. Back opening(30cm) has insert of black satin joined to LHS of opening to enlarge the opening. Insert attached to waist band with two press studs. Two other press studs attach skirt to RHS of insert. Brown cotton waistband hand stitched to skirt. Ties attached to waistband at back opening- one cotton tape, one satin ribbon. Front centre panel has a piece of black satin stitched as lining from eighteen cm below waist (57cm deep). Stitched across and attached to side seams. Lower edge trimmed with black lace. Second piece of satin lining stitched to centre seam and stitched around the hip to partway across back.(Looks like a nylon petticoat cut in two pieces and stitched inside skirt as a lining). Hemline has fifteen cm piece of cotton lining attached and lower edge of hem has fringed cotton binding attached.. Side seams of front panel have decorative trim of embroidered braid extending seventy-six cms from waist. Braid then turned ninety degrees and continued in a horizontal zig zag line around to centre back seam (both sides) twenty cms above hem. Hand and machine stitched.costume, female, ladies dress- bodice.

This girl's white cotton sun-hat has been made at home by a mother determined to get the maximum usage from the garment. The hat has been simply made with a plain crown for the child's day-to-day use. However, the mother has also made a second, very decorative crown, that can be buttoned on and is suitable to be worn on more "dressy" occassions - such as attending Sunday School or on special outings.Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesGirl's home-made plain white cotton sun-hat with wide brim. There have been three rows of fine cord sewn at intervals around the circumference of the hat brim to stiffen it. There is also hand crochet decorating the edge of the hat brim. A very decorative "second" hat crown has also been made. This hat crown has hand crocheted lace, and criss-cross seams, and is designed to be buttoned on over the original plain crown to provide a more decorative hat for special occasions, such as when attending Sunday School.clothing, moorabbin, ormond, bentleigh, dressmaking, market gardeners, early settlers, craftwork

At some point, Arthritis Victoria's Moonee Ponds opportunity shop was relocated to new premises at 10 Everage Street. In this photo, volunteer Rachael Stevenson poses for a photo in front of several racks of clothing at the Everage St shop.COL medium close up photo of a woman inside a shop. She is wearing a a red sweatshirt. She is standing in front of several racks of clothing, which vary in height. At the front of the shortest rack (to the right of the frame), there is a handwritten sign on an orange piece of paper which says, "LADIES SLACKS $3". On the wall behind the clothing racks, there are some posters and signs. One is a handwritten sign with red text on white paper. It says, "ALL CLOTHING ON THESE 5 RACKS, $3.00 PER PIECE", with some additional text below, "A SUIT OF JACKET & TROUSERS (OR SKIRT) = 2 PIECES". One of the posters is titled, "Make a Splash About Arthritis!", with the sub-heading, "Water exercise is a great way to keep your joints moving." It depicts people doing various types of water exercise and/or therapy in swimming pools or a hot tub. Another poster depicts a middle-aged woman holding a small dumbbell in one hand. Beside the image is the text, "ACTIVE LIVING: GET STRONGER" (partially obscured). In the bottom right corner of the photo image, there is a date stamp in bright orange digits: "16 4 '02".arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, relocation, new premises, clothing racks, hanging racks, vintage clothes, second-hand clothes, posters, rachael stevenson, volunteer, everage street, moonee ponds, 2002

At some point, Arthritis Victoria's Moonee Ponds opportunity shop was relocated to new premises at 10 Everage Street. In this photo, volunteer Rachael Stevenson poses for a photo in front of several racks of clothing at the Everage St shop.COL medium close up photo of a woman inside a shop. She is wearing a a red sweatshirt. She is standing in front of several racks of clothing, which vary in height. At the front of the shortest rack (to the right of the frame), there is a handwritten sign on an orange piece of paper which says, "LADIES SLACKS $3" (partially obscured). On the wall behind the clothing racks, there are some posters and signs. One is a handwritten sign with red text on white paper. It says, "ALL CLOTHING ON THESE 5 RACKS, $3.00 PER PIECE", with some additional text below, "A SUIT OF JACKET & TROUSERS (OR SKIRT) = 2 PIECES". One of the posters is titled, "Make a Splash About Arthritis!", with the sub-heading, "Water exercise is a great way to keep your joints moving." It depicts people doing various types of water exercise and/or therapy in swimming pools or a hot tub. Another poster depicts a middle-aged woman holding a small dumbbell in one hand. Beside the image is the text, "ACTIVE..." (partially obscured). In the bottom right corner of the photo image, there is a date stamp in bright orange digits: "16 4 '02".[Handwritten in blue ink] Rachael Stevenson Moonee Ponds op shoparthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, relocation, new premises, clothing racks, hanging racks, vintage clothes, second-hand clothes, posters, rachael stevenson, volunteer, everage street, moonee ponds, 2002

In May 1931 the Australian government announced a 20% reduction in expenditure, cuts to wages and pensions, and increased taxation. Despite workers striking, wages were reduced and working hours increased. The economy plunged into depression. Workers blamed the hardships on greedy bankers and the rich elite. The unemployed’ home-made, designed, knitted, painted and created things like pegs, pincushions, soaps, kitchen utensils and Pokerwork art, to sell door-to-door or in the streets. ‘Make Do and Mend’ was the mantra of the time. Making and mending clothing at home became a means to save money and an income offering services mending, altering or making clothes for the working people. Making over garments had been a time-honoured tradition since pioneer days. During the Depression clothes were a luxury and new fashions were created by altering old clothes. A best dress became a housedress, a church suit became a mine suit. Old shirts became new aprons, old trousers became new hats. Magazines and newspapers published Instructions on making and mending clothing and these became curriculums for sewing classes. Darning, mending, patching, saving fabric for rags, patches or upcycling became a necessity. Having a Sewing machine like this 1927 Singer housed in Oliver Gilpin’s store at Coal Creek Community Park and Museum could be the difference between survival and starvation The popularity of publications such as ‘Make do and mend’ lasted through the Second World War and into the 20th Century. Hand operated Singer sewing machine with wooden cover, circa 1927Y4476618

This dress is of uncertain provenance. BHS records indicate that it was owned by Marion Jane Ellen Devlin, nee Stokes (1845-1936), who married Oliver Devlin on 2 April 1877 in Victoria. The dress is believed to have been worn on the Bendigo goldfields circa 1878. It may have been worn as a wedding dress. However, additional documentation discovered in August 2019 suggest that the dress belonged to Margaret Cocking, nee Carr (1850-1936), who married Gustavus Cocking in Bendigo in 1877.A grey-green circa 1878 dress comprising a matching jacket and skirt. The jacket (.1) features a standing collar that gathers to a low point at the throat. This point is concealed behind a bow with raw edges which may not be original. The centre front of the jacket has been secured with nineteen concealed metal hook and button holes. The centre front features fifteen sets of single fabric covered glass buttons secured in a diagonal pattern and appearing as double headed buttons. From the shoulder through the body the jacket is shaped with decorative panels with grey silk detail. Beside these panels shaping into the waist and under the arm are a further two pleats. On the left side waist is a small pocket with decorative flap, grey silk trim and button. The base line of the jacket features a decorative horizontal panel that wraps around the jacket. The sleeve head is small and sits on the natural shoulder line with a slim fitting, curved, full length sleeve. At the base of the sleeve, there is a decorative panel reminiscent of a formal cuff, with a decorative turn back and two buttons. Secured underneath this turn back is a bow like decoration. From the back the jacket features a V shaped decoration, an extension of the front two decorative panels. From the shoulders the jacket is shaped by four panels curving tight into the waist and flaring out again to fullness of the bustle. These seams are also finished with decorative binding. This peplum-like shape features two decorative flaps and six covered buttons. The skirt (.2) is shaped to the waist with pleats and secures on the front left hand side, the original waistband and fastenings have been replaced. The skirt front features a large decorative panel of the same fabric that curves from the front at approximately shin length, upwards towards the back securing underneath the bustle decoration. A second panel, plus a pleated panel finish the hem of the skirt continuing around to the back. At the back the skirt features two deep pleats with a large decorative bow that would sit out over the bustle. The skirt is long featuring a small train at the back. The dress is lined in a brown waxed cotton.wedding dress, 1870s fashion, marion jane ellen stokes, oliver devlin, margaret carr, gustavus cocking, bendigo

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this 1980s cocktail dress second hand around 2000 to wear as part of a Dame Edna Everage costume to a hen's party. A blue mid calf length polyester dress with prominent gathered and padded shoulders, horizontally ruched bodice, high scoop neckline, full length sleeves and dropped waist. The skirt is of plain blue polyester mock wrap style with ruched blue spiral detail on left leg seam of bodice to skirt. The dress secures at the centre back with a nylon zip and self covered button. The sleeve is lined with mauve / pink polyesterManufacturers label "Teena Varigos" "Size 14, To Fit Bust 90cm, Waist 70cm, Hip 95cm" "Do not iron pleating" "100% Polyester, Warm Iron, Dry Clean Only"teena varigos, costume party, cocktail dress, 1980s, dame edna everage, di reidie

This dress was made for the Melbourne Show in 1993 and won 3rd prize. It was designed by Jean Inglis who was inspired by the Blue Triangle Butterfly (Scientific name: Graphium sarpedon choredon). The Warp was 2/24 commercially brought black wool with a “tie down” thread of black polyester and Weft of the same 2/24 wool 2 ply. Jean utilised a twill technique devised by Theo Morgan in creating the dress. The dress was handwoven by Jean Inglis with the help of Ruth Rondell with some of the pattern and final sewing. Black dress stretching from below the knees, reaching up to the neckline and down to the hands in the sleeve. The dress has three butterflies attached to the front approximately 50mm in diameter going from right knee to left hip in a nonvisible diagonal line. Lower half of dress has ten thin blue & green lines of varying lengths, reaching a max height of the hip. The neck of dress has four frills of blue and green colour. The longest two frills are in the centre pointing diagonally outwards towards the hands. The second layer of frills is shorter and further around the neckline towards the shoulders. The dress is completed with a cape of blue and green colour with a thick black seam separating each segment of colour. The cape sits on the shoulders and droops to a height of the hips. At the rear, the cape reaches the height of the rump. The cape has two draw strings for tying to the shoulders. wool, butterflies, melbourne show, butterfly

A Royal Humane Society of Australasia silver medal for bravery was awarded to Mrs Isadore Susannah Smith who, although blind, went to the aid of her husband, Arthur who was also blind, when he fell against a gas fire on July 2nd, 1967. Mrs Smith suffered second degree burns to her hands and wrists when she removed his burning pieces of clothing. On the front shows a woman in Ancient Greek clothing standing at left placing wreath on head of young man kneeling at right below Southern Cross; around edge is ' Virtute Paratum' and on the back is at centre within olive wreath 'Awarded to Isadore Smith 2.7.67'around edge is , Royal humane society of Australasia Instd. A.D. 1874. 1 silver coloured medallion and ribbon bar with ivory, brown and yellow striped ribbon. Women in ancient Greek clothing with 'Virtute Paratum' on front. Back is inscribed with 'Isadore Smith 2.6.67' inside a wreath.medals, isadore smith

Imitation Kashmiri shawls were produced in large numbers in Europe in the second half of the 19th and also in the 20th centuries. The first mechanised production of such shawls was made possible by the invention of the Jacquard loom in France in the 1820s. Machine woven paisley shawl, based on traditional hand-woven Kashmiri designs. paisley shawl, shawls

Patrick Toole was born in Corowa on 7 September 1913. In the early 1930s the family moved to Wodonga. Pat became an apprentice mechanic with Bill Dobbie and became a partner in 1936. Patrick Toole took over business in his own right on 23 August 1939. Toole’s Motors also ran a car and truck agency, a towing and crane depot, as well as a small disposal section. After breaking his leg in 1963, Pat extended the disposals business and by 1965 it was running as Wodonga Disposals and later, Toole’s Disposals. At their peak Toole’s employed 70 people across their various businesses including the garage, wreckers, towing businesses, a storage shed at Bandiana and the Disposal Store. Pat died in Wodonga on 10 November 1976 and the Disposals Store was taken over by his twin sons, Frank and Bill. His other sons, Pat and Jim ran the North Eastern Truck Wreckers. Tooles Disposals acquired most of their stock from Government auctions and also became licensed second hand dealers. They sold a wide range of military and non-military equipment from clothing to footwear and equipment for cooking and camping. They also shipped scrap metal to Japan and sourced uniforms and other items from Japan and East European countries. The business continued on the corner of High Street and Stanley Street for over 70 years, but the Toole family decided to sell the building in 2009. The building was eventually sold to a local business consortium in 2010. Toole’s continued to operate until May 2011. Thee building was demolished in 2013. Bill Toole continued Toole’s Disposals as an online business with numerous Australian and international clients.These images document an important and long standing business in Wodonga.A collection of images and a business card for the company of Tooles Garage and Disposals in Wodonga. Images depict the business at various stages in its development over more than 70 years.Photo 1 Beneath image - 1929 W. DOBBIE MOTOR & GENERAL ENGINEER / Con Lindsay, Alec Padgett, Bill Dobbie, Pat Toole Photo 2 Beneath image - 1940 A. L. TOOLE MOTOR & GENERAL ENGINEER / Fay Fulford, Gerry Nelder, Mick Presnell, Pat Toole Photo 3 On building - TOOLES MOTORS est. 1939/ TOOLES MOTORS PTY. LTD./ DISPOSALS/ DISPOSALS AT CITY PRICESt Photo 4 On sign - TOOLES DISPOSALS Photo 5 Business cardwodonga businesses, toole's disposals, businesses high street wodonga

Unknown donor, this item was typically worn by Army personnel for day to day duties at Base and workshops etcA day to day typical item of clothing worn by some Army personnel for their duties.Green cotton overalls. 410 mm shoulder width, 1143.5 mm length, 53 mm arm length-top of shoulder to arm end.,48mm waist width, 73.5mm leg length,62mm zip front from collar to waist., 39.5 mm collar with 75mm width.5mm sleeve cuff width., 45mm width for leg cuff. 16 mm zip length for all 4 pockets. Two pockets vertical from waist line-22.5 mm from middle of waist. Top two pockets with zip sloping from shoulder down towards centre of chest.Top of zip 11.5mm from shoulder with bottom of zip 23.5mm from shoulder. The pocket finishes at waist line-15mm from waist to lower zip position. Cloth hanger 7 by 25mm sewn on inside neck. Four pleats at lower back of coveralls.Green tag on neck: “A.G.C.F. VICTORIA 1985 ARROW SIGN SIZE 85-90SH 8405.66.060.4199 SERVICE NO . NAME............................ “ One other tag below first tag. The second tag is a tear off tag (7mm long ,8.5mm wide)made of light canvass off white colour with the following inscription within a 6.5mm width by 5.5mm deep 2mm black border “ THIS TAG IS FOR IDENTIFICATION ONLY PLEASE REMOVE BEFORE WEARING Docket No 44784/1 Order No 295024 34 Size. 85-90 SH Garment No 20273 Remarks. R 34 “ “ 29” At bottom right hand corner of white tag. army, geen

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by the magazine "Womans World" and contains patterns for baby clothes.BABY'S wardrobe / EVERYTHING THE NEW BABY NEEDS / 6D. / LAYETTE / Approved by / Infant Welfare Dept. / (see page 4) / 33 / KNITTEDS / LAYETTES / SHAWLS / PRAM COVERS / FROCKS, Etc. / PUBLISHED / BY / WOMAN'S WORLDknitting handicrafts - history, victoria; department of public health (infant welfare department) woman's world, knitting, handicrafts - history

This card and a number of other knitting books were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War.THE / Lili / KNITTING & CROCHET CARDS / HAND / BAG / SIZE / A MODERNISED CARD SYSTEM FOR / CONVENIENCE. A BIG IMPROVEMENT ON / THE 'PAGE TORN FROM A BOOK' METHOD / DESIGN NO / 39 / PRICE / 4d. / PUBLISHED BY / DEMARET & CO. / 28-30 DERBY ST / COLLINGWOODknitting handicrafts - history, knitting, handicrafts - history

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book contains patterns for baby clothes and was written by Ella Allan who authored numerous patterns books from c.1917 through to the early 1930s.What to Make for / Baby / Designs in Knitting / and Crochet. / Dedicated to everyone who Loves / a Baby. / PART THREE / By ELLA ALLAN / Wholly set up and Printed in Australia by / E.H. GIBBS & SONS, Printers and Publishers, / 19 Niagara Lane, Melbourne.knitting handicrafts - history crochet, allan, ella, knitting, handicrafts - history, crochet

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This booklet dates from the Second World War and was produced by G.J. Coles Ltd. It contains patterns for garments that can be knitted for the armed forces.Knitting Book (front cover) - "Coles present Knitting for the Forces", WWII.COLES / PRESENT / "Knitting / for the Forces" / Containing Complete Knitting / Instructions for ... / 3 PULLOVERS, 1 CARDIGAN, / BALACLAVA, MITTENS, / SOCKS, SCARF, SKULL CAPknitting handicrafts - history world war ii, g.j. coles and co. ltd, knitting, handicrafts - history, world war ii

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This books contains patterns for items that could be knitted for the armed forces. It was produced by the Alexandria Mills in Sydney who made Sun-glo and Sunbeam knitting wools.Knitting Book (front cover) - "Sun-glo Knitting Book series 46", WWII.Sun-glo / Knitting Book / SERIES 46 / 7d. / DESIGN No. / 2421 / PAGE 2knitting handicrafts - history world war ii, alexandria spinning mills pty ltd, knitting, handicrafts - history, world war ii

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Paragon and contains patterns for baby clothes.Paragon / KNITTING BOOK / Number 70 / 4 LAYETTES / A SHAWL AND A / REVERSIBLE PRAM COVER / 1'3knitting handicrafts - history, paragon art needlecraft, knitting, handicrafts - history

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Paragon and contains patterns for crocheted gloves.Paragon / Crochet / Gloves / BOOK NO 5 / NEEDLEWORK SPECIALISTS / PRICE 1/.crochet handicrafts - history, paragon art needlecraft, crochet, handicrafts - history

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains patterns for women's clothes made in angora wool.Patons / KNITTING BOOK NO. R7 / Specially Requested Designs in / PATONS FUZZY WUZZY and / BERYL ANGORAS / P&B / WOOLS / 1'4d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains knitted patterns for garments for young boys.Patons KNITTING BOOK NO. 366 / P&B / WOOLS / 1'6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains patterns in larger sizes for women.Patons / KNITTING BOOK / NO. 443 / LARGE FITTINGS / No. 443 / P&B / WOOLS / PATONS / TOTEM / BEEHIVE 4-PLY / AZALEA / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history