Reverend Trevor Mansley Byard (14/08/1914 - 27/02/2006) was born in Ulverstone, attended Queen's College, and was ordained in 1944. He wrote many books of an autobiographical nature as well as writing about Methodism.(1) Colour group photograph; (2) B&W head and shoulder photograph.(1) "Fred Harman (L) Trevor Byard and Malcolm Frazer at a recent Devonport Men's Breakfast February 1986"; (2) "C&N 17/10/1984 page 34".byard, trevor, rev., devonport, men's breakfast publications

Associated with - Eden Society Studios

Associated with - Eden Society Studios

People - "Mudford, Alma"

Associated with - Stewart & Co.

People - "Davy, Edward Dr." Buildings - Studio

People - "Tyson, John (Snr) & Russ"

People - "Smith, B; Milvain,T; Brereton, M. A. & Family" Associated with - The Aina Studio Melb.

People - "Milvain, Hugh"

People - "Brereton, Charles; Florrie ????" Associated with - Mandello Studio

Used at St Brigid's Church Crossley Rectangular cloth"Benediction " : "CSNG Crossley"ceremonial textiles

Item belonged to Lieutenant Leonard V. GREAVES 310387. Blue lanyard and shoulder patches indicate GREAVES served with the Royal Australian Electrical and Mechanical Engineers (RAEME)The Royal Corps of Australian Electrical and Mechanical Engineers (RAEME) is a corps of the Australian Army that has responsibility for the maintenance and recovery of all Army electrical and mechanical equipment. RAEME has members from both the Australian Regular Army and the Army Reserve. Prior to being given the title of 'Royal', the Australian Electrical and Mechanical Engineers (AEME) were raised on 1 December 1942. Some 64 years later, on 1 December 2006, the last independent RAEME Workshop was disbanded. RAEME soldiers continue in their role to provide support through attachment to other units in Tech Support Troops, Sections or Platoons.Short jacket with shoulder epaulets made from khaki material with blue lanyardShoulder patch - Royal Australian Electrical and Mechanical Engineersraeme, battle jacket, army, lt. leonard greaves

The braided rope and the shoulder tabs would have been used on the Orbost Municipal Band uniform dated between 1932-1985.Instruments and some history on the local band is displayed in the Orbost MuseumThe various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members. Yellow braided rope with tassels on the end and also 6 0rbost shoulder tabs which are in an arc shape, with a black background with yellow machine stitching stating Orbost, both used for the municipal band.machine stitched in yellow/ Orbost on a black background on the shoulder tabs/"ORBOST"tasseled rope, shoulder, tabs, orbost municipal band, 1932 1985 australia victoria

Brown glass, high shouldered Richmond Brewery lager bottle. Embossed with “Tiger” motif and “Regd Tiger” just below shoulder. Around base: “The Property of Richmond N.S. Brewing Co Pty Ltd”. The base has the AGM mark for post 1934. Bottle would hold 26 fluid ounces. Crown sealed closure of type c1950s. The Richmond Brewing Co existed from 1926 to 1962 when it was sold to Carlton & United Brewery. It used the Nathan System of brewing hence the N.S. in its name. Brown glass, high shouldered Richmond Brewery lager bottle. Embossed with “Tiger” motif and “Regd Tiger” just below shoulder. Around base: “The Property of Richmond N.S. Brewing Co Pty Ltd”. The base has the AGM mark for post 1934.bottles, agm, agm (australian glass manufacturers), richmond brewing co, lager bottles

The Black Shouldered Kite is commonly found throughout mainland Australia in grasslands and other open habitats. It is a raptor (bird of prey) that will eat mice and other small rodents. The species is monogamous and will find a mate by the male giving food to the female while both are in flight. It is sometimes confused with the letter-winged kite though there undercarriages when in flight are very different with the letter-winged showing the letter W or M and the black shouldered kite showing black wing tips with white towards its belly area. The feathers of this species when alive and in the wild are more white than this specimen. The iris is usually red in mature birds so this specimen may not have been a mature bird as its eyes are brown. However, this is difficult to ascertain because it is also possible that the taxidermist who replaced the original eyes with the current glass ones provided a colour which was not accurate to the age/species of the bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Black Shouldered Kite has a white face and front of body with a grey posterior from the top of its head to its tail. It has black on its wings/shoulders. Its face is white with its eyes delineated by small black apostrophe like shapes from the inner eye to the top of the eye. The specimen stands on a wooden perch and has a swing tag tied around its right leg. Its eye colour is brown rather than red, indicating it is not a mature specimen.9. / Black Shouldered Kite / See Catalogue, page 3 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, black shouldered kite

Margery Beacom eldest daughter of Mr & Mrs W F Beacom of Boyeo, married Reginald John Morrison, youngest son of Mr & Mrs S Morrison, of Perenna, at Nhill Methodist Church on the 15th February 1947Wedding took place in Nhill Methodist Church, on 15 February 19471947 English Wedding dress: an attractive trained gown of cream figured crepe, beautifully beaded at the shoulders and on the diamond shaped front panel waist-line. beading on shoulders & waistreg morrison, wedding dress, 1947, nhill methodist church, beacom, margery beacom, reginald john morrison

Salt glaze pottery jar with lid. In two colours. Lid and top of jar darker brown with body of jar a beige colour. 3p. marking on shoulder of jar - meaning it will hold 3 pints of liquid.'3P' on shoulder of jar.pottery jar

Woman's fashion shirt with decorative features on shoulders.- Black nylon women's shirt with silver/bronze features on shoulders and large/small button motif on right shoulder - Shoulder pads - Long sleeves, press studs at wrist.Sports direction by Anthea Crawford - 12shirt, decorative shoulder patches

H. R .Willis No 342872.Refer Cat No 5231.3 for his service details.1. Coat - Woollen, Khaki, Long great coat. 2. Shirt - polyester, light khaki. Embroidered Coat of Arms on each shoulder, blue cotton.2. Australia Coat of Arms on each shoulder.uniform, coat, shirt

general purpose canvas shoulder bag worn by military personnelMade and distributed by General Motors HoldenArmy green canvas shoulder bag, pockets on both sides, shoulder strap and two belt clips on the rearGMHmilitary, shoulder, bag

Worn at base of shoulder strapMetal shoulder badge (pair) with the word AustraliaAustralia

brown leather compass case with shoulder strap.Enbeeco, made in England Perrin on leather case Alan J Perrin POC on leather shoulder strap

MAJOR THOMAS GLAZEBROOK, refer Cat No 4330.2.1) JACKET- Khaki, wool, brown plastic buttons, embroidered rank ensignia on epaulettes, yellow metal R (returned officer) unit shoulder patch on each upper sleeve .2). TROUSERS- Khaki, wool Unit shoulder patch “Royal Australian Engineers”uniform army, battle dress

White double breasted mess jacket, Four gold buttons, Shoulder flash of Australia in blue writing, Shoulder flash of Australia in blue writing, Tag on inside, Superior Fit Uniforms

Royal Australian Army Medical Corps Khaki Great Coat. Double breasted, calf length with brass epaulettes and sewn shoulder patches for the Corp and crown with Southern Cross below.Shoulder patch reads:ROYAL AUSTRALIAN ARMY / MEDICAL CORPSroyal australian army medical corps, uniforms, wwii, world war two, second world war

Boer war issue bag to carry ammunition and other weapon equipment over shoulder Press stud on back cover. Strap for holding front closedProduced by Holden and FrostLeather shoulder bag with canvas shoulder strap. Pouches on the front for holding ammunition, small back flap container on rearmilitary, bag, shoulder carried

Lottie Lillian (Dolly) McDonald married Richard Clement (Clem) Eastick on 25 May 1942 at St. Andrew's Presbyterian Church, Nhill, Victoria.Both Dolly and Clem were born in Nhill, and continued to live in Nhill after their marriage.A delightful classical gown of white silk velvet with draped bodice and fell from the side of the skirt with soft full folds, the tiny shoulder and hip yokes were embroidered with small crystal beads.Shoulder and hip yokes were embroidered with small crystal beads.1942 weddings, wedding dresses, nhill - weddings, st. andrew's presbyterian church, mcdonald - eastick, textiles - bridal - fashion

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The male Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. The female is similar, but not as bright, with a whitish facial mask, no red on the wing, and a pale wing stripe. Old birds of both sexes may have orange underparts. Once common throughout many parts of eastern Australia, the Turquoise Parrot was formerly recorded from near Mackay in Queensland south to Melbourne until the 1880s, when its population suddenly crashed. It was even considered to be extinct by 1915, but populations recovered spectacularly over the next 20 years or so, and by the 1930s they were again recorded through much of their former range. Now the species can once more be seen in many parts of eastern and south-eastern Australia, though not quite as extensively as before. These birds are vulnerable in NSWThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. Old birds of both sexes may have orange underparts. This particular specimen is faded with some missing feathers. It is mounted on a wooden stand with a tag wrapped around its leg.Label: 80a. / Chesnutt-shouldered Grass Parakeet / See Catalogue, page 22.taxidermy, parrot, turquoise parrot, taxidermy bird, australian bird, burke museum, trustees of australia