Gervasoni's 'old stone house' at Yandoit Creek, Victoria. The house was built by a partnership between Carlo Gervasoni, Luigi Gervasoni, Antonio Invernizzi and Battista Nani.stone house, drystone, gervasoni, invernizzi, nani

The Gervasoni farm at Yandoit Creek was selected in the 1860s by a coopertaive comprising Caro Gervasoni, Luigi Gervasoni, Ambrogio Invernizzi and Battista Nani.Alice Gervasoni stands in front of an old stone house in Yandoit Creek, in a paddock of stooked hay. The house was built by a partnership between Carlo Gervasoni, Luigi Gervasoni, Antonio Invernizzi and Battista Nani.alice gervasoni, luigi gervasoni, carlo gervasoni, battista nani, ambrogio invernizzi, hay, hay stook, stone house, drystone, farm, agriculture

The architecture of Ithaca has been influenced by various cultures in particular by the Venetian and British periods of rule. The house pictured is typical of many of the dwellings found on Ithaca built of stone which is sourced locally. Stone buildings are ideal for the climate of the island, retaining the heat in winter and cooler in summer. Sadly the catastrophic earthquakes of 1953 resulted in the widespread destruction on the many of the island's old buildings. Being one of the smaller and less accessible islands of Greece Ithaca fortunately has been spared inappropriate development and thus able to retain its authenticity and beautiful character. A coloured photograph of a double storey stone house with a tiled roof. A flight of stairs leads from the road to the elevated front door. At the bottom of the stairway there is a single storey stone building. Three trees are growing at the street level across the front of the house. architecture, houses

House, Stone, weatherboard addition at back, corrugated iron roof, cyclone wire fence, 2 brick chimneys with terracotta pots, palm tree at left, creeper growing on fence. Central door, 1 window each side of doorAllan Doneybuilding, residential

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Uncredited 1988 Entrant No. Ref: Series 34, Items 116, 117 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34

People - "Ellis, Florence Sarah; Ellis, Godfrey William" Buildings - House Associated with - Coolgardie Water Pipeline?

Map drawn by Arthur Schwerkolt in 1993 from memory assisted by survey map of 1902. Covering letter from Glyn France [also at ND1367 (G-H-S-C 46) gives extra details.Map drawn by Arthur Schwerkoltschwerkolt cottage, schwerkolt, arthur, whalen, rosalie, france, glyn

Axedale is a town in Victoria, Australia. It is located on the McIvor Highway, in the City of Greater Bendigo, east of Bendigo. It was surveyed and proclaimed in 1861. At the 2021 census, Axedale had a population of 984. The town is nestled alongside the Campaspe River which feeds out of Lake Eppalock. It has a golf course, tennis courts, a school, a pub and a convenience store/petrol station. It lies between Heathcote and Bendigo.Forty photos taken on the walking tour of Axedale by the Bendigo Historical Society. Places visited included the Protestant and Catholic Cemeteries, the "Blue Stone House", the 150-year-old bridge over the Axe Creek on the Sugerloaf Road, the old Cobb and Co Stables, St Andrews Church and the Campaspe River Bridge.axedale, bendigo historical society walking tour, st andrews church axedale, axedale cemetery, axe creek bridge, campaspe, cobb and co stables axedale, blue stone house axedale

The house depicted in this image was constructed in 1865 for James Young a prominent local businessman and participant in community affairs. James Young left Bacchus Marsh in 1869. In 1870 Stone Villa was purchased by local solicitor Francis Gell. In 1872 it was bought by William Collyer. For a time before 1883 it was used as a school operated by Mr Thomas Kissock and his wife. From 1883 until 1922 it was used as a parsonage by the Church of England. In 1922 it was sold to Frederick Slack as a private residence. Since Slack's ownership there have been other owners. As of April 2024 it remains as a private residence and is listed as a heritage property in the Moorabool Shire planning scheme. The identity of the two women and young girl in the foreground of the image has not been established. One of the women, and the child are possibly the wife and daughter of the Rev A.C. McCausland who was the Church of England Vicar in Bacchus Marsh from 1872 until 1885 and would have resided in this house in 1883 when this picture was produced.An early visual record of one of the most culturally and architecturally significant nineteenth century stone houses in Bacchus Marsh.Small sepia 'carte de visite' style unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll', the Jeremeas Family Album. The photo is of a stone dwelling with an ornate gable above the inset front door which is flanked by two double windows, one of which is a bay window. The gable roof line bears ornate woodwork. A weatherboard extension with verandah has been added to the rear of the house, running north-south. A picket fence lines the block to the side of the dwelling. Two elegantly dressed women, both holding a furled umbrella, stand at the front, one holding the hand of a little girl.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. Hand written on the reverse: 'Stone Villa built by James Young 1860 (sic) as his private residence, later as a school (Mr and Mrs Kissock proprietors) bought by CofE for Vicarage 1883-1922. Courtesy of Mrs J Jeremeas, Photo 1883' james young 1816-1871, houses, stone villa bacchus marsh, clergy residences, bacchus marsh vic. history, schools bacchus marsh, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

Four strips of 4 colour negatives in a plastic Camera House sleeve and 3 loose ones in a Kodat Color Prints envelope. The envelope is bright yellow with black, blue, red, orange and gold colouring. Written on the envelope is 'Stone House Negs Tognolini, Sartori, Gervason'. One of the loose negatives has a sticker with the number 'KA207415' printed on it.peter ellis collection, 35 mm negatives, stone house, tognolini, sartori, gervason, camera house

Carlo Gervasoni and his family stand at the back of his Yandoit Creek house now known as ‘The Old Stone House’. L to R: Johanna Gervasoni, Annie Gervasoni (Carlo’s second wife), Annie Gervasoni with violin, Jim Neven, Theresa Gervasoni (standing), Nicol Gervasoni with cornet, Bridget Gervasoni, John Gervasoni with cornet, probably Battista Gervasoni, Carlo Gervasoni Jr (Cling) with accordion, Alf Kennett, Julia Gervasoni (standing). The house was built by a partnership between Carlo Gervasoni, Luigi Gervasoni, Antonio Invernizzi and Battista Nani.luigi gervasoni, carlo gervasoni, battista nani, ambrogio invernizzi, stone house, drystone, julia gervasoni, cling gervasoni, jim nevin, annie gervasoni, nichol gervasoni, alf kennett, bridget gervasoni

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

ballan, stone, house, 1960s

http://vhd.heritagecouncil.vic.gov.au/places/69285 Digital images of the Gervasoni homestead at Yandoit Creek.restoration, heritage, swiss italian, gervasoni, homestead, family, yandoit creek, yandoit, temporary, shed, permit exemption, concrete slab, old stone house, gervasoni homestead

Colour photograph of a drystone building at Yandoit Creek built by Carlo Gervasoni, Luigi Gervasoni, Ambrogio Invernizzi and Giuseppe Giapponigervasoni homestead, swiss italian, heritage, yandoit creek, carlo gervasoni, luigi gervasoni, giuseppe giapponi, ambrogio invernizzi, drystone, old stone house

The construction of Seaview commenced in 1860, after David Talbot, purchased the land from James Atkinson,It had been suggested that it was intended to be double storied but there is no evidence of how that would have been accomplished. Following Talbot’s insolvency, Michael O’Reilly leased the house in 1862 until 1876 when he left for Melbourne.William Powling (Solicitor) acquired the house for Eight hundred and twenty three pounds in 1890 and lived there the rest of his life. His son Ernest Powling continued living there before selling it to Matthew Cathcart in 1917.Coloured photograph of White painted stone house with bay window to right and large verandahcottage, building, home, house, seaview

Slide, Allan Budge Collection: house, Eaglehawk. Stone Houses. Coursed blocks of stone. Unusual lacework.house, public, allan budge collection:, allan budge collection:

Pictured are first cousins Yianni Raftopoulos (Bourlotos) and Kalypso (nee Raftopoulos) Sofianos in Kioni, the village in Ithaca from where they were from. The photo was taken before Kalypso migrated to Australia in 1936 where she married Dimitrios Sofianos in Melbourne on 14 February 1937. A sepia photograph of lady and man standing next to a stone house with a partial view of the surrounding countryside behind them.

Colour photograph of old stone house. Photograph taken on LDHS trip to St Enoch's and Mt Widderin, 1986."At St Enoch's / Society trip".st enoch's homestead, ldhs activities

Black and white copy of original photograph of a stone house on the hill and in the foreground horses and cattle grazing and a woman standing with a horse.piggoreet west

Colour slide in a mount. Magazine image of Edward Durell Stone's House,130 East 64th Street, New York, New York, USA, 1956. (Architect: Edward Durell Stone.)Encircled 23 (Handwritten) / TOP (Handwritten)new york, slide