Soil layers Magdala East Tailings 1988gold, mining

Excavator and Grader working on Magdala East Tailings 1988gold, mining

Forgotten Histories of family and community on the central goldfields.Card cover with B/W photo of a house with wooden fence and four people, one woman and three children.Gold Tailings Forgotten Histories of Family and the Community on the Central Victorian Goldfields. Charles Fahey & Alan Maynestawell

This Environment Effects statement was prepared to support a proposal by Bendigo Gold Associates Pty Ltd. to recover gold from material deposited along Bendigo Creek. It was proposed to recover approximately 800 kg of gold, valued at $15.5 million, as at August 1986 gold prices, over an anticipated project life of 5 years. It was envisaged that the mine site could be progressively restored to a wooded wetland environment which, it was believed, was its original condition prior to the deposition of the material. Document, ninety pages plus appendices and figures, published in November 1987. Information comprised of three parts: 1. summary and review providing a brief outline of the proposal and main issues and impacts 2. investigations describing existing environment and proposal in detail 3. appendices and bibliography Appendices include: vegetation list of study site; habitat value of study area; list of bird species in the Bendigo Whipstick area; map and table of land systems of Campaspe river catchment; geomorphology of Bendigo Creek Valley; regional geology Huntly area; water quality analysis for Bendigo Creek; date describing the depth of the tailings deposit; CIP plant; preliminary geotechnical investigation for tailings dam; tailings dam seepage; rehabilitation; report on impacts of mercury by Sinclair Knight and Partners and acoustic and noise level details. Report prepared by Forsite Landscape Architects and Planners Pty Ltd. for Bendigo Gold Associates Pty Ltd. environment effects statement, mining, gold bearing tailings, bendigo creek, shire of huntly, campaspe river catchment, geomorphology of bendigo creek valley, regional geology huntly area, water quality analysis for bendigo creek, date describing the depth of the tailings deposit, cip plant, preliminary geotechnical investigation for tailings dam, tailings dam seepage, rehabilitation, report on impacts of mercury, bird lists, vegetation list, mine site, bendigo gold associates pty ltd.

Magdala cum Moonlight Mine. Wide view of mine with Grampians Mountains in background.Mine with snow. The Cyanide plant was constructed in Sept 1900 and became the largest in Victoria. Just in front of the large tree a ramp can be seen and a horse and dray going up the ramp. Just below and to the left of the tree the cyanide vats can be seen. On the right is the poppet head of the Magdala and Oriental and North Cross Mine. The fire station is on the left in the far distance. with the W S Heal & Sons Coachbuilders Corner of Lazelle and Byrne Street businessMagdala Cum Moonlight Mine. Herbert's Studio. Stawellstawell gold mining

Bunny II was built by Australian Army air corps personnel from the 161 Possums using salvaged parts in Vung Tau, Vietnam, in 1970. Dating back to the 1950s, the bunny design on the tail of an aircraft has come to represent the tradition and spirit of Naval Aviation.Colored photograph in a black frame. In the foreground on the tarmac is a small black plane with 161 in red near the nose. There is a white strip down the side of the plane. Also has an image of a white bunny on the tail of the plane. The rotors also have a white tip on them. Behind the plane is a truck with a soldier in it. There is a small hill in the background. On the bottom of the photograph reads Bunny 11.Bunny 11/ 161/white bunny on tail. plane, truck, tarmac, white bunny, bunny 11, 161 recce, birddog, cessna, bird dog, navy aircraft

Green cylindrical shell with 6 fins and tapered tailtail: FFE; 336; DEC 88mortar, training, innocuous

Fan-tailed Cuckoos are found throughout eastern and south-western Australia. They are also sometimes found in nearby small island nations as far as New Caledonia. Their call is a distinct, descending trill, which they are known to make even outside their breeding season. The neck is thin compared to a typical Fan-tailed Cuckoo - potentially a taxidermy error or damage. Otherwise, the specimen is reasonably representative. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This fan-tailed cuckoo has a dark grey/brown back and a pale rufous (a yellowy brown) underside. The tail is also brown with white spots on some of the feather tips. The front of the face is pale rufous and blends into the black at the top of the head and neck. Some of the feathers around the neck are grey. There is a patch of white on halfway down the body on the left wing. The eyes are brown, the feet are yellow, and the beak, which is missing at the bottom, is yellow. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg. There is a swing-tag on the left leg.Swing-tag: 71a. / Fan-tailed Cuckoo / See Catalogue, Page 21 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, skin, reynell eveleigh johns, bird, fan-tailed cuckoo, cuckoo, australian bird, australian museum, australian animal

The white-throated Needletail is a migratory bird, breeding in Central Asia and southern Siberia, and wintering south in the Indian Subcontinent, Southeast Asia and Australia. This large swift is often mistaken in flight for a small predatory bird, but its long curved wings and white markings help to identify it. Needle-tailed Swifts get their name from the spined end of their tail, which is not forked as it is in the more common Swifts of the genus Apus. They build their nests in rock crevices in cliffs or hollow trees. These birds do not like to sit on the ground, spending spend most of their time in the air. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This white-throated Needletail is predominantly grey-brown in colour. The throat and under tail of he bird are dusky-white. This specimen has a white spot on the lower rim of each of its wings. The eyes are made from glass and the specimen has been styalised standing on a wooden mount.Label: 3a/ Spine-tailed Swift / See catalogue page 7.stormbird, taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, quail, migratory bird, white-throated needletail, needle-tailed swift, spine-tailed swift, hirundapus caudacutus

BHS CollectionGreen cover, maroon binding on spine, 93 pages of which 11 are used. Dates of invoices from 1911 to 1913. 'Bendigo Tailings Company, No Liability, Invoice Book" bendigo, gold mining, tailings, bendigo tailings company, invoice

The White-Throated Needletail is a highly sociable bird commonly seen in large flocks containing a hundred plus birds. This species is also known to mingle with birds of different species. They have a distinctive white throat and undertail. This species is mainly airborne, however they are known to reside in trees when on land. They can mainly be spotted along the north and east parts of Australia. This species is listed as vulnerable and threatened in the Australian Capital Territory, Queensland and Victoria. Since this is a taxidermy mount, it is not an accurate depiction of the White-Throated Needletail. The species should have a predominantly grey-brown plumage, with the exception of the throat and undertail which are white. There should also be a green tint to the species feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This White-Throated Needletail had grey-brown feathers. It has distinctive white patches on its throat and under the tail. The back of the bird is a light brown with a white patch in the center of the back. This specimen stands upon a wooden mount and has an identification tag tied around its leg. The bill is short and the wings are long and pointed. The bird's tail is short and square in shape with protruding feather shafts which give a spiky appearance.2a / Spine-Tailed Swift / See catalogue, page 7taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, white-throated needletail, australian birds

Elastrator tin for castration and tailing. Approximately 150 rings remain.Elastrator tin for castration and tailing. Approximately 150 rings remain.sheep castrating, textile mills

Exploded mortar tail fin used as a candle stick during Korean warAlloy metal tail fin from a 3 inch motar

Model of F4B Phantom fighter, light grey "rising sun" red and white tail. US Air Force white star on blue circle with red and white stripes on decals.S Air Force decals of star with stripes, red and white tail. USS Coral Seamodel, aircraft, f4b phantom

P.I.A.T. practice projectile. 380mm x 85mm, tin, 4 tail fins surrounded by metal band band 80mm diameter, cylindrical shaft 190mm length 30mm diameter housing propellent, explosive housing 380mm diameter, 190mm from top of shaft to detonator cap. Yellow band half way up explosive housing signifying practice round. "INERT" on explosive housing. "LOT 532" on tail fin "H&S" on tail fin

This costume tail was obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions. This is part of a 'fish warrior' costume.This costume tail is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.'Fish' tail that is attached around the waist decorated with gold scales with a blue trim.young chinese league, melbourne, victoria, australia, processions, costumes

Article from Nunawading Gazette, 20 November 1985 on sighting of yellow tailed black cockatoo in Blackburn South, Mitcham and Nunawading.Article from Nunawading Gazette, 20 November 1985. yellow tailed black cockatoos, birds

Twin fin surfboard manufactured at Piping Hot Boston Road Torquay. Manufactured from polyurethane foam core and laminated fibreglass with fixed fibreglass fins. Shaped by Mike Patterson. This board is has channels running almost full length on the bottom of the board, the wide point forward of centre, swallow tail with flyer. Custom graphics in red, yellow and green top and bottom; from 1979High performance twin fin designs were pioneered by 4 time Professional World Surfing Champion Mark Richards (Newcastle). In this period 1978 -1981 these surfboards represented the pinnacle of surfboard design progression and high performance. This surfboard also represents Piping Hot which was one of Australia's leading surf 'brands' at that time. Piping Hot was a Torquay based company that produced surfboards,wetsuits and surf clothing. Piping Hot Twin Fin surfboard. Manufactured from polyurethane foam core and laminated fibreglass with fixed fibreglass fins. Full plan shape with channels running almost full length on the bottom of the board, the wide point forward of centre, swallow tail with flyer. Legrope plug fitted. Custom graphics in red, yellow and green top and bottom.20cm x 16cm Black red yellow green Piping Hot logo on deck and bottom 60cm down from nose. Hand written makers mark "Shaped by Mike Patterson Custom" in pencil on blank beside stringer forward of the fins on the bottom. "1459" in pencil on bottom near tail. surfboard, fibreglass, twin fin, piping hot, mike patterson, torquay, channel bottom, fred pyke, rod brooks

Plastic scale model of Catalina Flying Boat. Twin engines on high main wing. Camouflage colouring on top of wing & tail wings. White fuselage & under wings. Gun mounted in front of cockpit. Two Rockets under each side of main wing. Gun turrets on each side of fuselage.Each side of fuselage under cockpit: "No 88" Each side of tail fin: "No 1188"military history - souvenirs - air force, passchendaele barracks trust

A large ethnic group in the Bendigo area was the Chinese, numbering 400-500 in 1868. There were several large Chinese villages in the Bendigo district of which one was located in Long Gully, near the junction with Sparrowhawk Gully. It was Sir John Quick, former resident of Ironbark, who introduced the first bill into Parliament in 1888 for the disenfranchisement of Chinese holding a Miner’s Right. Chinese miners worked the tailing heaps and discarded ore bodies. It was only the Chinese contractors, who worked the tailings of the quartz reefs. The work of stacking tailing dumps associated with major mine sites was a particular feature of the Bendigo field. The tailings had to be stacked for placement as they washed out of the batteries. It was undertaken exclusively by groups of Chinese workers, who paid the mining companies to stack the tailings with the hope of finding traces of gold. The long sluicing boxes and blankets laid out in lines over the tailings became a familiar feature in the city landscape. It was an essential element of the operations of the mines. The tailings were progressively planted with spiny rushes, pampas grass and peppercorn trees."On the tail end" written by James A. Lerk. Concerns Chinese working mine tailings on the Bendigo Goldfield. Published in Australia by JA & ERS Lerk in 2017. Soft cover. Cover is sepia in tone on the front and back. Title in white with red Chinese figures beside English text. Back cover has inset image of 'Register of Purchases' listing details of individuals. Book includes both color and black and white images. 78 pp. ISBN 9780646978598. Contains index. mining, chinese, mine tailings, gold

Drawing titled "Tramcars tail light and battery charging arrangement", shows battery charging arrangement using the compressor circuit / motor as a resistance. Marked up for switches and compressor. This option was not implemented. Possibly prepared in the Geelong office. See also item 10051 for an associated letter.Yields information about the development of a system to install tail lights on tramcars.Drawing - dyeline printed, dated 20-9-1949 titled "Tramcars tail light and battery charging arrangement", Drawing 8357.tramcars, tail lights, electrical engineering

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

Defending The Chase by Marcel Cameron; November 16, 1994, Issue 167, News Retrieved from https://www.greenleft.org.au/1994/167/news/defending-chase "In August 1990, a grassroots campaign to halt clearing of bush at The Chase began after access roads encroached on the nesting habitat of Melbourne's last family of wedge-tailed eagles. Three on-site demonstrations were each attended by up to 200 people and attracted widespread media coverage. Young people played an active role in the campaign, including people from Environmental Youth Alliance, Children for Conservation and local school students. In December 1990, Eltham Shire Council voted to acquire 12 hectares of The Chase for a wildlife reserve; the developers received a compensation package which included $125,000 and the right to sell two extra allotments."Colour photograph of a baby wedge-tail eagle on the nest at 'The Chase', Warrandyte.wildlife, eagle, warrandyte, the chase.

Souvenir small jug used at the original Healesville Sanctuary Kiosk in the 1930-1940 era. There is an image of Horatius the Wedge-tailed eagle on the side. This eagle gave visitors a 'close-up' view of this huge bird as he sat on the side of the long bridge. The Kiosk is now restored as the Heritage Shelter and can be seen at the SanctuarySmall souvenir milk jug, with handle. White ceramic with gold rim and gold stripe on handle. Wedge-tailed eagle in flight on one side.Inscription on side of jug ."HORATIUS' TRAINED HUNTING EAGLE THE SANCTUARY HEALESVILLE " healesville sanctuary, wedge-tailed eagle, horatius, kiosk, jug

Old Ballarat Pottery was set up by John Gilbert as part of the Old Ballarat Village, opposite Sovereign Hill. Gilbert had lectured at Ballarat College of Advanced Education before establishing the Edinburgh Pottery at Sovereign Hill in 1972 to enable visitors to see traditional trades at work. The Old Ballarat Pottery was a much larger concern, producing wares for sale through department stores and on party plan via Faberware as well as through the village. Early works looked as though they might have been made in the 1850s, with unturned bases, crude marks and dark treacle-like glazes. Peter Pilven, one of Gilbert's students, worked there after graduating from the Ballarat College of Advanced Education, teaching throwing to students like the potter John Ferguson, who was there from 1978-79. Potters were initially employed by Gilbert's company Pontresina Pty Ltd, registered in 1973. (The Old Ballarat Pottery was registered as a company from 1984-1994.) Early works are marked with an impressed long-tailed 'B', or an 'OB' on either side of a mine tower. A printed stamp also features a mine tower surrounded by the text 'Old Ballarat Pottery Made in Australia'. Later work is impressed 'Stoneware Old Ballarat Pottery Australia' with a kangaroo.Hand thrown black glazed bottle with lip. Stamped 'Stoneware Old Ballarat Pottery' and impressed with a long tailed B.old ballarat pottery, australian studio pottery, pontresina, bottle

Document: McColl, Rankin and Stanistreet: Deborah Gold Mines NL - account for purchase of accumulated tailings with accompanying letter addressed to : Gold Dumps Pty. Ltd., Sydney. Agreement dated 9th. June 1941.McColl, Rankin and Stanistreet: Deborah Gold Mines NLorganization, mining, mccoll, rankin and stanistreet, mccoll, rankin and stanistreet: deborah gold mines nl, mining, tailings, gold mining