Two hand sketched maps on same sheet of paper, one of the location of the Barfold Gorge in relation to surrounding towns, Mt Alexander and Turpin;s Falls. The second map is a part of the Campaspe River location of the Barfold Gorge. Shown is the location of columns, pools, type of rock, Mitchell's Falls, tunnel, cave, Queen's Falls, house, windmill, fences and places where access to the bottom of the gorge is possible. Car track and scale of 1 mile = 6 inches are also shown.place, land, barfold gorge, peter ellis collection, mitchell's falls, queen's falls, turpin's falls

Foolscap page of information on the Barfold Gorge, by Frank Robbins. Barfold Gorge is compared with the Sydenham Organ Pipes National Park. There is a description of the Gorge. Native vegetation growing there is also mentioned. Turning it into a National Park is mentioned but it is in private ownership and this would require buy back of the land and create access problems as it is a farming area.place, land, barfold gorge, peter ellis collection, barfold gorge, sydenham organ pipes national park, campaspe river, mitchell's falls, queen's falls, piper's creek, turpin's falls, land conservation council, victoria conservation trust, frank robbins

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.